Academic literature on the topic 'Gounod, Charles (1818-1893) – Faust'

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Journal articles on the topic "Gounod, Charles (1818-1893) – Faust"

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Kriff, Jean. "Charles Gounod (1818-1893) : intimes turpitudes." Humanisme N° 321, no. 4 (2018): 97–103. http://dx.doi.org/10.3917/huma.321.0097.

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Dissertations / Theses on the topic "Gounod, Charles (1818-1893) – Faust"

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Cunin, Maurice. "Faust à l'Opéra." Paris 4, 1993. http://www.theses.fr/1994PA040062.

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Cette these se propose de comparer trois livrets d'opera traitant le mythe de faust : faust de gounod, la damnation de faust de berlioz et mefistofele de boito. Apres un rappel du scenario de ces oeuvres, et de leurs points communs ou de leurs differences avec le poeme de goethe, les personnages des operas sont etudies. Dans une seconde partie, les grands themes evoques par les livrets sont abordes. Une troisieme partie etudie le style et la verification des textes<br>In this thesis i propose to compare three libretti which deal with the myth of faust : gounod's faust, berlioz's damnation de f
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Dill, Mietze Annemarie. "A Gendered Faust : the portrayal of gender in the opera Faust (1859) by Gounod (1818-1893)." Diss., University of Pretoria, 2013. http://hdl.handle.net/2263/33144.

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This thesis deconstructs the gender symbolism evident in the opera Faust (1859) by Gounod. The objective is to determine the gendered authenticity, originality and contributing nature of the work, acknowledging the Catholic nineteenth-century French context in which it was written. The study aims to establish the nature of the gender constructs portrayed (whether representative of their conservative milieu, or suggestive of unconventionality, liberalism and innovation) and how these portrayals were executed by Gounod and his librettists. An exploration of the construction of Faust and a co
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3

Rodriguez, Christine. "Du récit à l'opéra : enjeux d'une transposition dans Manon (l'abbé Prevost/Massenet), (F. Mistral/Gounod), Carmen (Mérimée/Bizet)." Toulouse 2, 2008. http://www.theses.fr/2008TOU20031.

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Quel est l’objet réel d’une transposition ? On le recherchera en explorant les différents niveaux du récit transposé et non pas seulement son « histoire ». En passant des structures narratives à l’organisation de la fiction jusqu’au niveau du discours, on peut voir que chaque palier narratif fait l’objet d’une transposition qui reconstruit pour l’opéra un conflit pathétique. La dramaturgie lyrique fait d’abord subir à l’histoire une triple opération de simplification, de stéréotypie et d’invraisemblance, qui repose cependant sur la logique stable d’un schéma narratif à partir duquel une relati
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Hwang, Hyunyoung. "A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure." 2013. http://liblink.bsu.edu/uhtbin/catkey/1738934.

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Contained in this study is a musical discussion and analysis of seven Romance Sans Paroles (song without words), written by three French composers, Charles-François Gounod, Camille Saint-Saëns, and Gabriel Fauré. The Romance Sans Parole genre seems to be quite unknown in the piano field; as a result, there are few secondary sources available. By immersing myself in these scores, I sought to discover their musical value and compositional nuance and excellence. I thoroughly investigated each composer’s unique treatment of melody, harmony, rhythm, texture, and form. Chapter One includes an Introd
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Books on the topic "Gounod, Charles (1818-1893) – Faust"

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Segond, André. Charles Gounod, 1818-1893: Biographie. Séguier, 2003.

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2

The operas of Charles Gounod. Clarendon Press, 1990.

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The operas of Charles Gounod. Clarendon Press, 1992.

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Charles Francois Gounod: A Research and Information Guide. Taylor & Francis Group, 2016.

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Genese et destin de l'opera "Mireille": Charles Gounod, 1818-1893 : exposition, Bibliotheque Joseph-Roumanille, Saint-Remy-de-Provence. Bibliotheque Joseph-Roumanille, 1993.

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6

Songs by Charles Gounod (1818-1893), Songs by Lo Delibes (1836-1891), Six Posies d'Armand Silvestre by Alexis de Castillon (1838-1873) (1818-1893. Songs By Leo Delibes). Routledge, 1995.

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Gen`ese et destin de l'opéra "Mireille": Charles Gounod, 1818-1893 : exposition Biblioth`eque Joseph-Roumanille, Saint-Rémy-de-Provence. Biblioth`eque Joseph-Roumaniile, 1993.

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Tunley, David. Songs by Charles Gounod (1818-1893), Songs by Lo Delibes (1836-1891), Six Posies d'Armand Silvestre by Alexis de Castillon (1838-1873). Routledge, 2014. http://dx.doi.org/10.4324/9781315048482.

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