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Journal articles on the topic 'Gotiken'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

HUTASOIT, JERLIN, MORADA TETTY, and SISILA FITRIANY DAMANIK. "SEMIOTICS ON GOTILON BATAK TOBA CEREMONY IN DOLOK SANGGUL HUMBANG HASUNDUTAN." LINGUISTICA 10, no. 2 (July 17, 2021): 497. http://dx.doi.org/10.24114/jalu.v10i2.26542.

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The objectives of this study were to find out meanings, what, how, and why the meanings were realized in the Gotilon Batak Toba Ceremony in Dolok Sanggul Humbang Hasundutan. This study was conducted using an observation study. The data of this study were taken from Gotilon Ceremony. The sources of the data were the Gotilon Ceremony in Dolok Sanggul and the informants or Raja Parhata in Dolok Sanggul. The data were analyzed by using Roland’s theory of semiotics object. The writer found the meanings on Gotilon Batak Toba Ceremony, namely: revise, support one, support two, support three, rid, speed, addition, exploitative two, exploitative three, survive, joyfulness, invitation, stay focus, keep fight, togetherness, convince, easier, kinship, honor, offering, and thanksgiving. From those materials were found that there were verbal utterances that consist of Atur biur, Angkat nomor sada, Angkat nomor dua, Angkat nomor tolu, Buang jauh-jauh, Eme, Rugi, Ponggol nomor dua, Ponggol nomor tolu, Naeng Sahat, Tambun Namboru, Hurre Alogo, Unang mekkel, Tahan nafas, Satukan, Beres. And there were symbols namely Luhutan, Marsirippa, Sipanganon, Mangamoti, and Pesta Gotilon. The signs used in Gotilon ceremony because they want to convey the meanings of the ceremony.

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2

Svenstrup, Svend Aage. "Gotiske steder." K&K - Kultur og Klasse 28, no. 90 (February 10, 2000): 97–112. http://dx.doi.org/10.7146/kok.v28i90.21060.

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3

Theresssa, Barita Ayu. "PERLINDUNGAN HUKUM EKSPRESI BUDAYA TRADISIONAL PESTA GOTILON MENURUT HUKUM INTERNASIONAL DAN HUKUM NASIONAL." Cepalo 5, no. 1 (April 15, 2021): 65–72. http://dx.doi.org/10.25041/cepalo.v5no1.2174.

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Sumatera Utara merupakan Provinsi di Indonesia yang memiliki keberagaman suku dan budaya. Diantaranya tentu suku Batak Toba termasuk suku yang mayoritas di dalamnya. Dalam suku Batak Toba dikenal banyak kreasi tradisional dan juga melakukan beberapa kegiatan upacara atau ritual tradisional, salah satu diantaranya adalah Pesta Gotilon. Pesta Gotilon dalam bahasa batak yang berarti panen merupakan kegiatan adat yang merupakan ungkapan syukur para petani kepada Tuhan atas hasil panen pertanian yang melimpah dan berharap di kemudian hari akan melimpah lagi. Dalam tradisinya, para petani akan membawa “silua” atau persembahan yang dipersembahkan kepada Tuhan. Melalui jurnal ini, Penulis menemukan bahwa Pesta Gotilon yang merupakan suatu upacara/ ritual adat yang dilindungi oleh Hukum Internasional maupun Hukum Nasional di Indonesia. Perlindungan Ekspresi Budaya Tradisional (EBT) tidak hanya menjadi perhatian bagi Hukum Internasional, tetapi juga Negara bahkan Pemerintah Pusat sekalipun.

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4

Hasan, Faruk. "Gotier and Thyrotoxicosis in Sulaimani." Journal of Zankoy Sulaimani - Part A 4, no. 2 (July 30, 2000): 45–53. http://dx.doi.org/10.17656/jzs.10079.

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5

Darmawan, Adam, Aquarini Priyatna, and Acep Iwan Saidi. "UNSUR-UNSUR GOTIK DALAM NOVEL PENUNGGU JENAZAH KARYA ABDULLAH HARAHAP (Gothic Elements in the Novel Penunggu Jenazah by Abdullah Harahap)." METASASTRA: Jurnal Penelitian Sastra 8, no. 2 (June 6, 2016): 161. http://dx.doi.org/10.26610/metasastra.2015.v8i2.161-178.

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Tulisan ini mengkaji unsur-unsur gotik yang terdapat dalam novel Penunggu Jenazah karya Abdullah Harahap. Novel yang dikaji menunjukkan keterkaitan unsur-unsur gotik sebagai pembangun cerita, yaitu hal-hal supernatural, bentuk-bentuk transgresi, latar yang menyeramkan, bentuk-bentuk monstrositas, excess dan fetis. Kajian ini dilandasi dengan menggunakan teori gotik. Hasil analisis menunjukkan bahwa unsur gotik dalam novel Penunggu Jenazah saling tumpang tindih. Hal-hal supernatural digunakan sebagai sumber konflik dan bentuk transgresi. Transgresi sebagai unsur gotik menggunakan pelanggaran terhadap tabu yang melibatkan transgresi terhadap seksualitas, tubuh, dan kematian. Latar yang menyeramkan, bentuk-bentuk monstrositas dan excess dihadirkan sebagai unsur gotik yang menggangu tatanan norma dan normalitas. Fetis yang muncul dalam Penunggu Jenazah adalah fetis terhadap tubuh perempuan dengan kecenderungan sadomasokis. Novel disajikan dengan mencampurkan semua unsur gotik dengan unsur supernatural, transgresi dan monstrositas sebagai unsur gotik yang dominan. Oleh sebab itu, penelitian ini saya fokuskan untuk mengungkap cara gotik ditampilkan dalam karya Harahap.Abstract: This paper examines the gothic elements in the novel entitled Penunggu Jenazah written by Abdullah Harahap. The novel shows that the gothic elements are supernatural, forms of transgression, scary setting, forms of monstrosity, excess and fetish. This study uses gothic theories. Furthermore, the results of the analysis also show that the gothic elements are overlapping. Transgression as the gothic element is using violation of taboo of sexuality, body and death. The scary setting, the forms of monstrosity and excess are representing to disturb norms and normality. The fetish in the Penunggu Jenazah novel is the fetish of a woman body with a tendency to sadomasochism. Gothic is represented by blending all gothic elements with the supernatural, transgression and monstrosity as the majority elements. Moreover, this study is focused on the way gothic represented.

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6

KIRPIKLI, Deniz. "The Principle of Beauty: The Gothic in John Keats's Isabella; or, the Pot of Basil." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 59, no. 1 (June 26, 2019): 203. http://dx.doi.org/10.33171/dtcfjournal.2019.59.1.10.

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On dokuzuncu yüzyıl İngiliz edebiyatında Romantik dönem kendinden önceki dönemin edebi ilkelerinden tamamen farklı bir edebiyat anlayışı ile öne çıkmıştır. Bu dönem, yaratıcılığı kısıtlayan kurallardan ve yaygın anlayıştan uzaklaşma ve bir özgürleşme hissi ortaya koymuştur. On sekizinci yüzyıl şiirindeki klasisizm odağının aksine, Romantik şiir orta çağ temalarına yönelmiş ve doğaüstü elementler ile gotik hayal gücüne yer vermiştir. John Keats'in şiirlerinde hayal gücü, güzellik ve doğruya ulaşmanın ve alternatif bir dünya kurmanın en önemli yoludur. “Güzelliğin ilkesini her şeyde sevdiğini” ifade eden şair hayali diyarlar yaratarak gerçeğe alternatif bakış açıları geliştirir (The Letters 186, 467). Keats Isabella; ya da, Fesleğen Saksısı (1818) isimli şiirinde orta çağa ait bir hikayeyi gotik unsurlar kullanarak kendi güzellik anlayışına göre uyarlamıştır. Ürkütücü detaylar içeren gotik unsurlar çirkin ve tehditkar görünebilir fakat Keats'in güzellik anlayışı akıldışı, hayali ve huşu uyandıran duygularla sevinç ve mutluluğu birlikte kabul eder. Şiirin gotik atmosferi bir cesedin başının fesleğen saksısına yerleştirilip gözyaşlarıyla sulanması gibi dehşet verici bir olaya dayanmaktadır. Bu korkunç olay şiirde bir genç kızın sevgisinin yansıması ve gerçeğin farklı bir yorumu olarak ele alınmıştır. Bu bağlamda bu çalışmanın odağı özellikle Keats'in gerçek ile bir tuttuğu güzelliğe ulaşmak için kullandığı gotik unsurları hayal gücünün ürünü olarak nasıl ele aldığı olacaktır. Isabella'da gotik unsurların kullanımı üzerinde durularak bu çalışmada hayal gücünün yansımalarının Keats'in güzellik ve gerçek kavramlarına yaklaşımına katkısı incelenecektir.

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7

Beukes, M. P. "Hibriditeit in ‘Kameelperd’ Goties geteken." Literator 16, no. 3 (May 2, 1995): 197–205. http://dx.doi.org/10.4102/lit.v16i3.646.

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Gothic illustration of hybridity in 'Kameelperd' In this article it is argued that the premise of linguistic and conceptual elements in a poem serves as a focal point for the reader’s interpretation. A single text i.e. "Kameelperd" of Cloete is taken as an example to show that cohesion between various textual elements is interwoven to result in a unity. Textual cohesion relying on similarities in grammatical and lexical criteria proves the relation between elements which enable the author to draw an illustration of a giraffe by means of language. Coherence is proved to have taken place when the connection between cohesive elements in the text is actualised through the reader's process of reading and interpreting. It becomes evident that the giraffe in this poem is portrayed and drawn by the context of linguistic elements in the poem.

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8

ÇAKIR, Hülya. "GOTİK ALT KÜLTÜRÜ." Journal of Academic Social Science Studies 7, Number: 48 (January 1, 2016): 367. http://dx.doi.org/10.9761/jasss3509.

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9

Vukičević-Samaržija, Diana. "Gotik im Nordkroatien." Hortus Artium Medievalium 7 (January 2001): 37–52. http://dx.doi.org/10.1484/j.ham.2.305201.

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10

KIRGIZ-, Şenay. "FRIEDRICH SCHILLER’İN HAYALETGÖREN ADLI ESERİNDE GOTİĞİN YANSIMALARI." Turkish Studies - Language and Literature Volume 14 Issue 3, Volume 14 Issue 3 (2019): 1283–96. http://dx.doi.org/10.29228/turkishstudies.23291.

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11

Zeynep ALTAN, Hayriyem. "KARANLIKTAKİLERDE GOTİĞİN FISILTILARI VE KADINLIĞIN NEGATİF KURULUŞU." Journal of Academic Social Sciences 27, no. 27 (January 1, 2016): 55. http://dx.doi.org/10.16992/asos.1215.

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12

Ivanušec, Ratko, and Petar Seletković. "Posjed Horvati u srednjem vijeku i crkva sv. Bartola u Novim Mikanovcima." Scrinia Slavonica 20, no. 1 (February 15, 2021): 9–50. http://dx.doi.org/10.22586/ss.20.1.16.

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Konzervatorska istraživanja i obnova crkve u razdoblju 2006. - 2020. godine doprinijela su nekim novim spoznajama o graditeljskoj slojevitosti, stilskim, tipološkim i strukturnim odrednica slojevite srednjovjekovne sakralne građevine. U srednjem vijeku crkva sv. Bartola u Novim Mikanovcima nalazila se na posjedu Horvati u srednjovjekovnoj Vukovskoj županiji. Taj posjed u 13. stoljeću bio je u rukama viteškog reda ivanovaca ili hospitalaca sv. Ivana Jeruzalemskog. Posjed se prvi puta spominje u ispravi ugarskog kralja Bele IV. iz 1238. godine. Crkvu sv. Bartola u Novim Mikanovcima izgradili su vjerojatno ivanovci nešto prije ili polovinom 13. stoljeća. Rezultati istražnih konzervatorskih radova na perimetralnim zidovima crkve ukazuju da je crkva obnovljena i utvrđena u drugoj polovini 13. stoljeća, u razdoblju kada je još uvijek u posjedu ivanovaca. Utvđivanje crkve vjerojatno je potaknuto provalom Tatara 1242. godine i njihovog pustošenja Ugarsko - Hrvatskog kraljevstva. U sklopu te obnove brod crkve produžuje se prema zapadu, a crkva dobiva skošeni kružni toranj obrambenih karakteristika, koji je mogao služiti i kao osmatračnica. Tijekom 14. stoljeća posjed je u rukama Horvata od plemićkog roda Báncsa. Godine 1387. posjed Horvati prelazi u ruke palatinske grane obitelji Gorjanski. Gotička obnova crkve izvedena je u razdoblju 1402. - 1420. godine, vjerojatno od strane tadašnjih vlasnika posjeda palatina Nikole II. Gorjanskog (1367.-1433.) i njegovog brata Ivana Gorjanskog (1371.-1429.). U sklopu te obnove, na poziciji starijeg svetišta podignuto je novo gotičko poligonalno svetište i sakristija. U pogledu stilskih obilježja, radi se o izrazito kvalitetnoj obnovi koje su izveli graditelji, odnosno kamenoklesarska radionica, koja je radila po uzoru klesarskih radionica češke gotike i kruga oko Petra Parlera. Od 1481. godine posjed Horvati se nalazi u vlasništvu banske grane obitelji Lovre Bánffyja Gorjanskog. U razdoblju od 1478. do 1503. godine crkva je stradala u ratnim razaranjima, kao i sva naselja ovog posjeda. Crkva je vjerojatno obnovljena 1506. godine nakon smirivanja ratnih prilika i dinastičkih previranja i sukoba između Lovre Bánffyja Gorjanskog i pristaša Maksimilijana Habsburškog i ugarske velikaške obitelji braće Géreba od Vingarta i kralja Vladislava II. Jagelovića. U sklopu te kasnosrednjovjekovne obnove, za koju je zaslužan vjerojatno Lovro Bánffy Gorjanski kao vlasnik posjeda, unutrašnjost svetišta crkve oslikana je renesansnim zidnim oslikom. Od cjelovite kompozicije zidnog oslika svetišta sačuvala se djelomično ikonografska kompozicija na začeljnom zidu gotičke trodjelne sedilije. Ikonografska kompozicija sastoji se od prikaza triju svetaca u stojećem stavu: Mojsija, sv. Nikole kao srednjovjekovnog titulara crkve i sv. Ivana Krstitelja. Ikonografska slikana kompozicija s početka 16. stoljeća je kvalitetan primjer renesansnog slikarstva u Slavoniji i šire u Hrvatskoj, estetsko - umjetničke vrijednosti. Nakon oslobađanja prostora od Osmalija, slijedeća barokna obnova crkve sv. Bartola izvedena je 1730. - 1731. godine od strane đakovačkog biskupa Petra Bakića. Crkva sv. Bartola u Novim Mikanovcima svojom stilskim karakteristikama, tipologijom tlocrta, od kojeg se posebno izdvaja jedinstveni volumen skošenog kružnog tornja, ubraja se u skupinu izrazito vrijednih fortificiranih srednjovjekovnih sakralnih građevina Hrvatske

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13

. "Gotik: coördinatie bij verbouwing." TandartsPraktijk 26, no. 4 (April 2005): 299. http://dx.doi.org/10.1007/bf03072505.

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14

Espegård, Svend Birke, and Ebbe Kløvedal Reich. "En engels vinger: Roman fra det gotiske Norden." World Literature Today 66, no. 1 (1992): 142. http://dx.doi.org/10.2307/40147982.

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15

Rem, Tore. "Bjørnson, bønder og lesning – Om gotiske meningsdannelser." Edda 92, no. 03 (November 11, 2005): 245–55. http://dx.doi.org/10.18261/issn1500-1989-2005-03-04.

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16

Vežić, Pavuša. "Sveti Frane u Zadru - arhitektura crkve i samostana u doba gotike i renesanse." Ars Adriatica 8, no. 1 (December 28, 2018): 17–46. http://dx.doi.org/10.15291/ars.2753.

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The author discusses the architecture of the church and the monastery of St Francis in Zadar in their original form, and their transformation during the Gothic and Renaissance periods. Based on an analysis of published historical sources and the preserved architectural elements, it has been concluded that the extant structure of the complex emerged between the mid-13th and the early 14th century, when the church and the sacristy were built, as well as the monastery wings and the original cloister. An important typological feature of the church is its three-apse rear structure, which the author brings into connection with the Gothic architecture of Franciscans and Dominicans from Umbria and Veneto during the 13th century. The sacristy, in which the Peace of Zadar was signed in 1358, was also a chapel of St Louis and the chapter hall. Its significant rearrangement, with the furnishing of the choir and the sanctuary, took place at the end of the 14th century, when the General Chapter in Cologne proclaimed the monastery the seat of the Franciscan province of St Jerome for Dalmatia in 1393. The choir rebuilding was completed by the mid-15th century with the construction of Giorgio da Sebenico’s podium on the site of the presumed earlier railing.

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17

Vavrečka, Jan, Miroslav Sikora, Petr Mareš, and Ladislav Zeman. "Influence of content pea in the diets on the digestibility in pigs." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 54, no. 2 (2006): 139–46. http://dx.doi.org/10.11118/actaun200654020139.

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The aim of these balance experiments was to analyse the level of feeding pea varieties GOTIK and ZEKON on the digestibility of protein in growing pigs. Variety ZEKON has low content of antinutritional factors in comparison with variety GOTIK. The tentative mixtures contained following amounts of pea (Experiment A): 0.1%, 9%, 18% and on the whole were observed six diets. The apparent digestibility of protein with the diet containing ZEKON was 81.1±4 in group SZ0.1, 81.78±2.47 in group SZ9 a 78.94±4.14 in SZ18 and with the diet containing GOTIK in comparison with ZEKON lower, namely 79.9±4.12 in group SG0.1, 76.02±5.77 in SG9 a 78.18±2.28 in SG18. We observed only one statistical significant value between group SZ9 and SG9 (P<0,05).In the experiment B were used 7 diets, from these diets was the one without contain of peas (group VK) and 6 diets with the content of peas in amount 9%, 18% and 27%. The highest apparent digestibility of protein was observed in the group VK 85.14±2.31 (P<0,001) with group VG18 77.01±1.82, with group VG9 79.08±4.13 (P<0,01) and with group VZ18 79.62±4.09 (P<0,05). The digestibility of protein was in group 80.84±2.8, in VZ27 82.53±2.34 and in VG27 79.81±2.78. The digestibility of protein with the ZEKON pea-containing diets was higher, than the diets with containing GOTIK in the same amount.Resulting values of gain, feeds conversion and digestibilities of nutrients indicate feasible substitution of soya-bean meal by feeding pea, and thus decrease the dependence of mixed feed mill on these component´s import in production of feeding mixtures for growing pigs.

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18

Kratochvílová, Pavla, Š. Křížová, and L. Zeman. "Influence of faba bean and peas combination on performance parameters of broilers." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 57, no. 4 (2009): 19–24. http://dx.doi.org/10.11118/actaun200957040019.

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Influence of two varieties of peas and faba bean on performance was observed in grow experiment. Varieties of legumes were different in antinutritive factors levels. ZEKON (peas) and MISTRAL (faba bean) are low tannin varieties, GOTIK (peas) and MERKUR (faba bean) are traditional varieties with high level of antinutritive substances. Experiment was finished in 40 days of age. There were used 900 broilers allotted to 9 groups (100 animals in group). Peas and faba bean was dose to feed mixture on level adequate to 30 g of crude protein per kilogram of feed mixture, the rest of crude protein needed in feed mixture was covered by soya bean meal. The best results in final weight achieved group with GOTIK (2476.7 ± 270.8 g), the second was group ZEKON (2456.7 ± 247.2 g), than MISTRAL in combination with peas (2454.7 ± 268.5 g), MERKUR (2416.9 ± 266.1 g), ZEKON in combination with faba bean (2410,7 ± 297.8 g) and MISTRAL group achieved 2405.6 ± 336.4 g of final weight. The rest of groups was belong 2400 g of body weight: control group 2370.1 ± 249.2 g, GOTIK in combination with peas 2302.9 ± 253.1 g and the worst result had group MERKUR in combination with peas (2258.8 ± 259.4 g). The differences were significant.

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19

Cohen, Ohad, Pearl Herskovitz, Bella Shindell, Sara Leiba, and Herzlia Hadar. "Pitfalls in the follow-up of cervical and mediastinal goitres: role of CT imaging." Journal of Laryngology & Otology 106, no. 1 (January 1992): 65–70. http://dx.doi.org/10.1017/s0022215100118651.

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AbstractFour patients with cervical and mediastinal goitres were described. Routine investigation in these patients, including chest X-rays, oesophageal and tracheal X-rays and scintigraphy of the thyroid gland, failed to show significant changes over the years, or underestimated the true extent of the goitres. Three of the goitres caused severe mediastinal compression, evident only on computed tomography (CT) imaging, and requiring urgent surgery. The pros and cons of different diagnostic modalities for imaging cervical and mediastinal gotires are discussed, stressing the importance of CT imaging as exemplified in the cases presented.

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20

Vavrečka, Jan, Petr Mareš, and Ladislav Zeman. "Influence of level pea in the diet on performance of piglets." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 53, no. 1 (2005): 93–100. http://dx.doi.org/10.11118/actaun200553010093.

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The aim of this study was to analyse the level of feeding pea on piglets performance. In the trial the addition of pea varietas breed GOTIK with the highest content of antinutritive factors and commonly used mixture (fed in group G01) was compared. The tentative mixtures contained following amounts of pea: group G9 – 9 %, group G18 – 18 % and group G27 – 27 %.The average daily gain were: the control group G01: 0.425 ± 0.110, group G9: 0.395 ± 0.121, group G18: 0.358 ± 0.108 and group G27: 0.315 ± 0.113 kg. Out of these numbers ensues that with higher amount of pea GOTIK the average daily gain was decreasing. In the feed conversion there appeared a similar decrease of efficiency too. In the control group G01 the feed conversion was 2.02 ± 0.10, in group G9 2.16 ± 0.22, in group G18 2.34 ± 0.08 and in group G27 2.46 ± 0.18 kg. Also, with the higher content of GOTIK in feeding mixture the food intake was lower. The differences in efficiency were among the pigletsę gender too. Eventhough grunters have in this age category higher growth rate than gilts, their results were worse. Our opinion is, that this efficiency decrease could be caused by high content of antinutritive factors in GOTIK.Resulting values of gain and feeds conversion indicate feasible substitution of soya-bean meal by feeding pea, and thus decrease the dependence of mixed feed mill on these componentęs import in production of feeding mixtures for growing pigs.

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ARSLAN, Çiçek DEMİRTAŞ ÖNDER Fatih. "ELİF ŞAFAK’IN PİNHAN ROMANINDA “GOTİK” KAZI." Journal of Social Sciences 47, no. 47 (2020): 504–11. http://dx.doi.org/10.29228/sobider.45771.

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22

SELAMET, Sevim. "GRAFİK TASARIM VE TİPOGRAFİDE GOTİK YAZILAR." Journal of Social Sciences 2, no. 5 (January 1, 2015): 1. http://dx.doi.org/10.16990/sobider.109.

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23

GÜLCAN-, Nur Yeliz. "ORTAÇAĞ AVRUPA’SINDA SKOLASTİK FELSEFE ve GOTİK MİMARİ." Turkish Studies-Social Sciences Volume 14 Issue 5, Volume 14 Issue 5 (2019): 2225–34. http://dx.doi.org/10.29228/turkishstudies.32668.

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24

ÖZDEMİR, Gökçe. "MODANIN GİZEMLİ STİLİ GOTİK: DENEYSEL BİR ÇALIŞMA." JOURNAL OF SOCIAL, HUMANITIES AND ADMINISTRATIVE SCIENCES 7, no. 41 (January 1, 2021): 1210–18. http://dx.doi.org/10.31589/joshas.669.

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25

Schrijnders, Marlene. "From London to Leipzig and Back: A Transnational Approach to the Endzeit (R)Evolution (1976–92)." Britain and the World 11, no. 1 (March 2018): 75–100. http://dx.doi.org/10.3366/brw.2018.0288.

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Twenty-five years ago, just as the Cold War ended with the fall of the Berlin Wall in 1989, the suitably-titled West German goth fanzine Glasnost announced that a festival called Wave-Gotik-Treffen was to be held in the East German city of Leipzig. Today, the Wave-Gotik-Treffen is the biggest such festival in the world. Initially, however, its significance lay in allowing East and West German goths to meet and dance together, revealing differences in their respective experiences and understanding of the dark subculture. This article will examine two inter-related questions. First, what was the relationship between ‘goth’, as a music and aesthetic, across the frontier of the cold war? Second, to what extent were the goth subcultures of East and West Germany informed by and understood in relation to the original goth subculture emergent within the UK? The article will feed into the debate on the politics of youth culture, but also on the ways by which subcultural meanings and identities are transmitted and redefined across national borders.

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Bø, Ragnhild M. "Det gotiske ciboriet i Roma 1285–1370. Romersk tradisjon og fransk innflytelse." Konsthistorisk tidskrift/Journal of Art History 74, no. 1 (January 2005): 25–48. http://dx.doi.org/10.1080/00233600510027957.

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Jirásek, I. "Fenomén putování jako symbol duchovního rozměru osobnostního rozvoje v diskursu zážitkové pedagogiky." Pedagogická orientace 24, no. 1 (February 28, 2014): 5–21. http://dx.doi.org/10.5817/pedor2014-1-5.

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Text v diskursu filosofie výchovy hledá možná propojení informálního vzdělávání v rámci putovního kurzu Prázdninové školy Lipnice Život je gotickej pes a potenciálního rozvoje spirituálního rozměru lidského způsobu bytí. První část výkladu pojednává o oboru zážitková pedagogika a expedičním kurzu jako příkladu zvoleného diskursu. Druhá část se zaměřuje na spirituální rozměr lidského prožívání a jeho odlišení od témat náboženských. Třetí část konkretizuje spirituální prožitky v rámci popisovaného kurzu a předkládá nový model spirituálního (nenáboženského) putování. Struktura projektů realizovaných metodami zážitkové pedagogiky nabízí potenciál pro uchopení možností, jež s sebou nese nenábožensky pojatá spiritualita. Mezi fenomény strukturující tento rozměr prožívání patří duch, cesta, transcendence, transformace a smysl. Příspěvek tak upozorňuje, že zážitková pedagogika má ve své hloubce velmi blízko ke spiritualitě v její nenáboženské dimenzi a tím i k akcentaci autentického modu existence.

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Haus, Andreas. "Gedanken uber K. F. Schinkels Einstellung zur Gotik." Marburger Jahrbuch für Kunstwissenschaft 22 (1989): 215. http://dx.doi.org/10.2307/1348639.

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TÜRKMENOĞLU, Sevgül. "TÜRK ROMANI İÇİN YENİ BİR TÜR: GOTİK ROMAN." Journal of Social Sciences 27, no. 27 (January 1, 2018): 176–83. http://dx.doi.org/10.16990/sobider.4415.

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IŞIK, Onur. "YENİ GOTİK: DEHŞETİN YENİ ZEMİNİ OLARAK İNSAN ZİHNİ." Gaziosmanpasa Universitesi Sosyal Bilimler Arastirmalari Dergisi 13, no. 25 (January 1, 2018): 37–45. http://dx.doi.org/10.19129/sbad.324.

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YILDIZ, Şerife. "Gotik Dönem Mimarisi ve Dönem Giysi Tasarımlarına Etkisi." International journal of Science Culture and Sport 3, no. 12 (January 1, 2015): 247. http://dx.doi.org/10.14486/ijscs386.

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Yeşim GÜRANİ, Fehime. "GOTİK MİMARİNİN MODA TASARIMINA YANSIMALARI; GUO PEI ÖRNEĞİ." Journal of International Social Research 14, no. (77-3) (January 1, 2021): 514–26. http://dx.doi.org/10.17719/jisr.11655.

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İLHAN, Nilüfer. "DEHŞETİN KAPISINI ARALAMAK: İZZET YASAR'IN ÖYKÜLERİNDE GOTİK ÖGELER." International Journal Of Turkish Literature Culture Education 10, no. 10/2 (January 1, 2021): 616–32. http://dx.doi.org/10.7884/teke.5312.

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BUIKEMA, Rosemarie, and Lies WESSELING. "De representatie van het moederschap in verlichte opvoedkunde en duistere gotiek." Spiegel der Letteren 42, no. 2 (April 1, 2000): 156–74. http://dx.doi.org/10.2143/sdl.42.2.418.

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Stamenković, Slađana. "TAMA U NAMA: POSTMODERNA GOTIKA U ROMANU BORILAČKI KLUB ČAKA PALAHNJUKA." Годишњак Филозофског факултета у Новом Саду 41, no. 1 (February 22, 2017): 399–419. http://dx.doi.org/10.19090/gff.2016.1.399-419.

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Postmoderni gotski žanr predstavlja postmodernu inkarnaciju tradicionalnog gotskog žanra i obuhvata tradicionalne gotske elemente, premda u izvesnoj meri izmenjene i nadograđene. U biti, ovaj žanr predstavlja jedinstven spoj gotskog žanra i postmodernih odlika. U radu se razmatraju takvi unapređeni gotski elementi na primeru romana Čaka Palahnjuka Borilački klub. Svi glavni gotski elementi (poput vremena i mesta zbivanja, gotskih junaka i junakinje, dvojnika itd.) predstavljeni su u ovom romanu sa posebnim naglaskom na subjektivnosti i elementu terora, jer su oni možda dve tačke najvećeg pomaka u odnosu na tradicionalne karakteristike gotskog žanra. Osim gotske teorije i teorije postmodernizma, jos jedan teorijski okvir se doima vrlo bitnim za interpretaciju ovog romana, a to je Bodrijarova teorija hiperrealnosti. Tradicionalna gotska priča izmeštena je tako da pripada nivou realnosti koji je upečatljivo očuđen od stvarnosti koja je činjenica. Uz ovakav jedinstven spoj različitih, premda čini se srodnih, teorijskih okvira, Palahnjukov roman jeste jedan od najboljih predstavnika postmodernog gotskog žanra.

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Kopp, Nina. "Terror og horror hos de klassiske gotiske forfattere: Ann Radcliffe og Matthew Lewis." Magasin fra Det Kongelige Bibliotek 12, no. 3 (December 1, 1997): 39–51. http://dx.doi.org/10.7146/mag.v12i3.66468.

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Yunani, Ahmad. "Gereja Hati Yesus Yang maha Kudus - Katedral (sejarah Gereja Katolik di Sulawesi Selatan dan Tenggara)." Jurnal Lektur Keagamaan 15, no. 1 (May 10, 2018): 125. http://dx.doi.org/10.31291/jlk.v15i1.518.

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The Hati Yesus yang Maha Kudus Church is the oldest Catholic church in Makassar. Built in 1898, the church later became the cathedral church in Makassar. In this paper, the author makes the church as the object of research using the method of archaeological descriptions. This study aims to find out how the application of building styles in gothic churches and its changes to date. Through the embodiment of the visual elements of the oldest Catholic church in Makassar, the gothic style and other artistic styles of the buildings the church shows an interesting and unique blend of architecture. The shape of windows, doors, and curved roofs is part of the Gothic style that was the influence of the Dutch colonial period. Although the style and forms of this church have a resemblance of form with the later Christian church, the Christian church of Immanuel Makassar, the Hati Yesus yang Maha Kudus Church has become part of the Roman Catholic church structure which has many historical values, both in Makassar's local history, as well as Indonesian national history. Keywords: Church of the Most Sacred Heart of Jesus, Catholic, history, Architecture, Makassar. Gereja Hati Yesus yang Maha Kudus merupakan gereja Katolik tertua di Makassar. Dibangun pada tahun 1898, gereja ini kemudian men-jadi gereja Katedral di Makassar. Dalam tulisan ini, penulis menjadi¬kan gereja Hati Yesus yang Maha Kudus sebagai objek penelitian dengan menggunakan metode deskripsi arkeologis. Penelitian ini bertujuan untuk mengetahui bagaimana penerapan gaya bangunan pada gereja gotik dan perubahannya hingga saat ini. Melalui perwujudan unsur-unsur visual pada gereja Katolik tertua di Makassar tersebut, gaya gotik dan gaya artistik lainnya dari bangunan memperlihatkan perpaduan arsitektur yang menarik dan unik. Bentuk jendela, pintu, dan atap melengkung adalah bagian dari corak gotik yang merupakan pengaruh dari masa kolonial Belanda. Meskipun gaya dan bentuk gereja ini memiliki kemiripan bentuk dengan gereja Kristen yang muncul kemudian, yaitu gereja Kristen Immanuel Makassar, Gereja Hati Yesus yang Maha Kudus, menjadi bagian dari struktur gereja Katolik Roma yang memiliki banyak nilai-nilai sejarah, baik sejarah lokal Makassar, bahkan sejarah nasional Indonesia umumnya. Kata Kunci: Gereja Hati Yesus yang Maha Kudus, Katolik, sejarah, Arsitektur, Makassar.

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Melicharová, V., A. Pechová, R. Dvořák, L. Pavlata, and V. Lubojacká. "Evaluation of performance and metabolism of dairy cows fed pea seeds (<i>Pisum sativum</i>) with different anti-nutritional content." Archives Animal Breeding 51, no. 2 (October 10, 2008): 129–42. http://dx.doi.org/10.5194/aab-51-129-2008.

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Abstract. The aim of this study is to determine the effect produced by selected pea cultivars with different anti-nutritional content on dairy cows’ metabolism. In the current ninety-day present, 32 dairy cows were divided into four groups (Z, G, GU and C). Three experimental groups (Z, G and GU) were fed a production mixture consisting of 25% pea seeds and the following: (Z – Zekon cultivar with low anti-nutritional content; G - Gotik cultivar with high antinutritional content; and GU – Gotik cultivar whose anti-nutritional content was reduced technologically). The control group was fed the production mixture with a higher proportion of extracted soybean meal and grain meal. Feeding rations were balanced to have an analogical composition of crude protein and energy. Feeding the pea supplement did not affect energy metabolism of the dairy cows. As for nitrogen metabolism, group Z showed higher concentrations of ammonia in rumen fluid and urea in blood compared to groups GU and C. No animal from the experimental groups showed reduced intake of feed. An insignificantly lower performance was noted (daily milk yield, protein production and lactose production) in group G. Overall, better results were observed in group Z. On the basis of the current study, peas can be used as an alternative source of proteins and energy in the diet of dairy cattle.

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이영기. "Goethe und die Gotik - Zum Aufsatz Von deutscher Baukunst -." Koreanische Zeitschrift für Germanistik 53, no. 1 (March 2012): 221–44. http://dx.doi.org/10.31064/kogerm.2012.53.1.221.

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Hilal ELKILIÇ, Nur. "ELİF KARAKAŞ'IN LANETLİ GENLER (1995) ADLI ESERİNDE GOTİK İMGELER." International Journal of Social Humanities Sciences Research (JSHSR) 8, no. 66 (January 1, 2021): 377–87. http://dx.doi.org/10.26450/jshsr.2297.

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Varhaník, Jiří. "Rub a líc reprezentace Švihovských z Rýzmberka na přelomu gotiky a renesance." Archaeologia historica, no. 2 (2016): 181–93. http://dx.doi.org/10.5817/ah2016-2-8.

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ÇETİNTAŞ, Dilek. "TEPEDELENLİZADE HÜSEYİN KÂMİL VE SANTİMANTAL, GOTİK, MANZUM SOLİLOĞU: BİR MÜTEVE." Journal of Social Sciences 17, no. 17 (January 1, 2017): 114–51. http://dx.doi.org/10.16990/sobider.3876.

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Emmens, K. "M. Smeyers, R. van Dooren, Het Leuvense stadhuis. Pronkjuweel van de Brabantse gotiek." BMGN - Low Countries Historical Review 115, no. 4 (January 1, 2000): 596. http://dx.doi.org/10.18352/bmgn-lchr.5351.

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Veselá, Lenka. "Petr Voit, Vzácné knižní vazby Strahovské knihovny v Praze. Od gotiky na práh baroka." Knihy a dějiny 27, no. 1-2 (2020): 275–77. http://dx.doi.org/10.23852/kad.2020.27.09.

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Altındiş, Hüseyin. "Cormac McCarthy’nin Blood Meridian Adlı Eserinde Grotesk Öğeler ve Güney Gotik." Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, no. 41 (June 19, 2019): 89–102. http://dx.doi.org/10.21497/sefad.586589.

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Laksana, Deddy Award Widya, and Bernardus Andang P. Adiwibawa. "IDENTIFIKASI DAN KATEGORI RAGAM HIAS BANGUNAN CAGAR BUDAYA GAYA NEO-GOTIK." GESTALT 1, no. 1 (June 30, 2019): 25–38. http://dx.doi.org/10.33005/gestalt.v1i1.18.

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Bangunan-bangunan cagar budaya adalah suatu aset dalam kaitannya dengan pariwisata di perkotaan. Namun, upaya untuk mengoptimalkan aset tersebut masih terkendala. Salah satunya adalah kurangnya informasi yang memadai terkait dengan bangunan cagar budaya tersebut. Oleh karenanya, kami merasa perlu untuk melakukan identifikasi dan kategorisasi menyeluruh terhadap karakter visual suatu bangunan cagar budaya. Hasil dari identifikasi tersebut adalah sebuah daftar yang dapat digunakan untuk banyak hal, terutama desain infografis yang mampu mengomunikasikan nilai-nilai penting atau karakter suatu bangunan cagar budaya. Obyek yang menjadi kajian kami adalah sebuah Gereja Katolik St. Yusuf - Gedangan yang bergaya neo gotik yang dibangun pada abad 19. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan kualitatif dengan analisis deskriptif visual maupun tekstual. Hasilnya adalah klasifikasi ragam hias dan penggunaannya, serta tanda-tanda visual yang secara simbolik terkait dengan karakter bangunannya.

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KimHongSup. "Übernahme und Umwandlung der Gotik - Die deutsche Kirchenbaukunst im 13.-14. Jahrundert -." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 44 (June 2009): 143–67. http://dx.doi.org/10.30947/zfdsl.2009..44.143.

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Hannemann, Tilman. "Die Vermittlung der Transzendenz in die Immanenz." Zeitschrift für Religionswissenschaft 28, no. 1 (April 30, 2020): 86–111. http://dx.doi.org/10.1515/zfr-2018-0034.

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ZusammenfassungDie gotische Kirchenarchitektur galt in der Religionsphänomenologie als ein Ideal für die Vermittlung von Transzendenz. Historisch betrachtet avancierte zunächst im religiösen Umfeld des Sturm und Drang der zeichenhafte ‚Thurm‘ des Straßburger Münster zu einer natursprachlichen Repräsentation von ,Wahrheit‘. Der Münsterturm wurde als Wahrnehmungsraum emotional codiert und eine kleine Pilgerpraxis entwickelte sich von 1770 bis 1780. Gut zwanzig Jahre später erneuerte Friedrich Schlegel im Zuge der deutschen Nationalbewegung die Rezeption der Gotik anhand des Kölner Doms.Dieser Artikel rekonstruiert die mediale Funktion von Architektur im Zusammenhang dieser historischen Wahrnehmungsräume und historisiert den Transzendenzbegriff. Die Gestaltung religiöser Emotionen erfolgt im Austausch mit zeitgenössischen Theorien über Anschauung und Wahrnehmung. Welche architektonischen Motive standen für die Erfahrung von Transzendenz? Welche Sprachstrategien bezeugten eine erfolgreiche Vermittlung?

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Tvrzníková, Jana. "Český knihtisk mezi pozdní gotikou a renesancí II. Tiskaři pro víru i tiskaři pro obrození národa 1498–1547." Acta Musei Nationalis Pragae – Historia litterarum 63, no. 3-4 (2019): 215–16. http://dx.doi.org/10.2478/amnpsc-2018-0028.

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GAYRET, Gökçenaz. "Charles Brockden Brown’un Wieland Adlı Eserinde Aydınlanma, Püritanizm ve Transandantalizm Üzerine Gotik Çıkarımlar." Anemon Muş Alparslan Üniversitesi Sosyal Bilimler Dergisi 8, no. 4 (August 24, 2020): 1. http://dx.doi.org/10.18506/anemon.623472.

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