Relevant bibliographies by topics / Gothic Architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Gothic Architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Gothic Architecture"

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Bi, Kaihui. "An Analysis of the Role of Gothic Architecture in Crimson Peak." Art and Society 2, no. 5 (October 2023): 50–61. http://dx.doi.org/10.56397/as.2023.10.09.

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Gothic architecture’s expression of anxiety about the relationship with the past, about the family, evokes the imagery of ghosts, and thus this type of house as a haunted site. Guillermo del Toro’s 2015 Crimson Peak provides a good example of the contribution of Gothic architecture to the atmosphere and visualisation of haunted house narratives in modern Gothic cinema, and demonstrates that the untraceable history of the Gothic sets the stage for the relationship between the traumatic memories of the past and the present. In the following part, we will delve into the confrontation between past and present suggested by Gothic architectural features, using Crimson Peak as a case study of how Gothic architecture has provided a lasting influence on the genre.
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Hermawati ; C. Sudianto Aly ; Jonathan Hans Y. S, Sisilia. "THE APPLICATION OF GOTHIC ARCHITECTURE ON SANTO LAURENSIUS CHIRCH ALAM SUTRA, SERPONG." Riset Arsitektur (RISA) 2, no. 04 (October 16, 2018): 360–75. http://dx.doi.org/10.26593/risa.v2i04.3047.360-375.

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Abstract- At a glance, the Church of Saint which Laurensius located in Serpong is like a church built in the past. However, when traced, it turns out this church is a new church that was built in 2007 by applying the Style of Gothic Architecture on the building. The application of elements of gothic architecture is not only visible from the outside of the church, but also on the inside of the church. For that, it will be further investigated about the application of any gothic elements contained in the study object.Gothic architectural elements are divided into several periods based on its development, ranging from Early Gothic, High Gothic, Late Gothic to Gothic Revival or Neo-Gothic. Gothic architectural elements have different characteristics and characters in each period of development. In this research, discussed theories about elements in gothic architecture based on its development. There are 17 elements analyzed in this research. These seventeen elements are summarized into three major sections covering the structural elements, non-structural elements, and spatial arrangements. Analysis of the application of gothic architectural elements to the Church of St. Laurensius begins by describing the elements present in the study object and then compared with the gothic architectural elements of the gothic period described in the second chapter. Based on the results of the analysis, it can be seen that from 17 elements observed, 12 elements of which are adapted from the building elements contained in the period of neo-gothic architecture. Key Words: Gothic, Period, Element, Architecture, Neo-Gothic
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Hermawati ; C. Sudianto Aly ; Jonathan Hans Y. S, Sisilia. "THE APPLICATION OF GOTHIC ARCHITECTURE ON SANTO LAURENSIUS CHIRCH ALAM SUTRA, SERPONG." Riset Arsitektur (RISA) 2, no. 04 (October 16, 2018): 358–71. http://dx.doi.org/10.26593/risa.v2i04.3047.358-371.

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Abstract- At a glance, the Church of Saint which Laurensius located in Serpong is like a church built in thepast. However, when traced, it turns out this church is a new church that was built in 2007 by applying the Styleof Gothic Architecture on the building. The application of elements of gothic architecture is not only visiblefrom the outside of the church, but also on the inside of the church. For that, it will be further investigated aboutthe application of any gothic elements contained in the study object.Gothic architectural elements are dividedinto several periods based on its development, ranging from Early Gothic, High Gothic, Late Gothic to GothicRevival or Neo-Gothic. Gothic architectural elements have different characteristics and characters in eachperiod of development. In this research, discussed theories about elements in gothic architecture based on itsdevelopment. There are 17 elements analyzed in this research. These seventeen elements are summarized intothree major sections covering the structural elements, non-structural elements, and spatial arrangements.Analysis of the application of gothic architectural elements to the Church of St. Laurensius begins by describingthe elements present in the study object and then compared with the gothic architectural elements of the gothicperiod described in the second chapter. Based on the results of the analysis, it can be seen that from 17 elementsobserved, 12 elements of which are adapted from the building elements contained in the period of neo-gothicarchitecture.Key Words: Gothic, Period, Element, Architecture, Neo-Gothic
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Lindfield, Peter. "Serious Gothic and ‘doing the Ancient Buildings’: Batty Langley's Ancient Architecture and ‘Principal Geometric Elevations’." Architectural History 57 (2014): 141–73. http://dx.doi.org/10.1017/s0066622x00001404.

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Batty Langley (1696-1751) is one of the most familiar and generally infamous figures of Britain's eighteenth-century Gothic Revival (Fig. 1). Following his father, he trained as a gardener and was one of the early promoters of the irregular style that prefigured William Hogarth's ‘line of beauty’. Langley's interest, however, turned to architecture and he produced numerous architectural treatises and pattern books, the majority of which were concerned with Classical architecture. This was a sensible decision since, as Eileen Harris and Nicholas Savage observe, ‘Langley had much to gain by concentrating his publishing activities on architecture, for which there was a considerably larger, more diversified, and less discriminating market.’ His most well-known publication, however, is concerned with the Gothic: Ancient Architecture: Restored, and Improved by a Great Variety of Grand and Useful Designs, Entirely New in the Gothick Mode (1741-42).
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Degtyarev, Vladislav V. "Gothic Revival and the Possibility of “Gothic Survival”." Observatory of Culture 15, no. 5 (December 14, 2018): 576–83. http://dx.doi.org/10.25281/2072-3156-2018-15-5-576-583.

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The notion of “Gothic survival” is still prevalent in literature on Gothic revival architecture in England. This concept implies the possibility of the unreflexive survival of Gothic architectural tradition in some distant provincial regions, where architects, searching connections with the past or folk traditions, could find it. This notion, dating back to the literature of the beginning of the 20th century, can be convincingly refuted by analyzing the meanings and purposes of different stages of Gothic revival. The article aims to demonstrate that the use of Gothic architectural forms in the second half of the 17th — beginning of the 18th century was initiated by intellectuals and had no connection to the preservation of artisan traditions.The courtiers of Elizabeth I, re-enacting mediaeval romances and Arthurian legends, conducted the earliest known Gothic revival. The relation between Eli­zabethan architecture and Gothic tradition has been discussed many times. And in later decades — du­ring the Stuart era, the Commonwealth and after the Restoration — Gothic colleges and churches were extensively built.Basing on the sources available, it can be assumed that, though there was not any chronological break in Gothic architectural tradition, Gothic revival had been ideologically biased from its very beginning. We can also say that the spread of classical architecture in England not only was unable to destroy the Gothic tradition, but also gave it new meanings and almost immediately made any appeal to Gothic forms an ideological statement.
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Fehér, Krisztina. "Tas-de-charge – An Essential Part of Gothic Vault." Periodica Polytechnica Architecture 52, no. 1 (April 21, 2021): 21–31. http://dx.doi.org/10.3311/ppar.16889.

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Gothic architecture can be viewed from several perspectives, including stylistic aspects, architectural theory, and structural analysis.As Gothic architecture is a skeletal construction, it is essential to achieve an equilibrium with the multiple loads and forces. Medieval master masons' architectural knowledge was firmly based on empirical learning, which stimulated the dynamic development of structural innovations.This paper emphasises and describes a particular type of vault springer, one of the most complicated and sensitive parts of Gothic construction. Known as tas-de-charge, it became especially characteristic of high Gothic architecture. According to its principle, the springer's lower courses contain the merged vault nerves and are carved from one single stone block in each course. The beds of these courses are not radial as those of the average voussoirs, but horizontal. Without the concept of tas-de-charge, the development of late Gothic vaults could not be imaginable. This particular solution made possible the creation of elegantly narrow imposts supporting the vault ribs, the double arch and the formerets. So far, tas-de-charge has not been a focus of interest in the historiography of Hungarian medieval architecture; however, it appears that it was commonly applied in our late Romanesque and early Gothic monuments.
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Frew, John. "Bulfinch on Gothic." Journal of the Society of Architectural Historians 45, no. 2 (June 1, 1986): 161–63. http://dx.doi.org/10.2307/990094.

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Charles Bulfinch, now chiefly remembered as a classicist, is shown to have also possessed a developed interest in Gothic architecture. This can be identified with the architect's midcareer and was sustained through book purchases made from I. & J. Taylor's "Architectural Library," London. In particular, Bulfinch read Joseph Taylor's Essays on Gothic Architecture (1800) closely, sources summarized in this publication providing the framework for his own observations on the origins of the Gothic style, as well as his interest, through Le Brun's Voyages... dans... l'Asie Mineure (1732), in the church of St. John at Acre in the Palestine.
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Васильєва, О. С., М. С. Винничук, І. В. Васильєва, and І. В. Олійник. "АРХІТЕКТУРА ЯК ДЖЕРЕЛО НАТХНЕННЯ ДЛЯ РОЗРОБКИ АВТОРСЬКИХ КОЛЕКЦІЙ ОДЯГУ." Art and Design, no. 1 (June 3, 2020): 70–81. http://dx.doi.org/10.30857/2617-0272.2020.1.5.

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Identify the features of the artistic and plastic properties of gothic and neo-gothic architecture. Find their characteristic forms and artistic and compositional features, explore and highlight the characteristic stylistic interpretations of gothic architecture in modern clothing collections. The study used the basic principles of a systematic approach to the art design of modern author's clothing collections: literary and analytical studies and figuratively associative stylization of the source of creativity. The analysis carried out and the most characteristic artistic and compositional solutions of the gothic architectural style solutions. The basic techniques and stylization of the elements of the gothic architectural style in modern collections of fashionable clothes are determined. The principles of design modern collections of fashion designers are defined, where a gothic architectural style was used as a creative source. The research results used in the development of the author's collection of women's clothing. The paper sets out the basic artistic and compositional features of the gothic and neo-gothic architectural styles (forms, decorative elements and color combinations) and their application in the design of collections of modern fashionable clothes. The analysis of the artistic and compositional features of the collections of the world's leading designers in the gothic and neo-gothic styles carried out and information about the features of their interpretation systematized. Practical recommendations on the choice artistic and compositional solutions, design and decorative elements, selection of materials, color, accessories, hats, for the design of modern women's clothing with stylization elements of gothic and neo-gothic architectural styles are presented. The research results used to develop a collection of women's clothing.
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LIU, Yi. "Gothic Architecture and Gothic Fiction: An Intertextual Approach." Comparative Literature: East & West 13, no. 1 (October 2010): 135–42. http://dx.doi.org/10.1080/25723618.2010.12015572.

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Silver, Larry, and Norbert Nussbaum. "German Gothic Church Architecture." Sixteenth Century Journal 32, no. 2 (2001): 623. http://dx.doi.org/10.2307/2671851.

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Dissertations / Theses on the topic "Gothic Architecture"

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Chase, Davis William. "Architectural design principles as evidenced in Gothic architecture." Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/53714.

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Three specific architectural design principles are identified and documented through a study of gothic architecture. The comparative method is used to show progressive change in gothic architecture and to illustrate how these design principles are evident in this change.
Master of Science
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Grzesiak, Filip. "Capturing the Gothic Line : Parametric Exploration of the Gothic Ornament." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-229425.

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The project explores the ‘Gothic Line’ as observed in ornament. Escaping strictly geometrical means of defining, the study focuses on capturing the Line’s elusive properties in connection to chosen architectural elements. With selected properties, the two-dimensional principles are extracted into the 3D environment. Using parametric design tools each feature is transformed into multiple prototypes of three-dimensional interpretation. The project aims to capture subtlety of the Gothic Line while providing a system enabling creation of architecturally relevant ornamental structures.
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Grant, Lindy M. "Gothic architecture in Normandy, c.1150-1250." Thesis, Courtauld Institute of Art (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.281784.

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This thesis covers Gothic architecture in Normandy from c.1150-c.1250. It establishes a chronology for the large number of ecclesiastical buildings erected in Normandy in this period, and traces stylistic developments. Chapter I discusses the emergence of an Early Gothic style with distinctly Norman Characteristics, epitomised at Fecamp, out of a stolid vaulted Romanesque, current in the early years of the 12th century in the Lower Oise and the Vexin, as well as Normandy. Chapter II considers the obverse of the 12th century Norman coin, that is, those buildings, notably Lisieux and Nortemer choir, which reflect French sources to the extent of prejudicing their Norman character. Chapter III discusses the new ideas and approaches, not all of Ile de France origin, that flooded Norman architecture between c.1180 and c.1200, notably at St.Etienne at Caen in Lower Normandy, and Bonport and Petit Andeli in Upper Normandy, bringing a new elegance and spatial fluidity to Norman Gothic, and preparing the way for 13th century developments. Chapter IV discusses these developments in Upper Normandy, focussing on the central problem of Rouen cathedral. Chapters VI and VII do the same for Lower Normandy: the sixth dealing with the incestuous `Bessin' group related to Bayeux cathedral, and the seventh with the far south-west, notably Coutances cathedral choir, and the Merveille at Le Mont-Saint-Michel. The fifth chapter differs in that it is devoted to the architectural development of the Cistercians in Normandy, from c.1150-c.1240. The relationship between Norman Gothic architecture and the architecture of the Capetian Ile de France and Picardy is an everpresent consideration. The influence of Paris emerges as paramount, with quite strikingly little influence from the Aisne Valley, Northern Picardy or Chartres. The conclusion considers the development of Norman Gothic architecture within the historical context of the Loss of Normandy in 1204.
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Weston, Lindy. "Gothic architecture and the liturgy in construction." Thesis, University of Kent, 2018. https://kar.kent.ac.uk/67341/.

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Medieval Christian action, which is sometimes venerational, provides the embodiment of Christian narrative within relics. Abbot Suger saw masonry stones as if they were relics, and there must therefore be a corresponding Christian veneration and collective Christian working, i.e. liturgy, specifically to do with construction. Though the articulation of this collective Christian action in construction has not been attempted because masons left no written record of their work, it is certain manual construction was seen as a spiritual process of edification. This "liturgy in construction" is here explored through the idea of sacred geometry as an aspect of "uncreated being", applied geometry, and stone masonry craftsmanship. The cosmological presuppositions accepted by the medieval mind allowed for religious answers to questions of building and construction in the medieval cathedral, but contemporary literature often provides an insufficient narrative of the role of religion for the daily tasks required in stone masonry. While past scholarship has asserted the cathedral was built by theologians, such notions are now seen as suspect. To what extent did religion influence these lay builders? Although it is certainly reasonable for thinkers of the 21st century to assume a secular and technological workforce, it remains somewhat of an oversight, given the weight of the religious and written tradition in medieval culture, to assume religion played no role in design and construction. The removal of key philosophical and theological notions, such as virtue, charity, the idea of uncreated being, and miracles from debates dealing with medieval architecture result in an insufficient and inauthentic account of the Gothic cathedral. To explore the question of religious building methods in the medieval cathedral, an interpretation of the cosmology of the period is here articulated, and the work of the mason is discussed within this "cosmological" approach. Despite the absence of written documents which might reveal the presuppositions and motivations of the masons, the task of stone masonry is undertaken experimentally within this thesis in order to demonstrate how cutting stone with hand tools fits within the medieval cosmology. Thus, the processes of medieval stone masonry and of organizing a workforce without construction documents, lent themselves to easy assimilation by the medieval mind.
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Bayless, James D. "Digital Gothic: Integration and Material Experimentation in Contemporary Architecture." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397476805.

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Etemad, Yousefi Arash. "Medieval Islamic and Gothic architectural drawings : masons, craftsmen and architects." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/33024.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2005.
Includes bibliographical references (leaves 54-57).
As medieval designers and craftsmen have left us with no textual evidence of their thinking processes, their drawings offer valuable sources through which their approach to design and construction can be investigated. Focusing on the early architectural drawings of the medieval period, this thesis will explore the intersections between Late Gothic and Timurid architectural practices. Both Timurid and Gothic designers were also skilled builders. Their education provided them with a good understanding of the pragmatics of architecture, while affecting the ways in which these individuals combined theory and practice to produce novelties in architectural form and style. Two 15th/16th century scrolls from Timurid Central Asia and the considerable number of Late Gothic drawings provide materials for a comparative analysis of Gothic and medieval Islamic design practices and the use of drawings. Beginning with a discussion of vaults, this thesis will examine the precise methods by which designers applied geometry in drawings to explore complex forms. The emphasis on intricate vaults in both Late Gothic and Timurid architecture attest to the similarities between these traditions, while presenting the opportunity to explore their differences. A consideration of the function of drawings in medieval design practices will lead in the second part of this thesis to a broad assessment of the profession of architecture in medieval Central Asia. The hierarchies within the building trades, the roles and responsibilities of designers and their education will be among the topics that will be discussed.
Arash Etemad Yousefi.
S.M.
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Aspin, Philip. "Architecture and identity in the English Gothic revival 1800-1850." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669903.

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Quinn, Caroline. "Dueling Dualities: The Power of Architecture in American Gothic Literature." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/897.

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This article seeks to establish the importance of gothic convention and architecture’s role in Poe’s “The Fall of the House of Usher” and Southworth’s The Hidden Hand. By examining these stories’ dualities this article analyzes Poe and Southworth’s projects behind setting up dual spaces. Specific to Poe, this article follows architecture’s effect on mental health. Specific to Southworth, this article investigates her criticism of binaries and convention and how she uses architecture to shape her analysis.
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Springer, Mary Ruth. "American Collegiate Gothic architecture: the birth of a style and its architects, patrons, and educational associations, 1806-1906." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5640.

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Collegiate Gothic architecture can be found on many American campuses, yet its beginnings in nineteenth-century United States are something of a mystery. As the nation’s colleges and universities grew more innovative in their modernized curricula and research, strangely, their architecture became more anachronistic with Collegiate Gothic being the most popular. Around the greens of their campuses, Americans built quadrangles of crenellated buildings and monumental gate towers with stained-glass windows, gargoyles, pointed arches, turrets, and spires, thus transforming their collegiate grounds into likenesses of the Universities of Oxford and Cambridge. Why medievalizing buildings came to represent the archetypal college experience has confounded many educators, scientists, and industrialists, who wondered why some of America’s most revolutionary institutions built libraries and academic halls in a style that seemed to oppose everything that was modern. Scholarship has not fully addressed the reasons why Collegiate Gothic buildings came to occupy so many American college campuses. Authors have not regarded the style in its own right, having its own history within the nineteenth-century’s dynamic developments in higher education, religion, politics, urban planning, and architecture. My dissertation evaluates these relationships by addressing the Collegiate Gothic’s first one hundred years on American campuses from 1806 to 1906.
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Albo, Frank. "Freemasonry and the nineteenth-century British Gothic Revival." Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/283920.

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Books on the topic "Gothic Architecture"

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Grodecki, Louis. Gothic architecture. London: Faber, 1986.

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Anne, Prache, and Recht Roland, eds. Gothic architecture. New York: Electa/Rizzoli, 1991.

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Grodecki, Louis. Gothic architecture. New York: Electa/Rizzoli, 1985.

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1945-, Crossley Paul, ed. Gothic architecture. New Haven: Yale University Press, 2000.

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Reading Gothic Architecture Conference (2005 East Sussex, England). Reading Gothic architecture. Turnhout, Belgium: Brepols, 2008.

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Reeve, Matthew M., ed. Reading Gothic Architecture. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.svcma-eb.6.09070802050003050205030605.

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Reading Gothic Architecture Conference (2005 East Sussex, England). Reading Gothic architecture. Turnhout, Belgium: Brepols, 2008.

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Reeve, M. M., ed. Reading Gothic architecture. Turnhout : Brepolis, 2007: Brepols, 2008.

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Hofstätter, Hans Hellmut. Gothic. [Köln]: Benedikt Taschen, 1990.

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Hofstätter, Hans Hellmut. Gothic. [Köln]: Benedikt Taschen, 1990.

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Book chapters on the topic "Gothic Architecture"

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Law, Graham, and Jenny Bourne Taylor. "Gothic Architecture." In E.S. Dallas in The Times, 285–97. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003433613-34.

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Reeve, Matthew M. "Introduction: Reading Gothic Architecture." In Studies in the Visual Cultures of the Middle Ages, 1–10. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.svcma-eb.3.1311.

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Hollengreen, Laura H. "Gothic skins." In Architecture and the Body, Science and Culture, 67–85. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315642055-5.

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Duggett, Tom. "Introduction: Architecture, Politics, and the Ancient Constitution." In Palgrave Gothic, 1–25. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96832-8_1.

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Gloag, John, and Hilton Wright. "The Emergence of Gothic." In Guide to Western Architecture, 143–74. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003333494-6.

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Lepine, Ayla. "Modern, Gothic, Anglican." In Modern Architecture and Religious Communities, 1850–1970, 107–22. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351043724-7.

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Elsner, Jaś. "A Golden Age of Gothic." In Architecture, Liturgy and Identity, 7–15. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.sga-eb.1.100126.

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Murray, Stephen. "The Study of Gothic Architecture." In A Companion to Medieval Art, 489–512. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch21.

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Fugelso, Karl. "Multiculturalism in Italian Gothic Architecture." In Arizona Studies in the Middle Ages and Renaissance, 91–112. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.asmar-eb.3.3035.

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McEvoy, Emma. "Strawberry Hill: Performed Architecture, Houses of Fiction and the Gothic Aesthetic." In Gothic Tourism, 12–52. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137391292_2.

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Conference papers on the topic "Gothic Architecture"

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Willis, Andrew, Yunfeng Sui, Katharina Galor, and Donald Sanders. "Estimating Gothic facade architecture from imagery." In 2010 IEEE Computer Society Conference on Computer Vision and Pattern Recognition Workshops (CVPR Workshops). IEEE, 2010. http://dx.doi.org/10.1109/cvprw.2010.5543519.

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Serro, Luis. "THE MONASTERY OF SAINT-MARY OF VICTORY: ROMANTICISM BEYOND THE GOTHIC." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.130.

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Korndorf, Anna. "Between Ordine and Capriccio. Gothic Architecture in the Theatre of the Enlightenment." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.2.

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Matchegora, A. V., and I. I. Orlov. "Briff historiography of the Cult Gothic architecture of the South France in the context of general trends in the development of Medievistics." In Scientific achievements of the third millennium. Scientific achievements of the third millennium, 2022. http://dx.doi.org/10.18411/satm-08-2022-02.

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Now in Russia new rise in temple architecture is observed. In this regard it would be interesting to address to cult architecture of the early and medieval period of Christianity. The author analyzed the theoretical concepts of Gothic churched in South France (Occitany) XIII-XIV. In rich amendments to the article the author describes social-ideological context of the period of church construction and its character
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Bin, Qin. "The Space Construction of Gothic Architecture in Narration in the Notre Dame of Paris." In 2017 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/saeme-17.2017.116.

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Barelkowski, Robert. "The Optimization of Assumptions of the Reconstruction of Monumental Objects of Romanesque and Gothic Architecture - Computer Aided Archeological and Architectural Research." In eCAADe 2004: Architecture in the Network Society. eCAADe, 2004. http://dx.doi.org/10.52842/conf.ecaade.2004.617.

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Chanturia, Yury, and Alesya Yanusz. "The System of the Plan Compositional Principles of the Gothic Town Building in the Grand Duchy of Lithuania." In Proceedings of the 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ahti-19.2019.93.

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8

Арутюнян, Ю. И. "MEDIEVAL ARCHITECTURE IN THE CREATIVE INTERPRETATION OF CHILDREN’S BOOK ILLUSTRATION." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.17.

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Целью исследования является классификация принципов интерпретации средневековий культуры в отечественной детской книжной графике, тема актуальна в силу разнообразия принципов трактовки готических мотивов в искусстве книги и по причине отсутствия развернутых исследований данного вопроса. Архитектурные мотивы в книжной иллюстрации выступают как маркеры времени и места, обозначают эпоху, создают эмоциональный и культурный контекст, способствуют формированию сказочной атмосферы повествования, используются в познавательной и учебной литературе. Средневековая архитектура в детской книжной графике может быть отражением системы стилизации или выполнять смысловую роль, воздействуя на принципы рецепции образа. Образы средневекового зодчества появляются в творчестве Г. А. В. Трауготов, Ф. В. Лемкуля, Г. В. Калиновского, В. Д. Пивоварова, Н. Г. Гольц. The purpose of the study is to classify the principles of interpretation of medieval culture in the domestic children’s book graphics, the topic is relevant due to the diversity of principles of interpretation of Gothic motifs in the art of the book and due to the lack of detailed research on this issue. Architectural motifs in book illustrations act as markers of time and place, denote an epoch, create an emotional and cultural context, contribute to the formation of a fabulous atmosphere of narration, are used in cognitive and educational literature. Medieval architecture in children’s book graphics can be a refl ection of the stylization system or perform a semantic role by infl uencing the principles of image reception. Images of medieval architecture appear in the works of G.A. V. Traugots, F. V. Lemkul, G. V. Kalinovsky, V. D. Pivovarov, N. G. Golts.
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Rusu, Adrian Andrei. "Biserici medievale și premoderne din Moldova. Revizia repertoriului și metodelor de abordare." In Cercetarea și valorificarea patrimoniului arheologic medieval. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.37710/idn-c12-2022-81-88.

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Observations relative to the gradual growth of the ecclesiastical landscape of medieval Moldavia are included. Bold generalizations are noted but without any real basis. The archaeological contribution is considered minor and little relevant for the presence of many old, wooden, disappeared churches. The return to the use of the general mechanisms for the birth of churches is called for, along with social maturation and the achievement of some mandatory economic performances related to constructions, the majority of craftsmen from Gothic architecture or the maintenance of worship and clerical workers. In short, the tendencies to delimit opposite traditional cults are taken into analysis, based on strictly formal criteria. Several important objectives, superficially restored archaeologically, are reconstructed planimetrically: princely founders (Suceava, Vaslui), Catholic churches (Suceava, Săbăoani) and wooden churches (Suceava, Igești-Bătinești).
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Dashti, Hussain. "Robotic Fabrication as Catalysts for Emergent Topologies and Traditions: Nomadic Small Pavilions and Permanent Mega Structures in Kuwait." In International Conference on the 4th Game Set and Match (GSM4Q-2019). Qatar University Press, 2019. http://dx.doi.org/10.29117/gsm4q.2019.0015.

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This paper reviews tendencies and drives for future parametric computational design and robotic fabrication/construction automation. It sheds light on the local current impact of the computational paradigm and mass-customized robotic fabrication in Kuwait. This paper is intended to answer the following two questions: Is parametric design and robotic fabrication allowing for emergent architectural topologies? Is robotic fabrication a catalyst for legitimizing change in architectural traditions at a local level? This has been experimented on two building scales. One with more ephemeral or transient nomadic pavilions, designed by the author, intended to demand our momentary attention, offering essential opportunities for research, experimentation, heuristic testing and prototyping - public delight and exposure. Though impermanent, these can even go so far as to be catalysts for positive change displaying affirmative qualities of temporal architecture. On the other hand, the author shares parametric design and robotic fabrication practices/consultation on local permanent mega structures currently under construction. Such mega buildings act as proof that geometrically complex buildings do not stay in the realm of small experimental and heuristic research only, but incorporated in large-scale complex building, branding and placing countries on the global map. Robotic fabrication and construction gives rise to new paradigms such as "zero-tolerance" building with "file-to-factory" production allowing for Ruskinian tectonics blending structures with ornamental aesthetics, similar to gothic architecture. With the profusion of robotic fabrication and construction, the author claims that change in the physical built environment is eminent. A final inquiry will be raised as a future research topic pertaining to robotic in-situ "mobility-on-demand", Artificial Intelligence, "Machine Learning", "Big Data" and "evolutionary robotics" which raises the question of what will our future mass-customized cities look like and what type of physical infrastructure is needed to facilitate mobile robotic fabrication and construction.
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