Relevant bibliographies by topics / Gottschalk, Louis Moreau

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Gottschalk, Louis Moreau'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Gottschalk, Louis Moreau"

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PRUETT, LAURA MOORE. "Porch and Playhouse, Parlor and Performance Hall: Traversing Boundaries in Gottschalk'sThe Banjo." Journal of the Society for American Music 11, no. 2 (2017): 155–83. http://dx.doi.org/10.1017/s1752196317000050.

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AbstractThis article reconsiders the cultural significance and historical impact of the well-known virtuosic piano compositionThe Banjoby Louis Moreau Gottschalk. Throughout the early nineteenth century, the banjo and the piano inhabited very specific and highly contrasting performance circumstances: black folk entertainment and minstrel shows for the former, white middle- and upper-class parlors and concert halls for the latter. InThe Banjo, Louis Moreau Gottschalk lifted the banjo out of its familiar contexts and placed it in the spaces usually privileged for the piano. Taking its inspiratio
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Mitchell, Reagan Patrick. "Gottschalk’s Engagement with the Ungovernable: Louis Moreau Gottschalk and the Bamboula Rhythm." Educational Studies 54, no. 4 (2018): 415–28. http://dx.doi.org/10.1080/00131946.2018.1473868.

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Tischler, Barbara L., and S. Frederick Starr. "Bamboula! The Life and Times of Louis Moreau Gottschalk." American Historical Review 101, no. 3 (1996): 913. http://dx.doi.org/10.2307/2169569.

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Ahlquist, Karen, and S. Frederick Starr. "Bamboula! The Life and Times of Louis Moreau Gottschalk." Journal of American History 82, no. 3 (1995): 1212. http://dx.doi.org/10.2307/2945175.

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Krummel, D. W., and S. Frederick Starr. "Bamboula! The Life and Times of Louis Moreau Gottschalk." Notes 52, no. 2 (1995): 476. http://dx.doi.org/10.2307/899057.

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Yellin, Victor Fell, and S. Frederick Starr. "Bamboula!: The Life and Times of Louis Moreau Gottschalk." American Music 15, no. 2 (1997): 233. http://dx.doi.org/10.2307/3052733.

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Brockett, Clyde W. "Louis Moreau Gottschalk and His Morte!! (She Is Dead): Lamentation." American Music 8, no. 1 (1990): 29. http://dx.doi.org/10.2307/3051934.

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Kirkpatrick, John, and John G. Doyle. "Louis Moreau Gottschalk, 1829-1869: A Bibliographical Study and Catalog of Works." American Music 3, no. 3 (1985): 359. http://dx.doi.org/10.2307/3051482.

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Tawa, Nicholas E., and Richard Jackson. "The Complete Published Songs of Louis Moreau Gottschalk with a Selection of Other Songs of Mid-Nineteenth-Century America." Notes 50, no. 4 (1994): 1579. http://dx.doi.org/10.2307/898366.

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10

Shadle. "Louis Moreau Gottschalk's Pan-American Symphonic Ideal." American Music 29, no. 4 (2011): 443. http://dx.doi.org/10.5406/americanmusic.29.4.0443.

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Dissertations / Theses on the topic "Gottschalk, Louis Moreau"

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Dicus, Kent Timothy 1958. "A stylistic analysis of selected piano works of Louis Moreau Gottschalk." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276718.

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Although Louis Moreau Gottschalk's works are not generally recognized as being exceptionally significant in the development of musical style, they do serve as a link between the music of Frederic Chopin and that of Charles Ives. Certain stylistic characteristics of Chopin are seen in many of Gottschalk's works, especially those which incorporate "Scherzo" and "Mazurka" passages. Simultaneously, Gottschalk's concept of using popular tunes as prominent melodies and themes was later expanded by Charles Ives. Gottschalk's works include some of America's first experimentations with form through uti
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Pruett, Laura Moore Von Glahn Denise. "Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853-1865." Diss., electronic version:, 2007. http://etd.lib.fsu.edu/theses/available/etd-11022007-110414/.

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Dissertation (Ph. D.) Florida State University, 2007.<br>Advisor: Denise Von Glahn, Florida State University, College of Music. Title and description from dissertation home page (viewed 4-1-2008). Document formatted into pages; contains 222 pages. Includes biographical sketch. Includes bibliographical references.
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Unruh, Amy Elizabeth. "Louis Moreau Gottschalk (1829-1869) the role of early exposure to African-derived musics in shaping an American musical pioneer from New Orleans /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1257865487.

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Thesis (Ph.D.)--Kent State University, 2009.<br>Title from PDF t.p. (viewed April 9, 2010). Advisor: Terry E. Miller. Keywords: Louis Moreau Gottschalk; Gottschalk; Amy Unruh; music; piano; African; Bamboula; night; tropics; New Orleans; Louisiana; American; composer. Includes bibliographical references (p. 308-323).
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Zagala, Mathilde. "Le « trois sur quatre » dans la musique écrite en circulation à la Nouvelle-Orléans d’avant le jazz enregistré, 1835-1917." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040223.

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Ce travail porte sur le motif polyrythmique de «trois sur quatre» dans la musique écrite en circulation à la Nouvelle-Orléans d’avant le jazz enregistré, de 1835 à 1917. S’inscrivant à l’intersection de l’histoire et de l’analyse du rythme, il propose une analyse comparée à partir de trois méthodologies d’analyse (celle des polyrythmies percussives d’Afrique centrale conçue par Simha Arom,celle des dissonances métriques développée par Harald Krebset celle des polyrythmies dans le jazz mise au point par Laurent Cugny) adaptées et appliquées à des corpus archivistiques dépouillés notamment à la
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LO, YU-MEI, and 羅鈺鎂. "An Analysis and Interpretative Study of Louis Moreau Gottschalk’s Souvenir de Porto Rico." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/nxthw5.

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碩士<br>國立臺中教育大學<br>音樂學系碩士班<br>106<br>Louis Moreau Gottschalk (1829-1869) was an American composer and pianist of Romantic music in the mid-19th century. He was born in New Orleans, Louisiana, studied in Paris, France and settled in Brazil in his later years. Due to Gottschalk’s origins and extensive experience of traveling, his musical elements show rich diversity, displaying a mixture of urban folk and European traditional classical music, that won him great success in Europe with its eccentric and exotic style. This study focuses on “Souvenir de Porto Rico, Op.31”, a typical characteristic st
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Books on the topic "Gottschalk, Louis Moreau"

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Sauvat, Catherine. Le pianiste voyageur: Louis Moreau Gottschalk, 1829-1869. Payot, 2011.

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2

Hamel, Réginald. Louis-Moreau Gottschalk et son temps (1829-1869). Guérin, 1996.

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3

Starr, S. Frederick. Bamboula!: The life and times of Louis Moreau Gottschalk. Oxford University Press, 1995.

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Gottschalk, Louis Moreau. The complete published songs of Louis Moreau Gottschalk: With a selection of other songs of mid-nineteenth century America. Margun Music, 1992.

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5

Louis Moreau Gottschalk (Music in American Life). University of Illinois Press, 2000.

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6

Hensel, Octavia. Life And Letters Of Louis Moreau Gottschalk. Kessinger Publishing, LLC, 2007.

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Hensel, Octavia. Life And Letters Of Louis Moreau Gottschalk. Kessinger Publishing, LLC, 2007.

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8

Starr, S. Frederick. Bamboula!: The Life and Times of Louis Moreau Gottschalk. Oxford University Press, USA, 1995.

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9

Louis Moreau Gottschalk: A Bio-Bibliography (Bio-Bibliographies in Music). Greenwood Press, 2002.

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10

Gottschalk, Louis A. Autobiographical Notes of Louis A. Gottschalk. Nova Science Pub Inc, 2006.

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Book chapters on the topic "Gottschalk, Louis Moreau"

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Shadle, Douglas W. "Louis Moreau Gottschalk, Pan-American Republican." In Orchestrating the Nation. Oxford University Press, 2015. http://dx.doi.org/10.1093/acprof:oso/9780199358649.003.0008.

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Mellers, Wilfrid. "Introductory: Music and entertainment in nineteenth-century America: Stephen Foster, Louis-Moreau Gottschalk and John Philip Sousa." In Music in a New Found Land. Routledge, 2017. http://dx.doi.org/10.4324/9781315124902-13.

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