Relevant bibliographies by topics / Granada (Spain) in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Granada (Spain) in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Granada (Spain) in art"

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Cook, Weston F., William H. Prescott, and Albert D. McJoynt. "The Art of War in Spain: The Conquest of Granada, 1481-1492." Journal of Military History 60, no. 1 (1996): 152. http://dx.doi.org/10.2307/2944453.

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Gonzalez-Gomez, Cecilio, and Purificacion Sanchez-Sanchez. "University of Granada Radiocarbon Dates V." Radiocarbon 33, no. 3 (1991): 367–73. http://dx.doi.org/10.1017/s0033822200040388.

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This paper includes some determinations of archaeological, art and palaeobotanical samples from Spain and Portugal, obtained at the University of Granada Radiocarbon Dating Laboratory, mostly from 1986 to 1988. Pretreatment of charcoal and wood samples is a standard acid-basic procedure using 8% HC1 and 2% NaOH at boiling temperature. The collagen of bone samples is obtained by the Longin (1971) method.The method of dating is benzene synthesis and liquid scintillation counting as previously reported (González-Gómez, López-González & Domingo-García 1982; González-Gómez, Sánchez-Sánchez and Domingo-García 1985; González-Gómez, Sánchez-Sánchez and Villafranca-Sánchez 1986, 1987).14C activity was measured in a Packard Tri-Carb Mod 4640 liquid scintillation spectrometer, using 20 ml low 40K counting vials with 5 ml benzene and 10 ml PPO-toluene as scintillator with a background of ca. 9 cpm. Efficiency was approximately 70% using the part of spectrum above the end point of tritium.
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Antón, M., J. E. Gil, A. Cazorla, et al. "Influence of the calibration on experimental UV index at a midlatitude site, Granada (Spain)." Atmospheric Measurement Techniques 4, no. 3 (2011): 499–507. http://dx.doi.org/10.5194/amt-4-499-2011.

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Abstract. The ultraviolet index (UVI) is the most commonly used variable to inform about the level and potential harmful effect of ultraviolet (UV) radiation reaching the Earth's surface. This variable is derived from the output signal of UV radiometers applying conversion factors from calibration methods. This paper focused on the influence of the use of two of these methods (called one-step and two-steps methods) on the experimental UVI measured by a YES UVB-1 radiometer located in a midlatitude station, Granada (Spain) for the period 2006–2009. In addition, it also analyzes the deviation from the UVI values obtained when the manufacturer's calibration factors are applied. For this goal, a detailed characterization of the UVB-1 radiometer from the first Spanish calibration campaign of broadband UV radiometers at the "El Arenosillo" INTA station in 2007 was used. In addition, modeled UVI data derived from the LibRadtran/UVSPEC radiative transfer code are compared with the experimental values recorded at Granada for cloud-free conditions. Absolute mean differences between measured and modeled UVI data at Granada were around 5% using the one-step and two-steps calibration methods, indicating an excellent performance of these two techniques for obtaining UVI data from the UVB-1 radiometer. Conversely, the application of the manufacture's calibration factor produced a large overestimation (~14%) of the UVI values, generating unreliable alarming high UVI data in summer. Thus, the number of days with an extreme erythemal risk (UVI higher than 10) increased up to 46% between May and September at Granada. This percentage reduced to a more reliable value of 3% when the conversion factors obtained with the two-steps calibration method are used. These results evidence the need for a sound calibration of the broadband UV instruments in order to obtain reliable measurements.
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Onita, Adriana. "Graffiti Silence." TranscUlturAl: A Journal of Translation and Cultural Studies 6, no. 1 (2014): 67. http://dx.doi.org/10.21992/t91k9v.

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These tricontinental ekphrastic poems feature graffiti art(ists) that have caught my heart off guard. The first poem titled “Graffiti of Silence” is a response to the anonymous “listen bird”, ubiquitous in Edmonton's urban geography from 2003 to about 2008. Stenciled, spray painted or stickered, it always featured a speech bubble with one word: listen. It quickly became part of Edmonton’s local iconography, but the city’s Graffiti Management Program managed to eliminate the bird from its streets, but not from public memory. The second ekphrasis titled “The Fisherman” features the work of El niño de las pinturas (Raúl Ruiz), an internationally-renowned graffiti artist based in Granada, Spain. Known for his large-scale wall murals which are almost always accompanied by his own poetic text, he dresses the skin of this city in sienna strokes, covers its bruises with layers of light, becoming a source of symbolic pride for Granada. The third poem, “Monsters in Montevideo,” is inspired by Alfalfa (Nicolás Sánchez), an iconic street artist based in Montevideo, Uruguay. His unique style uses organic lines and bright colours to create fantastical creatures that add a sense of play and surprise to many of the city’s streets. These three ekphrastic poems are an attempt to translate the poetic experience of viewing street art. Through poetry, the impermanent art of graffiti is rendered immortal as a self-portrait of each city and each spectator.
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Ahsani, S. A. H. "The State of Research on Islamic Spain." American Journal of Islam and Society 9, no. 4 (1992): 556–62. http://dx.doi.org/10.35632/ajis.v9i4.2541.

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The era of Muslim rule in Spain (711-1491 CE) witnessed great contributionsin many areas of knowledge and learning. Rapid strides weremade in such diverse fields as art and architecture, agriculture and handicrafts,linguistics and literature, humanities and Social studies, music andpoetry, and the physical and mechanical sciences. In fact, Islamic Spain,known to the Muslim world as al Andalus, served as a bridge for thetransfer of the knowledge and wisdom of Classical Greece to Europe, aprocess that eventually led to the European Renaissance.The achievements of al Andalus will not be discussed in this paper.Rather, a survey of current research activities focusing on al Andaluswill be presented. The areas covered are Europe, North America, NorthAfrica, and parts of Asia. Latin American activities have not been surveyeddue to the nonavailability of sources.EuropeEurope has been the center of research on al Andalus. Various periodicalshave served as major sources of information: Al-Andalus (Madrid1933), Hesperis (Paris 1921-59), Hesperis-Tamuda (Rabat 1960), Miscellanceade Estudios Arabes y Hebraicos (Granda 1952), Revista de InstitutoEgypcio de Studios Islamicos (Madrid 1953), Revue de la OccidentMusulman et la Mediterranee (Aix-en-Provence 1966), Boletin de laAssociation Espaniola de Orientalistas (Madrid 1965), and Cuadernos dela Alhambra (Granada 1965).Certain important books have also appeared, such as Peres: la PoisieAndalousie, which includes a history of that period. Introductions to editionsof texts and translations relate important infonnation about al Andalusunder the al Murabitun and the al Mu’ahhidun dynasties. Hourani(1961) has written an excellent book: Averroes: On the Harmony of Religionand Philosophy. Memorial volumes in honor of E. Levi-Provencal,G. and W. Marcais, Menendes Pidal, Millas Vallicrosa y Parya, A. H. andR. Basset, H. A. R. Gibb and H. Wehr also contain much valuable data.Mention must be made of translations by institutes devoted to thestudy of al Andalus: Dar al Thaqafah (Beirut) has published valuablebooks, as have several Spanish and North African organizations (i.e.,Conjeyo Superior de Investigaciones Cientificas Madrid], Instituto deStudios Islambs [Madrid], Institute des Haut-Etudes Marocaines Paris ...
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Eisler, William. "Charles V and the Cathedral of Granada." Journal of the Society of Architectural Historians 51, no. 2 (1992): 174–81. http://dx.doi.org/10.2307/990713.

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For thirty years historians of architecture have believed that the form of the domed rotunda designed by Diego Siloe for the cathedral of Granada was determined by its function as an imperial mausoleum for Charles V. This architectural innovation was purportedly stimulated by a decision made by the emperor in 1526 to be interred in the cathedral rather than in the Royal Chapel of Granada, burial site of his grandparents, Ferdinand and Isabella. The author demonstrates that, on the contrary, the emperor remained faithful to the traditions of his ancestors in this respect. His wishes concerning his burial in the Royal Chapel were respected by his son, Philip II, at least until Philip's return from Flanders to Spain in 1559. Accordingly, another explanation for the striking form of the cathedral must be sought, and the generally held view that the Escorial was founded as a mausoleum for Charles V as early as 1558-1559 must be questioned.
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Benavent-Oltra, Jose A., Roberto Román, María J. Granados-Muñoz, et al. "Comparative assessment of GRASP algorithm for a dust event over Granada (Spain) during ChArMEx-ADRIMED 2013 campaign." Atmospheric Measurement Techniques 10, no. 11 (2017): 4439–57. http://dx.doi.org/10.5194/amt-10-4439-2017.

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Abstract. In this study, vertical profiles and column-integrated aerosol properties retrieved by the GRASP (Generalized Retrieval of Atmosphere and Surface Properties) algorithm are evaluated with in situ airborne measurements made during the ChArMEx-ADRIMED field campaign in summer 2013. In the framework of this campaign, two different flights took place over Granada (Spain) during a desert dust episode on 16 and 17 June. The GRASP algorithm, which combines lidar and sun–sky photometer data measured at Granada, was used to retrieve aerosol properties. Two sun-photometer datasets are used: one co-located with the lidar system and the other in the Cerro Poyos station, approximately 1200 m higher than the lidar system but at a short horizontal distance. Column-integrated aerosol microphysical properties retrieved by GRASP are compared with AERONET products showing a good agreement. Differences between GRASP retrievals and airborne extinction profiles are in the range of 15 to 30 %, depending on the instrument on board the aircraft used as reference. On 16 June, a case where the dust layer was coupled to the aerosol layer close to surface, the total volume concentration differences between in situ data and GRASP retrieval are 15 and 36 % for Granada and Cerro Poyos retrievals, respectively. In contrast, on 17 June the dust layer was decoupled from the aerosol layer close to the surface, and the differences are around 17 % for both retrievals. In general, all the discrepancies found are within the uncertainly limits, showing the robustness and reliability of the GRASP algorithm. However, the better agreement found for the Cerro Poyos retrieval with the aircraft data and the vertical homogeneity of certain properties retrieved with GRASP, such as the scattering Ångström exponent, for cases with aerosol layers characterized by different aerosol types, shows that uncertainties in the vertical distribution of the aerosol properties have to be considered. The comparison presented here between GRASP and other algorithms (i.e. AERONET and LIRIC) and with airborne in situ measurements shows the potential to retrieve the optical and microphysical profiles of the atmospheric aerosol properties. Also, the advantage of GRASP versus LIRIC is that GRASP does not assume the results of the AERONET inversion as a starting point.
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García-Alix, Antonio, Raef Minwer-Barakat, Elvira Martín Suárez, and Matthijs Freudenthal. "Small mammals from the early Pleistocene of the Granada Basin, southern Spain." Quaternary Research 72, no. 2 (2009): 265–74. http://dx.doi.org/10.1016/j.yqres.2009.06.004.

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AbstractThe Pliocene and Pleistocene continental sedimentary records of the western sector of the Granada Basin, southern Spain, consist of alternating fluvial and lacustrine/palustrine sediments. Two Quaternary sections from this sector have been sampled: Huétor Tájar and Tojaire. They have yielded remains of rodents, insectivores and lagomorphs. The presence in the Huétor Tájar and Tojaire sections of Mimomys, Apodemus atavus, Castillomys rivas and two different species of Allophaiomys, indicates an Early Pleistocene age. These deposits, which are related to a fluvio-lacustrine system, can be differentiated from an older (Pliocene) braided fluvial system. Their dating has important repercussions on the paleogeographic reconstruction of the basin. The conditions inferred from the ecological preferences of the small mammal associations are wet and cold. These associations suggest a predominance of open herbaceous habitats, followed by forested habitats; semiaquatic habitats are the least represented.
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Weber, Alison. "Golden Age or Early Modern: What's in a Name?" PMLA/Publications of the Modern Language Association of America 126, no. 1 (2011): 225–32. http://dx.doi.org/10.1632/pmla.2011.126.1.225.

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As few hispanists have failed to notice, early modern Spain is more often appearing as an alternative term for what we used to call the Spanish Golden Age. University catalogs still advertise courses on Golden Age poetry, but lectures are more apt to bear titles such as “The Crisis of the Gift in Early Modern Spain.” Although some recent books—Inventing the Sacred: Imposture, Inquisition, and the Boundaries of the Supernatural in Golden Age Spain (Keitt), Honor and Violence in Golden Age Spain (Taylor), and An Erotic Philology of Golden Age Spain (Martín)—display Golden Age in their titles, they share shelf space with offerings such as The Drama of the Portrait: Theater and Visual Culture in Early Modern Spain (Bass), Imperial Lyric: New Poetry and New Subjects in Early Modern Spain (Middlebrook), and Family and Community in Early Modern Spain: The Citizens of Granada (Casey). The preference for early modern is showing up even in genres in which traditional usage might be expected. An anthology by Barbara Mujica, published in 1991, is subtitled Renacimiento y Siglo de Oro, but the cover of an anthology edited by her and published thirteen years later reads Sophia's Daughters: Women Writers of Early Modern Spain.
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Vallejo Peña, Francisco Alberto, and Juan Herrera Ballesteros. "University internships in Spain: what is missing for its stakeholders?" OBETS. Revista de Ciencias Sociales 11, no. 2 (2016): 547. http://dx.doi.org/10.14198/obets2016.11.2.07.

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The purpose of this paper is to analyze the performance of the current university internship programs, with a particular focus on the present needs of the main stakeholders: the students and businesses. The study draws on the interpretive perspective of organizational culture (Berger and Luckmann), which stresses the difficulty of integrating subworlds with different codes, practices and habits. The results of a case study on the program run by University of Cadiz are then presented through a qualitative analysis. Otherwise, the conclusions have been compared with those obtained in recent research conducted by Spanish universities (Granada, UNED, Politécnica de Valencia, Politécnica de Madrid, Carlos III and Lleida).
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Dissertations / Theses on the topic "Granada (Spain) in art"

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Roelle, Jenna Rose. ""That romantic fortress" : British depictions of the Alhambra, 1815-1837 /." Thesis, Connect to title online (Scholars' Bank), 2009. http://hdl.handle.net/1794/10025.

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Clark, Stewart John Peter. "A sedimentary record of orogenic uplift, Granada Basin, SE Spain." Thesis, University of Glasgow, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411853.

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Hughes, John James. "Studies in sedimentary provenance of the intramontane Granada Basin, southern Spain." Thesis, University of Glasgow, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297028.

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Hicks, Elisabeth. "Ambassadors of the Albayzín : Moroccan vendors of La Caldereria in Granada, Spain." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/1534.

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The Lonely Planet advises visitors to Granada, Spain to "turn off...into the cobbled alleys of Calderería Vieja or Nueva and in a few steps you've left Europe behind." La Calderería is known for its Arab influences and North African immigrant businesses. A tourist's ability to easily step off one continent and enter another realm demonstrates an imagined border between Europe and the Orient, especially North Africa, that is created by historical narratives, policy discourses and daily practices. The antagonism between an imagined white, Catholic and European Spain vis-à-vis its North African Muslim neighbors is fundamental to the history of the Spanish nation. This East/West divide has recently been recast as Moroccan immigration, inspired by proximity and colonial legacies, since the 1980s has made Moroccan the largest immigrant group by nationality in Spain. Supranational borders, neighborhoods and specific streets participate in an intense debate about cultural difference, based on a complicated mixture of racial, ethnic and religious categories. Concurrently, more regional autonomy within the Spanish state has led Andalusia to reclaim its Islamic heritage, especially in Granada where tourism is important economically. This has dovetailed with gentrification of the Albayzín. Both the appropriation of the Islamic period of Iberian history and the contemporary social exclusion of Moroccan immigrants are realized through Orientalism. In La Calderería, tea, souvenirs, male Moroccan vendors, Western female tourists, pavement, cultural conservation, public space ordinances and police surveillance create a site where public and private space blurs and ‘practical orientalism’ constitutes subjects performing and resisting the identities prescribed to them.
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Ones, Synnøve. "The politics of government in the Audiencia of New Granada, 1681-1719." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/2579/.

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This is a study of government and governance in the Audiencia of Santa Fe during the last two decades of Habsburg rule and the first two decades of Bourbon rule, a period largely neglected by historians of New Granada and of Spanish America in general. However, it is not simply an administrative history. Rather than focus primarily on the structure of government and formal mechanisms of power and authority, this study aims, as the title indicates, to examine the political activity contained within the formal structure of institutions and laws. It looks at the ways in which institutions of government actually functioned within the society they were designed to govern and control, in other words the workings of government. These are themes which have been little studied by historians of the region, despite the importance which has been attached to the colonial state as a force which played a primary role in shaping New Granada's history. Studies of the colonial state have tended to portray it as a hierarchy of institutions, closely controlled from the centre, which developed as Spain's monarchs sought to legitimise their dominion and impose their control over the vast territories of the Americas. They have presented royal institutions of government in the Indies, the audiencia and provincial governors in the case of New Granada as the tools of an absolutist monarchy, employed by the Spanish crown to expand royal power over Spanish American subjects. The present study thus aims to challenge this picture by making detailed reference to contemporary documentation and taking into account recent research on early modern government and governance in areas outside New Granada. We will attempt to show that government in the Audiencia of Santa Fe was not a rigid structure but very political in nature.
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Soulodre-La, France Renée. "An ambivalent embrace region and reform in New Granada : the case of Tolima Grande /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9917957.

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Finlay, Robin Neil. "The 'Orient' in the 'Occident' : the social, cultural and spatial dynamics of Moroccan diaspora formations in Granada, Spain." Thesis, University of Newcastle upon Tyne, 2016. http://hdl.handle.net/10443/3372.

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Contributing to research on geographies of diasporas and migration, this thesis examines how the Moroccan diaspora in the city of Granada, Spain, has transformed urban space, and conversely, how the spatiality of Granada engenders distinctive diasporic identity formations, senses of belonging and spatial practices. Using the geographical insight that diasporas alter and are altered by the places they inhabit and that identities and belongings are often spatialised and spatially contingent, the research examines how these processes function for the Moroccan diaspora living in Granada. Granada’s mixed Christian and Islamic heritage, its relatively recent transformation from an ethnically homogenous space into a diaspora space, and the close proximity of the Maghreb and Africa, all herald Granada as a rich arena to explore social, cultural and spatial processes of diasporas and migration. Conceptually, the research is positioned within urban geographies of diasporas. The centrality of the urban spatial scale in diaspora formations and experiences, rather than the national, is demonstrated and examined. The thesis focuses on four concepts that are at the core of geographies of diasporas: space, belonging, home and identity. Drawing on eight months of ethnographic fieldwork, the thesis provides an empirical analysis that is grounded in the everyday and intimate spaces of the Moroccan diaspora. As such it responds to calls for grounded studies on diasporas that take locations and their contexts seriously. Overall, the thesis underlines the fundamental centrality of place for diaspora formations, and argues that the experiences and perceptions of the Moroccan diaspora in Granada provide distinctive narratives of European urban diversity.
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Lix, Claire. "Present-day fluid-rock interaction in a sedimentary basin : study case of the Granada Basin (Betic Cordillera, Spain)." Electronic Thesis or Diss., Sorbonne université, 2019. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2019SORUS200.pdf.

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Comprendre les circulations des fluides dans les bassins sédimentaires joue un rôle crucial dans les divers domaines des ressources naturelles. Dans cette thèse, une approche géochimique est développée pour caractériser la géochimie des eaux souterraines actuelles et pour étudier les réactions affectant un système sédimentaire, en prenant le bassin de Grenade comme cas d'étude. La composition isotopique de l'hélium des gaz libres et dissous a été étudiée afin de contraindre la structure lithosphérique de la région. La composition isotopique de He montre une composante radiogénique dominante avec une contribution mantellique atteignant 1 %. L'évaluation des mécanismes de transport de l'He montre que la croûte est actuellement dissociée du manteau. Nous proposons donc que l’He mantellique observé pourrait résulter d’une contribution fossile du manteau associée à une production crustale à partir de roches riches en Li. Les interactions eau-roche dans les Cordillères Bétiques ont été étudiées en caractérisant les systèmes géothermaux de faible et moyenne enthalpie. Cette étude montre une relation étroite entre la température et la pCO2 dans le réservoir et met en évidence le rôle des tampons minéraux du remplissage sédimentaire et du socle sur la réactivité du CO2. L’étude plus approfondie de la réactivité dans le bassin de Grenade permet de mieux comprendre les écoulements à l’échelle de l’ensemble du bassin. L'évolution de la saturation des eaux vis-à-vis des carbonates, des alumino-silicates et des sulfates permet d'évaluer les chemins possibles d’écoulement dans le bassin et d'appréhender un modèle conceptuel de transport réactif<br>Understanding fluid circulations in sedimentary basins plays a critical role in the diverse fields of energy and natural resources. In this thesis, a geochemical approach is developed to characterize the present-day groundwater geochemistry and to investigate the reactions affecting a sedimentary system, taking the Granada Basin as a regional study case. Helium isotopic composition of bubbling and dissolved gases has been investigated to set constrains on the lithospheric structure of the area. We found that the He isotopic composition has a dominant radiogenic component with a mantle-derived He contribution reaching mainly 1 %. The evaluation of helium transport mechanisms shows that the crustal system is currently dissociated from the mantle system. We therefore propose that the observed mantle-derived He could result from fossil mantle contribution associated to crustal production from Li-rich rocks. Water-rock interactions in the Central Betic Cordillera have been investigated by characterizing the low- to medium-enthalpy thermal systems. This study, combining geothermometrical methods, shows a strong relationship between the temperature and the pCO2 in the reservoir and highlights the role of the potential mineral buffers of both the sedimentary infilling and the basement on the reactivity of CO2. Further investigations on the reactivity within the Granada Basin allow us to give insights on the groundwater flows at the scale of the whole basin. The evolution of the groundwater saturation with respect to carbonates, alumino-silicates, and sulfates allows to assess the possible flow paths in the basin and to apprehend a conceptual reactive transport model
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Goodwin, R. "Food, art, and society in Early Modern Spain." Thesis, University of London, 2001. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540098.

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Córdoba, Salmerón Miguel Henares Cuéllar Ignacio. "El Colegio de la Compañía de Jesús en Granada : arte, historia y devoción /." Madrid : Fundación universitaria española, 2006. http://catalogue.bnf.fr/ark:/12148/cb41106399z.

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Books on the topic "Granada (Spain) in art"

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David, Roberts. La Granada de David Roberts: Granada, febrero/marzo, 1991. Centro Cultural de la Caja General de Ahorros de Granada, 1991.

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Granada, 1492: The twilight of Moorish Spain. Praeger, 2005.

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Jorge, Ma Elena Díez. The Alhambra and the Generalife: An art history guide. Universidad de Granada, 2008.

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Prescott, William Hickling. The art of war in Spain: The conquest of Granada, 1481-1492. Greenhill Books, 1995.

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Contreras, Rafael. Estudio descriptivo de los monumentos arabes de Granada, Sevilla y Córdoba. Delegación en Zaragoza del Colegio Oficial de Arquitectos de Aragón a travès de su Comisión de Cultura, 1993.

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Andreu, Pedro A. Galera. La imagen romántica de la Alhambra. Junta de Andalucía, Consejería de Cultura y Medio Ambiente, Patronato de la Alhambra y Generalife, 1992.

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Gordo, Antonio Gámiz. Alhambra: Imágenes de ciudad y paisaje (hasta 1800). Fundación El Legado Andalusí, 2008.

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Washington Irving y la Alhambra: 150 aniversario, 1859-2009 : exposición temporal : Granada, Capilla y Cripta del Palacio de Carlos V, conjunto monumental de la Alhambra y el Generalife, Octubre 2009-Febrero 2010. Tf Editores, 2010.

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Alhambra: Imágenes de ciudad y paisaje (hasta 1800). Fundación El Legado Andalusí, 2008.

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Barrio, José M. La imagen de la Alhambra y el Generalife en la cultura anglosajona (1620-1920). Patronato de la Alhambra y Generalife, 2014.

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Book chapters on the topic "Granada (Spain) in art"

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Hitchcock, Richard. "The Conquest of Granada in Nineteenth-Century English and American Historiography." In Medieval Spain. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403919779_13.

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Jiménez, Manuel González. "Peace and War on the Frontier of Granada. Jaén and the Truce of 1476." In Medieval Spain. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403919779_8.

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Thomson, Guy. "The Revolution of September 1868 in Western Granada." In The Birth of Modern Politics in Spain. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230248564_13.

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Thomson, Guy. "Ballots, Conspiracies and Insurrection in Málaga and Granada, 1857–1859." In The Birth of Modern Politics in Spain. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230248564_4.

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Cuenca, Alberto López. "Narrating Dissident Art in Spain." In Making Art History in Europe After 1945. Routledge, 2020. http://dx.doi.org/10.4324/9781351187596-17.

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Thomson, Guy. "‘The Second Loja’: Garibaldi and the Limits of Democracy in Eastern Granada, 1863–1864." In The Birth of Modern Politics in Spain. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230248564_11.

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Agustín, Óscar García. "The Aesthetics of Social Movements in Spain." In Street Art of Resistance. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63330-5_14.

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Henderson, Kelly. "From Peninsular War to Coordinated Cadastre: William Light’s Route Maps of Portugal and Spain, and His Founding of Adelaide, the ‘Grand Experiment in the Art of Colonization’." In History of Military Cartography. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-25244-5_16.

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Matarán Ruiz, Alberto, and Carolina Yacamán Ochoa. "Participative Agri-Food Projects in the Urban Bioregion of the Vega of Granada (Spain)." In Bioregional Planning and Design: Volume II. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-46083-9_6.

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Garate, Diego. "Altamira and Paleolithic Cave Art of Northern Spain." In Encyclopedia of Global Archaeology. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1264.

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Conference papers on the topic "Granada (Spain) in art"

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Vigil, Rosario Carril. "The Digital Art Community in Spain." In ARTECH2017: Eighth International Conference on Digital Arts. ACM, 2017. http://dx.doi.org/10.1145/3106548.3106615.

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Lorenzo, José Maria, and Jose Luis Sanchez. "Botín Art Center in Santander, Spain." In IABSE Symposium, Vancouver 2017: Engineering the Future. International Association for Bridge and Structural Engineering (IABSE), 2017. http://dx.doi.org/10.2749/vancouver.2017.2155.

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Salinas Extremera, Alfonso, Jesus Fornieles Callejon, Sergio Toledo Redondo, et al. "Teaching electromagnetic subject in electrical engineering degree at University of Granada (Spain)." In 2011 Promotion and Innovation with New Technologies in Engineering Education (FINTDI 2011). IEEE, 2011. http://dx.doi.org/10.1109/fintdi.2011.5948895.

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GRINDLAY, ALEJANDRO L., GABRIELA OCHOA-COVARRUBIAS, and CARMEN LIZÁRRAGA. "URBAN MOBILITY AND QUALITY OF PUBLIC SPACES: THE CASE OF GRANADA, SPAIN." In URBAN TRANSPORT 2020. WIT Press, 2020. http://dx.doi.org/10.2495/ut200041.

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Rodríguez-Pérez, Celia. "ONLINE TEACHING DURING THE LOCKDOWN: AN EXPERIENCE FROM THE UNIVERSITY OF GRANADA (SPAIN)." In 13th annual International Conference of Education, Research and Innovation. IATED, 2020. http://dx.doi.org/10.21125/iceri.2020.1149.

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Navarro Luengo, Ildefonso, Adrián Suárez Bedmar, and Pedro Martín Parrado. "El castillo de San Luis (Estepona Málaga): Origen y evolución de una fortificación abaluartada. Siglos XVI-XXI." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11552.

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Abstract:
The castle of San Luis (Estepona Málaga): Origin and evolution of a bastion fort. Sixteenth to twenty-first centuriesThe results of the investigation prior to the excavation work in the Castle of San Luis, in Estepona (Málaga, Spain) are presented. It is a coastal fortress built in the last quarter of the sixteenth century, in the context of the reorganisation of the defense of the western coast of Malaga after the Moorish rebellion of 1568. After analysing the available literature, we propose that it was designed by the Engineer Juan Ambrosio Malgrá, Maestro Mayor de obras del Reino de Granada. The Castle of San Luis is devised as an add-on construction on the southern front of the walls of Islamic origin, dominating the natural anchorage of the Rada beach. Its most prominent elements are three bastions, two of them with casemates, and a large main square. However, various defects in the design and execution of the works, added to the insufficient provision of artillery and garrison, affected the effectiveness of the fortification throughout its history. In the middle of the eighteenth century, part of the Castle of San Luis is restructured as a cannons’ battery. Following the damage caused by the Lisbon Earthquake, in 1755, and by the French and English blastings in 1812, during the second half of the nineteenth century much of the castle disappears, leaving only the cannons’ battery, which is incorporated as a courtyard in height as an add-on to a house built at the end of the nineteenth century. At present, after several decades of abandonment, excavation works have been undertaken on the remains of the battery, after which the site will be prepared to be used as a museum.
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Benjumea, B., B. Gaite, Z. Spica, F. Bohoyo, M. Schimmel, and S. Ruiz-Barajas. "DAS dataset analysis for reflection imaging with ambient noise in urban areas: Granada, Spain." In NSG2021 2nd Conference on Geophysics for Infrastructure Planning, Monitoring and BIM. European Association of Geoscientists & Engineers, 2021. http://dx.doi.org/10.3997/2214-4609.202120147.

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Terán Yépez, Eduardo Fernando. "STATE-OF-THE-ART ENTREPRENEURSHIP THEORIES: A CRITICAL REVIEW OF THE LITERATURE." In IISES Annual Conference, Sevilla, Spain. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/iac.2018.035.043.

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Ruiz-Magaña, María José, Verónica Ayllon, Verónica Neubrand, et al. "A SWOT ANALYSIS OF THE AVAILABLE ON-LINE EVALUATION TOOLS AT UNIVERSITY OF GRANADA (SPAIN)." In 13th International Conference on Education and New Learning Technologies. IATED, 2021. http://dx.doi.org/10.21125/edulearn.2021.1198.

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Chozas, J. Fernandez, and H. C. Soerensen. "State of the Art of Wave Energy in Spain." In 2009 IEEE Electrical Power & Energy Conference (EPEC 2009). IEEE, 2009. http://dx.doi.org/10.1109/epec.2009.5420989.

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