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Journal articles on the topic 'Grandmother stories series'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

M. Pelly, R. Duncan, Claudia Millan, and Abraham Millan. "Moving from Generation to Generation: Latin American Family Business is a Tamara-Land." Telos: Revista de Estudios Interdisciplinarios en Ciencias Sociales 25, no. 3 (2023): 972–91. http://dx.doi.org/10.36390/telos253.25.

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This article indagates the story of three generations of Latino entrepreneurs –grandmother, mother, and son—with family businesses that flank both sides of the U.S.-Mexico border. Across generations the "Tamara-Land" effect exists. To disambiguate, the narratives of these family businesses changed across generations, morphing from stories of effectuation to ones of causation. The grandmother living in Mexico embodied effectuation by "falling into" her entrepreneurial opportunities. Her story is one of necessity entrepreneurship because other opportunities were unavailable to her. The daughter

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2

Ujaili, Shahla, and Samar Zahrawi. "Summer with the Enemy." Arab World English Journal For Translation and Literary Studies 6, no. 1 (2022): 136–38. http://dx.doi.org/10.24093/awejtls/vol6no1.10.

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Summer with the Enemy is a novel written in the Arabic language by the Syrian writer Shahla Ujaili and translated to English by Michelle Hartman. It follows the life stories and complex relations of three women Lamees, her mother Najwa, and her grandmother Karma. It describes the evolution of societies and political milieu in Syria from the 1920s till the Syrian civil war around the 2010s. The novel starts in the present time, when Lamees, a young Syrian woman, having fled the ISIS siege on her hometown Raqqa, seeks asylum in Germany, Cologne, and reunites with Abboud, her childhood sweetheart

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3

Nasipkhan Kh., Suyunova. "The image of childhood of the consciousness of the autobiographical hero of the story “Kurzhyn” (“Kurzhyn, where the childgood is hidden”) by I. Kapaev." Kavkazologiya 2024, no. 1 (2024): 215–26. http://dx.doi.org/10.31143/2542-212x-2024-1-215-226.

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The article is devoted to the study of some issues of the development of Soviet historiography The article considers the experience of developing the image of childhood in Isa Kapaev’s novella “Kurzhyn” (“Kurzhun, where childhood is hidden”). The writer's debut novella strives to enhance the examination of the character and awareness of a young compatriot-peer, hero-alter ego – con-cepts the author started to develop in his prose pieces of the late 60s – early 70s of the twentieth century. Since this is the story of a hero endowed with a well-developed personality and a creative worldview, the

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Peterson, Lorinda Jean. "Badass Mom Art: Motherhood Untold in My Kind of Crazy." Humanities 14, no. 3 (2025): 46. https://doi.org/10.3390/h14030046.

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Graphic memoir and feminist mothering theory are at the heart of my research-creation paper “Badass Mom Art: Motherhood Untold in My Kind of Crazy”, which brings feminist mothering theory into conversation with traumatic mothering stories. The research-creation comprises a series of sequential graphic stories from my 2023 memoir My Kind of Crazy and a drawing series, Mothering Myths: (Re)imaginings and (Re)visions. These narratives re-imagine trauma’s impact on my maternal generations and illustrate the feminist shift from the 20th century patriarchal institution of motherhood that creates mot

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Abakoka, Loreta. "Salīdzinājumu tulkojuma kvalitāte Noras Ikstenas „Soviet Milk” un „Молоко матери”". Scriptus Manet: humanitāro un mākslas zinātņu žurnāls = Scriptus Manet: Journal of Humanities and Arts, № 12 (21 грудня 2020): 79–88. http://dx.doi.org/10.37384/sm.2020.12.079.

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Nora Ikstena’s “Mātes piens” (Mother’s Milk; published in English as Soviet Milk) is one of the novels in the book series “MĒS. Latvija, XX gadsimts” (We. Latvia. The 20th Century). It describes the difficulties that can arise in the mother-daughter relationship, describes the Soviet time’s environment and its impact on everyday life. The historical novel “Mātes piens” has been published in 25 countries, which means that this novel has been translated into many different cultures, which are less familiar with the mentality of the Latvian people and the USSR times in Latvia. Therefore, it is cr

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Dr., A. Vignesh Kumar, and S. Sabeetha R. "BAMA'S SANGATI AS A UNIQUE DALIT FEMINIST NARRATION FROM SUBJUGATION TO CELEBRATION." International Journal of Interdisciplinary Research in Arts and Humanities 2, no. 1 (2017): 92–96. https://doi.org/10.5281/zenodo.345673.

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<em>“Oppression, ruled and still being ruled by patriarchy, government, </em> <em> caste and religion, Dalit women are forced to break all the strictures of the society </em> <em> in order to live”</em> (Preface, <em>Sangati</em>) India is one of the fastest growing countries in the world; yet it is notorious for its rigid caste system. The earliest records of Indian civilization are preserved in Aryan scriptures or what is today known as Hindu Scriptures. The early Indian society was constructed around Varnasrama Dharma, a labour based division of castes in India that inevitably brought racia

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Nenadović, Ana. "At the kitchen table with my ancestors." Feminist Theory, April 13, 2025. https://doi.org/10.1177/14647001251326448.

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This short personal essay focuses on the possibility of passing feminist thought and action from one generation to another within a family. Inspired by Carrie Mae Weems’ Kitchen Table Series , I imagine a roundtable with my matrilineal ancestors. I examine the question of what constitutes feminisms and whether my mother, grandmother and great-grandmother considered themselves feminists in a place where it is not always easy to be a feminist: former Yugoslavia and its diaspora. I argue that the stories about my ancestors that I heard growing up made me a feminist and, alongside my readings and

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8

Tan, Maria. "Sakura’s Cherry Blossoms by R. Weston." Deakin Review of Children's Literature 7, no. 3 (2018). http://dx.doi.org/10.20361/g22h4z.

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Weston, Robert Paul. Illus. Misa Saburi. Sakura’s Cherry Blossoms. Tundra Books, 2018.Sakura, a little girl whose name means “cherry blossom”, shares picnics and stories with her grandmother under the cherry blossom tree near their home in Japan. When Sakura and her mother and father immigrate to North America while her grandmother remains in Japan, the little girl deals with the challenges of adjusting to life in a new country and grieving when her grandmother dies. As the seasons change and spring returns, Sakura comes to understand her grandmother’s wisdom about the importance of friendship

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Desmarais, Robert. "Let's Celebrate READ IN Week!" Deakin Review of Children's Literature 6, no. 2 (2016). http://dx.doi.org/10.20361/g2rw3k.

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Dear Readers,We are delighted that this special issue includes book reviews from preschool to junior high readers!We would like to acknowledge Michelle St. Jean, Steven Campbell, Natalie Burns—the grade six and eight teachers from Ben Calf Robe - St. Clare Elementary/Junior High School—whose students completed the reviews as part of their class work. Assistant Principal Sonia Mangieri was our contact at the school who coordinated with the teachers to help make the vision of an issue entirely devoted to student reviews a reality. We would also like to thank Principal Rena Methuen for her school

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Quirk, Linda. "Una Huna?: What Is This? by S. Aglukark." Deakin Review of Children's Literature 8, no. 3 (2019). http://dx.doi.org/10.20361/dr29423.

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Aglukark, Susan. Una Huna?: What Is This? Illustrated by Amanda Sandland and Danny Christopher, Inhabit Media, 2018.  Juno-award-winning Inuk singer-songwriter Susan Aglukark has had tremendous success blending languages (Inuktitut and English) to tell the stories of her people through popular music. She has now published the first in a planned series of six picture books intended for both Inuit and non-Inuit readers, a series that celebrates the resilience of the Inuit people. The series focuses on a period of tremendous change, beginning late in the nineteenth century, when more and mo

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Rulyova, Natasha, and Hamid Ismailov. "Breaking the Monolith of Russian-Language Culture." Journal of Literary Multilingualism, February 14, 2025, 1–12. https://doi.org/10.1163/2667324x-2025xx01.

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Abstract Hamid Ismailov is a prolific multilingual author, having written articles, stories, books of poetry and many novels in Russian, Uzbek, and English. He translated Uzbek classics into Russian, and Western and Russian literature into Uzbek. He also worked from Farsi into Russian. He was born into an Uzbek family in Tokmok, Kyrgyzstan, in 1954. He was educated in a Soviet secondary school and then military college. As a child, he read classical poetry and One Thousand and One Nights to his grandmother, who brought him up from the age of twelve. As an adult, Ismailov lived in Tashkent and

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Oliphant, Tami. "Before We Go by A. Bright." Deakin Review of Children's Literature 3, no. 1 (2013). http://dx.doi.org/10.20361/g2xg7h.

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Bright, Amy. Before We Go. Red Deer: Red Deer Press, 2012. Print. Before We Go is the bright debut of young adult novelist, Amy Bright. There is much to admire about this novel such as the quality of writing, the well-developed characters, and a carefully orchestrated plot. Bright’s story is set in Victoria, British Columbia and begins on New Year's Eve with 17-year-old Emily visiting her dying grandmother in hospital. Her grandmother’s imminent death is particularly poignant for Emily as she was raised by her grandparents when years before, Emily’s mother opted to pursue a career as a journal

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13

McDonald, Donna, and Liz Ferrier. "A Deaf Knowingness." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.272.

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Introduction: How Do We Learn What We Know? “Deaf.” How do we learn what we know about being deaf and about deafness? What’s the difference between “being deaf” and “deafness” as a particular kind of (non) hearing? Which would you rather be, deaf or blind: children commonly ask this question as they make their early forays into imagining the lives of people different from them. Hearing people cannot know what it is like to be deaf, just as deaf people cannot know what it is like to hear ... or can they? Finally, how can we tell fresh and authentic stories of “being deaf” and the state of “deaf

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Ryan, John C., Danielle Brady, and Christopher Kueh. "Where Fanny Balbuk Walked: Re-imagining Perth’s Wetlands." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1038.

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Special Care Notice This article contains images of deceased people that might cause sadness or distress to Aboriginal and Torres Strait Islander readers. Introduction Like many cities, Perth was founded on wetlands that have been integral to its history and culture (Seddon 226–32). However, in order to promote a settlement agenda, early mapmakers sought to erase the city’s wetlands from cartographic depictions (Giblett, Cities). Since the colonial era, inner-Perth’s swamps and lakes have been drained, filled, significantly reduced in size, or otherwise reclaimed for urban expansion (Bekle). N

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15

Gallegos, Danielle, and Felicity Newman. "What about the Women?" M/C Journal 2, no. 7 (1999). http://dx.doi.org/10.5204/mcj.1798.

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Contemporary culinary discourse in Australia has been dominated by the notion that migration and the increased mobility of Australians is responsible for filling a culinary void, as though, because we have had no peasantry we have no affinity with either the land or its produce. This argument serves to alienate Australians of British descent and its validity is open to questioning. It's an argument in urgent need of debate because cuisine stands out as the signifier of a 'multicultural' nation. Despite all the political posturing, food has 'long been the acceptable face of multiculturalism' (G

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Haller, Beth. "Switched at Birth: A Game Changer for All Audiences." M/C Journal 20, no. 3 (2017). http://dx.doi.org/10.5204/mcj.1266.

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The American Broadcasting Company (ABC) Family Network show Switched at Birth tells two stories—one which follows the unique plot of the show, and one about the new openness of television executives toward integrating more people with a variety of visible and invisible physical embodiments, such as hearing loss, into television content. It first aired in 2011 and in 2017 aired its fifth and final season.The show focuses on two teen girls in Kansas City who find out they were switched due to a hospital error on the day of their birth and who grew up with parents who were not biologically relate

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17

Campbell, Sian Petronella. "On the Record: Time and The Self as Data in Contemporary Autofiction." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1604.

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In January of this year, artist Christian Marclay’s 24-hour video installation The Clock came to Melbourne. As Ben Lerner explains in 10:04, the autofictional novel Lerner published in 2014, The Clock by Christian Marclay “is a clock: it is a twenty-four hour montage of thousands of scenes from movies and a few from TV edited together so as to be shown in real time; each scene indicates the time with a shot of a timepiece or its mention in dialogue, time in and outside of the film is synchronized” (52). I went to see The Clock at ACMI several times, with friends and alone, in the early morning

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18

Lawson, Jenny. "Food Confessions: Disclosing the Self through the Performance of Food." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.199.

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At the end of the episode “Crowd Pleasers,” from her television series Nigella Feasts, we see British food writer and television cook Nigella Lawson in her nightgown opening her fridge in the dark. The fridge light reveals the remnant dishes of chili con carne that she prepared earlier on in the programme. She scoops up a dollop of soured cream and chili onto a spoon and shovels it into her mouth, nods approvingly and then picks up the entire chili dish. She eats another mouthful, utters a satisfied “umm” sound, closes the fridge door and walks away, taking the dish of chili with her. This rec

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Dernikos, Bessie P., and Cathlin Goulding. "Teacher Evaluations: Corporeal Matters and Un/Wanted Affects." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1064.

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Introduction: Shock WavesAs I carefully unfold the delicate piece of crisp white paper, three rogue words wildly jump up off the page before sinking deeply into my skin: “Cold and condescending.” A charge of anger surges up my spine, as these words begin to now expand and affectively resonate: “I found the instructor to be cold and condescending.” Somehow, these words impact me both emotionally and physiologically (Brennan 3): my heart beats faster, my body temperature rises, my stomach aches. Yet, despite how awful I feel, I keep on reading, as if compelled by some inexplicable force. It is n

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Brien, Donna Lee. "“Porky Times”: A Brief Gastrobiography of New York’s The Spotted Pig." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.290.

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Introduction With a deluge of mouthwatering pre-publicity, the opening of The Spotted Pig, the USA’s first self-identified British-styled gastropub, in Manhattan in February 2004 was much anticipated. The late Australian chef, food writer and restauranteur Mietta O’Donnell has noted how “taking over a building or business which has a long established reputation can be a mixed blessing” because of the way that memories “can enrich the experience of being in a place or they can just make people nostalgic”. Bistro Le Zoo, the previous eatery on the site, had been very popular when it opened almos

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Brien, Donna Lee. "Fat in Contemporary Autobiographical Writing and Publishing." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.965.

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At a time when almost every human transgression, illness, profession and other personal aspect of life has been chronicled in autobiographical writing (Rak)—in 1998 Zinsser called ours “the age of memoir” (3)—writing about fat is one of the most recent subjects to be addressed in this way. This article surveys a range of contemporary autobiographical texts that are titled with, or revolve around, that powerful and most evocative word, “fat”. Following a number of cultural studies of fat in society (Critser; Gilman, Fat Boys; Fat: A Cultural History; Stearns), this discussion views fat in socio

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Kincheloe, Pamela. "Do Androids Dream of Electric Speech? The Construction of Cochlear Implant Identity on American Television and the “New Deaf Cyborg”." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.254.

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Cyborgs already walk among us. (“Cures to Come” 76) This essay was begun as a reaction to a Hallmark Hall of Fame television movie called Sweet Nothing in My Ear (2008), which follows the lives of two parents, Dan, who is hearing (played by Jeff Daniels), and Laura, who is deaf (Marlee Matlin), as they struggle to make a decision about whether or not to give their 11-year-old son, Adam (late-deafened), a cochlear implant. Dan and Laura represent different perspectives, hearing and deaf perspectives. The film dramatizes the parents’ conflict and negotiation, exposing audiences to both sides of

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Juckes, Daniel. "Walking as Practice and Prose as Path Making: How Life Writing and Journey Can Intersect." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1455.

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Through my last lengthy writing project, it did not take long to I realise I had become obsessed with paths. The proof of it was there in my notebooks, and, most prominently, in the backlog of photographs cluttering the inner workings of my mobile phone. Most of the photographs I took had a couple of things in common: first, the astonishing greenness of the world they were describing; second, the way a road or path or corridor or pavement or trail led off into distance. The greenness was because I was in England, in summer, and mostly in a part of the country where green seems at times the onl

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Brien, Donna Lee. "“Concern and sympathy in a pyrex bowl”: Cookbooks and Funeral Foods." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.655.

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Introduction Special occasion cookery has been a staple of the cookbook writing in the English speaking Western world for decades. This includes providing catering for personal milestones as well as religious and secular festivals. Yet, in an era when the culinary publishing sector is undergoing considerable expansion and market segmentation, narratives of foods marking of one of life’s central and inescapable rites—death—are extremely rare. This discussion investigates examples of food writing related to death and funeral rites in contemporary cookbooks. Funeral feasts held in honour of the d

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Trofimova, Evija, and Sophie Nicholls. "On Walking and Thinking: Two Walks across the Page." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1450.

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IntroductionTwo writers, stuck in our university offices, decide to take our thoughts “for a walk” across the page. Writing from Middlesbrough, United Kingdom, and Auckland, New Zealand, we are separated by 18,000 kilometres and 11 hours, and yet here, on the page, our paths meet. How does walking, imaginary or real, affect our thinking? How do the environments through which we move, and the things we see along the way, influence our writing? What role do rhythm and pace play in the process? We invite you to join us on two short walks that reflect on our shared challenges as writers from two d

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