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Dissertations / Theses on the topic 'Gothic Cathedrals'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Wilson, Mary E. "Gothic cathedral as theology and literature." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002826.

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2

Herford, Maxwell Francis. "The Early Gothic Cathedral: A Response to Widespread Cultural Change." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/19896.

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This thesis covers an immense territory of religious thought and architectural history. Its intent is to explain the emergence of the Early Gothic cathedral: this remarkable construction type first appeared at the St-Denis abbey church, and also at Sens Cathedral, near Paris, in the middle of the twelfth century. Early Gothic is defined as the phase up to Chartres Cathedral, the first High Gothic cathedral. This first chapter will introduce the central propositions of the thesis, and will explain several working definitions. It also commences an investigation into the function of the cathedral

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3

Smith, Rebecca Avery. "Measuring the past: the geometry of Reims Cathedral." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6289.

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Reims Cathedral holds a great deal of significance for the history of Gothic architecture, as well as the larger history of France as the coronation church. Given the historic significance of Reims, it is not surprising that much scholarship has been dedicated to the building’s sculpture, glass, and architecture. Most studies dealing with the cathedral’s architecture are based on stylistic and archaeological analysis, augmented by the use of surviving documents related to the construction. Although much fruitful work has been done in this vein, important questions about the building’s chronolo

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4

Ormrod, Lucy. "The Wenceslas chapel in St. Vitus' cathedral, Prague : the marriage of imperial iconography and Bohemian kingship." Thesis, Courtauld Institute of Art (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302224.

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5

Atkinson, Caroline Sarah. "William Peckitt's Great West Window at Exeter Cathedral." Thesis, University of Plymouth, 2011. http://hdl.handle.net/10026.1/887.

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This thesis examines the Great West Window at Exeter Cathedral designed by William Peckitt of York (1731-95). Peckitt was arguably the most important glass designer of the eighteenth century and undertook prestigious commissions at York, Oxford and elsewhere. In 1764 he was contracted by the Dean of Exeter, Jeremiah Milles, to supply glass to complete the restoration of the Cathedral’s glazing and to make the new window, which has often been considered to be his masterpiece. Peckitt’s Great West Window is no longer extant (although portions of it have been salvaged), having been replaced in 19

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6

Sturgis, Alexander J. "The liturgy and its relation to gothic cathedral design and ornamentation, in late twelfth and early thirteenth century France." Thesis, Courtauld Institute of Art (University of London), 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321172.

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7

O'Callaghan, Adrienne Patrice. "Space as a function of structure and form : the integrity of architectural vision in the cathedral of St. Etienne at Bourges." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26891.

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Despite its monumental scale, its position at a turning point in the development of Gothic architecture and its visionary spatial conception, the cathedral of Bourges has remained an anomaly of medieval architectural history. Conceived and built concurrently with the cathedral of Chartres, Bourges has persistently been viewed as the lesser of the two buildings. This thesis attempts to contextualize supposed irregularities of Bourges' design and to review existing historiographical notions of the building in order to rearticulate its artistic character and redefine its historic position. Histo

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8

Heath, Anne Elizabeth. "Architecture, ritual and identity in the Cathedral of Saint-Etienne and the Abbey of Saint-Germain in Auxerre, France /." View online version; access limited to Brown University users, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3174619.

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9

Ableman, Joslyn Elise. "Imago Clipeata, the Liturgy, and Giovanni Pisano's Man of Sorrows Lectern: A Classical Reappropriation in the Gothic Era." BYU ScholarsArchive, 2021. https://scholarsarchive.byu.edu/etd/9018.

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The monumental sculpture, especially the pulpits, of the father and son duo, Nicola and Giovanni Pisano, have often been compared to ancient Roman and early Christian sarcophagi. Giovanni produced a pulpit with two accompanying lecterns for the Pisa Cathedral, which is just a few steps away from the Camposanto, a "holy field", or cemetery, built around sacred soil from Golgotha which serves to house a huge collection of sarcophagi. Iconography, composition, relief style, and even the materiality of Giovanni's Pisa pulpit is in part governed by, and connected to, these sarcophagi. This influenc

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10

Ableman, Joslyn Elise. "Imago Clipeata, the Liturgy, and Giovanni Pisanoâ€™s Man of Sorrows Lectern: A Classical Reappropriation in the Gothic Era." BYU ScholarsArchive, 2004. https://scholarsarchive.byu.edu/etd/8988.

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The monumental sculpture, especially the pulpits, of the father and son duo, Nicola and Giovanni Pisano, have often been compared to ancient Roman and early Christian sarcophagi. Giovanni produced a pulpit with two accompanying lecterns for the Pisa Cathedral, which is just a few steps away from the Camposanto, a “holy field”, or cemetery, built around sacred soil from Golgotha which serves to house a huge collection of sarcophagi. Iconography, composition, relief style, and even the materiality of Giovanni’s Pisa pulpit is in part governed by, and connected to, these sarcophagi. This influenc

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11

Costa, Jover Agustí. "Análisis del proceso de construcción-deconstrucción de la catedral de Tortosa." Doctoral thesis, Universitat Rovira i Virgili, 2015. http://hdl.handle.net/10803/351952.

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La Catedral de Santa Maria de Tortosa (1345-1757) és un dels edificis gòtics més importants de Catalunya. La seva construcció va suposar la substitució progressiva de la seu romànica preexistent, en un procés de construcció-deconstrucció en que tots dos edificis van coexistir fins a principis del segle XVIII. L'objectiu principal d'aquesta tesi és analitzar el procés de construcció de la catedral de Tortosa a través de tècniques actuals, les quals permetran ampliar el coneixement existent més enllà de la historiografia tradicional. Així, s'estableix una metodologia que implicarà, en primer ll

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12

Ramirez, Karen Niccoli. "Análise do comportamento estrutural da Catedral da Sé de São Paulo." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/3/3144/tde-23112010-102807/.

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Esta pesquisa apresenta o comportamento estrutural da Catedral da Sé de São Paulo em termos de deslocamentos e de tensões a partir do desenvolvimento de um modelo numérico tridimensional simplificado e da consideração do comportamento elástico-linear dos materiais. Construção gótica do século XX, a igreja matriz é um símbolo religioso, arquitetônico e social e sua praça, palco de manifestações e de expressão popular. Seu estilo gótico e o céu abobadado são interrompidos por um espaço octogonal sobre o qual se ergue uma cúpula renascentista. Inicialmente, são abordados aspectos da arquitetura d

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13

Rampáčková, Monika. "Katedrála v současnosti." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2020. http://www.nusl.cz/ntk/nusl-414281.

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The master's thesis deals with famous Notre-Dame de Paris, which was destroyed by fire in 2019. The work focuses specifically on the design of completion of the construction. The cathedral is situated in the historical centre of Paris on the Île de la Cité. A lot of damage was caused to the building after the devastating fire on 15 April 2019. The aim of the thesis was to create a spiritual place that would maintain its past, but at the same time manage to follow ecological solutions in the present. The new design of the attic creates a sacred place, in which we realize the importance of faith

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14

Boscolo, Marchi Marta. "La cattedrale di Ferrara in epoca medievale: fasi costruttive e problemi iconografici." Doctoral thesis, Università degli studi di Padova, 2011. http://hdl.handle.net/11577/3421700.

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Ferrara cathedral in the Middle Age: building phases and iconographical problems. The present investigation analyzes the different building phases of Ferrara cathedral during the Middle Age, trying to understand the evolution of a very large and extremely complex yard. Nowadays only the perimetrical walls belong to the medieval period, because of the remaking suffered during the centuries. The work starts from a careful, critical revision of the existing literature and the preserved sources, by a widespread research in the archives of Ferrara, Modena, Ravenna, Florence, Rome and Vatican

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15

Asseray, Nicolas. "Les chapelles latérales de la cathédrale d'Amiens : un chantier majeur du gothique rayonnant à la lumière de l'imagerie numérique." Thesis, Université de Lille (2018-2021), 2021. http://www.theses.fr/2021LILUH043.

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Considérée à juste titre comme un édifice majeur de l’architecture gothique, la cathédrale d’Amiens a fait l’objet de nombreuses études qui se sont essentiellement consacrées à la construction du gros œuvre entre 1220 et 1288. Pourtant, après cette date et jusqu’à la fin du Moyen Âge, l’édifice a été le théâtre de travaux ambitieux comprenant notamment l’adjonction d’une série de chapelles entre les contreforts de la nef entre 1290 et 1380. Bien que leur construction se soit étendue sur près de cent ans, ces chapelles présentent une grande homogénéité d’ensemble, dont la mise en œuvre progress

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16

FEROLDI, Alessandra. "La luce e lo stile gotico: una nuova modalità di organizzazione dello spazio sacro, una nuova visione dell’uomo e del rapporto con Dio. Le relazioni tra arte, religione e scienza nel passaggio dal XII al XIII secolo." Doctoral thesis, Università degli studi di Bergamo, 2014. http://hdl.handle.net/10446/30776.

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17

Pernuit, Claire. "Une relecture de la cathédrale de Sens : (1130-1550)." Thesis, Dijon, 2015. http://www.theses.fr/2015DIJOL016.

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Cette thèse s’inscrit dans le prolongement d’un premier travail, mené dans le cadre du Master I, puis du Master II, sur l’iconographie des vitraux du XIIIe siècle de la cathédrale sénonaise. Suite à cette première étude, un constat s’est imposé : malgré l’étendue des travaux antérieurs, l’analyse de l’édifice du « premier maître », pour reprendre l’expression de Jacques Henriet, c’est-à-dire l’analyse du projet du XIIe siècle, l’étude de la chronologie du chantier, mais également des nombreuses modifications subies par la cathédrale métropolitaine au Moyen Âge, et plus particulièrement aux XII

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18

Frizet, Yannick. "Munificence et stratégie de Louis XI dans l'aire Provençale (1440-1483)." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10079.

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Le 11 décembre 1481, le roi Louis XI rattachait le comté de Provence souverain au royaume de France. Cela ne s’accomplit pas sans que les grands sanctuaires provençaux reçoivent de sa part des offrandes importantes, tels la chapelle de la Sainte-Baume, le chef-reliquaire d’or de Sainte-Marthe de Tarascon, et, dans une certaine mesure, le tombeau du dernier comte Charles III de Provence dans la cathédrale Saint-Sauveur d’Aix. Mais sa munificence religieuse de quatre décennies en Provence, connut bien d’autres développements (fondations, rentes, privilèges). Cette étude originale est un essai de

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19

Eckford, Ian Philip. "The adaptation of Gothic Revival architecture to Christ Church Cathedral, Newcastle, Australia." Thesis, 2018. http://hdl.handle.net/1959.13/1383632.

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Research Doctorate - Doctor of Philosphy (PhD)<br>Christ Church Cathedral, Newcastle, is the largest Anglican cathedral in New South Wales, and the third largest in Australia. It is a State heritage-listed building and has national significance. The cathedral is relevant in the history of Newcastle and is an important example of Australia’s architectural and cultural heritage. Canadian born, American-trained architect John Horbury Hunt was the first of eight architects/architectural practices involved in the cathedral’s design over almost 130 years. Despite its significance, the architecture o

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20

Dressler, Rachel Ann. "Medieval narrative the capital frieze on the Royal Portal Chartres Cathedral /." 1992. http://catalog.hathitrust.org/api/volumes/oclc/36534517.html.

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21

Williams, Jane Welch. "The windows of the trades at Chartres Cathedral." 1987. http://catalog.hathitrust.org/api/volumes/oclc/18703286.html.

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Thesis (Ph. D.)--University of California, Los Angeles, 1987.<br>Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 326-355).

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22

Cook, Lindsay Shepherd. "Architectural Citation of Notre-Dame of Paris in the Land of the Paris Cathedral Chapter." Thesis, 2018. https://doi.org/10.7916/D84T81S9.

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This study foregrounds the problem of the center and periphery of Gothic architecture near Paris. Taking architectural citation as its interpretive framework, it focuses on a core group of rural parish churches situated in the land of the Paris cathedral chapter. It addresses the visual links between Notre-Dame of Paris and the village churches, the ways in which architectural citation was put into practice, and the institutional context that imbued the resemblances with meaning. It demonstrates that quoting the architecture of the cathedral of Paris was the exception, not the rule, in the vil

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23

Bryant, Aleyna Michelle. "Proximity to the divine : personal devotion at the Holy Graves in Strasbourg." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5361.

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In this thesis I examine the Holy Grave monument located in the St. Catherine chapel of Strasbourg cathedral, erected by Bishop Berthold von Bucheck sometime between 1346 and 1348. This sculptural sarcophagus currently exists in fragmented form in the Musée de l'Oeuvre Notre-Dame; only the four relief panels of the sleeping guardians, the gisant of Christ, and some fragments of the baldachin remain of the original monument. Scholars have been able to ascertain the placement and probable appearance of the Holy Grave based on traces of three lancet bays, wall paint, and bolt holes discovered alo

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24

Mikeska, Pavel. "Vývoj gotického opěrného systému." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-335152.

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The diploma thesis deals with the development of Gothic supporting system. In particular, chronologically arranged chapters are given examples of individual buildings, which are grouped into chapters according to their geographical location. Starting with the first supporting systems, as well as the Gothic style in France, we come to the spread of new ideas into neighboring countries such as England, Italy, the Netherlands, Germany and the Czech Republic. Next chapter is devoted to the supreme form of the support system using the example of the cathedral in Amiens and Cologne. Whole work close

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25

Faria, Higino Abreu. "Escultura Arquitetónica na Sé do Funchal: das Formas e Temas do Gótico-Tardio Internacional à Simbólica Manuelina do Poder." Master's thesis, 2013. http://hdl.handle.net/10316/35988.

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26

Urbanová, Karolína. "Zvířata v katedrále. Architektonická skulptura zvířat a fantaskních tvorů parléřovské huti v katedrále sv. Víta, jejich symbolika a ikonografie." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-346103.

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This Master Thesis "The animals in the cathedral. Architectural sculpture of animals and fantastical creatures by parlerian lodge in the St. Vitus Cathedral, their symbols and iconography" looks into the architectural sculpture of animal's motifs and motifs of fantastical Creatures. The goal of this work is to summarize recent aspects of research about this theme, explain in more detail individually motifs of animal's and their Iconography and their meaning for Cathedral of St. Vitus. Also this thesis want to explain how could this special animal's motifs fit into the places, where are they ha

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