Relevant bibliographies by topics / Graffiti

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Graffiti'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Graffiti"

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Wild, Benjamin, Geert J. Verhoeven, Martin Wieser, et al. "AUTOGRAF—AUTomated Orthorectification of GRAFfiti Photos." Heritage 5, no. 4 (2022): 2987–3009. http://dx.doi.org/10.3390/heritage5040155.

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Admired and despised, created and destroyed, legal and illegal: Contemporary graffiti are polarising, and not everybody agrees to label them as cultural heritage. However, if one is among the steadily increasing number of heritage professionals and academics that value these short-lived creations, their digital documentation can be considered a part of our legacy to future generations. To document the geometric and spectral properties of a graffito, digital photographs seem to be appropriate. This also holds true when documenting an entire graffiti-scape consisting of 1000s of individual creat
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Wild, Benjamin, Geert J. Verhoeven, Martin Wieser, et al. "AUTOGRAF—AUTomated Orthorectification of GRAFfiti Photos." Heritage 5, no. 4 (2022): 2987–3009. https://doi.org/10.3390/heritage5040155.

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Admired and despised, created and destroyed, legal and illegal: Contemporary graffiti are polarising, and not everybody agrees to label them as cultural heritage. However, if one is among the steadily increasing number of heritage professionals and academics that value these short-lived creations, their digital documentation can be considered a part of our legacy to future generations. To document the geometric and spectral properties of a graffito, digital photographs seem to be appropriate. This also holds true when documenting an entire graffiti-scape consisting of 1000s of individual creat
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Vivas Sainz, Inmaculada. "Un análisis comparativo de los grafitis en la zona tebana: paisaje, ubicación e intencionalidad en los grafitis figurativos del C2 Project, The Royal Cache Wadi Survey." Trabajos de Egiptología. Papers on Ancient Egypt, no. 10 (2019): 403–19. http://dx.doi.org/10.25145/j.tde.2019.10.23.

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The current research is mainly a preliminary study of some of the most significant graffiti located in the wadi C2, in the context of the ongoing investigation of the C2 Project. The Royal Cache Wadi Survey, and tries to clear out the motivations behind the location and concentration of graffiti in the area, probably related to the sacred character of the place. Through the analysis of C2 graffiti published in the work Graffiti de la Montaigne Thebaine, which are being revised in depth, the types of figurative graffiti are established, as well as those figures connected to specific textual gra
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DJAÏB, Amina, and Farida TILIKETE. "La Pratique du Graffiti comme Fragment de la Rhétorique Amoureuse." ALTRALANG Journal 6, no. 1 (2024): 133–49. http://dx.doi.org/10.52919/altralang.v6i1.406.

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ABSTRACT: As a discursive practice, graffiti reveals many aspects of social life. On the one hand, it evokes the daily struggles of a community and, on the other, the graffiti artist’s emotions. Whether it is the result of an eventization or an expression of a mere feeling, graffiti is an act which production is in no sense random. In this article, we focus on romantic graffiti which main purpose is the expression of love. A feeling that can be both enchanting and devastating. This study aims to identify the rhetoric that underlies the production of a romantic graffiti. To answer this question
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Buendía, Pedro. "Urban art, public space, and political subversion: The Egyptian revolution through graffiti Arte urbano, espacio público y subversión política la revolución egipcia a través del graffiti Art urbain, espace public et subversion politique : La révolution égyptienne à travers du graffiti." Regions and Cohesion 2, no. 3 (2012): 84–117. http://dx.doi.org/10.3167/reco.2012.020306.

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The emergence of graffiti's urban subculture as a means of political expression has become a singular issue of the so-called Arab Spring. Graffiti and urban art, which had little to no relevance in the Arab world until now, emerged with unusual force in many countries, notably in the Palestinian territories, Lebanon, and Egypt. This blossoming takes shape in tangent with the strengthening of a civil society and its rise as a decisive actor in the new political arena. In Egypt's case, graffiti achieved a leading role that reflected the milestones of civil disturbance, marking the walls with vir
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Proehl, Kyle. "On the Concept of graffiti." Street Art & Urban Creativity 10, no. 1 (2024): 90–97. https://doi.org/10.25765/sauc.v10i1.921.

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In this article I present a series of reflections on the concept of graffiti. What begins as a critique of the ideological relation between “street art” and “graffiti” on the one hand and “center” and “periphery” on the other, unfolds as a schematic exploration of the relation between graffiti and social crisis. These theses argue that graffiti can and should be interpreted, and that this interpretation depends upon analyzing graffiti’s character as both text and image. In doing so they explore graffiti in crisis across the American hemisphere, moving from “center” to “periphery” and back agai
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Polyakov, Fedor. "Graffiti as a tool of urban environment appropriation: a study of spatial practices." Zhurnal sotsiologii i sotsialnoy antropologii (The Journal of Sociology and Social Anthropology) 27, no. 4 (2024): 238–72. https://doi.org/10.31119/jssa.2024.27.4.9.

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The relevance of this research lies in the fact that graffiti has consistently existed and continues to exist within a legally ambiguous or outright illegal context. Consequently, there is a need to manage and regulate public spaces within cities. It is important to note that graffiti today can be created for various reasons, including personal messages (such as love letters), commercial purposes (advertisements), or as expressions of the graffiti subculture, encompassing forms like “tags”, “bombing”, “writing”, and “murals”. In all these cases, graffiti aims to communicate with an intended au
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Jacobson. "Graffiti, Aging and Subcultural Memory—A Struggle for Recognition through Podcast Narratives." Societies 10, no. 1 (2019): 1. http://dx.doi.org/10.3390/soc10010001.

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This article engages with the existential importance of subcultural memory for middle aged men. The social site is digital and consists of the first three Swedish graffiti podcasts where graffitied life courses are reflexively constructed through conversations. The empirical material gives unique insight into the construction of subcultural aging and self-identity and offers a critical reflection on theories of youth cultures. The results show that sharing memories of youth, crime and agency shapes the meaning of graffiti and subcultural cohesion. Retrospective narratives on personal developme
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Halliday, Craig. "Graffiti as a Catalyst for Urban Creativity: Exploring Agency, Participation, and the Right to the City in Nairobi." European Journal of Development Studies 4, no. 6 (2024): 25–37. https://doi.org/10.24018/ejdevelop.2024.4.6.391.

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This article examines graffiti as a catalyst for urban creativity in Nairobi, focusing on how young people use it to assert agency and reshape public spaces. Drawing on the concepts of the ‘right to the city’ and DIY urbanism, the study analyses two key graffiti projects to explore graffiti’s role in reclaiming public spaces from capitalist and political control. Based on research conducted from 2015 to 2018 across Nairobi’s neighborhoods, the findings highlight graffiti’s potential for civic engagement and placemaking despite challenges like gender inequality and th transient nature of urban
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Le Quang, Grégoire. "Du murmure à l’invective : pratiques du graffiti subversif dans l’Italie des années 1970." 20 & 21. Revue d'histoire N° 156, no. 4 (2023): 145–67. http://dx.doi.org/10.3917/vin.156.0145.

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La fin des années 1960 marque une étape essentielle dans la généralisation de l’usage du graffiti contestataire. L’exemple italien montre la déclinaison d’une culture juvénile transnationale qui valorise le graffiti comme moyen d’expression et symbole d’insoumission, mais traduit aussi certaines spécificités. Graffitis et violence sont ainsi étroitement liés, tant l’écriture sur les murs représente à la fois un moyen de s’approprier un espace urbain, et d’intimider l’adversaire. In fine , le graffiti est plurivoque, allant de la provocation humoristique à l’apologie du terrorisme. Il se situe
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Dissertations / Theses on the topic "Graffiti"

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Wolf, Ingmar. "Graffiti als kriminologisches und strafrechtsdogmatisches Problem /." Frankfurt am Main [u.a.] : Lang, 2004. http://www.gbv.de/dms/spk/sbb/recht/toc/394169514.pdf.

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Appelsved, Emelie. "Graffiti på spel : En kvalitativ undersökning, via NUG, om graffitins autonomi." Thesis, Södertörns högskola, Konstvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-33650.

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Abstract   Comments regarding Swedish graffiti writer NUG’s film Territorial Pissing (2008) express how graffiti and art appear to be two different worlds and when these worlds come together the expression of graffiti seems to transform. This thesis, Graffiti at stake: a qualitative study, via NUG, about the autonomy in graffiti, aims to both examine and bring about a general discussion on whether graffiti is autonomous when it enters the art world. The thesis also discusses transformed content and expression in the works of NUG when performed in a different context; what is exhibited in an in
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Turner, Grace Sandrena Rosita. "Bahamian ship graffiti." Texas A&M University, 2004. http://hdl.handle.net/1969.1/1339.

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The Bahamian archipelago covers over 5,000 square miles of the Atlantic Ocean at the northwestern edge of the Caribbean Sea. In the Age of Sail, from the late 15th to early 20th centuries, these islands were on major sailing routes between the Caribbean, Central America, and Europe. Bahamians developed life-ways using their islands’ location to their advantage. Archaeological evidence of the significance of shipping activity is quite lacking. This research aimed to help fill the void by documenting examples of ship graffiti throughout the Bahamas. Examples of ship graffiti were documented
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Jones, Russell M. "IS GRAFFITI ART?" Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1174896719.

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Jacobson, Malcolm. "Getting paid writing graffiti : How graffiti artists produce value within marketing." Thesis, Stockholms universitet, Sociologiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-114878.

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In settings such as hotels, bars and boutiques, things like cars, sodas, clothes, and cities, are fueled with the symbolic capital of graffiti. The purpose of this ethnographic study is to understand how graffiti writers, through marketing, increase the value of their work, as well as that of other products, and how this commercialization affects the meaning of graffiti.  Utilizing a perspective of social constructionism, the analysis shows how actors and social fields that are constructed as incongruous (e.g., art galleries and graffiti culture), are at the same time being mixed together to c
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Fortney, Christopher. ""Who Made You The Graffiti Police?": Graffiti, Public Space, and Resistance." Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1400074289.

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Bürger, Gabriele. "Zwischen Schiller und Graffiti?!" Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-33037.

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Das „Steinhaus e.V.“ mit der Stadtbibliothek Bautzen veranstaltete als jüngstes von zahlreichen kulturellen Angeboten eine Festwoche zu Ehren zu Friedrich Schillers 250. Geburtstag. Vor allem die Schüler waren aufgerufen, sich mit der Person des Dichters und seinen Werken aus heutiger Perspektive auseinanderzusetzen. Dies gelang mit großen Erfolg, da zahlreiche Schüler imaginäre Briefe an den Dichter richteten und damit einen Diskurs über den Stellenwert der Klassiker innerhalb der heutigen Gesellschaft führten.
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Kjellerstedt, Jonatan. "Graffiti, varför? : graffitimålarnas motivationer." Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3283.

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Undersökningen vill visa på den motivation som dagens graffitimålare i Stockholm har till att göra sina målningar och vad jag som blivande lärare kan ta till mig vad det gäller att motivera elever till sina estetiska produktioner. Min frågeställning är: Vilka motivationer för estetisk produktion finns hos individerna inom graffitikulturen? Vidare ger jag en kort introduktion till graffitins tidiga år både i USA och sverige.Sedan presenterar jag ett referat från Håkan Jenners texter om motivation och motivationsarbete. Min empiri består av intervjuer med fyra stycken graffitimålare som är aktiv
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Pavlica, Jan. "Re-identifikace graffiti tagů." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2020. http://www.nusl.cz/ntk/nusl-432839.

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This thesis focuses on the possibility of using current methods in the field of computer vision to re-identify graffiti tags. The work examines the possibility of using convolutional neural networks to re-identify graffiti tags, which are the most common type of graffiti. The work experimented with various models of convolutional neural networks, the most suitable of which was MobileNet using the triplet loss function, which managed to achieve a mAP of 36.02%.
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Christensson, Niclas. "Graffiti - ett didaktiskt problemområde?" Thesis, Malmö högskola, Lärarutbildningen (LUT), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-32095.

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I detta arbete undersöks niondeklassares attityder gentemot bildämnet, graffiti samt den illegala aspekten av graffiti. Graffiti är ett visuellt uttryck vars vara eller icke vara i skolans bildämne är omdebatterat. I förhållande till Jan Thavenius (2003) resonemang om skolans rädsla för att införliva en radikal estetik i undervisningen framstår graffiti som ämnesstoff som en välkommen didaktisk utmaning. Skeptiker menar dock att undervisning kring graffiti i skolan riskerar att uppmuntra illegalt klottrande. Med utgångspunkts i didaktikens vad-fråga reds en del av denna problema
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Books on the topic "Graffiti"

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Brassaï. Graffiti. Flammarion, 1993.

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Sutema, Liūnė. Graffiti. AM & M Publications, 1993.

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Weisel, Deborah Lamm. Graffiti. U.S. Dept. of Justice, Office of Community Oriented Policing Services, 2002.

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Akbib, Abdellatif. Graffiti. Slaiki Brothers, 1997.

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Belitt, Ben. Graffiti. Emanon Press, 1989.

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Anita, Sedlin̦a, ed. Graffiti Latvijā =: Graffiti in Latvia. Raktuve, 2007.

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Flërova, V. E. Graffiti Khazarii =: Graffiti von Khazaria. Ėditorial URSS, 1997.

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Frederick, Baker, Lipstadt Deborah E, Jenkins, David, 1957 Sept. 25-, and Görner Reinhard, eds. The Reichstag Graffiti =: Die Reichstag-Graffiti. Jovis, 2003.

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Saren, Michael. Marketing Graffiti. Routledge, 2017. http://dx.doi.org/10.4324/9781315795300.

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Huber, Joerg. Paris graffiti. Thames and Hudson, 1986.

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Book chapters on the topic "Graffiti"

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Kleele, Sebastian. "Graffiti." In Ästhetischer Widerstand gegen Zerstörung und Selbstzerstörung. Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-18767-5_25.

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Edwards, Elsy. "Graffiti." In Issues & Arguments. Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-11090-2_25.

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Levesque, Roger J. R. "Graffiti." In Encyclopedia of Adolescence. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-1695-2_431.

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Brühwiler, Herbert. "Graffiti." In Methoden der ganzheitlichen Jugend- und Erwachsenenbildung. VS Verlag für Sozialwissenschaften, 1994. http://dx.doi.org/10.1007/978-3-322-93638-7_17.

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Hügel, Hans-Otto. "Graffiti." In Handbuch Populäre Kultur. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05001-4_45.

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Blume, Regina. "Graffiti." In Critical Theory. John Benjamins Publishing Company, 1985. http://dx.doi.org/10.1075/ct.3.09blu.

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Karlander, David. "Graffiti." In The Routledge Handbook of Language and Youth Culture. Routledge, 2023. http://dx.doi.org/10.4324/9781003166849-27.

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Smith, Susan J. "Graffiti." In Performance and the Contemporary City. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-12006-9_18.

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Levesque, Roger J. R. "Graffiti." In Encyclopedia of Adolescence. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-33228-4_431.

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Weide, Robert D. "Graffiti." In Shades of Deviance, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003138198-17.

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Conference papers on the topic "Graffiti"

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O'Donoghue, Mike, Ron Garrett, Ron Graham, Jamie Garrett, V. J. Datta, and Gordon Barker. "Graffiti Wars: Combat with Coatings and Specialized Graffiti Removal Technology." In SSPC 2001. SSPC, 2001. https://doi.org/10.5006/s2001-00019.

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Abstract The three prongs of the antigraffiti trident are protection via coating selection, graffiti removal technology and recurrence prevention. Particular emphasis has been placed upon the technical and practical advantages and disadvantages of graffiti abatement strategies using protective coatings and environmentally friendly graffiti cleaners. The chemistry and application of the materials are examined to assist specification authorities, owners and contractors in the war on graffiti. Case histories are provided to illustrate both the efficacy of barrier and sacrificial coatings as well
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Yousuf, M. Khalid, Kristi Larzelere, Ty Hutchinson, and James Greene. "Combating Graffiti with Silicone Elastomeric Coatings." In Paint and Coatings Expo (PACE) 2010. SSPC, 2010. https://doi.org/10.5006/s2010-00056.

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Abstract Graffiti has existed since ancient times, with examples dating back to Ancient Greece and the Roman Empire. In recent times, Graffiti has gained widespread visual attention, most of it unwanted. Graffiti vandals may believe that their actions harm no one, yet the reality is that their work invites gang violence and a sharp decline in property values. Although definitive figures for clean up costs are difficult to come by, figures from a variety of cities across USA suggest that graffiti clean up costs communities anywhere from $1 to $3 per person. In a 2006 survey of 88 cities, Caltra
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Reinstadtler, Steven. "Environmentally Friendly Graffiti Resistant Coatings." In Paint and Coatings Expo (PACE) 2010. SSPC, 2010. https://doi.org/10.5006/s2010-00045.

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Abstract Waterborne polyurethane coatings have been used in the bridge preservation market for years as an alternative to solventborne systems but early technologies required the bridge coatings engineer to compromise on properties or durability. Additionally, many of these early products still contained high levels of VOC although touted as waterborne technology. New alternatives have evolved that address these issues and fit well into an overall sustainability plan.
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Savinov, Vladimir, Gleb Kamyshov, Viktor Sapunov, and Natalia Shusharina. "Using artificial neural networks for graffiti detection." In 2024 8th Scientific School Dynamics of Complex Networks and their Applications (DCNA). IEEE, 2024. http://dx.doi.org/10.1109/dcna63495.2024.10718559.

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Schwerdt, Tom. "Anti-Graffiti in the Lone Star State." In Paint and Coatings Expo (PACE) 2007. SSPC, 2007. https://doi.org/10.5006/s2007-00083.

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Schmitt, Peter, and Kathy Allen. "Now You See It Now You Don’T: Waterborne Polyurethane Graffiti Resistant Coatings." In Paint and Coatings Expo (PACE) 2009. SSPC, 2009. https://doi.org/10.5006/s2009-00042.

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Abstract Graffiti resistant polyurethanes have been developed that do not contain surface energy modifiers such as fluorine or silicone compounds. These coatings are made from a two-component polyurethane that includes polyacrylate polyols and water dispersible polyisocyanates. The use of two components allows one to make highly crosslinked polymers with minimal organic co-solvent. In addition, it is possible to make these coatings with a matte finish, as well as, a semi-gloss or high-gloss finish. The paper discusses reasons for the outstanding graffiti resistance even though the coatings do
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Shen, Ming, Sen Kang, and Casey Heurung. "USDA-certified Biobased, Low VOC and Biodegradable Paint Stripper and Graffiti Remover." In CORROSION 2021. AMPP, 2021. https://doi.org/10.5006/c2021-16510.

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ABSTRACT For many decades, paint strippers have used hazardous solvents such as methylene chloride and N-Methyl-2-pyrrolidone (NMP) to effectively remove paints and coatings. But safety and environmental concerns have introduced an urgent need for environmentally-friendly alternatives. In March 2019, EPA banned the use methylene chloride in all paint removers for consumer use. However, its replacement, NMP, is now also deemed as a substance of very high concern (SVHC) and in jeopardy of being an option for paint stripping by regulatory forces. The newly developed green paint stripper discussed
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Shen, Ming, Sen Kang, and Casey Heurung. "USDA-certified Biobased, Low VOC and Biodegradable Paint Stripper and Graffiti Remover." In CORROSION 2020. NACE International, 2020. https://doi.org/10.5006/c2020-14503.

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Abstract For many decades, paint strippers have used hazardous solvents such as methylene chloride and N-Methyl-2-pyrrolidone (NMP) to effectively remove paints and coatings. But safety and environmental concerns have introduced an urgent need for environmentally-friendly alternatives. In March 2019, EPA banned the use methylene chloride in all paint removers for consumer use. However, its replacement, NMP, is now also deemed as a substance of very high concern (SVHC) and in jeopardy of being an option for paint stripping by regulatory forces. The newly developed green paint stripper discussed
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Angelova, Ralitsa, Gjergji Kasneci, Fabian M. Suchanek, and Gerhard Weikum. "Graffiti." In the 18th international conference. ACM Press, 2009. http://dx.doi.org/10.1145/1526709.1526869.

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Jain, Anil K., Jung-Eun Lee, and Rong Jin. "Graffiti-ID." In the First ACM workshop. ACM Press, 2009. http://dx.doi.org/10.1145/1631081.1631083.

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Reports on the topic "Graffiti"

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Napp, Anke. Graffiti. Technische Universität Dresden, Forschungsstelle für Vergleichende Ordensgeschichte (FOVOG - Dresden), 2022. http://dx.doi.org/10.25368/2023.30.

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Khodair, Yasser, Muddassir Ahmed, Vinay Perala, and Mohammed Shareef. Anti-Graffiti Protection Systems. Illinois Center for Transportation, 2024. http://dx.doi.org/10.36501/0197-9191/24-022.

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Anti-graffiti coatings provide a shielding layer that facilitates the removal of graffiti by providing a water-and oil-resistant surface that precludes the penetration of paint through the substrate. The main objective of this research is to provide the Illinois Department of Transportation (IDOT) with recommendations on the re-evaluation of the existing moratorium on anti-graffiti protection systems and the best practices of their usage. A survey of the state of the practice on anti-graffiti protection systems that targeted the North Central States Consortium for Midwest state departments of
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Becker, Cole, Andrew Eden, Brandon Hamerlinck, John Parker, Joseph R. Vanstrom, and Jacek A. Koziel. Natural Soy Graffiti Remover. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/tsm416-180814-6.

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Barbaro, Alethea B., Lincoln Chayes, and Maria R. D'Orsogna. Territorial Developments Based on Graffiti: a Statistical Mechanics Approach. Defense Technical Information Center, 2011. http://dx.doi.org/10.21236/ada555755.

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Parker, Alexandra, Samkelisiwe Khanyile, and Kate Joseph. Where do we draw the line? Graffiti in Maboneng, Johannesburg. Gauteng City-Region Observatory, 2019. http://dx.doi.org/10.36634/naah5310.

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Girard, Nancy. Prospective Course - ART H 4XX/5XX Beyond Graffiti, History of Street Art. Iowa State University, 2011. http://dx.doi.org/10.31274/cc-20240624-1171.

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Willis, Craig. ECMI Minorities Blog. Ethnic Identity and Football in Mostar – A Clear Divide along the Old Front Line. European Centre for Minority Issues, 2023. http://dx.doi.org/10.53779/sklp2233.

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This blogpost addresses the question of how ethnic identities (and societal divisions) in the city of Mostar, Bosnia and Herzegovina, are expressed through football and considers how this dominates the city’s linguistic landscape. It is therefore embedded in the context of previous literature on sport and identity but also the discipline of sociolinguistics. The post discusses the prominence of street murals and graffiti relating to Mostar’s two football clubs, FK Velež Mostar and HŠK Zrinjski Mostar, outlining how the situation is very much territorially divided along the same geographical po
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Riggs, William, Vipul Vyas, and Menka Sethi. Blockchain and Distributed Autonomous Community Ecosystems: Opportunities to Democratize Finance and Delivery of Transport, Housing, Urban Greening and Community Infrastructure. Mineta Transportation Institute, 2022. http://dx.doi.org/10.31979/mti.2022.2165.

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This report investigates and develops specifications for using blockchain and distributed organizations to enable decentralized delivery and finance of urban infrastructure. The project explores use cases, including: providing urban greening, street or transit infrastructure; services for street beautification, cleaning and weed or graffiti abatement; potential ways of resource allocation ADU; permitting and land allocation; and homeless housing. It establishes a general process flow for this blockchain architecture, which involves: 1) the creation of blocks (transactions); 2) sending these bl
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Bénézet, Jérôme, and Noemí Moncunill. La pratique de l’écriture dans l’ancienne Illiberis, à la lumière des nouveaux graffites sur céramique (Ve-Ier s. av. n. è.). Edicions de la Universitat de Lleida, 2024. https://doi.org/10.21001/rap.2024.34.1.

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