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1

Stamenković, Slađana. "TAMA U NAMA: POSTMODERNA GOTIKA U ROMANU BORILAČKI KLUB ČAKA PALAHNJUKA." Годишњак Филозофског факултета у Новом Саду 41, no. 1 (February 22, 2017): 399–419. http://dx.doi.org/10.19090/gff.2016.1.399-419.

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Postmoderni gotski žanr predstavlja postmodernu inkarnaciju tradicionalnog gotskog žanra i obuhvata tradicionalne gotske elemente, premda u izvesnoj meri izmenjene i nadograđene. U biti, ovaj žanr predstavlja jedinstven spoj gotskog žanra i postmodernih odlika. U radu se razmatraju takvi unapređeni gotski elementi na primeru romana Čaka Palahnjuka Borilački klub. Svi glavni gotski elementi (poput vremena i mesta zbivanja, gotskih junaka i junakinje, dvojnika itd.) predstavljeni su u ovom romanu sa posebnim naglaskom na subjektivnosti i elementu terora, jer su oni možda dve tačke najvećeg pomaka u odnosu na tradicionalne karakteristike gotskog žanra. Osim gotske teorije i teorije postmodernizma, jos jedan teorijski okvir se doima vrlo bitnim za interpretaciju ovog romana, a to je Bodrijarova teorija hiperrealnosti. Tradicionalna gotska priča izmeštena je tako da pripada nivou realnosti koji je upečatljivo očuđen od stvarnosti koja je činjenica. Uz ovakav jedinstven spoj različitih, premda čini se srodnih, teorijskih okvira, Palahnjukov roman jeste jedan od najboljih predstavnika postmodernog gotskog žanra.
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Ivanušec, Ratko, and Petar Seletković. "Posjed Horvati u srednjem vijeku i crkva sv. Bartola u Novim Mikanovcima." Scrinia Slavonica 20, no. 1 (February 15, 2021): 9–50. http://dx.doi.org/10.22586/ss.20.1.16.

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Konzervatorska istraživanja i obnova crkve u razdoblju 2006. - 2020. godine doprinijela su nekim novim spoznajama o graditeljskoj slojevitosti, stilskim, tipološkim i strukturnim odrednica slojevite srednjovjekovne sakralne građevine. U srednjem vijeku crkva sv. Bartola u Novim Mikanovcima nalazila se na posjedu Horvati u srednjovjekovnoj Vukovskoj županiji. Taj posjed u 13. stoljeću bio je u rukama viteškog reda ivanovaca ili hospitalaca sv. Ivana Jeruzalemskog. Posjed se prvi puta spominje u ispravi ugarskog kralja Bele IV. iz 1238. godine. Crkvu sv. Bartola u Novim Mikanovcima izgradili su vjerojatno ivanovci nešto prije ili polovinom 13. stoljeća. Rezultati istražnih konzervatorskih radova na perimetralnim zidovima crkve ukazuju da je crkva obnovljena i utvrđena u drugoj polovini 13. stoljeća, u razdoblju kada je još uvijek u posjedu ivanovaca. Utvđivanje crkve vjerojatno je potaknuto provalom Tatara 1242. godine i njihovog pustošenja Ugarsko - Hrvatskog kraljevstva. U sklopu te obnove brod crkve produžuje se prema zapadu, a crkva dobiva skošeni kružni toranj obrambenih karakteristika, koji je mogao služiti i kao osmatračnica. Tijekom 14. stoljeća posjed je u rukama Horvata od plemićkog roda Báncsa. Godine 1387. posjed Horvati prelazi u ruke palatinske grane obitelji Gorjanski. Gotička obnova crkve izvedena je u razdoblju 1402. - 1420. godine, vjerojatno od strane tadašnjih vlasnika posjeda palatina Nikole II. Gorjanskog (1367.-1433.) i njegovog brata Ivana Gorjanskog (1371.-1429.). U sklopu te obnove, na poziciji starijeg svetišta podignuto je novo gotičko poligonalno svetište i sakristija. U pogledu stilskih obilježja, radi se o izrazito kvalitetnoj obnovi koje su izveli graditelji, odnosno kamenoklesarska radionica, koja je radila po uzoru klesarskih radionica češke gotike i kruga oko Petra Parlera. Od 1481. godine posjed Horvati se nalazi u vlasništvu banske grane obitelji Lovre Bánffyja Gorjanskog. U razdoblju od 1478. do 1503. godine crkva je stradala u ratnim razaranjima, kao i sva naselja ovog posjeda. Crkva je vjerojatno obnovljena 1506. godine nakon smirivanja ratnih prilika i dinastičkih previranja i sukoba između Lovre Bánffyja Gorjanskog i pristaša Maksimilijana Habsburškog i ugarske velikaške obitelji braće Géreba od Vingarta i kralja Vladislava II. Jagelovića. U sklopu te kasnosrednjovjekovne obnove, za koju je zaslužan vjerojatno Lovro Bánffy Gorjanski kao vlasnik posjeda, unutrašnjost svetišta crkve oslikana je renesansnim zidnim oslikom. Od cjelovite kompozicije zidnog oslika svetišta sačuvala se djelomično ikonografska kompozicija na začeljnom zidu gotičke trodjelne sedilije. Ikonografska kompozicija sastoji se od prikaza triju svetaca u stojećem stavu: Mojsija, sv. Nikole kao srednjovjekovnog titulara crkve i sv. Ivana Krstitelja. Ikonografska slikana kompozicija s početka 16. stoljeća je kvalitetan primjer renesansnog slikarstva u Slavoniji i šire u Hrvatskoj, estetsko - umjetničke vrijednosti. Nakon oslobađanja prostora od Osmalija, slijedeća barokna obnova crkve sv. Bartola izvedena je 1730. - 1731. godine od strane đakovačkog biskupa Petra Bakića. Crkva sv. Bartola u Novim Mikanovcima svojom stilskim karakteristikama, tipologijom tlocrta, od kojeg se posebno izdvaja jedinstveni volumen skošenog kružnog tornja, ubraja se u skupinu izrazito vrijednih fortificiranih srednjovjekovnih sakralnih građevina Hrvatske
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3

Łużyniecka, Ewa. "Z dziejów budowy dawnego opactwa cysterskiego w Lądzie - najnowsze badania architektoniczne elewacji wschodniej klauzury." Saeculum Christianum 27, no. 1 (September 30, 2020): 56–72. http://dx.doi.org/10.21697/sc.2020.27.1.5.

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W artykule przedstawiono hipotezę przeobrażeń elewacji wschodniej klauzury opactwa cysterskiego w Lądzie. Opracowano ją na podstawie badań architektonicznych prowadzonych w 2019 roku przez zespół przy Wydziale Architektury Politechniki Wrocławskiej kierowany przez autorkę. Wydzielono cztery zasadnicze fazy przekształceń elewacji. We wczesnym gotyku zbudowano dwukondygnacyjną ścianę, później ją podwyższono i dobudowano przedłużenie zakrystii. Kolejna faza gotycka to rozbudowa elewacji w kierunku południowym, a barokowa – podwyższenie i zmiana wystroju. Artykuł zakończono stwierdzeniem, że wiele zagadnień związanych zwłaszcza z datowaniem omawianej elewacji wymaga dalszych prac badawczych.
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Marín Padilla, Encarnación. "Acaeceres en la vida de Juce Gotina, sastre judío de la villa de Épila (siglo XV)." Sefarad 52, no. 1 (June 30, 1992): 155. http://dx.doi.org/10.3989/sefarad.1992.v52.i1.995.

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Este estudio comenta algunos aspectos de la vida de Juce Gotina, sastre judío que residió en Épila, villa aragonesa del señorío de los Ximénez de Urrca, en el siglo XV. Juce fue hijo de Jaco Gotina y nieto del judío zaragozano Nahamen Gotina y de Estruga Albala.
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5

Gendre, Renato. "Nota Gotica." Linguistica 42, no. 1 (December 1, 2002): 5–7. http://dx.doi.org/10.4312/linguistica.42.1.5-7.

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Dalla documentazione presentata, ancorché in modo non completo, si può constatare che ogni qual volta il testo greco presenta i1 verbo nella posizione 'in incastro', 2 anche in quello gotico troviamo la stessa situazione. E benché crediamo a una sostanziale dipendenza dal greco dalla prassi sintattica gotica, 3 tuttavia riteniamo che non si possa del tutto escludere di trovarsi in presenza di uno stesso tratto sintattico, cioé di uno stesso modo di distribuire l'informazione, secondo un preciso ordine dei costituenti di frase, di origine indoeuropea. La "spezzatura di ciò che secondo il nostro sentimento linguistico è unito [ ... ] è comune sia tra i Greci che tra i Latini e gli Indiani4 e si trova in tracce ben riconoscibili anche nell'epica germanica".5 Purtroppo, come già G. Bonfante, anche noi pur "scandagliando l'epopea germanica [non abbiamo] trovato nulla in questo senso".6 La presenza sicura di questo tratto nel gotico però e, per chi come noi gli dà valore, l 'uso della tmesi 7 in testi epici germanici 8 sono 1í ad avvalorare l'ipotesi che la posizione 'in incastro' del verbo rappresenta "il modo più antico, facilmente c omprensibile dal p unto di v ista psicologico, di ordinare le paro le n ella frase idg". 9 È ben vero che il passo del Vangelo di Luca (2, 25) "7tveuμa. Tiv &ytov E7t' a.u't6v", reso in gotico "ahma weihs was ana imma", sembrerebbe opporsi a quanto è stato appena affermato. Ma cosí non è. Infatti, "il ne faut pas perdre de vue que Wulfila a suivi un manuscrit grec du type de *K ou *Kt, mais que la version gotique présente des leçons propre à 1cxo5" .1 O E molti manoscritti appartenenti al 'Ti po I' 11 riportano la lezione "7tveuμa. &ytov Tiv". 12 Pertanto, l'unica conclusione che da questo esempio si deve trarre è che il grande Vescovo dei Goti abbia avuto sotto gli occhi un testo di questa ultima famiglia e, come è nel suo stile, ne sia stato condizionato.
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Świca, Alicja. "The Spectral Presence of (Un)dead Mother in Shirley Jackson’s Short Stories." Annales Universitatis Mariae Curie-Skłodowska, sectio FF – Philologiae 38, no. 2 (December 29, 2020): 191. http://dx.doi.org/10.17951/ff.2020.38.2.191-203.

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<p>Celem artykułu jest odpowiedź na pytanie, w jaki sposób literatura gotycka w wydaniu Shirley Jackson stawała się narzędziem, za pomocą którego pisarka mogła przedstawić zmiany społeczne i kulturalne swoich czasów. Jackson używa elementów gotyku kobiecego do opisania sytuacji kobiet w latach 50. XX wieku w Stanach Zjednoczonych. Autorka artykułu omawia dwa opowiadania Jackson –<em>The Daemon Lover </em>i <em>The Tooth</em>. Skupiając się na relacji matka-córka, autorka za pomocą teorii psychoanalitycznych udowadnia, że kobiety w tekstach amerykańskiej pisarki próbują przeciwstawić się przypisywanym im rolom społecznym. Wyparta tęsknota za matką utrudnia bądź nawet uniemożliwia bohaterkom opowiadań Jackson wykształcenie własnej osobowości i osiągnięcie niezależności, a tym samym znaczącej pozycji w społeczeństwie.</p>
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7

Darmawan, Adam, Aquarini Priyatna, and Acep Iwan Saidi. "UNSUR-UNSUR GOTIK DALAM NOVEL PENUNGGU JENAZAH KARYA ABDULLAH HARAHAP (Gothic Elements in the Novel Penunggu Jenazah by Abdullah Harahap)." METASASTRA: Jurnal Penelitian Sastra 8, no. 2 (June 6, 2016): 161. http://dx.doi.org/10.26610/metasastra.2015.v8i2.161-178.

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Tulisan ini mengkaji unsur-unsur gotik yang terdapat dalam novel Penunggu Jenazah karya Abdullah Harahap. Novel yang dikaji menunjukkan keterkaitan unsur-unsur gotik sebagai pembangun cerita, yaitu hal-hal supernatural, bentuk-bentuk transgresi, latar yang menyeramkan, bentuk-bentuk monstrositas, excess dan fetis. Kajian ini dilandasi dengan menggunakan teori gotik. Hasil analisis menunjukkan bahwa unsur gotik dalam novel Penunggu Jenazah saling tumpang tindih. Hal-hal supernatural digunakan sebagai sumber konflik dan bentuk transgresi. Transgresi sebagai unsur gotik menggunakan pelanggaran terhadap tabu yang melibatkan transgresi terhadap seksualitas, tubuh, dan kematian. Latar yang menyeramkan, bentuk-bentuk monstrositas dan excess dihadirkan sebagai unsur gotik yang menggangu tatanan norma dan normalitas. Fetis yang muncul dalam Penunggu Jenazah adalah fetis terhadap tubuh perempuan dengan kecenderungan sadomasokis. Novel disajikan dengan mencampurkan semua unsur gotik dengan unsur supernatural, transgresi dan monstrositas sebagai unsur gotik yang dominan. Oleh sebab itu, penelitian ini saya fokuskan untuk mengungkap cara gotik ditampilkan dalam karya Harahap.Abstract: This paper examines the gothic elements in the novel entitled Penunggu Jenazah written by Abdullah Harahap. The novel shows that the gothic elements are supernatural, forms of transgression, scary setting, forms of monstrosity, excess and fetish. This study uses gothic theories. Furthermore, the results of the analysis also show that the gothic elements are overlapping. Transgression as the gothic element is using violation of taboo of sexuality, body and death. The scary setting, the forms of monstrosity and excess are representing to disturb norms and normality. The fetish in the Penunggu Jenazah novel is the fetish of a woman body with a tendency to sadomasochism. Gothic is represented by blending all gothic elements with the supernatural, transgression and monstrosity as the majority elements. Moreover, this study is focused on the way gothic represented.
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KIRPIKLI, Deniz. "The Principle of Beauty: The Gothic in John Keats's Isabella; or, the Pot of Basil." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 59, no. 1 (June 26, 2019): 203. http://dx.doi.org/10.33171/dtcfjournal.2019.59.1.10.

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On dokuzuncu yüzyıl İngiliz edebiyatında Romantik dönem kendinden önceki dönemin edebi ilkelerinden tamamen farklı bir edebiyat anlayışı ile öne çıkmıştır. Bu dönem, yaratıcılığı kısıtlayan kurallardan ve yaygın anlayıştan uzaklaşma ve bir özgürleşme hissi ortaya koymuştur. On sekizinci yüzyıl şiirindeki klasisizm odağının aksine, Romantik şiir orta çağ temalarına yönelmiş ve doğaüstü elementler ile gotik hayal gücüne yer vermiştir. John Keats'in şiirlerinde hayal gücü, güzellik ve doğruya ulaşmanın ve alternatif bir dünya kurmanın en önemli yoludur. “Güzelliğin ilkesini her şeyde sevdiğini” ifade eden şair hayali diyarlar yaratarak gerçeğe alternatif bakış açıları geliştirir (The Letters 186, 467). Keats Isabella; ya da, Fesleğen Saksısı (1818) isimli şiirinde orta çağa ait bir hikayeyi gotik unsurlar kullanarak kendi güzellik anlayışına göre uyarlamıştır. Ürkütücü detaylar içeren gotik unsurlar çirkin ve tehditkar görünebilir fakat Keats'in güzellik anlayışı akıldışı, hayali ve huşu uyandıran duygularla sevinç ve mutluluğu birlikte kabul eder. Şiirin gotik atmosferi bir cesedin başının fesleğen saksısına yerleştirilip gözyaşlarıyla sulanması gibi dehşet verici bir olaya dayanmaktadır. Bu korkunç olay şiirde bir genç kızın sevgisinin yansıması ve gerçeğin farklı bir yorumu olarak ele alınmıştır. Bu bağlamda bu çalışmanın odağı özellikle Keats'in gerçek ile bir tuttuğu güzelliğe ulaşmak için kullandığı gotik unsurları hayal gücünün ürünü olarak nasıl ele aldığı olacaktır. Isabella'da gotik unsurların kullanımı üzerinde durularak bu çalışmada hayal gücünün yansımalarının Keats'in güzellik ve gerçek kavramlarına yaklaşımına katkısı incelenecektir.
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9

ÇAKIR, Hülya. "GOTİK ALT KÜLTÜRÜ." Journal of Academic Social Science Studies 7, Number: 48 (January 1, 2016): 367. http://dx.doi.org/10.9761/jasss3509.

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10

Vukičević-Samaržija, Diana. "Gotik im Nordkroatien." Hortus Artium Medievalium 7 (January 2001): 37–52. http://dx.doi.org/10.1484/j.ham.2.305201.

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11

 . "Gotik: coördinatie bij verbouwing." TandartsPraktijk 26, no. 4 (April 2005): 299. http://dx.doi.org/10.1007/bf03072505.

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12

Johnson, Ben. "Gotcha!" Science News 152, no. 14 (October 4, 1997): 211. http://dx.doi.org/10.2307/3980806.

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Surko, Clifford M. "Gotcha!" Nature Physics 7, no. 7 (June 5, 2011): 520–21. http://dx.doi.org/10.1038/nphys2030.

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D.M. "Gotcha!" Scientific American 283, no. 6 (December 2000): 34. http://dx.doi.org/10.1038/scientificamerican1200-34c.

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Travis, John. "Gotcha!" Science News 140, no. 7 (August 17, 1991): 109. http://dx.doi.org/10.2307/3975899.

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Schuster, Stefan. "Gotcha." German Research 34, no. 3 (December 2012): 23–27. http://dx.doi.org/10.1002/germ.201390004.

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17

Cox, Keith. "Gotcha." Christianity & Literature 39, no. 4 (September 1990): 386. http://dx.doi.org/10.1177/014833319003900402.

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18

Sarler, Carol. "Gotcha." British Journalism Review 9, no. 3 (September 1998): 6–11. http://dx.doi.org/10.1177/095647489800900302.

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Fischetti, Mark. "Gotcha!" Scientific American 284, no. 3 (March 2001): 76–77. http://dx.doi.org/10.1038/scientificamerican0301-76.

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Bernabei, Franco. "Venezia roman(t)ica e gotica." Artibus et Historiae 7, no. 13 (1986): 113. http://dx.doi.org/10.2307/1483251.

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Dodi, Muhammad, Erna Tresnaningsih, Mitra Mitra, M. Kamali Zaman, and Retno Putri. "Risiko Postur Janggal dengan Kejadian Gangguan Otot Rangka Akibat Kerja (Gotrak) pada Terapis Pijat." Jurnal Kesehatan Komunitas 4, no. 3 (February 2, 2019): 81–87. http://dx.doi.org/10.25311/keskom.vol4.iss3.256.

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Banyak terapis pijat yang mengalami keluhan gangguan otot rangka akibat kerja (Gotrak). Penelitian ini bertujuan untuk mengetahui proporsi kejadian Gotrak dan hubungan postur janggal dengan kejadian Gotrak pada terapis pijat. Jenis penelitian adalah kuantitatif analitik observational dengan desain cross sectional. Jenis pijat yang diteliti yaitu pijat tradisional Indonesia. Populasi dan sampel adalah terapis pijat di Kota Pekanbaru tahun 2017 dengan besar sampel 77 orang yang diambil menggunakan teknik consecutive sampling. Pengumpulan dan pengolahan data menggunakan wawancara menggunakan kuesioner, dokumentasi dan Rappid Upper Limb Assesment (RULA). Tingkat risiko kejadian Gotrak menggunakan analisis semi kualitatif dan nordic body map. Angka kejadian Gotrak pada terapis pijat cukup tinggi yaitu 61%. Hasil penelitian menunjukkan variabel yang berhubungan signifikan dengan kejadian Gotrak yaitu postur janggal (POR: 8,30; 95% CI: 2,401-8,753), lama kerja (POR: 10,109; 95% CI: 2,567-39,811) dan umur (POR: 7,649; 95% CI: 2,567-39,811). Keluhan gotrak terbanyak pada kedua tangan sebanyak 57 orang (74%), bahu kiri dan bahu kanan sebanyak 27 orang (35,1%) dan punggung bawah sebanyak 19 orang (24, 7%). Disarankan pada terapis pijat untuk untuk menghindari postur janggal saat memijat klien dengan memperbaiki postur kerja, posisi saat memijat dan meletakkan peralatan yang digunakan dalam area jangkauan tangan.
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Vavrečka, Jan, Miroslav Sikora, Petr Mareš, and Ladislav Zeman. "Influence of content pea in the diets on the digestibility in pigs." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 54, no. 2 (2006): 139–46. http://dx.doi.org/10.11118/actaun200654020139.

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The aim of these balance experiments was to analyse the level of feeding pea varieties GOTIK and ZEKON on the digestibility of protein in growing pigs. Variety ZEKON has low content of antinutritional factors in comparison with variety GOTIK. The tentative mixtures contained following amounts of pea (Experiment A): 0.1%, 9%, 18% and on the whole were observed six diets. The apparent digestibility of protein with the diet containing ZEKON was 81.1±4 in group SZ0.1, 81.78±2.47 in group SZ9 a 78.94±4.14 in SZ18 and with the diet containing GOTIK in comparison with ZEKON lower, namely 79.9±4.12 in group SG0.1, 76.02±5.77 in SG9 a 78.18±2.28 in SG18. We observed only one statistical significant value between group SZ9 and SG9 (P<0,05).In the experiment B were used 7 diets, from these diets was the one without contain of peas (group VK) and 6 diets with the content of peas in amount 9%, 18% and 27%. The highest apparent digestibility of protein was observed in the group VK 85.14±2.31 (P<0,001) with group VG18 77.01±1.82, with group VG9 79.08±4.13 (P<0,01) and with group VZ18 79.62±4.09 (P<0,05). The digestibility of protein was in group 80.84±2.8, in VZ27 82.53±2.34 and in VG27 79.81±2.78. The digestibility of protein with the ZEKON pea-containing diets was higher, than the diets with containing GOTIK in the same amount.Resulting values of gain, feeds conversion and digestibilities of nutrients indicate feasible substitution of soya-bean meal by feeding pea, and thus decrease the dependence of mixed feed mill on these component´s import in production of feeding mixtures for growing pigs.
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Kratochvílová, Pavla, Š. Křížová, and L. Zeman. "Influence of faba bean and peas combination on per­for­man­ce parameters of broilers." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 57, no. 4 (2009): 19–24. http://dx.doi.org/10.11118/actaun200957040019.

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Influence of two varieties of peas and faba bean on performance was observed in grow experiment. Varieties of legumes were different in antinutritive factors levels. ZEKON (peas) and MISTRAL (faba bean) are low tannin varieties, GOTIK (peas) and MERKUR (faba bean) are traditional varieties with high level of antinutritive substances. Experiment was finished in 40 days of age. There were used 900 broilers allotted to 9 groups (100 animals in group). Peas and faba bean was dose to feed mixture on level adequate to 30 g of crude protein per kilogram of feed mixture, the rest of crude protein needed in feed mixture was covered by soya bean meal. The best results in final weight achieved group with GOTIK (2476.7 ± 270.8 g), the second was group ZEKON (2456.7 ± 247.2 g), than MISTRAL in combination with peas (2454.7 ± 268.5 g), MERKUR (2416.9 ± 266.1 g), ZEKON in combination with faba bean (2410,7 ± 297.8 g) and MISTRAL group achieved 2405.6 ± 336.4 g of final weight. The rest of groups was belong 2400 g of body weight: control group 2370.1 ± 249.2 g, GOTIK in combination with peas 2302.9 ± 253.1 g and the worst result had group MERKUR in combination with peas (2258.8 ± 259.4 g). The differences were significant.
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Svenstrup, Svend Aage. "Gotiske steder." K&K - Kultur og Klasse 28, no. 90 (February 10, 2000): 97–112. http://dx.doi.org/10.7146/kok.v28i90.21060.

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Decyk, Viktor K., and Charles D. Norton. "'Gotcha' correction." ACM SIGPLAN Fortran Forum 19, no. 3 (December 2000): 8. http://dx.doi.org/10.1145/570899.570901.

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Buitrago-Toro, Kenny, and Silvana Jiménez-Salazar. "Artropatía gotosa." Revista Medica Herediana 30, no. 2 (July 15, 2019): 115. http://dx.doi.org/10.20453/rmh.v30i2.3553.

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Gaffney, Loretta. "Gotcha! (review)." Bulletin of the Center for Children's Books 59, no. 8 (2006): 353. http://dx.doi.org/10.1353/bcc.2006.0245.

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ARSLAN, Çiçek DEMİRTAŞ ÖNDER Fatih. "ELİF ŞAFAK’IN PİNHAN ROMANINDA “GOTİK” KAZI." Journal of Social Sciences 47, no. 47 (2020): 504–11. http://dx.doi.org/10.29228/sobider.45771.

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SELAMET, Sevim. "GRAFİK TASARIM VE TİPOGRAFİDE GOTİK YAZILAR." Journal of Social Sciences 2, no. 5 (January 1, 2015): 1. http://dx.doi.org/10.16990/sobider.109.

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Vavrečka, Jan, Petr Mareš, and Ladislav Zeman. "Influence of level pea in the diet on performance of piglets." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 53, no. 1 (2005): 93–100. http://dx.doi.org/10.11118/actaun200553010093.

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The aim of this study was to analyse the level of feeding pea on piglets performance. In the trial the addition of pea varietas breed GOTIK with the highest content of antinutritive factors and commonly used mixture (fed in group G01) was compared. The tentative mixtures contained following amounts of pea: group G9 – 9 %, group G18 – 18 % and group G27 – 27 %.The average daily gain were: the control group G01: 0.425 ± 0.110, group G9: 0.395 ± 0.121, group G18: 0.358 ± 0.108 and group G27: 0.315 ± 0.113 kg. Out of these numbers ensues that with higher amount of pea GOTIK the average daily gain was decreasing. In the feed conversion there appeared a similar decrease of efficiency too. In the control group G01 the feed conversion was 2.02 ± 0.10, in group G9 2.16 ± 0.22, in group G18 2.34 ± 0.08 and in group G27 2.46 ± 0.18 kg. Also, with the higher content of GOTIK in feeding mixture the food intake was lower. The differences in efficiency were among the pigletsę gender too. Eventhough grunters have in this age category higher growth rate than gilts, their results were worse. Our opinion is, that this efficiency decrease could be caused by high content of antinutritive factors in GOTIK.Resulting values of gain and feeds conversion indicate feasible substitution of soya-bean meal by feeding pea, and thus decrease the dependence of mixed feed mill on these componentęs import in production of feeding mixtures for growing pigs.
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Aibabin, Aleksandr. "Toponym Klimata in the Medieval Crimea." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (January 2020): 6–17. http://dx.doi.org/10.15688/jvolsu4.2019.6.1.

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Introduction. In Byzantine historical and hagiographic texts of the 9th–10th centuries reporting on events that took place in Crimea, the Klimata were repeatedly mentioned (τ κλίματα is a plural number of τὸ κλίμα – klimata). Κλίμα in Greek means a district in a city or part of a province. Methods. For justifying the boundaries of the Klimata, it is necessary to analyze all references to the toponym in written sources and materials of archaeological excavations in the South-Western Crimea. Analysis. During the entire period of its existence, the Klimata (archontitai) did not have autonomy. In the 7th century Cherson and Klimata were a Byzantine border province. Since the early 8th century until 841 Mountain Crimea belonged to the Khazars. Kagan united the Klimata (archontitai) of Cherson to the province of Gothia with its capital in Doros. Kagan retained the previous administration and appointed archon Klima Doras as the ruler of Gothia (Klimata). Kagan subordinated to him the archons of other fortresses and entrusted to him the collection of tribute. From 841 to the third quarter of the 11th c., the Klimata of Gothia were included into the theme of Cherson. Seals of the Turmarch of Gothia of the end of the 10th – the early 11th centuries prove the creation the Turma of Gothia within the theme of Cherson, which was ruled by a Byzantine officer-turmarch. In 1204, the province submitted to Trebizond. Results. In written sources, the toponym Klimata called only the region neighboring Cherson with the fortresses of the neighbouring peoples of the city “castris gentium ibidem adjacentium” (the Goths and the Alans). In the 7th century the Klimata of Cherson were localized on the territory of the country of Dori. In the 8th – the first half (?) of the 13th centuries Gothia or the Klimata of Gothia were put there.
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Moldón-Garrido, Verónica, and Elena Mellado-Breña. "Artropatía gotosa evolucionada." Medicina Clínica 142, no. 2 (January 2014): 94. http://dx.doi.org/10.1016/j.medcli.2013.05.014.

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Monheit, Alan C. "Governing by “Gotcha”." INQUIRY: The Journal of Health Care Organization, Provision, and Financing 50, no. 2 (May 2013): 89–92. http://dx.doi.org/10.1177/0046958013513671.

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Anders, Norbert. "Augenverletzungen durch Gotcha." Klinische Monatsblätter für Augenheilkunde 204, no. 06 (June 1994): 542–43. http://dx.doi.org/10.1055/s-2008-1045481.

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35

Melgar Borrego, Ana Belén, and Purificación Magán Tapia. "Artritis gotosa deformante." FMC - Formación Médica Continuada en Atención Primaria 26, no. 3 (March 2019): 181–82. http://dx.doi.org/10.1016/j.fmc.2017.07.012.

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36

GÜLCAN-, Nur Yeliz. "ORTAÇAĞ AVRUPA’SINDA SKOLASTİK FELSEFE ve GOTİK MİMARİ." Turkish Studies-Social Sciences Volume 14 Issue 5, Volume 14 Issue 5 (2019): 2225–34. http://dx.doi.org/10.29228/turkishstudies.32668.

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ÖZDEMİR, Gökçe. "MODANIN GİZEMLİ STİLİ GOTİK: DENEYSEL BİR ÇALIŞMA." JOURNAL OF SOCIAL, HUMANITIES AND ADMINISTRATIVE SCIENCES 7, no. 41 (January 1, 2021): 1210–18. http://dx.doi.org/10.31589/joshas.669.

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38

Aibabin, Aleksandr. "Crimean Gothia in the First Half of the 13th Century." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (February 2021): 56–68. http://dx.doi.org/10.15688/jvolsu4.2020.6.4.

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Introduction. The toponym Gothia in written sources from the 8th century was used to designate the territory of the Mountain Crimea inhabited by the Alans and the Goths between Inkerman and the north-eastern suburb of Alushta. The same region was called the Klimata of Cherson and the Klimata of Gothia. Methods. Fragmentary information about Gothia is contained in the “Synopsis of St. Eugenios” compiled by John Lazaropoulos until 1364 and in the “Alanian Epistle” by the bishop Theodore. These works describe the same period in the history of the Gothic Klimata, 1223–1227 and 1223, respectively. Analysis. The considered evidence confirms the entry of Cherson and its subordinate Klimata of Gothia into the empire of Trebizond, at least in the first half of the 13th century. It is methodically incorrect to judge the situation in the Klimata in the first half of the 13th century from the descriptions contained in later sources of what happened in the 14th–15th centuries. The “Epistle” says about the flight of bishop Theodore to an Alanian village neighboring to Cherson. Supporters of identifying the village with the Qırq-Yer fortress remote from the city on the Chufut-Kale plateau ignore geographical and historical realities. Results. There is no evidence of the existence of single-ethnic Gothic and Alanian regions in the mountains and on the southern coast in written sources. In Sudak, Guillaume de Rubrouck was talked about speakers of Teutonic and other languages in the mountains of Crimea. Historian’s allegations about the division of Gothia into two principalities are disproved by the results of archaeological excavations in the territory of Klimata of Gothia. The toponym Klimata is not mentioned in the descriptions of events that occurred after the middle 13th century. However, archaeological excavations of cities on the Inner Ridge revealed the preservation of active and diverse life activities of the population of the region until the end of the 13th century. Probably, the history of the administrative formation of the Klimata of Gothia was interrupted in 1298/99, when Nogai’s troops destroyed Cherson, cities on the Eski-Kermen plateau, Bakla and others.
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39

Hasan, Faruk. "Gotier and Thyrotoxicosis in Sulaimani." Journal of Zankoy Sulaimani - Part A 4, no. 2 (July 30, 2000): 45–53. http://dx.doi.org/10.17656/jzs.10079.

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Schrijnders, Marlene. "From London to Leipzig and Back: A Transnational Approach to the Endzeit (R)Evolution (1976–92)." Britain and the World 11, no. 1 (March 2018): 75–100. http://dx.doi.org/10.3366/brw.2018.0288.

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Twenty-five years ago, just as the Cold War ended with the fall of the Berlin Wall in 1989, the suitably-titled West German goth fanzine Glasnost announced that a festival called Wave-Gotik-Treffen was to be held in the East German city of Leipzig. Today, the Wave-Gotik-Treffen is the biggest such festival in the world. Initially, however, its significance lay in allowing East and West German goths to meet and dance together, revealing differences in their respective experiences and understanding of the dark subculture. This article will examine two inter-related questions. First, what was the relationship between ‘goth’, as a music and aesthetic, across the frontier of the cold war? Second, to what extent were the goth subcultures of East and West Germany informed by and understood in relation to the original goth subculture emergent within the UK? The article will feed into the debate on the politics of youth culture, but also on the ways by which subcultural meanings and identities are transmitted and redefined across national borders.
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Paez, Devi Benedicte I. "Gotita de Dragon and Other Stories by Nick Joaquin." Perspectives in the Arts and Humanities Asia 5, no. 2 (September 30, 2015): 120. http://dx.doi.org/10.13185/2155.

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Bochenek, Bogdan, and Katarzyna Tajs-Zielińska. "GOTICA - generation of optimal topologies by irregular cellular automata." Structural and Multidisciplinary Optimization 55, no. 6 (December 15, 2016): 1989–2001. http://dx.doi.org/10.1007/s00158-016-1614-z.

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43

Haus, Andreas. "Gedanken uber K. F. Schinkels Einstellung zur Gotik." Marburger Jahrbuch für Kunstwissenschaft 22 (1989): 215. http://dx.doi.org/10.2307/1348639.

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TÜRKMENOĞLU, Sevgül. "TÜRK ROMANI İÇİN YENİ BİR TÜR: GOTİK ROMAN." Journal of Social Sciences 27, no. 27 (January 1, 2018): 176–83. http://dx.doi.org/10.16990/sobider.4415.

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IŞIK, Onur. "YENİ GOTİK: DEHŞETİN YENİ ZEMİNİ OLARAK İNSAN ZİHNİ." Gaziosmanpasa Universitesi Sosyal Bilimler Arastirmalari Dergisi 13, no. 25 (January 1, 2018): 37–45. http://dx.doi.org/10.19129/sbad.324.

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YILDIZ, Şerife. "Gotik Dönem Mimarisi ve Dönem Giysi Tasarımlarına Etkisi." International journal of Science Culture and Sport 3, no. 12 (January 1, 2015): 247. http://dx.doi.org/10.14486/ijscs386.

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Yeşim GÜRANİ, Fehime. "GOTİK MİMARİNİN MODA TASARIMINA YANSIMALARI; GUO PEI ÖRNEĞİ." Journal of International Social Research 14, no. (77-3) (January 1, 2021): 514–26. http://dx.doi.org/10.17719/jisr.11655.

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48

İLHAN, Nilüfer. "DEHŞETİN KAPISINI ARALAMAK: İZZET YASAR'IN ÖYKÜLERİNDE GOTİK ÖGELER." International Journal Of Turkish Literature Culture Education 10, no. 10/2 (January 1, 2021): 616–32. http://dx.doi.org/10.7884/teke.5312.

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49

Tella Jr, Osvaldo Inácio de, Manoel Antonio de Paiva Neto, Marco Antonio Herculano, and Atílio Faedo Neto. "Meningeoma da goteira olfatória." Arquivos de Neuro-Psiquiatria 64, no. 1 (March 2006): 83–87. http://dx.doi.org/10.1590/s0004-282x2006000100017.

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Meningeomas da goteira olfatória representam 8-18% dos meningeomas intracranianos e geralmente são diagnosticados quando alcançam grande tamanho. Relatamos uma série de 13 casos consecutivos de meningeomas de goteira olfativa operados nos Hospitais São Paulo (UNIFESP) e Professor Edmundo Vasconcelos no período de 1995 a 2003, estudados retrospectivamente quanto ao quadro clínico, resultados cirúrgicos e complicações. Os pacientes foram submetidos a ressecção cirúrgica destes tumores pela via subfrontal, em 9 casos a ressecção foi completa incluindo dura-máter e osso infiltrado por tumor e em 4 a dura-máter foi somente coagulada. Um paciente morreu devido a infarto cerebral e três pacientes evoluíram com fístulas liquóricas. Não houve recorrência sintomática no período que variou de 11 meses a 8 anos. Com as técnicas microcirúrgicas atuais, estes tumores podem ser removidos com baixa morbidade.
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Pedregosa, Pedro Rojas. "Emociones e inteligencia emocional a través del cuento." Revista de Estudios e Investigación en Psicología y Educación, no. 05 (December 15, 2017): 009. http://dx.doi.org/10.17979/reipe.2017.0.05.2139.

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Utilizando y aprovechando la motivación que tiene el infante en estas edades a través del asombro. Se utilizará el cuento –Dropy, la gotita inteligente- para el trabajo de conocimiento y gestión de las principales emociones básicas. Igualmente, se dota de formas de trabajo y expresión para que los profesionales, profesorado y familias, se unan a la tribu del conocimiento y faciliten un orden en el galimatías emocional del niño y de la niña en estas edades.
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