Academic literature on the topic 'Gorgias (Plato)'

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Journal articles on the topic "Gorgias (Plato)"

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DeFilippo, Joseph G. "Plato, Gorgias." Ancient Philosophy 10, no. 1 (1990): 116–19. http://dx.doi.org/10.5840/ancientphil199010138.

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Evans, J. "Review. The Gorgias. Plato gorgias. R Waterfield." Classical Review 46, no. 2 (February 1, 1996): 224–26. http://dx.doi.org/10.1093/cr/46.2.224.

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Tusi, Jacqueline. "Between Rhetoric and Sophistry: The Puzzling Case of Plato’s Gorgias." Apeiron 53, no. 1 (January 28, 2020): 59–80. http://dx.doi.org/10.1515/apeiron-2018-0099.

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AbstractThe case of Gorgias’ profession has been an object of ongoing dispute among scholars. This is mainly because in some dialogues Plato calls Gorgias a rhetorician, in others a sophist. The purpose of this article is to show that a solution only emerges in the Gorgias, where Plato presents Gorgias’ goals as a rhetorician and its associated arts. On this basis, Plato introduces a systematic division between genuine arts and fake arts, including rhetoric and sophistry, thereby identifying their conceptual differences and similarities. The paper concludes by arguing that Gorgias can be called both a rhetorician and a sophist, provided that the labeling is done from different perspectives.
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Di Iulio, Erminia. "Gorgias and Plato’s Sophist ." Rhizomata 11, no. 2 (December 6, 2023): 208–26. http://dx.doi.org/10.1515/rhiz-2023-0009.

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Abstract My aim is to investigate the link between Plato’s Sophist and Gorgias’s treatise On What Is Not. This relationship is worth examining because Gorgias’s treatise constitutes an essential, but insufficiently studied stage in the intellectual journey leading from Parmenides to the Sophist. My claims are that 1) Plato’s agenda in the Sophist perfectly meets the challenges Gorgias raises in the first thesis of his treatise, that 2) this becomes clear once we focus on Gorgias’s and Plato’s respective use of the verb ‘to be’ and, finally, that 3) Plato is able to overcome Parmenides’s impasse precisely because he deals with Gorgias’s treatise.
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Robertson, David. "Plato on Conversation and Experience." Philosophy 84, no. 3 (June 5, 2009): 355–69. http://dx.doi.org/10.1017/s0031819109000369.

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AbstractPlato's dialogues show discourse strategies beyond purely intellectual methods of persuasion. The usual assumption is that linguistic understanding depends on a match of inner experiences. This is partly explained by an underlying engagement with the historical Gorgias on discourse and psychology, as well as Parmenides on philosophical logos. In the Gorgias and the Symposium, speakers cannot understand alien experiences by philosophical conversation alone. There is no developed alternative model of understanding in the Platonic dialogues. The difficulties in bringing ‘philistine souls’ into Socratic alignment are the result of possessing an inferior soul, suffering misdirected passions, or missing the philosophy bug.
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Shatalov, Keren. "In Praise of Gorgias." Illinois Classical Studies 47, no. 2 (October 1, 2022): 293–314. http://dx.doi.org/10.5406/23285265.47.2.05.

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Abstract In this essay I use Socrates's aside to Callicles at Gorgias 481c5–82b1 to argue that love is essential to philosophy on Plato's conception. On my reading, Plato uses the drama of the dialogue to critique the discussion therein against a standard for philosophy that is implicit in Socrates's remarks. Plato suggests that Socrates's exchange with Gorgias is the best of the three, since it best realizes the inseparable goals of pursuing truth and becoming more persuadable by reason. What makes it so is that between Socrates and Gorgias alone does there seem to be a genuine goodwill and love leading to an effective partnership in the social activity that is philosophy.
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Nepton, Samuel. "Pourrait-on convaincre Platon du bien-fondé de la philosophie pour enfants?" Studia Universitatis Babeș-Bolyai Philosophia 66, no. 3 (December 5, 2021): 135–60. http://dx.doi.org/10.24193/subbphil.2021.3.06.

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Could Plato be Convinced by the Merits of Philosophy for Children? The exclusion of childhood from the realm of philosophy traditionally dates back to the work of Plato. In his dialogues Gorgias and Republic, the founder of the Western philosophical tradition argues against a childish practice of philosophy: the search for truth is too serious and complex an undertaking for young people. This has led to a persistent presupposition that still hinders the implementation of the practice of philosophy with children. Our objective with this paper is to show that there is in fact a continuity between P4C and philosophy according to Plato. We present another reading of these Platonic reasons to show that they leave an opening for a playful and democratic approach to philosophy. Keywords: Plato, P4C, childhood, philosophy, play, care, Republic, Gorgias.
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Kerch, Thomas M. "Plato’s Menexenus: A Paradigm of Rhetorical Flattery." Polis: The Journal for Ancient Greek Political Thought 25, no. 1 (2008): 94–114. http://dx.doi.org/10.1163/20512996-90000127.

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The arguments advanced in this paper suggest that the Menexenus ought to be read as a pendent to the Gorgias and as an example of the way in which rhetoric that engages in flattery can harm the souls of its audience. The Menexenus was composed by Plato to illustrate precisely what sentiments ought to be avoided in public oratory, if the primary concern of speech-making is to benefit the lives of citizens. In addition to demonstrating the connections between the Menexenus and Gorgias, a portion of the paper examines the relation between Plato and Thucydides, arguing that there is perhaps more of an affinity between Plato and Thucydides than has previously been acknowledged. Pericles’ Funeral Oration and the speech in the Menexenus suggest that both Thucydides and Plato were deeply concerned with the negative effects of oratory on the political community.
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NORDQUEST, DAVID A. "Mill and the Gorgias." Utilitas 28, no. 1 (July 31, 2015): 19–27. http://dx.doi.org/10.1017/s0953820815000382.

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John Stuart Mill thought himself more indebted to Plato for his mental culture than to any other author. A study of his Gorgias translation and notes shows that arguments in On Liberty and Utilitarianism for individuality, freedom of discussion and the superiority of higher pleasures were probably shaped by that dialogue.
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Doyle, James. "Socrates and Gorgias." Phronesis 55, no. 1 (2010): 1–25. http://dx.doi.org/10.1163/003188610x12589452898769.

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AbstractIn this paper I try to solve some problems concerning the interpretation of Socrates’ conversation with Gorgias about the nature of rhetoric in Plato’s Gorgias (448e6-461b2). I begin by clarifying what, ethically, is at stake in the conversation (section 2). In the main body of the paper (sections 3-6) I address the question of what we are to understand Gorgias as believing about the nature of rhetoric: I criticise accounts given by Charles Kahn and John Cooper, and suggest an alternative account of my own. In the final section I spell out some of the implications of my account for the interpretation of the Gorgias, and of Plato more generally.
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Dissertations / Theses on the topic "Gorgias (Plato)"

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Lee, Hangyoo. "Die sophistische Rechtsphilosophie in den platonischen Dialogen Protagoras, Theaitetos und Gorgias Protagoras, Hippias von Elis, Gorgias, Polos, Kallikles /." [S.l. : s.n.], 2005. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB11675447.

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Tucker, Jiri Arthur Augustine. "A reprise of rhetoric in the Gorgias : is Plato a master rhetorician?" Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ43967.pdf.

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Ray, Clyde Hosea. "Rhetoric's reward how liberals might read the Gorgias (again) /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1707352671&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Kopman, Adam. "Plato's conception of philosophy: Socratic rhetoric in the Protagoras and the Gorgias." Thesis, Boston University, 1998. https://hdl.handle.net/2144/27690.

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Lopes, Daniel Rossi Nunes. "O filosofo e o lobo : filosofia e retorica no Gorgias de Platão." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269214.

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Orientador: Trajano Augusto Ricca Vieira
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-10T13:41:27Z (GMT). No. of bitstreams: 1 Lopes_DanielRossiNunes_D.pdf: 3523469 bytes, checksum: 9626ac1aaa6aa2e992e4270a9d8aa9c6 (MD5) Previous issue date: 2008
Resumo: O presente trabalho tem como objetivo oferecer uma interpretação sobre o problema da retórica no diálogo Górgias de Platão. O enfoque específico, todavia, não é o problema ético-político ressaltado pela crítica platônica, que certamente é central no pensamento do filósofo, mas a presença de elementos típicos dos gêneros retóricos na própria constituição do diálogo enquanto novo gênero literário. Minha proposta de leitura, portanto, é mostrar como a retórica está presente, de diversas formas, no modo de discurso e de escrita que Platão opta para expor suas idéias filosóficas. Analiso também a interface entre o diálogo e a comédia e a tragédia do ponto de vista da construção dos caracteres das personagens, tendo em vista as referências de Platão a Epicarmo e Eurípides no drama filosófico. Por fim, apresento a tradução do diálogo Górgias como complemento ao trabalho
Abstract: This work intends to offer an interpretation of the problem of rhetoric in the Plato¿s Gorgias. The specific approach, however, is not the ethic and politic problem emphasized by the platonic criticism, which is certainly central in the philosopher¿s thought, but the presence of typical elements of the rhetoric genres in the constitution of the dialogue as a new literary genre. My interpretation¿s purpose, then, is to show how the rhetoric participates in different ways in the mode of discourse and writing that Plato opts to explain his philosophical ideas. I analyze too the interface between dialogue and comedy and tragedy in the point of view of the characters¿ construction, since Plato refers to Epicarmus and Euripides in the philosophical drama. Finally, I present the Gorgias¿ translation as complement of this work
Doutorado
Letras Classicas
Doutor em Linguística
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Freitas, Luiz Eduardo Gonçalves Oliveira. "Os elementos dramáticos e literários no Górgias de Platão." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-02052017-130742/.

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Platão constrói sua argumentação filosófica no Górgias sobre um pano de fundo dramático intenso, em que Sócrates discute, ao longo de três \"atos\", questões que versam sobre a natureza da retórica, da justiça, da felicidade e do prazer. Sócrates discute com três interlocutores que defendem a prática da retórica; ao levá-los, pela vergonha, à refutação de suas posições, o protagonista do diálogo deslegitima a prática, relacionando-a ao prazer, em detrimento do bem, e defendendo a filosofia como a única prática política legítima. Esta dissertação tem como objetivo analisar o papel dos elementos dramáticos e literários presentes no Górgias. Defendo a tese de que ao considerar a integração entre os procedimentos literários e dramáticos e os argumentos no texto, notada, por exemplo, a partir da centralidade do tema da vergonha, somos capazes de oferecer uma compreensão mais completa sobre a definição da filosofia enquanto boa retórica alternativa.
Plato constructs his philosphical argument in the Gorgias upon an intense three-act sctructured dramatic backgroud, in which Sorates discusses questions regarding the natures of rhetoric, justice, happiness and pleasure. Throughout the dialogue, Socrates debates with three interlocutors that defend rhetoric as a social practice. He refutes their positions through shame, deslegitimizes rhetoric by showing its intrisic relation with pleasure and argues that philosophy is the only legitimate and true political pratice. This work intends to analyze the role of the dramatic and literary elements found in the Gorgias. I argue that the integration between literary and dramatic devices and the arguments in the text leads us to a better comprehension about the definition of philosophy as an alternative good rhetoric and its power of acting through shame, which is displayed in the dramatic confrontation between Socrates and his opponents.
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Marren, Marina. "APhilosophical Study of Tyranny in Plato, Sophocles, and Aristophanes:." Thesis, Boston College, 2017. http://hdl.handle.net/2345/bc-ir:108693.

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Thesis advisor: John Sallis
Plato’s interlocutors discuss at length about psychology, politics, poetry, cosmology, education, nature, and the gods, in short, about the things that inscribe the transcendent and the grounding poles of human life. It stands to reason that what we wish to glean from Plato’s thinking will show itself more readily if we remain attentive to the self-undermining and the subversive elements of the dialogues. I call the interpretation, which follows the shape- and, hence, meaning-shifting structure of Plato’s writing, “paradigmatic procedure.” By this I do not mean that we ought to find, explain, and then interpretively apply to the whole of Plato’s thought any particular passages from the Republic, the Timaeus, or the Statesman, which mention paradigms. However, I, following Benardete, propose that “Plato must have learned from poets” who produced epos, tragedy, comedy, and myth. This means that Plato borrows these poetic elements and form when he writes the philosophical dialogues. Paradigmatic method of interpretation is conscious of the dramatic form. It situates and analyzes the arguments made both through speeches and through actions as these arise out of the play of literary images. The latter, in their turn, are made up of the tripartite convergence between the dialogical characters, their speeches, and their deeds. Depending on the colorations that the three impart to one another, the images of Plato are comic, tragic, or, which is most often the case, they are tragicomic. The dramatic tone of a given image, once it is detected, reflects back onto the dialogical discussion or account and presents the argument in this newly discovered light. It often happens that the difference between the initial and the paradigmatic reading is so drastic that the straightforward meaning of the studied passage is undone as Plato’s writing begins to show its self-undermining nature. This does not mean that Plato’s philosophizing, also, is undone. On the contrary, when we begin to think together with and through Plato’s subversive writing, instead of retrofitting our lives to some systems that may arise out of it and instead of forcing it to substantiate our views, then we begin to get a sense for the liberating force of Plato’s philosophy. In chapter one, I explain the relationship between paradigms and the tragicomic character of Plato’s writing. Consequently, I offer a reading of select passages from the Timaeus and from the Republic. My discoveries showcase how paradigms inform and how the paradigmatic reading uncovers the tragic dimension of the Timaeus. I show how comedy shines through the, seemingly, most serious passages in the Republic. Plato’s dialogues do not strictly divide into the tragic, comic, epic, mythic, sophistic, or pre-Socratic ones, but rather, most are woven out of all of these orientations. Nonetheless, it is safe to say that within parts or passages, such as those from the Republic, for example, a given form and theme is most pronounced. I turn to the examination of tragedy in the second chapter. There, I first argue that Sophocles’ Oedipus is a tyrant and then I expose the relationship between the psychopathology of tyranny, tragedy, and poetry in books VIII and IX of the Republic. The third chapter carries on the exploration of pathology and offers an examination of tyranny and the soul in the Timaeus. Paradigmatic analysis plays up the theatricality of the Timaeus and identifies several axes around which the dialogical accounts revolve. The three main horizons are made up of nous, necessity, and dream or choric logic. These are fleshed out by the distention given to the dialogical arguments through the enmeshment of φύσις, μῦθος, and πόλις. The fourth kind of emphasis, senselessness, ushers the dialogue’s grotesquely humorous ending and prepares the readers for the considerations of comedy in the fourth chapter of the present work. The comedy of divisions, mythic tall tales, the halving and the fitting cuts, with which Plato’s Statesman is woven through and through, reveal statesmanship’s sinister underbelly. If it were not for the comedic tone, the fourth chapter argues, the monstrousness of tyranny, which is interred in all of the paradigms entertained as models of rule in the Statesman, would have remained unseen. Attunement to the comical passages and references, in the Statesman, is made expedient by an analysis of tyranny in Aristophanes’ Lysistrata. The fifth and final chapter sees to the convergence of the speciously opposite forms and themes. Tragedy is brought together with comedy, poetry with philosophy, and theater with ordinary life under the auspices of the twice-born god, Dionysus. The Dionysian, duplicitously evasive, nature is shown to be contemporaneous with the double-edged nature of shame. The contemplation of shame in Sophocles’ Oedipus and Aristophanes’ Clouds, aids the investigation of the humanity preserving and the corrupting role of shame in Plato’s Gorgias. The findings of the final chapter serve to locate the pressure points of pathology and tyranny as these recede into the tragicomic dramas of our lives
Thesis (PhD) — Boston College, 2017
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Philosophy
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Culp, Jonathan Frederick. "Plato's critique of injustice in the Gorgias and the Republic." Thesis, Boston College, 2008. http://hdl.handle.net/2345/972.

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Thesis advisor: Christopher Bruell
No rational decision can be made concerning how to live without confronting the problem of justice—both what it is and whether it is good to be just. In this essay I examine Plato’s articulation of these problems in the Gorgias and the Republic. Through detailed analyses of Socrates’ exchanges with several interlocutors, I establish, first, that despite some real and apparent differences, all the interlocutors share the same fundamental conception of justice, which could be called justice as fairness or reciprocal equality (to ison). The core of justice lies in refraining from pleonexia (seeking to benefit oneself at the expense of another). Second, according to this view, the practice of justice is not intrinsically profitable; it is valuable only as a means to the acquisition or enjoyment of other, material goods. This conception thus implies that committing successful injustice is often more profitable than being just. Third, the critics of justice recognize and openly acknowledge this fact; hence, their position is more coherent than common opinion. Fourth, the core of the Socratic defense of justice lies in the claims that the practice of pleonexia is incompatible with the possession of a well-ordered soul and that the possession of a well-ordered soul is necessary for happiness. Thus, despite appearances to the contrary, Socrates does not argue that justice, as it is commonly conceived, is intrinsically profitable. He is able to refute the critics of justice because the latter lack a coherent understanding of the human good. Finally, Socrates’ defense of justice nonetheless remains incomplete because he deliberately refrains from giving a sufficient account of the nature of the soul and its good
Thesis (PhD) — Boston College, 2008
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Political Science
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Issler, Daniel William. "The role of afterlife myths in Plato's moral arguments." unrestricted, 2009. http://etd.gsu.edu/theses/available/etd-05112009-121410/.

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Thesis (M.A.)--Georgia State University, 2009.
Title from file title page. Tim O'Keefe, committee chair ; Andrew I. Cohen, Jessica Berry, committee members. Electronic text (53 p.) : digital, PDF file. Description based on contents viewed October 24, 2009. Includes bibliographical references (p. 53).
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Dott, Philippa. "De la réception au renversement de la rhétorique dans le "Gorgias" de Platon." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAC013/document.

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On considère souvent que le projet de fondation d’une rhétorique philosophique chez Platon ne s’effectue que dans les dialogues du Phèdre et des Lois. Pourtant, la puissance du Gorgias tient dans le fait qu’il articule à la fois l’appréhension du nouveau phénomène social, politique, éducatif que représente la rhétorique, sa critique et sa refondation par le philosophe idéal, Socrate, tout en apportant un nouvel éclairage à l’histoire d’Athènes. Le présent travail propose d’en faire l’étude en accordant une attention particulière au mouvement du dialogue et aux différents visages de la rhétorique qu’incarnent les personnages. On discernera trois étapes fondamentales dans le dialogue : la réception, la réfutation et la refondation dialectique de la rhétorique qui sont finalement reproduites à une échelle plus réduite et métaphorique dans le mythe eschatologique qui conclut l’œuvre
We often consider that the Platonic project of founding a philosophical rhetoric is carried out only in the Phaedrus and the Laws. However, the force of the Gorgias lies at once in its presentation of the new social, political, and pedagogical phenomenon of rhetoric, the dialogue’s critique and refoundation of this new phenomenon by the ideal philosopher, Socrates, as well as the light it sheds on the history of Athens. The following study proposes to examine these features of the Gorgias by affording a particular attention to the movement of the dialogue and to the different faces of rhetoric embodied by its characters. We will set out three fundamental steps in the dialogue: the reception, refutation, and dialectical refoundation of rhetoric, which are finally reproduced metaphorically, though on a smaller scale, in the eschatological myth that concludes the work
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Books on the topic "Gorgias (Plato)"

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Plato. Plato: Gorgias, Menexenus, and Protagoras. New York: Cambridge University Press, 2009.

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Michael, Erler, and Brisson Luc, eds. Gorgias - Menon: Selected papers from the Seventh Symposium Platonicum. Sankt Augustin: Academia Verlag, 2007.

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Kungl. Humanistiska vetenskapssamfundet i Lund, ed. Eros and rhetoric: From Gorgias to Plato. Lund: Kungl. Humanistiska vetenskapssamfundet, 2008.

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Plato. Gorgias. Indianapolis: Hackett Pub. Co., 1987.

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Plato. Gorgias. Newburyport, MA: Focus Publishing/R. Pullins, 2009.

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Plato. Gorgias. [Göttingen]: Vandenhoeck & Ruprecht, 2004.

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Plato. Gorgias. Ithaca, NY: Cornell University Press, 1998.

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Plato. Gorgias. London: Penguin, 2004.

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Plato. Gorgias. Madrid: Consejo Superior de Investigaciones Científicas, 2000.

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Plato. Gorgias. Paris: Librairie générale française, 1996.

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Book chapters on the topic "Gorgias (Plato)"

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Schmalzriedt, Egidius, and Heinz-Günther Nesselrath. "Platon: Gorgias." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15188-1.

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"Gorgias." In Oxford World's Classics: Plato: Gorgias. Oxford University Press, 1994. http://dx.doi.org/10.1093/oseo/instance.00246973.

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"Gorgias." In Oxford World's Classics: Plato: Selected Myths. Oxford University Press, 2004. http://dx.doi.org/10.1093/oseo/instance.00246989.

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"THE GORGIAS." In The Gorgias of Plato, 1–174. Piscataway, NJ, USA: Gorgias Press, 2002. http://dx.doi.org/10.31826/9781463207991-003.

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"Plato: The Gorgias." In A Short History of Ethics, 32–36. Routledge, 2003. http://dx.doi.org/10.4324/9780203131121-9.

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Rutherford, R. B. "Dodds on Plato." In Rediscovering E. R. Dodds, 149–66. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198777366.003.0007.

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This chapter assesses E.R. Dodds’s commentary on the Gorgias. Dodds’s edition of the Gorgias was the third commentary he published, and in some ways the most traditional. In his work on the Gorgias, he followed more closely a well-established channel of scholarship on a central author. Yet the book contains much that is characteristic of Dodds’s work, and in many passages one recognizes his distinctive voice. When Dodds was writing about the Gorgias, he had to deal with Plato as a critic of human politics and society, and he kept in view the author’s development into a reformer and a legislator who laid down the principles on which society must be based and the means by which morals and correct beliefs must be imposed upon mankind.
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"Socratic Dialogues: Gorgias, Meno." In Plato: The Man and His Work (RLE: Plato), 117–59. Routledge, 2013. http://dx.doi.org/10.4324/9780203101377-11.

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"The impossibility of neutrality: Gorgias." In Plato 's Metaphysics of Education (RLE: Plato), 42–54. Routledge, 2013. http://dx.doi.org/10.4324/9780203100585-11.

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"PREFACE." In The Gorgias of Plato, vii—x. Piscataway, NJ, USA: Gorgias Press, 2002. http://dx.doi.org/10.31826/9781463207991-001.

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"INTRODUCTION." In The Gorgias of Plato, xi—xxx. Piscataway, NJ, USA: Gorgias Press, 2002. http://dx.doi.org/10.31826/9781463207991-002.

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