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Relevant bibliographies by topics / Gothic language Writing, Gothic

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Academic literature on the topic 'Gothic language Writing, Gothic'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Gothic language Writing, Gothic"

1

Han, Bing, and Mo Guo. "Gothic Writing Technique and Yin-Yang Theory in The Fall of the House of Usher." Journal of Language Teaching and Research 11, no. 2 (2020): 288. http://dx.doi.org/10.17507/jltr.1102.18.

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In both theoretical and practical senses, Gothic writing techniques and Yin-Yang theory share many similarities. To some extent, Gothic writing techniques can be explained by Yin-Yang theory and their application in Gothic fictions can be transferred to corresponding regulations in Yin-Yang theory. This paper mainly looks into the similarities and dissimilarities of them, specifically in Edgar Allen Poe’s The Fall of the House of Usher. This paper studies this two terms from a philosophical perspective.

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Aspin, Philip. "‘Our Ancient Architecture’: Contesting Cathedrals in Late Georgian England." Architectural History 54 (2011): 213–32. http://dx.doi.org/10.1017/s0066622x00004056.

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Recent research has transformed our understanding of the late eighteenth and early nineteenth centuries as a phase in the wider process of the Gothic Revival. While historical writing on the Gothic Revival had previously tended to see the significance of the period between 1790 and 1820 largely in terms of its academic contribution to the later development of Victorian Gothic Revival architecture, emphasizing especially the role of antiquarian scholarship in providing a basis of archaeological accuracy upon which subsequent architects could draw, more diverse angles have been opened up within

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Xu, Lingling. "An Analysis of The Falls from the Perspective of Gothic." Theory and Practice in Language Studies 6, no. 8 (2016): 1602. http://dx.doi.org/10.17507/tpls.0608.12.

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This research studied the Gothic traditions in The Falls from its themes, languages and mysterious setting. Though Joyce Carol Oates may refuse to be characterized as a Gothic writer, more often than not she is regarded as such for the all-encompassing violence and deaths in her works. She treats the Gothic traditions as an appropriate way to obtain her writing objectives. Instead of sticking to the old Gothic conventions rigidly, she revises it in creative and ingenious ways. This research also focuses on its mysterious setting. In traditional Gothic fictions, the scenes are often set in gloo

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4

Kramnick, Jonathan Brody. "The Making of the English Canon." PMLA/Publications of the Modern Language Association of America 112, no. 5 (1997): 1087–101. http://dx.doi.org/10.2307/463485.

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This essay discusses the origins of the literary canon in mid-eighteenth-century England, looking in particular at the changing reputations of Shakespeare and Spenser. Situating the writing of English literary history within the context of the cultural market, print culture, and nationalism, I argue that the mid-century model of literary history both represents the dialectical outcome of previous decades of thinking through the problem of cultural change and puts in place the terms for the modern narrative of the literary canon. An earlier aesthetics of gendered and sociable refinement separat

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Galiné, Marine. "The 1798 Rebellion: Gender Tensions and Femininity in the Irish Gothic." Review of Irish Studies in Europe 2, no. 2 (2018): 105–18. http://dx.doi.org/10.32803/rise.v2i2.1897.

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The year 2018 marks the 220th anniversary of the Irish rebellion of 1798. As Susan B. Egenolf points out, this short-lived but devastating conflict between Irish insurgents and Loyalist soldiers was felt as an attack on domesticity, as rebels and loyalists alike 'invade[d] private homes'. Several scholars have already discussed the (re)writing of such a traumatic event in Protestant women's narratives, shedding light on how these women filtered their emotions with the languages of chivalry, sensibility, and the gothic. Indeed, the gothic is generally seen as a polymorphous prism through which

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Čapaitė, Rūta. "Boguslavo Radvilos autografas XVII a. lotyniškojo kursyvo kontekste." Lietuvos istorijos metraštis 2020/2 (December 2, 2020): 5–40. http://dx.doi.org/10.33918/25386549-202002001.

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THE AUTOGRAPH OF BOGUSLAVAS RADVILA IN THE CONTEXT OF THE 17TH-CENTURY ROMAN CURSIVE The article dwells on the autograph of Boguslavas Radvila (Bogusław Radziwiłł) (1620–1669). The earliest autograph of the duke in the analysed material is detected in two letters in the Polish language dating back to 1622, and one letter in the same language dating back to 1623, written in his name by an adult to Kristupas II Radvila (Krzysztof Radziwiłł). The assumption is that the validation ręką swą in the letters of 1622 and the subscription, signature and validation in the letter of 1623 were made by the

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Sawczuk, Tomasz. "Taking Horror as You Find It: From Found Manuscripts to Found Footage Aesthetics." Text Matters, no. 10 (November 24, 2020): 223–35. http://dx.doi.org/10.18778/2083-2931.10.14.

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An authenticator of the story and a well-tested enhancer of immersion, the trope of the found manuscript has been a persistent presence in Gothic writing since the birth of the genre. The narrative frame offered by purported textual artifacts has always aligned well with the genre’s preoccupation with questions of literary integrity, veracity, authorial originality, ontological anxiety and agency. However, for some time now the application of the found manuscript convention to Gothic fiction has been reduced to a mere token of the genre, failing to gain impact or credibility. A revival of the

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Lasa Álvarez, Begoña. "The insecure and the irrational: the southern european other in "The tradition of the castle; or, Scenes in the Emerald Isle" (1824) by Regina Maria Roche." Journal of English Studies 12 (December 20, 2014): 71. http://dx.doi.org/10.18172/jes.2824.

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A section of "The tradition of the Castle; or Scenes in the Emerald Isle" (1824), a novel by Regina Maria Roche, is set in the European Continent, which enacts a cultural confrontation between Britain and the Southern Other. Additionally, the South of Europe and particularly Spain is employed as a displaced scenario where the British could project their anxieties and accordingly face the conflicts of their own society. By using popular fiction and popular imagery, such as those provided by travel writing and the Gothic, Roche warns her readers about insecurity and irrationality beyond their bo

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Petersen, Christian T. "Bibliographia Gotica: A Bibliography of Writings on the Gothic Language. Fifth Supplement: Corrections and Additions to the Middle of the Nineties." Mediaeval Studies 59 (January 1997): 301–56. http://dx.doi.org/10.1484/j.ms.2.306448.

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Arseguet Crisol, Sarah, and María Luisa Renau. "Practicing your English writing skills in a community learning through an Edublog." EDMETIC 4, no. 1 (2015): 9. http://dx.doi.org/10.21071/edmetic.v4i1.2897.

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<p style="margin: 0cm 0cm 0pt;"><span style="font-family: 'Century Gothic',sans-serif; font-size: 11pt; mso-ansi-language: EN-US;" lang="EN-US">In this research, we combine digital competence, in this case the use of a blog and cultural competence in order to practice the writing skills. Through the blog we want to challenge the traditional teaching methods as Vygotsky’ social development theory and we propose a change of roles. Students do not write anymore only for the teacher, but also for their classmates and even for anyone who reads the blog. In addition, not only the teacher

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Dissertations / Theses on the topic "Gothic language Writing, Gothic"

1

Scott, Joline L. "Shells." Cleveland State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=csu1285194565.

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Slagle, Judith Bailey. "Gothic Interactions: Italian Gothic Translations of Margaret Holford Hodson." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3222.

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Fincher, Max. "The penetrating eye : queering gothic writing." Thesis, King's College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411723.

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Townsend, Dale. "The orders of Gothic : Foucault, Lacan and the subject of Gothic writing, 1764-1806." Thesis, Keele University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.403772.

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Owen, Lauren Elizabeth Sarah. "Dracula's inky shadows : the vampire Gothic of writing." Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12317/.

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Always a story about a story, the vampire tale is forever in dialogue with the past, conscious of its own status as a rewrite. This makes the vampire a figure onto which readers and authors can project ambivalence about writing – the gothic of living with texts. Bram Stoker’s Dracula (1897) vividly illustrates this connection. The novel presents textual interactions as both dangerous and pleasurable. What is more, Dracula has accumulated significance through criticism and adaptation. These retellings tie the novel even more closely to the processes of writing and rewriting. This thesis will be

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Hillard, Thomas J. "Dark Nature: The Gothic Tradition of American Nature Writing." Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/196066.

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"Dark Nature" examines literary representations of fears of nature in American literature, from the seventeenth through the mid-nineteenth century. Critiquing some dominant trends in ecocriticism, this project fills a gap in the field by studying texts that represent nature as a threatening force. By calling attention to such representations, I identify many of the cultural sources of those anxieties about nature at different historical moments. In the process, this project reveals that there has always been a Gothic subtext in the long history of literature about nature in the United State

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Shorter, Wendy Ann. "Gothic writing : maintaining the psyche in literature and psychoanalysis." Thesis, University of Kent, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408431.

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Vassilieva, Elena. "John Fowles and the Gothic tradition." Thesis, Kingston University, 2004. http://eprints.kingston.ac.uk/21820/.

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This thesis examines the elements of the Gothic tradition in John Fowles's fiction and traces the transformation of the male protagonist throughout the entire range of Fowles's novels. The work also investigates the relationship between the discourses of the literary Gothic and Jungian psychoanalysis and argues in favour of a strong conceptual link between them. Taking advantage of the fact that John Fowles was interested in Carl Jung's ideas, the thesis argues that Jungian psychology throws light on the evolution of Fowles's texts and reveals that each hero performs a phase in a distinct patt

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Williams, Anna. "My Gothic dissertation: a podcast." Diss., University of Iowa, 2019. https://ir.uiowa.edu/etd/7046.

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In My Gothic Dissertation, I perform an intertextual analysis of Gothic fiction and modern-day graduate education in the humanities. First, looking particularly at the Female Gothic, I argue that the genre contains overlooked educational themes. I read the student-teacher relationships in Ann Radcliffe’s The Mysteries of Udolpho (1794), Mary Shelley’s Frankenstein (1818, 1831), and Charlotte Brontë’s Villette (1853) as critiques of the insidious relationship between knowledge and power. Part literary critic and part literary journalist, I weave through these readings reports of real-life ‘horr

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Alsulami, Mabrouk. "Science Fiction Elements in Gothic Novels." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2016. http://digitalcommons.auctr.edu/cauetds/47.

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This thesis explores elements of science fiction in three gothic novels, Mary Shelley’s Frankenstein, Robert Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, and Bram Stoker’s Dracula. It begins by explicating the important tropes of science fiction and progresses with a discussion that establishes a connection between three gothic novels and the science fiction genre. This thesis argues that the aforementioned novels express characters’ fear of technology and offer an analysis of human nature that is literarily futuristic. In this view, each of the aforementioned writers uses extreme

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Books on the topic "Gothic language Writing, Gothic"

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J, Hewitt Helen-Jo, and Feist Sigmund 1865-1943, eds. A Gothic etymological dictionary. E.J. Brill, 1986.

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2

Ledoux, Ellen Malenas. Social Reform in Gothic Writing. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137302687.

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An introduction to the Gothic language. Modern Language Association of America, 1999.

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4

Gothic writing, 1750-1820: A genealogy. 2nd ed. Manchester University Press, 2002.

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Edmundson, Melissa. Women’s Colonial Gothic Writing, 1850-1930. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76917-2.

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6

Robert, Miles. Gothic writing, 1750-1820: A genealogy. Routledge, 1993.

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7

Ebbinghaus, Ernst A. Gotica: Kleine Schriften zur gotischen Philologie. Institut für Sprachen und Literaturen der Universität Innsbrück, 2003.

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8

Cryptomimesis: The gothic and Jacques Derrida's ghost writing. McGill-Queen's University Press, 2001.

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9

Preverbs and idiomatization in Gothic. Peter Lang, 2011.

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10

Gothic (re)visions: Writing women as readers. State University of New York Press, 1993.

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Book chapters on the topic "Gothic language Writing, Gothic"

1

Clark, Fiona. "Gothic conventions." In A Practical Guide to Creative Writing in Schools. Routledge, 2021. http://dx.doi.org/10.4324/9781003097105-4.

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2

Armitt, Lucie. "Dark Departures: Contemporary Women’s Writing after the Gothic." In Postfeminist Gothic. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230801301_2.

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Stasiewicz-Bieńkowska, Agnieszka. "Writing (on) Girls’ Bodies: Vampires and Embodied Girlhood." In Palgrave Gothic. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71744-5_2.

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Wright, Angela, and Nicolas Tredell. "‘Terrorist Novel Writing’: the Contemporary Reception of the Gothic." In Gothic Fiction. Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-03991-0_2.

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Aldana Reyes, Xavier. "Conclusion: A Language of Collaboration and Liberation." In Spanish Gothic. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-30601-2_10.

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Stasiewicz-Bieńkowska, Agnieszka. "A Love So Strong that It Aches: (Re-)Writing Vampire Romance." In Palgrave Gothic. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71744-5_3.

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Rossen, Janice. "Gothic and Fabulist Tales." In Women Writing Modern Fiction. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403938442_3.

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Wright, Angela. "‘How do we ape thee, France!’ The Cult of Rousseau in Women’s Gothic Writing in the 1790s." In Le Gothic. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582811_5.

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Poore, Benjamin. "Writing the Ghost—An Interview with Playwright Michael Punter." In Contemporary Gothic Drama. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95359-2_13.

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Bohata, Kirsti. "‘Unhomely Moments’: Reading and Writing Nation in Welsh Female Gothic." In The Female Gothic. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230245457_12.

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