Relevant bibliographies by topics / Grafic design

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Grafic design'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Grafic design"

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., I. Made Dwipayana, I. Made Putrama, S. T. ,. M. Tech ., and Nyoman Sugihartini, S. Pd ,. M. Pd . "Pengembangan E-Modul Mata Pelajaran Desain Grafis Bitmap Berbasis Project Based Learning Kelas X Multimedia Di SMK TI Bali Global Singaraja." Kumpulan Artikel Mahasiswa Pendidikan Teknik Informatika (KARMAPATI) 7, no. 2 (July 27, 2018): 149. http://dx.doi.org/10.23887/karmapati.v7i2.15284.

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Tujuan penelitian ini (1) Untuk menghasilkan rancangan dan mengimplementasikan hasil rancangan pengembangan e-modul berbantuan media CAI pada mata pelajaran Desain Grafis Bitmap Berbasis Project Based Learning Kelas X Multimedia Di Smk Ti Bali Global Singaraja, (2) Untuk mengetahui respon guru dan siswa terhadap pengembangan e-modul berbantuan media CAI pada mata pelajaran Desain Grafis Bitmap Berbasis Project Based Learning Kelas X Multimedia Di Smk Ti Bali Global Singaraja. Model pembelajaran yang diterapkan dalam pengembangan modul elektronik ini adalah model pembelajaran project based learning. Jenis penelitian yang digunakan dalam penelitian ini adalah penelitian dan pengembangan (Research and Development) dengan model pengembangan ADDIE. Subjek penelitian ini yaitu siswa kelas X Multimedia di SMK Ti Bali Global Singaraja tahun ajaran 2017/2018. Untuk mengetahui respon guru dan siswa terhadap e-modul desain grafis bitmap diperoleh dengan menggunakan metode angket. Hasil penelitian menunjukkan bahwa: (1) Hasil rancangan dan implementasi e-modul berbantuan media CAI yang telah dikembangkan pada mata pelajaran Desain Grafis Bittmap Berbasis Project Based Learning Kelas X Multimedia Di Smk Ti Bali Global Singaraja dinyatakan berhasil diterapkan berdasarkan beberapa uji yang dilakukan. (2) Hasil analisis data respon guru menunjukkan bahwa, didapatkan rata-rata skor respon sebesar 39, jika dikonversikan ke dalam tabel penggolongan respon maka termasuk pada kategori positif. Sedangkan untuk respon siswa terhadap pengembangan emodul didapatkan rata-rata skor respon sebesar 69,38, jika dikonversikan ke dalam tabel penggolongan respon siswa termasuk pada kategori positif. Kata Kunci : Kata Kunci: ADDIE, E-Modul, Desain Grafis Bitmap, Project Based Learning The purpose of this research (1) To produce the design and implement the design result of CAI media-assisted e-module development in the subject of Graphic Design Bitmap Based Project Based Learning Class X Multimedia In Smk Ti Bali Global Singaraja, (2) To know teacher and student response to the development of CAI media-aided e-module on the subject of Graphic Design Bitmap Based Project Based Learning Class X Multimedia At Smk Ti Bali Global Singaraja. The learning model applied in the development of this electronic module is a model of learning based learning. The type of research used in this study is research and development (Research and Development) with the model of ADDIE development. The subjects of this study are students of class X Multimedia at SMK Ti Bali Global Singaraja academic year 2017/2018. To find out teach and student response to e-module of bitmap graphic design obtained by using questionnaire method. The results showed that: (1) Results of design and implementation of CAI media-aided e-modules developed in the subject of Graphic Design Bitmap Based Project Based Learning Class X Multimedia At Smk Ti Bali Global Singaraja declared successfully applied based on several tests conducted. (2) The result of data analysis teacher response showed that got the average score of response equal to 39, if converted into table classification of response then included in positives category. As for the student response to the development of e-module obtained average response score of 69.38, if converted into the table classification of student responses included in the positive category. keyword : Keywords—ADDIE, E-Module Grafic Bimap desigm, Project Based Learning.
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Yaniadi, Arif. "Ekspansi Karir Desainer Grafis Menjadi Desainer Grafik Bergerak sebagai Ruang Besar Dalam Kreatifitas." Humaniora 2, no. 1 (April 30, 2011): 652. http://dx.doi.org/10.21512/humaniora.v2i1.3080.

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Due to the development of technology in film and video in a decade, there are many opportunities for a graphic designer for more experiments in the moving images. This development brings convenience for both video technology and data transfer or video result, which allows a graphic designer not only saw one static design in print media, but make it more active and dynamic. For instance, if a logo created in motion version, this will enrich and convey the meaning behind the logo, although it appears briefly in 5 seconds duration. A graphic design does not have to be a static or passive; it can float, jump, fly, dance and also change shape into different shapes. After defining the visual elements in motion, it can be achieved stunning results. Some made by techniques which are difficult, and mostly we ask how this could be done.
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KUTLU, RANA. "TASARIMDA DİSİPLİNLERARASI YAKLAŞIM-MEKAN ve GRAFİK TASARIM İLİŞKİSİ." TURKISH ONLINE JOURNAL OF DESIGN, ART AND COMMUNICATION 5, no. 3 (July 1, 2015): 40–51. http://dx.doi.org/10.7456/10503100/006.

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Nadeev, A. A., A. V. Barakov, D. A. Prutskikh, V. Y. Dubanin, and A. M. Naumov. "Experimental study of convective dryer with centrifugal fluidized bed." Vestnik IGEU, no. 2 (April 30, 2021): 5–13. http://dx.doi.org/10.17588/2072-2672.2021.2.005-013.

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Nowadays, the units with a fluidized bed hold a special place among all heat-mass transfer plants currently used in industry. First of all, it is due to the highly developed surface of interaction between the fluidizing agent (air) and dispersed materials in such units, their low hydraulic resistance, relatively simple design and small sizes. At the same time, the units with a centrifugal fluidized bed, which is formed in an annular channel of the working chamber when a fluidizing agent is added under the fixed angle, are of particular interest. Currently, a limited number of experimental and theoretical studies of hydrodynamics and heat-mass transfer in a fluidized bed are known. Besides, these studies were carried out mainly in respect to regenerative heat exchangers and absorbers. In this regard, such studies in respect to the devices for other purposes, such as dryers, seem to be relevant. The results of these studies are the scientific backgrpund for development of an engineering calculation methodology of such units and their design. The study has been carried out based on an experimental plant using means for measuring temperature, relative air humidity, differential pressure, air velocity, and moisture content of solids. A TPM 148 PID controller has been used as a secondary device. Experimental data have been recorded in MasterSCADA SCADA system. Data processing has been carried out using interpolation by cubic splines. The article describes in detail an experimental plant that allows carrying out a full factor experiment to study the hydrodynamic and thermal parameters of a convective dryer with a centrifugal fluidized bed. The article presents the results of a preliminary series of experiments in which silica gel is used as a dispersed material. As a result of visual observations over the dispersed material in the working chamber, the values of the minimum and maximum speed of the drying agent have been determined. The grafic relationship of the hydraulic resistance of the working chamber and the height of the material layer are obtained depending on the speed of the drying agent and the mass of the material, as well as the temperature and moisture content of the material and the drying agent depending on the drying time. The results obtained make it possible to determine the design and operational parameters of the centrifugal fluidized bed drying plant and select a fan to supply the drying agent.
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Mandalika, Ariska. "PENGEMBANGAN BUKU TEKS BERBASIS KARAKTER MENGGUNAKAN MULTIMEDIA SEBAGAI PENUNJANG MODEL TGT." Jurnal Review Pendidikan Dasar : Jurnal Kajian Pendidikan dan Hasil Penelitian 4, no. 2 (May 11, 2018): 697. http://dx.doi.org/10.26740/jrpd.v4n2.p697-703.

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ABSTRACTThe general objective of the research is to develop text books thematic books using multimedia as a support TGT model for class V SD. Type of research is the development of design research 4D models consisting of defining, design, development, and deployment. In this study, textbook development adapted only to the stage of development, textbooks used only in pilot school, with no spread to the other schools. The data was obtained as follows: the percentage of the material feasibility of 100%, 100% eligibility presentation, linguistic appropriateness 96.42%, and 95.83% grafic feasibility. All these categories, including quality category (very decent / good). Obtaining the results of observations of the activities of teachers and students respectively were 96.87% and 97.05%. The response of teachers and students to the textbook was 100% and 96.10%. Classical completeness of student learning outcomes of 85.71%, the completeness criteria ≥ 70. Based on the discussion of the results, we can conclude that in terms of products and the use of textbooks thematic use multimedia as a supporting character using TGT model fit for use. Keywords: Character, Multimedia, Textbook Development, TGT. ABSTRAKTujuan umum penelitian adalah mengembangkan buku buku teks tematik menggunakan multimedia sebagai penunjang model TGT untuk kelas V SD. Jenis penelitian yang dilakukan adalah penelitian pengembangan dengan desain model four-D yang terdiri atas tahap pendefinisisan, perancangan, pengembangan, dan penyebaran. Dalam penelitian ini pengembangan buku teks diadaptasi hanya sampai pada tahap pengembangan, buku teks yang dikembangkan hanya digunakan pada sekolah ujicoba, tanpa disebar pada sekolah lain. Data hasil penelitian yang diperoleh sebagai berikut: persentase kelayakan materi 100%, kelayakan penyajian 100%, kelayakan kebahasaan 96.42%, dan kelayakan kegrafikaan 95.83%. Semua kategori tersebut termasuk kategori berkualitas (sangat layak/baik). Perolehan hasil observasi terhadap aktivitas guru dan siswa berturut-turut adalah 96.87% dan 97.05%. Respon guru dan siswa terhadap buku teks adalah 100% dan 96.10%. Ketuntasan klasikal hasil belajar siswa sebesar 85.71% yang sesuai dengan kriteria ketuntasan ≥ 70.. Berdasarkan diskusi hasil penelitian, dapat disimpulkan bahwa segi produk dan penggunaan buku teks tematik berbasis karakter menggunakan multimedia sebagai penunjang model TGT layak digunakan. Kata Kunci: Karakter, Multimedia, Pengembangan Buku Teks, TGT.
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Akdağ Satır, Dide. "GRAPHIC DESIGN PROBLEMS FACED IN TRANSPARENT PACKAGING DESIGNS AND SOLUTION RECOMMENDATIONS." e-Journal of New World Sciences Academy 16, no. 1 (January 30, 2021): 56–67. http://dx.doi.org/10.12739/nwsa.2021.16.1.d0272.

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Çaydere, Osman. "IMPORTANCE OF BASIC DESIGN EDUCATION IN GRAPHIC DESIGN EDUCATION." e-Journal of New World Sciences Academy 11, no. 2 (April 25, 2016): 93–97. http://dx.doi.org/10.12739/nwsa.2016.11.2.d0175.

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Diansyah, Tengku Mohd, Rachmat Aulia, and Dodi Siregar. "Desain Grafis Peningkatan Kemampuan Multimedia Pada Remaja Desa Seantis." JTUNAS 1, no. 1 (November 30, 2019): 35. http://dx.doi.org/10.30645/jtunas.v1i1.10.

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The theme in the implementation of community service activities is graphic design. Increasing the ability of multimedia in Saentis village adolescents in order to increase the ability of graphic design for youth in Seantis village. As the aim of this activity is to introduce, train and improve mosque skills in the IT field specifically in the field of graphic design through the design of banners or banners. This dedication supports the creation of young people who have talent and skills in the field of graphic design that can be used to get additional training with attractive designs such as printing business.
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SÜRMELİ, KADER. "EUROPEAN MODERNISM IN AMERICAN GRAPHIC DESIGN." E-Journal of New World Sciences Academy 9, no. 2 (April 17, 2014): 101–10. http://dx.doi.org/10.12739/nwsa.2014.9.2.d0151.

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Harnoko, Irwan. "Mengembangkan Bisnis Desain Grafis." Humaniora 2, no. 1 (April 30, 2011): 318. http://dx.doi.org/10.21512/humaniora.v2i1.3012.

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Developing graphic design business needs promotion materials, some of them are newsletter, business card, Credit Line, and protofolio. Article explores the strategy of making newsletter, how to make business card to be professional, how to get the credit line, and how to make a portofolio, and what media that is able to clearly clarify the portofolio. It is concluded that people need extra ordinary creativity to achieve a successful in graphic design business.
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Dissertations / Theses on the topic "Grafic design"

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Martins, Cláudia Alonso. "O desenho como forma de comunicação da arquitetura." Universidade Presbiteriana Mackenzie, 2013. http://tede.mackenzie.br/jspui/handle/tede/325.

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Made available in DSpace on 2016-03-15T19:22:05Z (GMT). No. of bitstreams: 1 Claudia Alonso Martins.pdf: 11269142 bytes, checksum: 474b376de5f2d3519fe232dc54c6b58e (MD5) Previous issue date: 2013-02-04
Architects draw to present their projects. To demonstrate, through experiments charts their projects, they run through several forms of representation derived from geometric systems and tooling. Their procedures resort to various tooling and supports, and produce different representations. The answers to the questions of how the architects present their projects are the guiding thread of this study. The goal is to achieve answers to the problems that permeate the communicated representation and elaborate through the design of architecture. Understand and learn the drawings used by architects as a means of reflection and communication. The ways in which the design operates architecture and urbanism are forms of reflection and thought. In the case of architecture are the means of object creation and communication that enable its implementation or construction. Other abstract records can also be used as schemas, tables, figures or diagrams that allow other procedural and communication strategies. When dealing with contemporary modes of presentation of projects and having as object significant projects of contemporary, were elected for this study three projects representing different periods, namely: the Parc de La Villette, Paris, France, Bernard Tschumi (1983), the McCormick Tribune Campus Center at the Illinois Institute of Technology in Chicago, USA, OMA / Rem Koolhaas (2003) and the 8House in Ørestad, Denmark, the BIG Bjarke Ingles Group (2010). Through close reading of these projects in parallel with the speech intended to representations of the same by their authors, and by understanding and using graphics engines for interpretation, this work studied how they were intended to present their proposals and procedures of design that were used for this purpose . The drawings were analyzed seeking to deepen all the elements and processes involved in the determination and communication of data represented.
Arquitetos desenham para apresentar seus projetos. Ao demonstrar, por meio de experimentos gráficos seus projetos, eles percorrem várias formas de representação derivadas de ferramentais e sistemas geométricos. Seus procedimentos recorrem a diversos ferramentais e suportes e produzem diferentes representações. As respostas às questões de como os arquitetos apresentam seus projetos é o eixo condutor deste estudo. O objetivo é alcançar respostas para as inquietações que permeiam a representação comunicada e elaborada por meio do desenho de arquitetura. Compreender e aprender os desenhos utilizados pelos arquitetos como forma de reflexão e comunicação. Os modos pelos quais o desenho opera a arquitetura e o urbanismo são formas de reflexão e pensamento. No caso da arquitetura são os meios de criação do objeto e de sua comunicação, que possibilitam sua concretização ou construção. Também podem ser utilizados registros mais abstratos como esquemas, tabelas, figuras ou diagramas que permitem outras estratégias de procedimento e comunicação. Ao tratar de modos contemporâneos de apresentação de projetos e tendo como objeto projetos significativos da contemporaneidade, elegeram-se para este estudo três projetos representativos de diferentes épocas, a saber: o Parc de La Villette, em Paris, França, de Bernard Tschumi (1983), o centro de estudantes McCormick Tribune Campus Centre no Illinois Institute of Technology, em Chicago, EUA, de OMA/Rem Koolhaas (2003) e o conjunto multiuso 8House, em Ørestad, Dinamarca, do B.I.G. Bjarke Ingles Group (2010). Por meio da leitura atenta destes projetos em paralelo com o discurso destinado às representações dos mesmos pelos seus autores e, compreendendo e utilizando mecanismos gráficos para interpretação, este trabalho estudou como eles intencionaram apresentar suas propostas e os procedimentos do desenho que se utilizaram para este fim. Os desenhos foram analisados procurando aprofundar todos os elementos e os processos que intervêm na determinação e comunicação do dado representado.
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Netto, Gabriel Gimmler. "Design gráfico e desenho no cenário tecnológico contemporâneo." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/24721.

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A pesquisa que fundamenta a presente dissertação tem como ponto de partida as percepções pessoais do autor sobre semelhanças no processo de criação em suas duas áreas de atuação: o design gráfico e o desenho artístico. Para investigar a existência de tais semelhanças, primeiramente procede-se a uma pesquisa teórica sobre essas áreas, numa breve abordagem histórica até seus modos de existir na pós-modernidade, com atenção especial ao papel transformador exercido pela tecnologia digital. São descritas algumas estratégias contemporâneas para a criação de imagens, no âmbito do design e das artes visuais, onde se identificam semelhanças estéticas em procedimentos envolvidos na criação de desenhos e peças gráficas. Com a finalidade de comprovar a existência de tais semelhanças e identificar sua origem, em um segundo momento, o processo pessoal de criação é analisado. Por fim, procede-se à análise dos depoimentos de profissionais também dedicados ao design gráfico e ao desenho como meio de expressão, onde se vêem modos diferentes de interação e percebem-se distanciamentos, transposições, colaborações e contribuições entre essas áreas.
This thesis is based on a research that has its starting point on the author's personal perceptions of similarities in the creative process in his two areas of work: graphic design and artistic drawing. To investigate the existence of such similarities, first a theoretical research is done on these areas, providing a brief historical approach up until their manners of existence in postmodernity, with special attention to the transformative role played by digital technology. Some contemporary strategies are described for the creation of images in design and visual arts, in which both aesthetic and procedural similarities are identified. Secondly, personal creation processes are analyzed in order to demonstrate the existence of such similarities and to identify their origin. Finally, an examination is done of the testimonies of professionals also dedicated to graphic design and drawing, in which different ways of interaction are seen, and distancing, transpositions, collaborations and cooperation between these areas are perceived.
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Eriksson, Per. "Deco Retro : Designprocessen för att skapa ett varumärke." Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-19157.

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Denna rapport redogör för skapandet av varumärket Deco Retro. Samt den tillhörandedesignprocessen för att skapa en visuell identitet och profil för varumärket. VarumärketDeco Retro togs fram som ett undervarumärke till Kitsch Sweden AB som behövde ettvarumärke som passade deras nuvarande och framtida produkter. Deco Retro ska bidra meden stärkt identitet och värde för de produkter som ska säljas under varumärket. Designarbetetkring varumärket strävade framförallt efter att kommunicera den idé, identitet och de värdensom under projektet tagits fram för varumärket, samtidigt som det ska ha bidragit med enestetiskt tilltalande grafisk design. Resultatet av denna rapporten blev ett genomarbetatvarumärke med tillhörande visuell identitet, profil och flera tillhörande artefakter, redo attimplementeras.
This report describes the creative work to create the brand Deco Retro. Together with therelated design process to create a visual identity and profile for the brand. Deco Retro wascreated as a sub-brand to Kitsch Sweden AB whom needed a brand more fitting their currentand future line of products. Deco Retro was created to contribute with a stronger identity andadded value to the products which sells under the brand. The design work surrounding thebrand was first and foremost trying to communicate the idea, identity and value which hasbeen developed for the brand during this project. The design is also supposed to have addedaesthetically appealing grafic design. The result of this report is a worked through brandwith related visual identity, profil and numerous related artefacts, ready to get implemented.
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Castillo, Gabriela. "Analisis y desarrollo de infografias como herramienta de comunicacion utilizada en el jornal público." Master's thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/28660.

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A infografia é uma ferramenta usada para ajudar a perceber a informação e recorre a elementos gráficos/visuais que ilustram de forma mais clara e intuitiva a informação para o público em geral, organizando dados, informações, histórias entre outros. O presente relatório está enquadrado no desenvolvimento de um estágio curricular com o objetivo de obter o grau de mestre em design editorial, o estágio foi realizado entre o dia 2 de Janeiro de 2019 e o dia 30 de Junho de 2019 no jornal Público, desenvolvido na secção de infografia onde desde o seu início se concebeu, desenvolveu e executou infografias numa sala de redação. Por se tratar de uma dissertação em regime de estágio curricular, optou-se por uma abordagem que atravessa diferentes metodologias, processos de aprendizagem e investigação, que após a sua assimilação e implementação permitiram fortalecer e aplicar o conhecimento adquirido. O desenvolver do estágio possibilitou a mobilidade entre as diferentes fases da secção de infografia do jornal, desde as rotinas diárias actualizaveis como a previsão do tempo, à investigação, assim como a recolha de informação e elaboração de infografias sobre temas específicos e da actualidade mundial ou nacional portuguesa. Com a conclusão do estágio e com a pesquisa realizada foram apresentados os projectos desenvolvidos a uma avaliação pelo jornal e pelos seus pares. As infografias materializadas permitiram desenvolver conhecimento, habilidades e experiência adquirida; Analysis and development of infographics as a communication tool used in the Público newspaper Abstract: An infographic is a tool used to help the understanding of information. It uses graphic and visual elements to present information, stores, data, among others, more clearly and intuitively. This report is focused on the development of a curricular practice to obtain a master’s degree in editorial design, carried out between January 2 and June 30 of 2019 in the Público Newspaper. Because it is a dissertation under the internship modality, it was addressed through different methodologies, learning, and research processes, which were implemented through the development of the internship, developing and applying the acquired knowledge. The internship allowed me to be in the different phases of the infographic areas that are carried out in the newspaper, from infographic routines such as updating the weather data, research, information gathering, and development of infographics base on specific topics. As a conclusion of the internship and research carried out, the projects are presented, which were validated by the newspaper and its users, the infographics that were done allowed to develop more knowledge, skills and acquired experience.
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Delsol, Ebba, and Bellman Matilda Kurtson. "Att kommunicera varumärkesidentitet genom rörlig grafik." Thesis, Linköpings universitet, Medie- och Informationsteknik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121671.

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Denna studie syftar till att undersöka huruvida rörlig grafik är ett effektivt sätt att kommunicera företaget Prodeloxs varumärkesidentitet för en potentiell målgrupp. För att kunna uppfylla studiens syfte genomfördes en kvalitativ fallstudie. Ett teoriramverk berörande utformning av infografik, rörlig grafik och ett företags varumärkesidentitet togs först fram som en grund. Data samlades sedan in via kvalitativa intervjuer med anställda på Prodelox och en prototyp i form av rörlig grafik utformades med syfte att kommunicera företagets varumärkesidentitet. För att kunna dra slutsatser och jämföra huruvida den rörliga grafiken effektivt kommunicerade Prodelox varumärkesidentitet utformades även en prototyp på statisk grafik. Den rörliga grafiken och den statiska grafiken visades sedan för två fokusgrupper som diskuterade huruvida effektivt vardera grafik kommunicerade och ifall någon var mer lockande än den andra. Studien kom fram till att Prodeloxs varumärkesidentitet gick att gestaltas i rörlig grafik och att fler kommunikativa fördelar fanns med den rörliga grafiken i jämförelse med den statiska. Slutsatsen som drogs var att Prodelox kan använda sig att rörlig grafik för att effektivt kommunicera deras varumärkesidentitet till en potentiell målgrupp.
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Rafael, Jakub. "Grafický design s příběhem." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2012. http://www.nusl.cz/ntk/nusl-232338.

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Ekedahl, Andreas. "Rockalbumets grafik : Återkommande designelement och landstypiska utseenden – en visuell innehållsanalys." Thesis, Högskolan Dalarna, Grafisk teknologi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-22680.

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För att ge insikt hur design för ett nytt rockalbum ska ske och ge information kring vad som bör finnas med på ett nytt omslag har denna studie utförts. Studien framförde information om att albumsgrafik var relevant. Först sades det att en nedåtgående trend gick att anta, eftersom den digitala musikbranschen tog över från den fysiska. Men det visade sig därefter vara precis lika stor försäljning på de fysiska albumen som de digitala. För att besvara målen i studien utfördes en visuell innehållsanalys och informationssökning på internet. Studiens syfte var att visuellt granska rockalbum från tre olika ursprungsländer, som var Sverige, Storbritannien och USA. Genom analysen kategoriserades designelement, teman och framtogs landstypiska albumomslag. Studien berörde även vem som styr designen av ett omslag samt ifall det kunde ses någon tongivande designer bland de album som ingick i analysen. I slutsatsen framgick det att Storbritannien och USA hade mycket lika grafiskt manér och att omslag från Sverige såg annorlunda ut. Det framgick även att banden styr utseendet på omslaget mer än designern, och från analysen framgick inte någon tongivande designer.
This study is supposed to shed light on the design process behind album covers in the genre rock and give information about what should be displayed on them. Herein it is presented information about how the graphics on a record cover was relevant and didn’t follow the otherwise assumed declining trend. To be able to answer the goals set for the study, a visual content analysis was done and complementary information was gathered via searches on the internet. The aim with the study was to visually analyze cover art in the genre rock from three different countries of origin, these were Sweden, Great Britain and USA. Via the visual content analysis, categories and themes were structured. There were also created three different album covers, one for each country of origin that were based on the information of what should typically exist on the cover. Herein it is shown that designs from Great Britain and USA are much alike, whereas Sweden has a different style. In the study there was presented who decides the design of a new album and also concludes that from the albums in this content analysis there cannot be proven any designer who sets the generic tone for others.
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Hoelzel, Carlos Gustavo Martins. "Design ergonômico de interfaces gráficas humano-computador." Florianópolis, SC, 2004. http://repositorio.ufsc.br/xmlui/handle/123456789/87671.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro Tecnológico. Programa de Pós-Graduação em Engenharia de Produção.
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Esta tese tem por objetivo desenvolver um modelo de processo do design ergonômico de interface gráfica usuário, integrado a uma estrutura de design de interface humano-computador conhecida como Ciclo de Vida de Engenharia de Usabilidade. Para obter o modelo foi necessário resolver uma questão essencial: como estruturar um modelo de processo de design de interface gráfica usuário, tendo como referência o meio sociocultural do usuário, os sinais ocorrentes neste meio considerando a habilidade do usuário em reconhecê-los e usá-los, e as tarefas a serem executadas? A solução foi obtida em pesquisas sobre os métodos e técnicas de design de interfaces nas áreas de ergonomia e engenharia de usabilidade. Também foram estudados os fundamentos da semiótica mais relacionados à comunicação não-verbal obtendo-se esclarecimentos e estratégias para o trabalho com os sinais visuais. Ao final do estudo, com a aplicação do modelo construído, identificou-se ser possível descrever e argumentar as decisões de projeto gráfico de uma interface quando é conhecido o universo do discurso do ator social, a estrutura da tarefa e os limites e capacidades da plataforma, dos profissionais e dos usuários
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Karlsson, Tobias. "Mikroplast skapar makroproblem : Grafik över ett förlopp som inte syns." Thesis, Mälardalens högskola, Akademin för innovation, design och teknik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-36178.

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Hur hamnar mikroplast i Östersjön? Vilka är källorna, hur ser processen ut och hur påverkar det miljö och djurliv? Det här examensarbetet undersöker hur detta förlopp kan gestaltas på ett följdenligt sätt samtidigt som det tillgodoser informationskrav, kontext och målgrupp. Fokus ligger på hur komplexa förlopp visualiseras för att främja förståelsen och samtidigt skapar intresse. Studien inleddes med faktainsamling utifrån de krav som sattes upp för materialet och fortsatte med teoribildning relaterat till förlopp för att vägleda utformningen. Vidare analyserades tre grafiker rörande förlopp som på något sätt behandlar nedskräpning av hav. Designprocessen resulterade i ett utkast, för att se verkningsgraden och kunna identifiera brister utfördes ett användartest på målgruppen. De brister som hittades rättades sedan till och artefakten färdigställdes för att avslutningsvis utvärderas. Slutsatsen för studien är att förlopp av den här typen med fördel kan använda följdenlig komposition med en tydligt markerad startpunkt och grafiska koder som visar interaktionen mellan enheter. Att visualisera ett komplext förlopp med många enheter kan bilda ett rörigt material, därför bör nyckelelement i grafiken sticka ut för att underlätta perceptionen och skapa överblick av helheten. Gestaltning av ett förlopp kan göras estetiskt tilltalande, dock bör rent dekorativa element undvikas.
How does microplastics end up in the Baltic sea? Which are the sources, how does the process look and how does it affect the environment and the wildlife? This thesis examines how this process can be portrayed in an accurate way while still satisfying information requirements, the context and the target audience. The focus is on how complex processes are visualized in a way that promote understanding while creating interest. The study began with research based on the requirements set for the material and continued with theory formation to guide the design process. In addition, three similar artefacts related to the subject were analysed. The design process resulted in a prototype that was tested on the target audience to see the efficiency and to identify shortcomings. The results of these methods influenced the design and the shortcomings found were improved. It resulted in a final design that could be evaluated.    The conclusion of the study is that processes of this kind can advantageously present the entities in an accurate order with a clearly marked starting point and graphical codes that show the interaction between entities. To visualize a complex process with numerous elements can result in a messy material, therefore key elements in the graphic should stand out to facilitate perception and create an overview of the artefact as a whole. The design of a process can be aesthetically appealing, however, purely decorative elements should be avoided.
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Hammerth, Gustaf. "Grafik inom spelreklam : En studie om grafisk formgivning och dess påverkan på spelreklam." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-15392.

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Under senare år har allt fler spelbolag och spelreklam dykt upp på den svenska marknaden. Detta har skapat en marknad med hög konkurrens där dessa bolag måste stå ut från varandra.  En aspekt som oftast inte diskuteras inom spelreklam är påverkan som grafisk design har på betraktaren. Därmed hade detta arbete i syfta att undersöka ifall tematisk design inom spelreklam är mer marknadsförbar än konventionellt utformad design. Till studien användes kvalitativa intervjuer där tio stycken individer deltog. Resultatet av studien visade att tematisk design var att föredra hos respondenterna. Det fanns dock subjektiva faktorer när respondenterna bedömde artefakterna som eventuellt påverkat det slutgiltiga resultatet. Det fanns också könsmässiga skillnader i hur dessa informanter svarade som behöver forskas vidare om.
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Books on the topic "Grafic design"

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Maurizio, Vitta, ed. Storia del design grafico. Milano: Longanesi, 2003.

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Il manuale del design grafico. Milano: Longanesi, 1986.

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Neue Gesellschaft für Bildende Kunst. Engagement & Grafik Design: Politisch/soziales. Berlin: NGBK, 2000.

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Autobiografia grafica: Graphic autobiography. Mantova: Corraini edizioni, 2014.

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Tanaka, Ikkō. Ikko Tanaka: Grafik Design aus Japan. Berlin: Bauhaus-Archiv, Museum für Gestaltung, 2000.

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Grieshaber, Judith. Grafik-Design: Das Rohe und das Gekochte : die Philosophie der neuen Grafik. Stuttgart: Edition Cantz, 1989.

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Schütz, Wieland. Vierzig Jahre Grafik Design: Zum 65. Geburtstag. Berlin: Gebr. Mann, 2003.

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Colonetti, Aldo. Grafica e design a Milano, 1933-2000. Milano: Abitare Segesta, 2001.

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1944-, Baumstark Reinhold, ed. Pinakothek der Moderne: Kunst, Grafik, Architektur, Design. München: Pinakothek-DuMont, 2002.

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Abecedario: La grafica del Novecento. Milano: Electa, 2002.

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Book chapters on the topic "Grafic design"

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Dornbracht, Andreas. "Grafik-Design." In Designer Profile 2006/2007, 6–270. Berlin: Birkhäuser Berlin, 2006. http://dx.doi.org/10.1007/978-3-936560-43-5_1.

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Nilges, Tom, and Peer Schmidt. "Grafik und Design." In Allgemeine Chemie V, 28–31. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-47540-9_5.

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Butragueño Díaz-Guerra, Belén, Mariasun Salgado de la Rosa, and Javier Francisco Raposo Grau. "Information Design: Communication-Design-Record." In Graphic Imprints, 264–73. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93749-6_22.

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Gómez Sánchez, María Isabel, Ana González Uriel, and Ismael García Ríos. "Ruled Surfaces and Parametric Design." In Graphic Imprints, 231–41. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93749-6_19.

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Chías Navarro, Pilar, Tomás Abad, and Gonzalo García-Rosales. "New Graphic Tools for Hospital’s Spatial Analysis and Design." In Graphic Imprints, 1283–92. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93749-6_106.

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Lanzara, Emanuela, and Mara Capone. "Kerf-Bending Tests: Design for Manufacturing Doubly Ruled Surfaces." In Graphic Imprints, 1117–30. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93749-6_92.

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de Farias Panet Barros, Amélia, and Aluizia Márcia Fonseca de Lima. "The Physical Modeling in Architectural Design—The Serial Plans." In Graphic Imprints, 1150–60. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93749-6_95.

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Hughes, Katherine A. "Breaking Down Design." In Graphic Design, 1–11. CRC Press, 2019. http://dx.doi.org/10.1201/9780429021251-1.

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Hughes, Katherine A. "Typography in Design." In Graphic Design, 189–203. CRC Press, 2019. http://dx.doi.org/10.1201/9780429021251-10.

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Hughes, Katherine A. "Getting Started with Illustrator." In Graphic Design, 205–43. CRC Press, 2019. http://dx.doi.org/10.1201/9780429021251-11.

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Conference papers on the topic "Grafic design"

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DEMARCHI, Ana Paula Perfetto, Cleuza Bittencourt Ribas FORNASIER, and Rosane Fonseca de Freitas MARTINS. "The graphic translation by the designer’s sensitive rationality." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-097.

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CAVALCANTE, Sebastião A., Malthus O. QUEIROZ, Clara S. LIMA, and Silvio BARRETO CAMPELLO. "The presence of the autotype technique in the weekly Cri-Cri’s graphic design project: traces of the graphic memory in the Brazilian state of Pernambuco." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-077.

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Margolin, Victor. "Brazilian Graphic Design in the ‘20s and ‘30s: Modernism and Modernity." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-099.

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CAMARGO, Iara Pierro de, and Leandro M. R. VELLOSO. "Search for meaning: a study on the Cranbrook Academy of Art’s Graphic Design Department." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-012.

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CARDOSO, Helder, and Richard PERASSI. "Place branding: graphic design’s participation in strategic management and brand identity of the cities." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-044.

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TEMIN, Wilma Ruth. "Mappin tells the history of graphic design in São Paulo from 1913 to 1939." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-092.

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SILVA-JETTER, Jorge. "Designing through the loop: programming as a tool for aesthetic creation in the field of graphic design." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-068.

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FONSECA, Letícia Pedruzzi. "Graphic innovations implemented in the Brazilian press by Julião Machado in the end of the 19th Century." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-075.

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MALACCHINI, Simoné. "Lira Popular, chilean broadsheets from the late nineteenth century: a graphic referent and its relation with sheets from Brazil and México." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-034.

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Sol órzano, Augusto, and Didier Correa -Ortiz. "Graphic narratives of the domestic landscape: a case study of the back pages of telephone directories, Medellín from 1956 to 2012." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-043.

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Reports on the topic "Grafic design"

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Murphy, Joe J., Michael A. Duprey, Robert F. Chew, Paul P. Biemer, Kathleen Mullan Harris, and Carolyn Tucker Halpern. Interactive Visualization to Facilitate Monitoring Longitudinal Survey Data and Paradata. RTI Press, May 2019. http://dx.doi.org/10.3768/rtipress.2019.op.0061.1905.

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Surveys often require monitoring during data collection to ensure progress in meeting goals or to evaluate the interim results of an embedded experiment. Under complex designs, the amount of data available to monitor may be overwhelming and the production of reports and charts can be costly and time consuming. This is especially true in the case of longitudinal surveys, where data may originate from multiple waves. Other such complex scenarios include adaptive and responsive designs, which were developed to act on the results of such monitoring to implement prespecified options or alternatives in protocols. This paper discusses the development of an interactive web-based data visualization tool, the Adaptive Total Design (ATD) Dashboard, which we designed to provide a wide array of survey staff with the information needed to monitor data collection daily. The dashboard was built using the R programming language and Shiny framework and provides users with a wide range of functionality to quickly assess trends. We present the structure of the data used to populate the dashboard, its design, and the process for hosting it on the web. Furthermore, we provide guidance on graphic design, data taxonomy, and software decisions that can help guide others in the process of developing their own data collection monitoring systems. To illustrate the benefits of the dashboard, we present examples from the National Longitudinal Study of Adolescent to Adult Health (Add Health). We also discuss features of the dashboard to be developed for future waves of Add Health.
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Casner, Stephen, and Jill H. Larkin. Cognitive Efficiency Considerations for Good Graphic Design. Fort Belvoir, VA: Defense Technical Information Center, January 1989. http://dx.doi.org/10.21236/ada218976.

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Berry, Nina. Anticommercial Purposes: New Methods in Graphic Design and Radical Environmental Change. Portland State University Library, January 2016. http://dx.doi.org/10.15760/honors.287.

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Aktas, Lale Yildiz, Yigit Kucukcobanoglu, Ceren Turkcan Kayhan, Suleyman Gulcemal, and Sinan Akgol. Phe‑graft‑Poly(HEMA) Polymeric Nanoparticle: a Promising Tool to Design New Agrochemicals. "Prof. Marin Drinov" Publishing House of Bulgarian Academy of Sciences, February 2019. http://dx.doi.org/10.7546/crabs.2019.01.09.

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Gazonas, George A., David A. Hopkins, and James C. Ford. Experimental Determination of Critical Physical Parameters Affecting JA2 Propellant Grain Response. Phase 1. Screening Design. Fort Belvoir, VA: Defense Technical Information Center, May 1991. http://dx.doi.org/10.21236/ada237041.

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Luo, Jian, Vikas Tomar, Naixie Zhou, and Hongsuk Lee. Multiscale Modeling of Grain Boundary Segregation and Embrittlement in Tungsten for Mechanistic Design of Alloys for Coal Fired Plants. Office of Scientific and Technical Information (OSTI), June 2013. http://dx.doi.org/10.2172/1096566.

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Amzeri, Achmad, B. S. DARYONO, and M. SYAFII. GENOTYPE BY ENVIRONMENT AND STABILITY ANALYSES OF DRYLAND MAIZE HYBRIDS. SABRAO Journal of Breeding and Genetics, September 2020. http://dx.doi.org/10.21107/amzeri.2020.2.

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The phenotypic analysis of new candidate varieties at multiple locations could provide information on the stability of their genotypes. We evaluated the stability of 11 maize hybrid candidates in five districts in East Java Province, Indonesia. Maize hybrids with high yield potential and early maturity traits derived from a diallel cross were planted in a randomized complete block design with two checks (Srikandi Kuning and BISI-2) as a single factor with four replicates. The observed traits were grain yield per hectare and harvest age. The effects of environment, genotype, and genotype × environment interaction on yield were highly significant (P < 0.01). KTM-1, KTM-2, KTM-4, KTM-5, and KTM-6 showed higher average grain yield per hectare than the checks (Srikandi Kuning = 8.49 ton ha−1 and BISI-2 = 7.32 ton ha−1) at five different locations. The average harvest age of 11 candidates was less than 100 days. KTM-4 and KTM-5 had production yields that were higher than the average yield of all genotypes in all environments (Yi > 7.78 tons ha−1) and were considered stable on the basis of three stability parameters, i.e., Finlay–Wilkinson, Eberhart–Russell, and additive main effect multiplicative interaction (AMMI). KTM-2 had the highest yield among all tested genotypes (9.33 ton ha−1) and was considered as stable on the basis of AMMI but not on the basis of Finlay–Wilkinson and Eberhart–Russell. KTM-1 performed well only in Pamekasan, whereas KTM-6 performed well only in Sampang. Thus, these two genotypes could be targeted for these specific locations.
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Costa, Pedro, and Ricardo Lopes. Urban design, public space and the dynamics of creative milieus: a photographic approach to Bairro Alto (Lisboa), Gracia (Barcelona) and Vila Madalena (São Paulo). DINÂMIA'CET-IUL, 2012. http://dx.doi.org/10.7749/dinamiacet-iul.wp.2012.18.

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LaFreniere, L. M. Interim measure conceptual design for remediation at the former CCC/USDA grain storage facility at Centralia, Kansas : pilot test and remedy implementation. Office of Scientific and Technical Information (OSTI), November 2007. http://dx.doi.org/10.2172/924691.

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Wells, Aaron, Tracy Christopherson, Gerald Frost, Matthew Macander, Susan Ives, Robert McNown, and Erin Johnson. Ecological land survey and soils inventory for Katmai National Park and Preserve, 2016–2017. National Park Service, September 2021. http://dx.doi.org/10.36967/nrr-2287466.

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This study was conducted to inventory, classify, and map soils and vegetation within the ecosystems of Katmai National Park and Preserve (KATM) using an ecological land survey (ELS) approach. The ecosystem classes identified in the ELS effort were mapped across the park, using an archive of Geo-graphic Information System (GIS) and Remote Sensing (RS) datasets pertaining to land cover, topography, surficial geology, and glacial history. The description and mapping of the landform-vegetation-soil relationships identified in the ELS work provides tools to support the design and implementation of future field- and RS-based studies, facilitates further analysis and contextualization of existing data, and will help inform natural resource management decisions. We collected information on the geomorphic, topographic, hydrologic, pedologic, and vegetation characteristics of ecosystems using a dataset of 724 field plots, of which 407 were sampled by ABR, Inc.—Environmental Research and Services (ABR) staff in 2016–2017, and 317 were from existing, ancillary datasets. ABR field plots were located along transects that were selected using a gradient-direct sampling scheme (Austin and Heligers 1989) to collect data for the range of ecological conditions present within KATM, and to provide the data needed to interpret ecosystem and soils development. The field plot dataset encompassed all of the major environmental gradients and landscape histories present in KATM. Individual state-factors (e.g., soil pH, slope aspect) and other ecosystem components (e.g., geomorphic unit, vegetation species composition and structure) were measured or categorized using standard classification systems developed for Alaska. We described and analyzed the hierarchical relationships among the ecosystem components to classify 92 Plot Ecotypes (local-scale ecosystems) that best partitioned the variation in soils, vegetation, and disturbance properties observed at the field plots. From the 92 Plot Ecotypes, we developed classifications of Map Ecotypes and Disturbance Landscapes that could be mapped across the park. Additionally, using an existing surficial geology map for KATM, we developed a map of Generalized Soil Texture by aggregating similar surficial geology classes into a reduced set of classes representing the predominant soil textures in each. We then intersected the Ecotype map with the General-ized Soil Texture Map in a GIS and aggregated combinations of Map Ecotypes with similar soils to derive and map Soil Landscapes and Soil Great Groups. The classification of Great Groups captures information on the soil as a whole, as opposed to the subgroup classification which focuses on the properties of specific horizons (Soil Survey Staff 1999). Of the 724 plots included in the Ecotype analysis, sufficient soils data for classifying soil subgroups was available for 467 plots. Soils from 8 orders of soil taxonomy were encountered during the field sampling: Alfisols (<1% of the mapped area), Andisols (3%), Entisols (45%), Gelisols (<1%), Histosols (12%), Inceptisols (22%), Mollisols (<1%), and Spodosols (16%). Within these 8 Soil Orders, field plots corresponded to a total of 74 Soil Subgroups, the most common of which were Typic Cryaquents, Typic Cryorthents, Histic Cryaquepts, Vitrandic Cryorthents, and Typic Cryofluvents.
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