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Dissertations / Theses on the topic 'Graffiti'

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1

Wolf, Ingmar. "Graffiti als kriminologisches und strafrechtsdogmatisches Problem /." Frankfurt am Main [u.a.] : Lang, 2004. http://www.gbv.de/dms/spk/sbb/recht/toc/394169514.pdf.

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2

Appelsved, Emelie. "Graffiti på spel : En kvalitativ undersökning, via NUG, om graffitins autonomi." Thesis, Södertörns högskola, Konstvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-33650.

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Abstract   Comments regarding Swedish graffiti writer NUG’s film Territorial Pissing (2008) express how graffiti and art appear to be two different worlds and when these worlds come together the expression of graffiti seems to transform. This thesis, Graffiti at stake: a qualitative study, via NUG, about the autonomy in graffiti, aims to both examine and bring about a general discussion on whether graffiti is autonomous when it enters the art world. The thesis also discusses transformed content and expression in the works of NUG when performed in a different context; what is exhibited in an in
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Turner, Grace Sandrena Rosita. "Bahamian ship graffiti." Texas A&M University, 2004. http://hdl.handle.net/1969.1/1339.

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The Bahamian archipelago covers over 5,000 square miles of the Atlantic Ocean at the northwestern edge of the Caribbean Sea. In the Age of Sail, from the late 15th to early 20th centuries, these islands were on major sailing routes between the Caribbean, Central America, and Europe. Bahamians developed life-ways using their islands’ location to their advantage. Archaeological evidence of the significance of shipping activity is quite lacking. This research aimed to help fill the void by documenting examples of ship graffiti throughout the Bahamas. Examples of ship graffiti were documented
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4

Jones, Russell M. "IS GRAFFITI ART?" Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1174896719.

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5

Jacobson, Malcolm. "Getting paid writing graffiti : How graffiti artists produce value within marketing." Thesis, Stockholms universitet, Sociologiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-114878.

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In settings such as hotels, bars and boutiques, things like cars, sodas, clothes, and cities, are fueled with the symbolic capital of graffiti. The purpose of this ethnographic study is to understand how graffiti writers, through marketing, increase the value of their work, as well as that of other products, and how this commercialization affects the meaning of graffiti.  Utilizing a perspective of social constructionism, the analysis shows how actors and social fields that are constructed as incongruous (e.g., art galleries and graffiti culture), are at the same time being mixed together to c
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Fortney, Christopher. ""Who Made You The Graffiti Police?": Graffiti, Public Space, and Resistance." Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1400074289.

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7

Bürger, Gabriele. "Zwischen Schiller und Graffiti?!" Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-33037.

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Das „Steinhaus e.V.“ mit der Stadtbibliothek Bautzen veranstaltete als jüngstes von zahlreichen kulturellen Angeboten eine Festwoche zu Ehren zu Friedrich Schillers 250. Geburtstag. Vor allem die Schüler waren aufgerufen, sich mit der Person des Dichters und seinen Werken aus heutiger Perspektive auseinanderzusetzen. Dies gelang mit großen Erfolg, da zahlreiche Schüler imaginäre Briefe an den Dichter richteten und damit einen Diskurs über den Stellenwert der Klassiker innerhalb der heutigen Gesellschaft führten.
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8

Kjellerstedt, Jonatan. "Graffiti, varför? : graffitimålarnas motivationer." Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3283.

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Undersökningen vill visa på den motivation som dagens graffitimålare i Stockholm har till att göra sina målningar och vad jag som blivande lärare kan ta till mig vad det gäller att motivera elever till sina estetiska produktioner. Min frågeställning är: Vilka motivationer för estetisk produktion finns hos individerna inom graffitikulturen? Vidare ger jag en kort introduktion till graffitins tidiga år både i USA och sverige.Sedan presenterar jag ett referat från Håkan Jenners texter om motivation och motivationsarbete. Min empiri består av intervjuer med fyra stycken graffitimålare som är aktiv
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9

Pavlica, Jan. "Re-identifikace graffiti tagů." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2020. http://www.nusl.cz/ntk/nusl-432839.

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This thesis focuses on the possibility of using current methods in the field of computer vision to re-identify graffiti tags. The work examines the possibility of using convolutional neural networks to re-identify graffiti tags, which are the most common type of graffiti. The work experimented with various models of convolutional neural networks, the most suitable of which was MobileNet using the triplet loss function, which managed to achieve a mAP of 36.02%.
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10

Christensson, Niclas. "Graffiti - ett didaktiskt problemområde?" Thesis, Malmö högskola, Lärarutbildningen (LUT), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-32095.

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I detta arbete undersöks niondeklassares attityder gentemot bildämnet, graffiti samt den illegala aspekten av graffiti. Graffiti är ett visuellt uttryck vars vara eller icke vara i skolans bildämne är omdebatterat. I förhållande till Jan Thavenius (2003) resonemang om skolans rädsla för att införliva en radikal estetik i undervisningen framstår graffiti som ämnesstoff som en välkommen didaktisk utmaning. Skeptiker menar dock att undervisning kring graffiti i skolan riskerar att uppmuntra illegalt klottrande. Med utgångspunkts i didaktikens vad-fråga reds en del av denna problema
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11

Sampaio, Adriana Valadares. "Graffiti teatro urbano escritural." reponame:Repositório Institucional da UFBA, 2006. http://www.repositorio.ufba.br/ri/handle/ri/9203.

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Wilson, Kieron. "Emerging Out of Graffiti Into the Gallery." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/380708.

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This exegesis develops and applies strategies for how my practice emerging out of the tradition of graffiti in contemporary Australia can maintain its criticality in a gallery context crossing over from the street to mainstream Visual Art practice. This exegesis gives an account of graffiti as a criminal act deliberating the implications of the aesthetics and the intrinsic principal of graffiti being corrupted by the mainstream. The exegesis gives an analysis of graffiti as a skill different to art making, and looks at the cultural background of the marginal graffiti practitioner. In this inve
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Bachelder, Miranda. "Graffiti : kontextualitet, platsbundenhet och innehåll." Thesis, Södertörn University College, School of Culture and Communication, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-3309.

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<p>The focus of this essay is to investigate if there lies a difference between graffiti art that is placed in the public spaces and graffiti art that is sited in an institutional art setting; in this essay exemplified in a gallery space. My thesis is that graffiti art derives a great deal of its meaning and substance from its situation consequently making a change of cultural context also a change of connotation and understanding of the graffiti art itself.  Meaning that graffiti art situated in a communal space is different from graffiti art situated in the gallery space. They share aestheti
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Neto, Bruno Pedro Giovannetti. "Graffiti: do subversivo ao consagrado." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-11012012-152024/.

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Nas duas últimas décadas, o graffiti se impôs como um elemento visual das metrópoles brasileiras. Passou a povoar a rotina urbana e, num embate por espaços, vem disputando a visibilidade pública com as cores dos edifícios, as placas de sinalização e outros elementos da comunicabilidade urbana. E o faz mudando a sua proposta e original essência. Este trabalho procura documentar a trajetória do graffitti de meados da década de 1960 até às vésperas da conclusão da pesquisa, em 2011, acompanhando a sua transformação \"do subversivo ao consagrado\". Através da narrativa visual pontuada por uma sele
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Єрмоленко, Світлана Василівна, Светлана Васильевна Ермоленко, and Svitlana Vasylivna Yermolenko. "Graffiti als ein sprachliches Phänomen." Thesis, Львівський національний університет імені Івана Франка, 2016. http://essuir.sumdu.edu.ua/handle/123456789/46492.

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Man sieht sie in manchen Ländern oft und überall wie zum Beispiel an den Wänden, an den Zügen oder auch auf dem Gehsteig, in manchen Ländern kaum. Manchmal sind sie illegal, was am öftesten ist, manchmal sind sie sogar legal, wie es z. B. in Berlin zur Zeit des Mundials war, indem man einige Gebäude den Graffiti-Meistern ganz gegeben wurden.
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16

Semerák, Vojtěch. "Vyhledávání graffiti tagů podle podobnosti." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2013. http://www.nusl.cz/ntk/nusl-236188.

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Graffiti tags are similar to the common human signatures. This report analyses, which signature recognition methods could be useful in the field of preventing graffiti vandalism. It also discusses differences between signatures and graffiti tags.
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Grünseisen, Vojtěch. "Vyhledávání graffiti tagů podle podobnosti." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2013. http://www.nusl.cz/ntk/nusl-236413.

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This work focuses on a possibility of using current computer vision alghoritms and methods for automatic similarity matching of so called graffiti tags. Those are such graffiti, that are used as a fast and simple signature of their authors. The process of development and implementation of CBIR system, which is created for this task, is described. For the purposes of finding images similarity, local features are used, most notably self-similarity features.
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18

Shannon, David. "Swedish graffiti : a criminological perspective /." Stockholm : Department of criminology, University of Stockholm, 2003. http://catalogue.bnf.fr/ark:/12148/cb39240844m.

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19

Claeson, Tobias. "Förebyggande åtgärder mot illegal graffiti : En ekonometrisk studie av hur otillåten graffiti påverkas av situationella åtgärder." Thesis, Uppsala University, Department of Economics, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6381.

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<p>Ända sedan graffiti började förekomma i Sverige för ca 20 år sedan har den, nästan utan</p><p>undantag, ständigt ökat i omfattning. Sveriges kommuner har försökt bemöta den illegala</p><p>graffitins framfart med olika sorters förebyggande åtgärder. Dock har dessa metoder sällan</p><p>utvärderats kvantitativt, och resultaten av de implementerade åtgärderna är ofta osäkra. Syftet</p><p>med denna studie är att med ekonometrisk metod utvärdera två av dessa metoder; lagliga</p><p>väggar och snabbsanering. Förhållandet mellan dessa åtgärder och anmälda graffitibrott</p><p>undersöks med OLS-regres
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20

Alnaji, Ahmad. "Graffiti as Voice for Voiceless People : Critical Discourse Analysis of Sudanese Graffiti During Sudanese Revolution 2019." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-40747.

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This paper highlights street art in the social movement in Sudan and the role of murals andpolitical graffiti in relation to the Sudanese revolution of 2019. Characteristic for thismovement is the appearance of murals depicting the events of the revolutions. In particular,the colourful graffiti during the Sudanese uprisings of 2019 has been a crucial element in thesocial movement in the country.This study explores role of graffiti, its function as an art of resistance and as a communicationmedium during Sudanese movement, how graffiti contributes to Sudanese revolution 2019.Sudanese graffiti c
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Macdonald, Nancy. "The graffiti subculture : youth, masculinity and identity in London and New York /." New York : Palgrave, 2001. http://catalogue.bnf.fr/ark:/12148/cb38900294r.

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Sariyildiz, Hatice Ozlem. "Graffiti And Urban Space In Istanbul." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/3/12608345/index.pdf.

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The aim of this study is to uncover and discuss the spaces appropriated by graffiti writers and to reveal out the possible resistances involved in the act throughout the writers&amp<br>#8217<br>motivations, characteristics, spaces they produce and all over process they are entering into together with the specifications of graffiti in Turkey. It demands to unfold the possibilities sheltered in everyday practices looking through graffiti and subsequently revealing out possibilities in graffiti looking through everyday life. It sees the urban space as a social product, which is incomplete witho
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Crummey, Colleen Kathleen Mary. "Semiotics and graffiti in sectarian Belfast." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0022/MQ33478.pdf.

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Kütter, Jochen. "Graffiti auf römischer Gefässkeramik aus Neuss." Aachen Shaker, 2007. http://d-nb.info/98934178X/04.

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Steinat, Carolin. "Graffiti auf Spurensuche im urbanen Zeichendschungel." Marburg Tectum-Verl, 2003. http://d-nb.info/98704883X/04.

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Lima, Fábio Rogério Batista [UNESP]. "O graffiti como patrimônio cultural material." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/153543.

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Submitted by FABIO ROGERIO BATISTA LIMA (fabio.robal@yahoo.com.br) on 2018-04-16T02:19:46Z No. of bitstreams: 1 O GRAFFITI COMO PATRIMÔNIO CULTURAL MATERIAL.pdf: 3817144 bytes, checksum: a4ea30857d72c833100e99f177316778 (MD5)<br>Approved for entry into archive by Satie Tagara (satie@marilia.unesp.br) on 2018-04-16T16:59:57Z (GMT) No. of bitstreams: 1 lima_frb_dr_mar.pdf: 3817144 bytes, checksum: a4ea30857d72c833100e99f177316778 (MD5)<br>Made available in DSpace on 2018-04-16T16:59:57Z (GMT). No. of bitstreams: 1 lima_frb_dr_mar.pdf: 3817144 bytes, checksum: a4ea30857d72c833100e99f177316778
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Loch, Claudia. "Do graffiti à ciberintervenção urbana interativa." reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/16496.

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Tese (doutorado)—Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Arte, 2014.<br>Submitted by Raquel Viana (raquelviana@bce.unb.br) on 2014-10-09T11:22:49Z No. of bitstreams: 1 2014_ClaudiaLoch.pdf: 3787016 bytes, checksum: 691d8d58252b510a56735554f578ae67 (MD5)<br>Approved for entry into archive by Raquel Viana(raquelviana@bce.unb.br) on 2014-10-15T15:07:35Z (GMT) No. of bitstreams: 1 2014_ClaudiaLoch.pdf: 3787016 bytes, checksum: 691d8d58252b510a56735554f578ae67 (MD5)<br>Made available in DSpace on 2014-10-15T15:07:35Z (GMT). No. of bitstreams: 1 2014_ClaudiaLoch.pd
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Andersson, Li F. ""Graffiti som bildspråk - min estetiska läroprocess"." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-29746.

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Idén till mitt examensarbete höstterminen 2008, kom från en lust att lära mig något som jag tidigare upplevt vara ett främmande språk: bildspråket graffiti. Jag hade även en vilja att undersöka en estetisk läroprocess på nära håll, och att i ett avslutande studentarbete, fördjupa mig i vad och hur kunskapande kan vara och se ut. Att själv vara den lärande och den gestaltande var ett val som gav mig en närhet till min undersökning, vilket både har stärkt min analys och skapat en svårighet till distans. Den estetiska läroprocessen där skissernas roll fått ta stor plats, har bestått av både indiv
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Feret, Gaële Sylvestre Richard. "Les graffiti sur céramique d'Augusta Raurica /." Augst : Römerstadt Augusta Raurica, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783715100401.

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Lima, Fábio Rogério Batista. "O graffiti como patrimônio cultural material /." Marília, 2018. http://hdl.handle.net/11449/153543.

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Orientadora: Plácida Leopoldina Ventura Amorim da Costa Santos<br>Banca: Zaira Regina Zafalon<br>Banca: Ana Maria Pereira<br>Banca: Ana Cristina de Albuquerque<br>Banca: Ricardo César Gonçalves Sant'Ana<br>Resumo: Na atualidade vivencia-se o que Bauman (2001) conceituou de modernidade líquida, identificada como aquela em que as relações humanas e sociais são caracterizadas por não terem configuração de solidez ou como aquela em que não se conserva forma por muito tempo; prima-se pela mudança; vive-se das inconstâncias. A natureza desta liquidez é reconhecida por conta da leveza, da mutabilidad
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Burokaitė, Ramutė. "Pozityvi jaunimo ir paauglių socializacija dalyvaujant graffiti veiklose." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120731_144405-13391.

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Tema aktuali tuo, kad jaunimas ir paaugliai vis labiau domisi graffiti veiklomis. Tai jiems yra labai svarbu, nes tai vienas iš saviraiškos būdų. Dalyvavimą graffiti veiklose galima sieti su pozityvia socializacija, nes joje galima įžvelgti pozityvių aspektų. Šiais laikais, graffiti populiarėjimo jaunimo ir paauglių tarpe negalime išvengti, tačiau suyeikus galimybes galima graffiti veiklas nukreipti pozityvia linkme. Šio magistrinio darbo objektas – paauglių ir jaunimo socializacijos galimybės dalyvaujant graffiti veiklose. Darbo tikslas – ištirti jaunimo ir paauglių pozityvios socializacijos
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Guerrero, Ryan. "Mural Graffiti Painting: Positively Affecting a Community." Fogler Library, University of Maine, 2011. http://www.library.umaine.edu/theses/pdf/GuerreroR2011.pdf.

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Ismail, Khairul. "Pudu Jail's Graffiti : beyond the prison cells." Thesis, University of Plymouth, 2015. http://hdl.handle.net/10026.1/5142.

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The aim of this thesis is to examine and analyse the images of graffiti contained within the portfolio of ‘Pudu Jail’s Graffiti (PJG)’, documented work from the abandoned prison facility in Kuala Lumpur, Malaysia, between 2002 and 2003. The objective has been to discover whether the ‘Pudu Jail’s Graffiti’, has a distinct visual narrative(s) compared with other prison graffiti research, concluding that its qualities lies in the complexity of visual cultures brought within the space of the prison cells. The prison graffiti retrieved from this portfolio has been analysed through a process of qual
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Baccile, Claudia Vasconcelos. "Graffiti : interações sociais através da semiótica visual." reponame:Repositório Institucional da UnB, 2017. http://repositorio.unb.br/handle/10482/23511.

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Dissertação (mestrado)—Universidade de Brasília, Faculdade de Comunicação, Programa de Pós-Graduação em Comunicação, 2017.<br>Submitted by Fernanda Percia França (fernandafranca@bce.unb.br) on 2017-05-08T18:07:14Z No. of bitstreams: 1 2017_ClaudiaVasconcelosBaccile.pdf: 6043532 bytes, checksum: 83d747fcf635c633e518c93f45bcb00d (MD5)<br>Approved for entry into archive by Raquel Viana (raquelviana@bce.unb.br) on 2017-05-16T20:12:43Z (GMT) No. of bitstreams: 1 2017_ClaudiaVasconcelosBaccile.pdf: 6043532 bytes, checksum: 83d747fcf635c633e518c93f45bcb00d (MD5)<br>Made available in DSpace on 2017-0
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Da, Cunha e. Alvelos Heitor Manuel Pereira Pinto. "The fabrication of authenticity : graffiti beyond subculture." Thesis, Royal College of Art, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489034.

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Díaz, Moscoso Pablo. "Nubes, colores y nombres : el graffiti actual contado por sus propios autores (en Santiago de Chile)." Tesis, Universidad de Chile, 2009. http://www.repositorio.uchile.cl/handle/2250/115810.

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Langner, Martin. "Antike Graffitizeichnungen : Motive, Gestaltung und Bedeutung /." Wiesbaden : L. Reichert, 2001. http://catalogue.bnf.fr/ark:/12148/cb39087700w.

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Kazakevičiūtė, Sandra. "Mokyklos bendruomenės narių požiūris į graffiti: menas ar vandalizmas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20071019_162942-78352.

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Šiuolaikinis miestas — tik nauja ilgus amžius augusio žmogaus noro išreikšti save per simbolinius piešinius rezultatas. Tačiau šiuolaikinio graffiti sprogimas yra su niekuo nepalyginamas. Taigi nepaisant to, kad daugelis iš mūsų gyvename informacinėje bei ganėtinai tolerantiškoje visuomenėje, kur egzistuoja neribojamai dideli meninės raiškos būdai, galimybių ir variacijų skaičius, graffiti, kaip meno kryptis, kūrinio statusas ar vieta (padėtis), taip ir liko neišspręstas bendrajame kultūriniame kontekste ir ligi šiol traktuojamas kaip neigiamumas ar net nihilistinio požiūrio išraiška į visuom
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Augusto, Tuani Guimarães de Ávila. "Graffiti: um estudo da consolidação da cena da pixação em Vitória." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/102/102132/tde-17092018-135848/.

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A categoria cena é utilizada neste trabalho para auxiliar na descrição da sociabilidade e dos espaços usados pelos pixadores em Vitória. Esta categoria de análise é descrita tanto a partir de uma abordagem do conceito de Will Straw, e da forma como o termo aparece nas interlocuções. A pixação é compreendida nesta pesquisa como uma das vertentes do graffiti, e por isso trazemos uma discussão bibliográfica sobre os usos dos termos graffiti e pixação. Para apresentar a cena da pixação em Vitória, partimos territorialmente do aglomerado metropolitano de Vitória. Devido à maneira como a cena da pix
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Hughes, Melissa. "Street art & graffiti art developing an understanding /." Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/art_design_theses/50/.

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Thesis (M.A. Ed.)--Georgia State University, 2009.<br>Title from title page (Digital Archive@GSU, viewed July 1, 2010) Melody Milbrandt, committee chair; Melanie Davenport, Teresa Bramlette Reeves, committee members. Includes bibliographical references (p. 49-50).
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Parks, Michelle. "Writing on the walls: Graffiti and civic identity." Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28256.

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This exploratory study uses Westheimer and Kahne's (2004) conceptual model of the three planes of 'good' citizenship activity to consider the civic contribution of youth graffiti writers in the community of Ottawa, Ontario, Canada. Through seven qualitative case studies of youth and young adults, it examines young graffiti artists' perceptions of their participation in their communities and their views on graffiti writing and its place in their lives. The results show that contrary to public opinion, the youth interviewed who participate in graffiti writing in its most artistic form, "piecing"
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Christie, Nancy Lynn. "Graffiti, what you know is what you get." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0019/MQ56802.pdf.

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Choi, Sung Hun. "Graffiti a visual vernacular as graphic design source /." [Ames, Iowa : Iowa State University], 2007.

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Hughes, Melissa L. "Street Art & Graffiti Art: Developing an Understanding." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/art_design_theses/50.

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While graffiti is revered as an art form to some, it is often seen as an unwanted nuisance by others. While vibrantly rich in history, graffiti has a controversial past, present, and future that will likely continue to be the subject of debate, especially with the insurgence of street art, an art form that often overlaps graffiti art in subject matter, media, aesthetic appearance, and placement as a public form of art. Distinguishing between street art and graffiti art proves quite challenging to the undiscerning eye, yet through a series of interviews and thorough investigation, I questioned
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Geiger, Erik William. "Graffiti in Hong Kong : transgressive signs, inscriptions, art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/192983.

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The primary focus of this dissertation is to examine how graffiti is emplaced in Hong Kong. Artifactual and contextual photographs have been collected of examples of graffiti and will be considered according to their place in the semiotic aggregate, the facets and foci of thirteen styles of graffiti, and as they represent the inscription site. Geosemiotics, defined as ‘signs in place’, will be utilized to analyze the transgressive nature of graffiti. Gestural routines are also studied as they relate to the body of the graffiti writer acting in space, inscribing place. The subsets of graffiti a
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Galushko, Nastia. "Graffiti as the origin of the Ukrainian language." Thesis, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/16658.

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Koistinen, Otto. "Graffitikulturens funktion för utövaren : Manligt identitetsskapande genom graffiti." Thesis, Konstfack, IBIS - Institutionen för bild- och slöjdpedagogik, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5776.

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Examensarbetes frågeställning lyder;Vilken funktion fyller graffitikulturen för dess utövare?Identitets skapande genom graffiti.Frågeställningen som behandlas har sin bakgrund i min nyfikenhet på de pojkar intresserade avgraffiti jag stött på inom skolan där jag gjorde min verksamhetsförlagda utbildning (VFU)vårterminen 2010. Jag ville undersöka funktionerna som fylls hos graffitikulturens utövare för attfinna förståelse för de studenter jag mötte då så gott som alla studenter av manligt kön hade enrelation till graffitins estetiska uttryck. Jag som kommer att möta dess elever behöver känna ti
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Mensch, Nicolas. "L'art transgressif du graffiti : pratiques et contrôle social." Thesis, Besançon, 2013. http://www.theses.fr/2013BESA1029/document.

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Le graffiti hip-hop est un objet d’étude à la croisée de la sociologie urbaine, de l’art, de la jeunesse et du droit. Autour de cet objet, les représentations divergent, entre art et vandalisme. L’hypothèse ici retenue est que, sous l’angle des critères permettant d’authentifier la valeur d’un graffiti, la démarche transgressive de son auteur prime autant que ses qualités picturales. Il y aurait une relation dialogique entre pratiques « vandales » et pratiques « artistiques ». Dans un premier temps, cette thèse s’attache à retranscrire comment des jeunes intègrent le mouvement graffiti et quel
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Maron, Christian Oliver. "Das 39. Strafrechtsänderungsgesetz die strafrechtliche Antwort auf Graffiti?" Konstanz Hartung-Gorre, 2009. http://d-nb.info/99531859X/04.

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Cruz, Júnior Paulo Roberto Costa, and Júnior Paulo Roberto Costa Cruz. "CaligrafiAsnoum: graffiti, calligraffiti e criação de signos visuais." Universidade Federal de Pelotas, 2016. http://repositorio.ufpel.edu.br:8080/handle/prefix/3685.

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