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1

Jones, Kelly, Benjamin Poore, and Robert Dean, eds. Contemporary Gothic Drama. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95359-2.

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2

Marnich, Melanie. Tallgrass gothic: A drama. New York: Playscripts, Inc., 2007.

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3

A, Colon Christine, ed. Six Gothic dramas. Chicago, Ill: Valancourt Books, 2007.

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4

The Gothic impulse in contemporary drama. Ann Arbor, Mich: U-M-I Research Press, 1990.

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5

Wet, Reza De. Plays two: African gothic, Good heavens, Breathing in. London: Oberon, 2005.

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6

Tennessee, Williams. A house not meant to stand: A gothic comedy. New York: New Directions, 2008.

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7

Gothic plays and American society, 1794-1830. Jefferson, N.C: McFarland & Co., Publishers, 2008.

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8

Ranger, Paul. 'Terror and pity reign in every breast': Gothic drama in the London patent theatres, 1750-1820. London: Society for Theatre Research, 1991.

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9

Michaels, Barbara. Be buried in the rain. New York: Atheneum, 1985.

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10

Michaels, Barbara. Be buried in the rain. London: Piatkus, 1986.

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11

Michaels, Barbara. Be buried in the rain. Bath: Chivers, 1987.

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12

Michaels, Barbara. Be Buried in the Rain. New York: HarperCollins, 2007.

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13

Michaels, Barbara. Be buried in the rain. Thorndike, Me: Thorndike Press, 1986.

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14

Il teatro della paura: Scenari gotici del Romanticismo europeo. Roma: Bulzoni, 2005.

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15

The Blood Countess, Erzébet Bathory of Hungary (1560-1614): A gothic horror poem of violence and rage ; with, Báthory, a play for single performer. Cherry Valley, NY: Cherry Valley Editions, 1987.

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16

Die jüngere englische Romantik im Prisma des englischen Gegenwartstheaters: Dargestellt an: Howard Brenton, Bloody poetry; Liz Lochhead, Blood and ice; Ken Russel, Gothic. Frankfurt am Main: Peter Lang, 1999.

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17

Spectacular politics: Theatrical power and mass culture in early modern England. Baltimore: Johns Hopkins University Press, 1993.

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18

Baillie, Joanna. Six Gothic dramas: De monfort, orra, the dream, the family legend, the phantom, witchcraft. Chicago, IL: Valancourt Books, 2007.

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19

In Lady Audley's shadow: Mary Elizabeth Braddon and Victorian literary genres. Edinburgh: Edinburgh University Press, 2010.

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20

Azzarello, Brian, David S. Goyer, Greg Rucka, Alan Burnett, Toshi Hiruma, Jordan Goldberg, and Josh Olson. Batman: Gotham knight. Burbank, CA: Distributed by Warner Home Video, 2008.

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21

Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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22

Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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23

Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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24

Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2010.

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25

Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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26

Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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27

Trudeau, Lawrence J., and Thomas J. Schoenberg. Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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28

Literature criticism from 1400 to 1800. Detroit, Mich: Gale, 2009.

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29

Cox, Jeffrey N. The Gothic Drama. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199600304.013.030.

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30

N, Cox Jeffrey, ed. Seven gothic dramas, 1789-1825. Athens: Ohio University Press, 1992.

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31

N, Cox Jeffrey, ed. Seven Gothic dramas, 1789-1825. Athens: Ohio University Press, 1992.

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32

John, Drakakis, and Townshend Dale, eds. Gothic Shakespeares. New York: Routledge, 2008.

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33

Townshend, Dale. Gothic Antiquity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198845669.001.0001.

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This book seeks to provide the first sustained scholarly account of the relationship between Gothic architecture and Gothic literature (fiction, poetry, drama) in the late eighteenth and early nineteenth centuries. Although the literature/architecture relation is a topic that has long preoccupied scholars of the literary Gothic, there remains no monograph-length study of the intriguing interactions between these two aesthetic forms. Equally, Gothic literature has received only cursory treatment in art-historical accounts of the early Gothic Revival in architecture, interiors, and design. Addressing this gap in scholarship, Gothic Antiquity seeks to situate Gothic writing in relation to the Gothic architectural theories, aesthetics, and practices with which it was contemporary, providing closely historicized readings of a wide selection of texts. In turn, it shows how these architectural debates responded to, and were shaped by, what we have since come to identify as the literary Gothic mode. In both its ‘survivalist’ and ‘revivalist’ forms, the architecture of the Middle Ages in the long eighteenth century was much more than a matter of style. Incarnating the memory of a vanished ‘Gothic’ age in the enlightened present, Gothic architecture, whether ruined or complete, prompted imaginative reconstructions of the nation’s past—a notable ‘visionary’ turn in which Gothic writers, architects, and antiquaries enthusiastically participated. Through initiating a series of dialogues between Gothic literature, architectural history, and the antiquarian interest in the material remains of the Gothic past, the book argues that these discrete yet intimately related approaches to vernacular antiquity are most fruitfully read in relation to one another.
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34

(Editor), Frederick S. Frank, ed. The Origins of the Modern Study of Gothic Drama, Together With a Re-edition of Gothic Drama from Walpole to Shelley (1947). Edwin Mellen Pr, 2006.

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35

Gothic Shakespeares (Accents on Shakespeare). Routledge, 2008.

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36

Drakakis:, John. Gothic Shakespeares (Accents on Shakespeare). Routledge, 2008.

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37

Jones, Kelly, Robert Dean, and Benjamin Poore. Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Macmillan, 2019.

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38

Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Macmillan, 2018.

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39

Gothic Novel and the Stage: Romantic Appropriations. Taylor & Francis Group, 2015.

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40

Bram Stoker Dracula And The Victorian Gothic Stage. Palgrave Macmillan, 2013.

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41

Tennessee, Williams. A House Not Meant to Stand: A Gothic Comedy (New Directions Paperbook). New Directions, 2008.

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42

Michaels, Barbara. Be Buried in the Rain. HarperTorch, 1999.

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43

Michaels, Barbara. Be Buried in the Rain. Harper, 2007.

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44

Michaels, Barbara. Be Buried in the Rain. HarperCollins Publishers, 1997.

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45

Michaels, Barbara. Be Buried in the Rain. HarperTorch, 1999.

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46

Montague Summers: A Bibliographical Portrait (Great Bibliographers Series). Scarecrow Pr, 1988.

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47

Michaels, Barbara. Be Buried in the Rain. Harper, 2007.

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48

Michaels, Barbara. Be Buried in the Rain. HarperCollins Publishers, 1997.

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49

Michaels, Barbara. Be Buried in the Rain. Tandem Library, 2001.

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50

Be buried in the rain. HarperCollins, 1999.

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