Relevant bibliographies by topics / Gotiken

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Gotiken'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Gotiken"

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HUTASOIT, JERLIN, MORADA TETTY, and SISILA FITRIANY DAMANIK. "SEMIOTICS ON GOTILON BATAK TOBA CEREMONY IN DOLOK SANGGUL HUMBANG HASUNDUTAN." LINGUISTICA 10, no. 2 (July 17, 2021): 497. http://dx.doi.org/10.24114/jalu.v10i2.26542.

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The objectives of this study were to find out meanings, what, how, and why the meanings were realized in the Gotilon Batak Toba Ceremony in Dolok Sanggul Humbang Hasundutan. This study was conducted using an observation study. The data of this study were taken from Gotilon Ceremony. The sources of the data were the Gotilon Ceremony in Dolok Sanggul and the informants or Raja Parhata in Dolok Sanggul. The data were analyzed by using Roland’s theory of semiotics object. The writer found the meanings on Gotilon Batak Toba Ceremony, namely: revise, support one, support two, support three, rid, speed, addition, exploitative two, exploitative three, survive, joyfulness, invitation, stay focus, keep fight, togetherness, convince, easier, kinship, honor, offering, and thanksgiving. From those materials were found that there were verbal utterances that consist of Atur biur, Angkat nomor sada, Angkat nomor dua, Angkat nomor tolu, Buang jauh-jauh, Eme, Rugi, Ponggol nomor dua, Ponggol nomor tolu, Naeng Sahat, Tambun Namboru, Hurre Alogo, Unang mekkel, Tahan nafas, Satukan, Beres. And there were symbols namely Luhutan, Marsirippa, Sipanganon, Mangamoti, and Pesta Gotilon. The signs used in Gotilon ceremony because they want to convey the meanings of the ceremony.
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Svenstrup, Svend Aage. "Gotiske steder." K&K - Kultur og Klasse 28, no. 90 (February 10, 2000): 97–112. http://dx.doi.org/10.7146/kok.v28i90.21060.

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Theresssa, Barita Ayu. "PERLINDUNGAN HUKUM EKSPRESI BUDAYA TRADISIONAL PESTA GOTILON MENURUT HUKUM INTERNASIONAL DAN HUKUM NASIONAL." Cepalo 5, no. 1 (April 15, 2021): 65–72. http://dx.doi.org/10.25041/cepalo.v5no1.2174.

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Sumatera Utara merupakan Provinsi di Indonesia yang memiliki keberagaman suku dan budaya. Diantaranya tentu suku Batak Toba termasuk suku yang mayoritas di dalamnya. Dalam suku Batak Toba dikenal banyak kreasi tradisional dan juga melakukan beberapa kegiatan upacara atau ritual tradisional, salah satu diantaranya adalah Pesta Gotilon. Pesta Gotilon dalam bahasa batak yang berarti panen merupakan kegiatan adat yang merupakan ungkapan syukur para petani kepada Tuhan atas hasil panen pertanian yang melimpah dan berharap di kemudian hari akan melimpah lagi. Dalam tradisinya, para petani akan membawa “silua” atau persembahan yang dipersembahkan kepada Tuhan. Melalui jurnal ini, Penulis menemukan bahwa Pesta Gotilon yang merupakan suatu upacara/ ritual adat yang dilindungi oleh Hukum Internasional maupun Hukum Nasional di Indonesia. Perlindungan Ekspresi Budaya Tradisional (EBT) tidak hanya menjadi perhatian bagi Hukum Internasional, tetapi juga Negara bahkan Pemerintah Pusat sekalipun.
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Hasan, Faruk. "Gotier and Thyrotoxicosis in Sulaimani." Journal of Zankoy Sulaimani - Part A 4, no. 2 (July 30, 2000): 45–53. http://dx.doi.org/10.17656/jzs.10079.

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Darmawan, Adam, Aquarini Priyatna, and Acep Iwan Saidi. "UNSUR-UNSUR GOTIK DALAM NOVEL PENUNGGU JENAZAH KARYA ABDULLAH HARAHAP (Gothic Elements in the Novel Penunggu Jenazah by Abdullah Harahap)." METASASTRA: Jurnal Penelitian Sastra 8, no. 2 (June 6, 2016): 161. http://dx.doi.org/10.26610/metasastra.2015.v8i2.161-178.

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Tulisan ini mengkaji unsur-unsur gotik yang terdapat dalam novel Penunggu Jenazah karya Abdullah Harahap. Novel yang dikaji menunjukkan keterkaitan unsur-unsur gotik sebagai pembangun cerita, yaitu hal-hal supernatural, bentuk-bentuk transgresi, latar yang menyeramkan, bentuk-bentuk monstrositas, excess dan fetis. Kajian ini dilandasi dengan menggunakan teori gotik. Hasil analisis menunjukkan bahwa unsur gotik dalam novel Penunggu Jenazah saling tumpang tindih. Hal-hal supernatural digunakan sebagai sumber konflik dan bentuk transgresi. Transgresi sebagai unsur gotik menggunakan pelanggaran terhadap tabu yang melibatkan transgresi terhadap seksualitas, tubuh, dan kematian. Latar yang menyeramkan, bentuk-bentuk monstrositas dan excess dihadirkan sebagai unsur gotik yang menggangu tatanan norma dan normalitas. Fetis yang muncul dalam Penunggu Jenazah adalah fetis terhadap tubuh perempuan dengan kecenderungan sadomasokis. Novel disajikan dengan mencampurkan semua unsur gotik dengan unsur supernatural, transgresi dan monstrositas sebagai unsur gotik yang dominan. Oleh sebab itu, penelitian ini saya fokuskan untuk mengungkap cara gotik ditampilkan dalam karya Harahap.Abstract: This paper examines the gothic elements in the novel entitled Penunggu Jenazah written by Abdullah Harahap. The novel shows that the gothic elements are supernatural, forms of transgression, scary setting, forms of monstrosity, excess and fetish. This study uses gothic theories. Furthermore, the results of the analysis also show that the gothic elements are overlapping. Transgression as the gothic element is using violation of taboo of sexuality, body and death. The scary setting, the forms of monstrosity and excess are representing to disturb norms and normality. The fetish in the Penunggu Jenazah novel is the fetish of a woman body with a tendency to sadomasochism. Gothic is represented by blending all gothic elements with the supernatural, transgression and monstrosity as the majority elements. Moreover, this study is focused on the way gothic represented.
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KIRPIKLI, Deniz. "The Principle of Beauty: The Gothic in John Keats's Isabella; or, the Pot of Basil." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 59, no. 1 (June 26, 2019): 203. http://dx.doi.org/10.33171/dtcfjournal.2019.59.1.10.

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On dokuzuncu yüzyıl İngiliz edebiyatında Romantik dönem kendinden önceki dönemin edebi ilkelerinden tamamen farklı bir edebiyat anlayışı ile öne çıkmıştır. Bu dönem, yaratıcılığı kısıtlayan kurallardan ve yaygın anlayıştan uzaklaşma ve bir özgürleşme hissi ortaya koymuştur. On sekizinci yüzyıl şiirindeki klasisizm odağının aksine, Romantik şiir orta çağ temalarına yönelmiş ve doğaüstü elementler ile gotik hayal gücüne yer vermiştir. John Keats'in şiirlerinde hayal gücü, güzellik ve doğruya ulaşmanın ve alternatif bir dünya kurmanın en önemli yoludur. “Güzelliğin ilkesini her şeyde sevdiğini” ifade eden şair hayali diyarlar yaratarak gerçeğe alternatif bakış açıları geliştirir (The Letters 186, 467). Keats Isabella; ya da, Fesleğen Saksısı (1818) isimli şiirinde orta çağa ait bir hikayeyi gotik unsurlar kullanarak kendi güzellik anlayışına göre uyarlamıştır. Ürkütücü detaylar içeren gotik unsurlar çirkin ve tehditkar görünebilir fakat Keats'in güzellik anlayışı akıldışı, hayali ve huşu uyandıran duygularla sevinç ve mutluluğu birlikte kabul eder. Şiirin gotik atmosferi bir cesedin başının fesleğen saksısına yerleştirilip gözyaşlarıyla sulanması gibi dehşet verici bir olaya dayanmaktadır. Bu korkunç olay şiirde bir genç kızın sevgisinin yansıması ve gerçeğin farklı bir yorumu olarak ele alınmıştır. Bu bağlamda bu çalışmanın odağı özellikle Keats'in gerçek ile bir tuttuğu güzelliğe ulaşmak için kullandığı gotik unsurları hayal gücünün ürünü olarak nasıl ele aldığı olacaktır. Isabella'da gotik unsurların kullanımı üzerinde durularak bu çalışmada hayal gücünün yansımalarının Keats'in güzellik ve gerçek kavramlarına yaklaşımına katkısı incelenecektir.
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Beukes, M. P. "Hibriditeit in ‘Kameelperd’ Goties geteken." Literator 16, no. 3 (May 2, 1995): 197–205. http://dx.doi.org/10.4102/lit.v16i3.646.

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Gothic illustration of hybridity in 'Kameelperd' In this article it is argued that the premise of linguistic and conceptual elements in a poem serves as a focal point for the reader’s interpretation. A single text i.e. "Kameelperd" of Cloete is taken as an example to show that cohesion between various textual elements is interwoven to result in a unity. Textual cohesion relying on similarities in grammatical and lexical criteria proves the relation between elements which enable the author to draw an illustration of a giraffe by means of language. Coherence is proved to have taken place when the connection between cohesive elements in the text is actualised through the reader's process of reading and interpreting. It becomes evident that the giraffe in this poem is portrayed and drawn by the context of linguistic elements in the poem.
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ÇAKIR, Hülya. "GOTİK ALT KÜLTÜRÜ." Journal of Academic Social Science Studies 7, Number: 48 (January 1, 2016): 367. http://dx.doi.org/10.9761/jasss3509.

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Vukičević-Samaržija, Diana. "Gotik im Nordkroatien." Hortus Artium Medievalium 7 (January 2001): 37–52. http://dx.doi.org/10.1484/j.ham.2.305201.

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KIRGIZ-, Şenay. "FRIEDRICH SCHILLER’İN HAYALETGÖREN ADLI ESERİNDE GOTİĞİN YANSIMALARI." Turkish Studies - Language and Literature Volume 14 Issue 3, Volume 14 Issue 3 (2019): 1283–96. http://dx.doi.org/10.29228/turkishstudies.23291.

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Dissertations / Theses on the topic "Gotiken"

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Wijkmark, Sofia. "Hemsökelser : Gotiken i sex berättelser av Selma Lagerlöf." Doctoral thesis, Karlstads universitet, Avdelningen för humaniora och genusvetenskap, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-3787.

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The topic of this thesis is the gothic fiction of Selma Lagerlöf. Its primary purpose is to investigate how Lagerlöf's work can be understood in relation to the gothic genre; what particular themes, motifs and formal aspects appear when making this connection and how they can be interpreted, as well as which literary and cultural contexts become relevant. The study is based on close readings of six short stories that, in comparison, appear to be some of the most gloomy and horrific in her production: "Karln. En julsägen" (1891), "De fågelfrie", "Stenkumlet", "Riddardottern och havsmannen" (1892), "Spökhanden" (1898) and "Frid på jorden" (1917). The gothic was an important feature of the literature of the last decade of the nineteenth century, when Lagerlöf made her debut. Therefore one of the main purposes of this study is to highlight her as one of the key writers of gothic fiction in Sweden by the time. In this context the gothic might be considered as closely related to the currents of decadence and fin-de-siècle. However, the gothic continued to be an important element throughout Lagerlöf's production, and this is illustrated by the inclusion of a story from a later period among the primary sources. The gothic genre can be defined by certain themes and motifs, but also by its narrative strategies. The analyses of the six stories show how themes and composition are used to create an atmosphere of fear and darkness, but also, more importantly, to create a sense of ambiguity. The study also discusses the relationship between the gothic and the fantastic and special attention is paid to aspects such as the hesitation concerning how to interpret the supernatural, as well as the fragmentary bodies and psyches of the stories. The main themes of the six stories can be summarized as dealing with the haunting and return of the past, as well as the fear associated with the transgression of limits - between fantasy and reality, the civilized and the primitive, life and death and self and other. Central to the argument in this study is das Unheimliche - the uncanny - a concept that links a certain kind of fear to uncertainty, doubles, ghostliness and haunting. Sigmund Freud has described it as a paradox, as something terrifyingly strange and yet familiar at the same time. The gothic reproduces the experience of reality expressed by this concept - a sense that the self is the source of horror and that identity is something highly unstable.
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Cederlöf, Henriette. "Gotiken hos David Cronenberg : En studie av fyra filmer." Thesis, Stockholm University, Department of Cinema Studies, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-907.

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Syftet med min uppsats är att undersöka förhållandet mellan fyra av den kanadensiske regissören David Cronenbergs filmer och den gotiska traditionen. De filmer jag valt att behandla är Shivers (1974), Rabid (1976), The Brood (1979) och Dead Ringers (1988). Den gotiska traditionen utmärks bland annat av en fokusering på kroppsligt baserad skräck. Skräck med utgångspunkt i kroppen återfinns även i Cronenbergs filmer. Vid en närmare studie av dessa filmer har jag dock funnit att de även innehåller element av det som feministiskt inriktade forskare kallat familjegotik – gotiska representationer av familjen.

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Ehn, Svensson Mikaela. "Det spökar på Manderley : En queerteoretisk närläsning av Daphne du Mauriers gotiska roman Rebecca." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-34303.

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This essay is a reading of Daphne du Maurier’s 1938 novel Rebecca from a queer theoretical perspective. The analysis discusses the fluidity of the character Rebecca, who despite being dead haunts almost every page. She embodies both masculine and feminine traits and is suggested to have had a sexual relationship with her housekeeper. Furthermore, this same-sex desire plays an important part in the sexual awakening of the novel’s young protagonist, who develops an obsession with Rebecca. The essay also looks at Manderley, the gothic estate where most of the plot takes place. Manderley is a place for both heteronormative oppression and transgression. Rebecca is a modern gothic novel and the gothic will therefore be an important part of the analysis.
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Hallberg, Therese. "Mellan livet och döden : Den litterära gotikens närvaro i dokumentära skildringar av självskada." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-30505.

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Autobiographies and documentaries usually aim to elicit a discussion about social issues by shocking and horrifying readers and viewers, often through graphic imagery. This study's ambition is to examine how literary documentary borrows from the gothic tradition to depict real societal issues. My aim is to show how the gothic style transcends the borders of the genre and that literary documentary about self-harm tends to work through the same thematic and narrative structures as the literary gothic. With a focus on contemporary depictions of self-harm and mental illness in young women and girls in Sweden, this analysis explore how the function of sexuality, gender and self-harm in gothic horror can be applied on these texts. At the same time this study explores how selfharming women tend to use gothic imagery to portray the horrors of their own reality that is saturated with extreme and negative emotions. For comparison, two famous depictions of girls going through puberty from the literary horror genre; Carrie and The Exorcist, are examined to further anchor the connection between femininity, blood and puberty in the gothic theoretical field.
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Wienberg, Jes. "Den gotiske labyrint middelalderen og kirkerne i Danmark /." Stockholm : Almqvist & Wiksell International, 1993. http://catalog.hathitrust.org/api/volumes/oclc/29150261.html.

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Olsson, Simon. "Gotik och komik -En diskussion om genre." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-71930.

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This bachelor thesis discusses the concept of genre and the comic Gothic. It is an attempt to demonstrate the conflicts rooted in "genre" by discussing several scholars, such as Alistair Fowler and Mattias Fyhr with their works Kinds of Literature and De mörka labyrinterna respectively, and then problematise the "Gothic" as a genre and as a concept. Thus Avril Horner’s and Sue Zlosnik’s work Gothic and the Comic Turn is consulted through the discussion. The questions I ask are the following: What is a literary genre? How is the comic Gothic described by the researchers, and how does comic Gothic work in A. Lee Martinez’ novel Gil’s All Fright Diner (2005)? How can one use these questions in the classroom? The used methods in the thesis are genre analysis and close reading. I conclude that genre is a way to understand the relationship between a literary work and various conventions, such as environment and its contemporaries. Genre is also a tool for the reader to understand the traditions, history and other works the read text is related to. The comic inside the Gothic may appear and is as natural to the genre as horror and terror, since the Gothic is always close to self-parody. This can even be observed in the first Gothic novel, Horace Walpole’s Castle of Otranto (1764). Furthermore, Gil’s All Fright Diner uses both the repertoire of classic Gothic and Horner’s and Zlosnik’s findings of the comic turn in the Gothic. Finally, the question regarding the definition of literary genre can be used in the classroom to widen students’ views on both genre itself and the prose they read. The comic Gothic can be used as an example on how genre can appear in different modes. Gil’s All Fright Diner is a thankful text for classroom readings due to its comic and gothic nature, and its contemporary language, themes and styles can make it relatable to students. There is therefore a potential in the concept of genre and the comic Gothic as subjects of discussion in the classroom.
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Belyakova, Olga [Verfasser], and Wolfgang E. [Akademischer Betreuer] Stopfel. "Studien zur Architektur der Gotik auf Sardinen. Pfarrkirchen im Campidano." Freiburg : Universität, 2017. http://d-nb.info/115064348X/34.

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Curtius, Andreas. "Die Kathedrale von Lodève und die Entstehung der languedokischen Gotik /." Hildesheim ; Zürich ; New York : G. Olms, 2002. http://catalogue.bnf.fr/ark:/12148/cb389393192.

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Diss.--Kunsthistorisches Institut--Fribourg-en-Brisgau--Albert-Ludwigs-Universität, 1996. Titre de soutenance : Die Kathedrale Saint-Fulcran in Lodève. Ein "Prototyp" der südfranzösischen Gotik. Baugeschichte und Bedeutung.
Bibliogr. p. [345]-377. Index.
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Atzbach, Katrin. "Gotische Gewölbe aus Holz in Utrecht, Gent und Brugge /." Schöneiche b. Berlin : Scrîpvaz-Verl, 2007. http://www.gbv.de/dms/weimar/toc/53823007X_toc.pdf.

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Metso, Marie. "Gotik i svensk fantastik : Gotiska drag i Middagsmörker, Udda verklighet och Cirkeln." Thesis, Högskolan Dalarna, Litteraturvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-22642.

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Syftet med denna uppsats är att ur ett genreteoretiskt och komparativt perspektiv med hjälp av metoden närläsning undersöka vilka av gotikens genrekonventioner som förekommer i svensk urban fantasy. Romanerna som analyseras är Nene Ormes Udda verklighet (2010), Mats Strandbergs och Sara Bergmark Elfgrens Cirkeln (2011), samt Charlotte Cederlunds Middagsmörker (2016). De gotiska genrekonventioner som används vid analysen är hämtade från Mattias Fyhrs definition av gotik i hans doktorsavhandling De mörka labyrinterna (2003). I diskussionsdelen kombineras dessa med Alastair Fowlers teori ur Kinds of Literature (1982) kring hur olika genrer förefaller ha en rörlighet och flyta in i varandra. Resultatet av analysen visar att samtliga av Fyhrs kategorier finns representerade i de tre romanerna, och skiljer sig något i hur de gestaltas. Följande slutsatser dras: att många likheter förekommer såsom att de drömmar och syner som skildras är vitala för böckernas handlingar, att huvudkaraktären i samtliga analyserade romaner är kvinnlig, utom i Cirkeln där fem perspektiv förekommer varav ett är manligt, att alla romaner har sina egna varianter på fantasytroperna Rådet och Den utvalda, samt att urban fantasy inte går att se som en modern variant av gotiken utan snarare utgör en sentida ättling till gotikgenren.
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Books on the topic "Gotiken"

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Bi hezaran gotin, aqilê hevpar ê mirovahiyê: Gotinên herî xweş ên cîhanê. Vezneciler, İstanbul: Nûbihar, 2011.

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Gotinên pêşiyan. Fatih, İst. [i.e. İstanbul]: Weşanên Enstîtuya Kurdî ya Stenbolê, 2009.

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Ferhenga gotinên pêşiyan. Tünel, İstanbul: Weşanen Elma, 2005.

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Horvat, Zorislav. Strukture Goticke Arhitekture. Zagreb: Drustvo Povjesnicara Umjetnosti SR Hrvatske, 1989.

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Ji gotinên pêşîyan. Beyoğlu, İstanbul: Weşanên Deng, 2005.

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Aslan, Şêxmus. Ferhenga gotinên pêşiyan. Amed: Şêxmûs Aslan, 2006.

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Nordens gotiske storhedstid. Odense: Syddansk Universitetsforlag, 2012.

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Gotinên gunehkar: Novel. 2nd ed. Spånga: Apec, 2008.

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Marián, Gavenda, ed. Klenot gotiky. Bratislava: Slovart, 2007.

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Zadnikar, Marijan. Ptujska gora: Visoka pesem slovenske gotike. Ljubljana: Družina, 1987.

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Book chapters on the topic "Gotiken"

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Reudenbach, Bruno. "Gotik." In Metzler Lexikon Kunstwissenschaft, 157–60. Stuttgart: J.B. Metzler, 2011. http://dx.doi.org/10.1007/978-3-476-00331-7_63.

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Hofrichter, Hartmut. "Gotik." In Architektur des Mittelalters, 88–137. Wiesbaden: Vieweg+Teubner Verlag, 1993. http://dx.doi.org/10.1007/978-3-322-83217-7_7.

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Hodge, Susie. "Gotik." In 50 Schlüsselideen Kunst, 24–27. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-39328-0_7.

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Wilkinson, Philip. "Gotik." In 50 Schlüsselideen Architektur, 12–15. Heidelberg: Spektrum Akademischer Verlag, 2013. http://dx.doi.org/10.1007/978-3-8274-3066-3_4.

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Eicheldinger, Martina. "Gotik." In Goethe Handbuch, 437–38. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03655-1_141.

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Pfisterer, Ulrich. "Gotik." In Metzler Lexikon Kunstwissenschaft, 157–59. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04949-0_45.

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Nagl, Manfred. "Gotik in England." In Gotik und Informatik, 65–80. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-55518-7_8.

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Pfisterer, Ulrich. "Mittelalter → Romanik; Gotik." In Metzler Lexikon Kunstwissenschaft, 289. Stuttgart: J.B. Metzler, 2011. http://dx.doi.org/10.1007/978-3-476-00331-7_117.

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Nagl, Manfred. "Kurz gefasst: die Romanik als Vorläufer." In Gotik und Informatik, 3–10. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-55518-7_1.

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10

Nagl, Manfred. "Niederlande, Belgien, Italien, Spanien, Portugal." In Gotik und Informatik, 99–108. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-55518-7_10.

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