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Books on the topic 'Graffiti Graffiti Street art Subculture'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Irarrázabal, Gricelda Figueroa. Sueños enlatados: El graffiti hip hop en Santiago de Chile. Providencia, Santiago: Editorial Cuarto Propio, 2006.

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2

Graffiti. New York: Gareth Stevens Publishing, 2015.

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3

Camerota, Remo. Graffiti Japan. New York, NY: Mark Batty Publisher, 2008.

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4

Graffiti culture. Minneapolis: Lerner Publications, 2012.

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5

Corallo, Mario. I graffiti. Milano: Xenia, 2000.

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6

Stencil graffiti. New York, N.Y: Thames & Hudson, 2002.

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7

Graffiti Argentina. New York: Thames & Hudson, 2009.

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8

Rotman, Steve. Bay Area graffiti. New York City: Mark Batty Publisher, 2011.

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9

Graffiti woman: Graffiti and street art from five continents. London: Thames & Hudson, 2006.

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10

Street art: The graffiti revolution. New York: Abrams, 2008.

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11

Street art. New York: Skyhorse Publishing Company, Incorporated, 2015.

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12

Stahl, Johannes. Street art. [Potsdam]: H.F. Ullmann, 2009.

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13

Isomursu, Anne. Helsinki graffiti. [Helsinki]: Matti Pyykkö, 1998.

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14

Andrew, Witten, ed. Graffiti 365. New York: Abrams, 2011.

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15

Edlin, Jay. Graffiti 365. New York: Abrams, 2011.

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16

Graffiti L.A.: Street styles and art. New York, NY: Abrams, 2007.

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17

Graffiti planet 2: More of the best graffiti from around the world. London: Michael O'Mara, 2009.

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18

Graffiti South Africa. Atglen, PA: Schiffer Publishing Ltd, 2014.

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19

Malt, Frank. 100 European graffiti artists. Atglen, PA: Schiffer Publishing Limited, 2014.

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20

Schildwächter, Jan P. Street Art Hamburg. [Hamburg]: Junius, 2007.

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21

Grévy, Fabienne. Graffiti Paris. New York: Abrams, 2008.

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22

Paris graffiti. Paris: Martinière, 2008.

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23

Street art: Legenden zur Strasse. Berlin: Archiv der Jugendkulturen, 2009.

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24

Sierra, Jerry A. Street art in San Francisco. [San Francisco?]: Rosa Blanca Publishers, 2013.

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25

Pioneros del graffiti en España. Valencia]: Editorial de la Universidad Politécnica de Valencia, 2009.

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26

Stencil nation: Graffiti, community, and art. San Francisco: Manic D Press, 2008.

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27

Reisser, Mirko. Urban Discipline 2002: Graffiti-Art. Hamburg, Germany: getting-up, 2002.

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28

Reisser, Mirko, Gerrit Peters, and Heiko Zahlmann. Urban Discipline 2002: Graffiti-Art. Hamburg / Germany: getting-up, 2002.

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29

Jacobson, Staffan. Spraykonst: Graffiti från tecken till bild. Åhus [Sweden]: Kalejdoskop, 1990.

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30

Graffiti World: Street Art from Five Continents. London: Thames & Hudson, 2004.

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31

Tristan, Manco, ed. Graffiti world: Street art from five continents. New York: Abrams, 2009.

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32

Reinecke, Julie. Post-Graffiti: Between Street, Art And Commerce. S.l: Gingko Press, 2006.

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33

L'art urbain: Du graffiti au street art. Paris]: Découvertes-Gallimard, 2012.

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34

Graffiti World: Street Art from Five Continents. New York, N.Y, USA: Harry N. Abrams, 2004.

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35

Riout, Denys. Le livre du graffiti. Paris: Alternatives, 1985.

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36

Guilherme, Zauith, ed. Textura dos: Buenos Aires street art. New York City, NY: Mark Batty, 2010.

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37

Luke, Felisbret, ed. Graffiti New York. New York: Abrams, 2009.

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38

Woshe. Alphabeatz: Le graffiti en toutes lettres. Paris]: Pyramyd, 2013.

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39

Marcin, Rutkiewicz, ed. Graffiti w Polsce: 1940-2010. Warszawa: Carta Blanca, 2011.

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40

Ilan, Jonathan, and Gregory J. Snyder. Graffiti. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935383.013.144.

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Abstract:

Graffiti writing is often intensely policed despite being a relatively low-harm crime. Graffiti can be read by members of the public as a visual indicator of lawlessness and thus induce a certain amount of alarm. While there are a range of different kinds of graffiti, the most ubiquitous is that practiced by subcultural “writers.” Research indicates that there is an order and logic to writing. Writers often cultivate skills, experiences, and dispositions that imbue them with particular value in the postindustrial economy, offering them heightened career prospects. Graffiti and street art are increasingly featured as part of mainstream commercial aesthetics, even as unsanctioned writing continues to be met with zero-tolerance policing and tough situational crime prevention measures. Ultimately, writing can be managed in a more subculturally sensitive manner that better balances the needs and visions of different kinds of urban residents in local contexts.

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41

Avramidis, Konstantinos. Graffiti and Street Art. Routledge, 2016. http://dx.doi.org/10.4324/9781315585765.

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42

Tsilimpounidi, Myrto, and Konstantinos Avramidis. Graffiti and Street Art. Taylor & Francis Group, 2018.

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43

Graffiti And Street Art. Thames & Hudson, 2011.

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44

Graffiti Japan. Mark Batty Publisher, 2011.

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45

Anita, Sedlin̦a, ed. Graffiti Latvijā =: Graffiti in Latvia. [Rīga]: Raktuve, 2007.

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46

Bad Graffiti. Black Dog Publishing, 2012.

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47

Stone, Don, Pascal Zoghbi, and Don M. Zaza. Arabic Graffiti. From Here To Fame GmbH, 2013.

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48

Arabic Graffiti. From Here to Fame, 2011.

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49

Love, H. Miami Graffiti Art. Schiffer Publishing, Limited, 2014.

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50

Bay Area Graffiti. Mark Batty Publisher, 2008.

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