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Relevant bibliographies by topics / Gould, John

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Academic literature on the topic 'Gould, John'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Gould, John"

1

Fisher, C. T. "From John Gilbert to John Gould." Australian Zoologist 22, no. 1 (September 1985): 5–14. http://dx.doi.org/10.7882/az.1985.002.

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Johnson, Ben, and Lucas Carpenter. "John Gould Fletcher and Southern Modernism. The John Gould Fletcher Series Vol. V." Journal of Southern History 57, no. 4 (November 1991): 762. http://dx.doi.org/10.2307/2210638.

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McCabe, Susan, and Lucas Carpenter. "John Gould Fletcher and Southern Modernism." Modern Language Review 87, no. 4 (October 1992): 958. http://dx.doi.org/10.2307/3731469.

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Lambourne, Maureen. "JOHN GOULD AND CURTIS'S BOTANICAL MAGAZINE." Curtis's Botanical Magazine 11, no. 4 (November 1994): 186–97. http://dx.doi.org/10.1111/j.1467-8748.1994.tb00439.x.

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Johnson, Ben, Leighton Rudolph, Ethel C. Simpson, and John Gould Fletcher. "Selected Letters of John Gould Fletcher." Arkansas Historical Quarterly 56, no. 1 (1997): 102. http://dx.doi.org/10.2307/40031005.

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Baumhauer, Judy. "John Samuel Gould, MD (1939-2015)." Foot & Ankle International 36, no. 11 (October 30, 2015): 1261–63. http://dx.doi.org/10.1177/1071100715614888.

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Feingold, Paul C. "Retirement of Editorial Board Member John Gould." Management Communication Quarterly 1, no. 2 (November 1987): 288. http://dx.doi.org/10.1177/0893318987001002008.

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Smith, Jonathan. "GENDER, ROYALTY, AND SEXUALITY IN JOHN GOULD'SBIRDS OF AUSTRALIA." Victorian Literature and Culture 35, no. 2 (June 29, 2007): 569–87. http://dx.doi.org/10.1017/s1060150307051649.

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WHEN THE BRITISH ORNITHOLOGISTand bird illustrator John Gould launched his monumental publication onThe Birds of Australialate in 1840, the cover of the serial parts bore the image of the lyre bird (Menura superba) and a prominent dedication, “by permission,” to the young and recently-married Queen Victoria (Correspondence2: 213; see Figure 4). A few months later, issuing the part with the plate and descriptive text for the lyre bird, Gould declaredMenura superba“an emblem for Australia among its birds” (Birds of Australiavol. 3, plate 14; see Figure 5). This visual juxtaposition of Victoria and the lyre bird also reflected an association between them in Gould's mind, the lyre bird serving as emblem not only for the Australian colonies but also for their Queen. The association became more explicit and was extended to include Victoria's Consort in the decades that followed, for althoughThe Birds of Australiawas completed in 1848, Gould issued irregular supplemental installments during the 1850s and 60s and published a two-volumeHandbook to the Birds of Australiain 1865. One of the first discoveries Gould announced and figured in theSupplementwas a new species of lyre bird, which he namedMenura albertiin 1850 to acknowledge Prince Albert's “personal virtues” and “liberal support.” In 1862, in a tribute likely inspired by the recent death of the Prince, Gould dividedMenura superbainto two species and christened the newly-created oneMenura victoriae, thereby providing his grieving queen with an avian namesake to accompany Albert's.

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Steinman, Lisa, and Ben F. Johnson. "Fierce Solitude: A Life of John Gould Fletcher." Journal of American History 82, no. 4 (March 1996): 1619. http://dx.doi.org/10.2307/2945404.

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Brosman, Catharine Savage, and Ben F. Johnson III. "Fierce Solitude: A Life of John Gould Fletcher." Journal of Southern History 62, no. 2 (May 1996): 410. http://dx.doi.org/10.2307/2211845.

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Dissertations / Theses on the topic "Gould, John"

1

Balachandran, Gopalan. "John Bullion's empire : Britain's gold problem and India between the wars /." Richmond (GB) : Curzon, 1996. http://catalogue.bnf.fr/ark:/12148/cb358568124.

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Dinivitzer, Eugenia. "The gold-exchange standard in theory : Keynes's original approach." Paris 8, 2014. http://www.theses.fr/2014PA084051.

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The aim of the dissertation is to highlight the richness of Keynes’s normative view of the Gold Exchange Standard during his alleged orthodox period, i. E. , during the years of the writing of his Indian Currency and Finance, his Tract on Monetary Reform and his Treatise on Money books. It argues that while the salient feature of this system, the economy in gold, is traditionally interpreted as an end desired in itself, in Keynes’s mind it rather represents, in all of these writings, a device for achieving subsequent objectives. His plea for this system is thus not explained on the grounds that it is a cheaper kind of Gold Standard, as the literature suggests; it is based on the author’s aim of reducing the role of gold in the monetary system so that monetary authorities can be better equipped to protect the internal price stability during the international monetary fluctuations. This dissertation thus discloses Keynes’s original approach to the Gold Exchange Standard and shows that his heterodoxy on monetary matters actually started since the very beginning of his career
Le propos de la dissertation est de mettre en relief la richesse de la pensée normative de Keynes au regard l’Etalon de Change-Or pendant sa période dite orthodoxe, i. E. , pendant les années de l´écriture de ses livres Indian Currency and Finance, Tract on Monetary Reform et Treatise on Money. L´étude signale que, tandis que la caractéristique principale de ce système, l’économie en or, est traditionnellement interprétée comme un fin en soi; selon Keynes cette caracteristique représente plutôt un instrument pour assurer subséquents objectifs. Sa défense de ce système ne s'explique pas alors sur la base d'être une sorte d’Etalon Or plus économique, comme il est suggéré par la littérature; elle se base dans le but de l’auteur de reduire le rôle de l’or dans le système monetaire de façon que les autorités monetaires aient un marge de manœuvre pour protéger la stabilité des prix internes pendant les vicissitudes monétaires internationalles. Cette dissertation, donc, relève l’apport original de Keynes à l’Etalon de Change-Or et souligne que sa hétérodoxie sur les aspects monétaires se révèle, en fait, depuis le début même de sa carrière

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Kneisley, Bri. "Valuable drops of gold exploring economics in John Gabriel Stedman's Narrative of a five years expedition against the revolted negroes of Surinam /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/5653.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on September 5, 2008) Includes bibliographical references.

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Contreras, Carlos. "TePaske, John. A New World of Gold and Silver. Ed. Kendall Brown. Leiden: 2010. 340 pp. + xxii. Mapas, cuadros, gráficos, bibliografía." Economía, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/118087.

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Wright, Gary K. "Parody songs of the California Gold Rush, 1849-1860 : the music and lyrics of Mart Taylor, John A. Stone and Dr. David G. 'Yankee' Robinson." Scholarly Commons, 1992. https://scholarlycommons.pacific.edu/uop_etds/2232.

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A search of music history texts on American music, such as American Music: A Panorama, by Daniel Kingman, seems to ignore the music of 19th-century California. In Kingman's text, music of the Indians and of mission life is discussed, but music of California and, indeed, much of the western United States is left unexplored. I have found this to be the case in other texts as well. In fact, I have never found a text that discusses or even mentions music of the Gold Rush in California. Two reasons for this omission seem likely: the first is the paucity of information available and the second may be that the authors incorrectly assumed that, because all miners were emigrants, the music would not be original. The area of music I have chosen to discuss was, in fact, unique to the mining country of California in the first decade of the Gold Rush. It is my hope that this thesis will be the starting point for further research on the music of the Gold Rush.

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Cook, Melanie M. "O’MORCHOE." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1556207491688351.

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Simpson, Tyrone R. "Under psychic apartheid literary ghettoes and the making of race in the twentieth-century American metropolis (Anzia Yezierska, Michael Gold, Gloria Naylor, John Edgar Wideman) /." [Bloomington, Ind.] : Indiana University, 2004. http://wwwlib.umi.com/dissertations/fullcit/3162261.

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Thesis (Ph.D.)--Indiana University, 2004.
Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 0181. Chair: Eva Cherniavsky. Title from dissertation home page (viewed Oct. 12, 2006).

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Templeman, Sally Jane. "Cooks, cooking, and food on the early modern stage." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/9824.

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This project aims to take the investigation of food in early modern drama, in itself a relatively new field, in a new direction. It does this by shifting the critical focus from food-based metaphors to food-based properties and food-producing cook characters. This shift reveals exciting, unexpected, and hitherto unnoticed contexts. In The Taming of the Shrew and Titus Andronicus, which were written during William Shakespeare’s inn-yard playhouse period, the playwright exploits these exceptionally aromatic venues in order to trigger site-specific responses to food-based scenes in these plays. Ben Jonson’s Bartholomew Fair brings fair-appropriate gingerbread properties onstage. When we look beneath the surface of this food effect to its bread and wine ingredients, however, it reveals a subtext that satirizes the theory of transubstantiation. Jonson expands on this theme by using Ursula’s cooking fire (a property staged in Jonson’s representation of Smithfield’s Bartholomew Fair) to engage with the prison narrative of Anne Askew, who was burned to death in front of Bartholomew Priory on the historic Smithfield for denying the doctrine of transubstantiation. This thesis also investigates water, which, for early moderns, was a complex and quasi-mystical liquid: it was a primary element, it washed sin from the world during the Great Flood, it was a marker of status, it was a medicine, and it was a cookery ingredient. Christopher Marlowe not only uses dirty water to humiliate his doomed monarch in Edward II, but he also uses it to apportion blame to the king for his own downfall. In Timon of Athens, Shakespeare draws on the theory of the elements to cast Timon as a man of water, who, Jesus-like, breaks up and divides (or splashes around) his body at his “last” supper. Fully-fledged cook characters were a relative rarity on the early modern stage. This project looks at two exceptions: Furnace in Philip Massinger’s A New Way to Pay Old Debts and the unnamed master cook in John Fletcher’s The Tragedy of Rollo, Duke of Normandy. Both playwrights use their respective gastronomic geniuses to demonstrate the danger that lower-order expertise poses to the upper classes when society is in flux. Finally, this project demonstrates that a link existed between ornate domestic food effects and alchemy. It shows how Philip Massinger’s The Great Duke of Florence and Thomas Middleton’s Women, Beware Women use food properties associated with alchemy to satirize notions of perfection in their play-worlds.

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Jones, Patrick Patrese. "The centrality of Jesus Christ in God's acts of creation, reconciliation, renewal and fulfilment : the views of John Calvin and Ellen G White." Thesis, 2010. http://hdl.handle.net/10500/4210.

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In John Calvin and Ellen G White’s sense making approaches God’s act of redemption and reconciliation in and through Jesus Christ takes the centre stage in the foursome of God’s acts expressed in the biblical historical timeline as creation, reconciliation in Jesus Christ, renewal through the Holy Spirit and fulfilment at the end of time. While the 16th century Calvin emphasised God’s acts of creation and reconciliation in Christ more than God’s acts of renewal and fulfilment, the 19th century White’s emphasis was more on God’s acts of reconciliation in Christ and fulfilment at the end of time than on creation and renewal through the Spirit. With all the differences in their sense making approaches their central perspectival focus in their writings, sayings and doings is the way God and humanity, heaven and earth are closely connected in a unity without being fused and mixed in Jesus Christ. Their central christological theme of ‘God staying God’ and ‘human staying human’ in an interactional substantialist sense in Christ designates the great alternative view that differs on the one hand, from the view of the trans-substantialist option in which the human being Christ Jesus is in a sacramental-sacred way transformed into ‘a divine human being’ –, and on the other hand, the view of the consubstantialist option in which the human being Jesus is permeated and diffused by his divinity, thereby becoming ‘the human God.’ Calvin and White in their reflection operating within the realm of divine historicity that is staying within the biblical historical timeline from Genesis to Revelation were viewed by many as not theologians in the real sense of the word. Calvin and may be to a greater extent White worked and contributed to the new and emerging field of Faith Studies in which a theologian or theorist of faith cannot reflect on God, human beings or the natural cosmic world in three separate avenues as was commonly the case with speculative and scholastic theologies in history. White’s Faith Studies contribution is in the global arena of theology where the omnipresent ‘–logies’ of mainline church theologies such as Christology, Ecclesiology, Pneumatology and Eschatology hold sway.

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Adams, Garry J. (Garry John). "Structural evolution and ore genesis of the granites gold deposits, Northern Territory / by Garry John Adams." 1997. http://hdl.handle.net/2440/19158.

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Bibliography: leaves 186-210.
v, 242 leaves, [19] leaves of plates : ill. (chiefly col.), map ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
The Granites gold deposits of The Granites-Tanami Inlier are the principal interest of the thesis.
Thesis (Ph.D.)--University of Adelaide, Dept. of Geology and Geophysics, 1998

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Books on the topic "Gould, John"

1

Lambourne, Maureen. John Gould - birdman. Milton Keynes: Osberton, 1987.

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Lambourne, Maureen. John Gould - bird man. Milton Keynes: Osberton, 1987.

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Mead, Gould John. Les oiseaux de John Gould. [France]: Bibliothèque de l'image, 1992.

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Lucas, Carpenter, ed. Selected essays of John Gould Fletcher. Fayetteville: University of Arkansas Press, 1989.

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John Gould Fletcher and southern modernism. Fayetteville: University of Arkansas Press, 1990.

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Lucas, Carpenter, and Rudolph Leighton, eds. Selected poems of John Gould Fletcher. Fayetteville: University of Arkansas Press, 1988.

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Leighton, Rudolph, Carpenter Lucas, and Simpson Ethel C. 1937-, eds. Selected letters of John Gould Fletcher. Fayetteville: University of Arkansas Press, 1996.

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Sauer, Gordon C. John Gould, the bird man: Bibliography 2. Staten Island, NY: Maurizio Martino, 1996.

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Russell, Roslyn. The business of nature: John Gould and Australia. Canberra: National Library of Australia, 2011.

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Johnson, Ben F. Fierce solitude: A life of John Gould Fletcher. Fayetteville: University of Arkansas Press, 1994.

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Book chapters on the topic "Gould, John"

1

"John Gould Fletcher (1941)." In The Literature of the Ozarks, 177–80. University of Arkansas Press, 2019. http://dx.doi.org/10.2307/j.ctv9hvrtt.32.

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"VEITCH, John Gould (1839–1870)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers, 3093. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-1605.

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"John Gould Fletcher, Review, 'poetry', May 1933." In W.H. Auden, 145–47. Routledge, 2002. http://dx.doi.org/10.4324/9780203198513-30.

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"JOHN GOULD FLETCHER in Poetry (Chicago) 1918." In D.H. Lawrence, 134–37. Routledge, 2013. http://dx.doi.org/10.4324/9780203195116-44.

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Hardy, Thomas. "To John Gould Fletcher (24 April 1920)." In The Collected Letters of Thomas Hardy, Vol. 8: Further Letters: 1861–1927, edited by Michael Millgate and Keith Wilson. Oxford University Press, 2012. http://dx.doi.org/10.1093/oseo/instance.00227493.

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"REUNION." In Selected Poems of John Gould Fletcher, 149–50. University of Arkansas Press, 1988. http://dx.doi.org/10.2307/j.ctvm7bdt6.63.

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"CLIPPER-SHIPS." In Selected Poems of John Gould Fletcher, 153–56. University of Arkansas Press, 1988. http://dx.doi.org/10.2307/j.ctvm7bdt6.64.

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"LAKE SHORE AT NIGHT." In Selected Poems of John Gould Fletcher, 157. University of Arkansas Press, 1988. http://dx.doi.org/10.2307/j.ctvm7bdt6.65.

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"DOWN THE MISSISSIPPI." In Selected Poems of John Gould Fletcher, 158–62. University of Arkansas Press, 1988. http://dx.doi.org/10.2307/j.ctvm7bdt6.66.

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"THE OLD SOUTH." In Selected Poems of John Gould Fletcher, 163–66. University of Arkansas Press, 1988. http://dx.doi.org/10.2307/j.ctvm7bdt6.67.

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Conference papers on the topic "Gould, John"

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Sathyanarayana, N. V. "Rejuvenating Green OA for a Greener Pasture." In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317201.

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This paper is a critical sequel to John Dove’s paper titled “Maximum Dissemination: A possible model for society journals in the humanities and social sciences to support Open while retaining their subscription revenue”, presented at the Charleston Conference 2019. Dove’s OA advocacy has included both gold and green. Dove’s innovative model, which makes full use of the green route to achieve maximum dissemination of authors’ works through open repositories, suggests a switch in the functional responsibility for depositing author’s manuscript from author to publisher. The model has publishers to act as agents of the authors as much through the green route as their subscription route. Dove has suggested this maximum use of the green path by the publisher for specific journals in specific disciplines. This paper looks to examine the feasibility of green OA model in this context, and then to consider other ways to expand on this idea to other green OA supporting publishers. It further looks at the possibilities of the model driving the re-emergence of green OA as a favoured option for facilitating immediate and parallel dissemination of authors’ papers through both green and subscription channels.

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Reports on the topic "Gould, John"

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Chen, Chia-lin. A gold dream in the Blue Mountains : a study of the Chinese immigrants in the John Day area, Oregon, 1870-1910. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.962.

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