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Relevant bibliographies by topics / Graphic artistic image / Books

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Books on the topic 'Graphic artistic image'

Author: Grafiati

Published: 28 May 2022

Last updated: 30 July 2025

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1

Martínez, Manuel Fernando Mancera. ADyC: Arte, diseño y comunicación 2018. Editorial Universidad de Sevilla, 2018.

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2

Jankevičiūtė, Giedrė. The image of Lithuania in the graphic arts: From the 1920s to the 1930s. Frankfurt Organisation Committee, 2000.

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3

Ramos, Mel. Mel Ramos: Pop art images. Benedikt Taschen, 1994.

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4

Anne, Powers, ed. Cinema 4D: The artist's project sourcebook. 3rd ed. Focal Press, 2011.

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5

Gulbins, Juergen. Fine art printing for photographers: Exhibition quality prints with inkjet printers. Edited by Jimi DeRouen. Rocky Nook, 2007.

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6

Jürgen, Gulbins, ed. Fine art printing for photographers: Exhibition quality prints with inkjet printers. 2nd ed. Rocky Nook, 2008.

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7

Picasso, Pablo. Picasso: The development and transformation of an image : stage and progressive proofs, editionedlithographs and variations 1945-49 : 9 September-25 October 1986, Waddington Graphics, London. Waddington Graphics, 1986.

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8

Hemisphere, Right, ed. Digital visions: The official Deep Paint Digital Artist guide with images and software for you to learn creative digital painting. Premier Press, 2002.

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9

Riva, Castleman, Wittrock Wolfgang 1947-, and Museum of Modern Art (New York, N.Y.), eds. Henri de Toulouse-Lautrec: Images of the 1890's. Museum of Modern Art, 1985.

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10

1963-, Davis Phyllis, ed. The Photoshop darkroom 2: Creative digital transformations. Focal Press, 2011.

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11

Picasso, Pablo. Picasso: The development and transformation of an image : stage and progressive proofs, editioned lithographs and variations 1945-49. Waddington Graphics, 1986.

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12

Hullfish, Steve. The art and technique of digital color correction. Elsevier, 2008.

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13

Look Inside: Cutaway Illustrations and Visual Storytelling. Die Gestalten Verlag, 2016.

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14

Wartenberg, Thomas E. Thoughtful Images. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197650547.001.0001.

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Abstract Thoughtful Images: Illustrating Philosophy Through Art is the first systematic investigation of how artists throughout the ages have illustrated philosophical texts, ideas, concepts, and theories. The book begins by developing a theory of visual illustrations of philosophical texts and undermining what the author calls “the denigration of illustration.” It then takes a more historical approach, beginning in Ancient Greece and Rome and proceeding through medieval illuminations and printed broadsides to the frontispieces of philosophical texts. Throughout, attention is paid to how techn

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15

Image and VideoBased Artistic Stylisation Computational Imaging and Vision. Springer, 2012.

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16

Coates, Andrew T. The Bible and Graphic Novels and Comic Books. Edited by Paul C. Gutjahr. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190258849.013.30.

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“The Bible and Graphic Novels and Comic Books” argues that Protestants used images for a surprising range of religious purposes in their twentieth-century comic book Bibles. The chapter provides a brief theoretical overview of the medium of sequential art and the relationship between words and images in Protestant comic book Bibles. It also examines the history of Protestant comic book Bible production from the 1930s to the 2010s. The chapter argues that changing artistic styles in comic books reveal changing religious and cultural sensibilities in twentieth-century American Protestantism. The

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17

Rohman, Carrie. Strange Prosthetics: Rachel Rosenthal’s Rats and Rings. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190604400.003.0005.

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Rosenthal’s book, Tatti Wattles: A Love Story, reveals her aesthetic practice itself to be animated by the discourse of species. The drawings in this text, especially, suggest that Rosenthal’s self-identification as an artist is mediated by animality. The images also efface the human yet “en-face” the rat, de-emphasizing human power and privilege. These images are also marked by Rosenthal’s “auto-graphy” as a mover or dancer, by an alimentary tropology highlighting the body, by the concept of mediation, and by the taming of human exceptionalism. The argument follows that all of these elements

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18

McLaughlin, Jeff, ed. Graphic Novels as Philosophy. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496813275.001.0001.

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In a follow-up to Comics as Philosophy, this book addresses two questions: which philosophical insights, concepts, and tools can shed light on the graphic novel? And how can the graphic novel cast light on the concerns of philosophy? Each chapter ponders a well-known graphic novel to illuminate ways in which philosophy can untangle particular combinations of image and written word for deeper understanding. The chapters examine notable graphic novels within the framework posited by these two questions. One chapter discusses how a philosopher discovered that the panels in Jeff Lemire's Essex Cou

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19

Sutton, Jeremy. Painter 11 Creativity: Digital Artist's Handbook. Taylor & Francis Group, 2013.

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20

Sutton, Jeremy. Painter 11 Creativity: Digital Artist's Handbook. Taylor & Francis Group, 2013.

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21

Sutton, Jeremy. Painter 11 Creativity: Digital Artist's Handbook. Taylor & Francis Group, 2018.

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22

Sutton, Jeremy. Painter 11 Creativity: Digital Artist's Handbook. Taylor & Francis Group, 2013.

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23

Lenig, Stuart. Many Lives of Andy Warhol. Rowman & Littlefield, 2021. https://doi.org/10.5040/9798881828066.

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The Many Lives of Andy Warhol is more than a biography: it’s a look into Warhol’s greatest creation: himself. Warhol was known as the king of pop art, but the famous artist was secretly never satisfied with a single style and his journey took him from graphic designs of shoes, women’s fashions and glamour magazines to owning and publishing his own film and gossip magazine, Interview. Stuart Lenig takes us behind the scenes to explore Warhol’s many innovations in the art world. Warhol was a titanic technician, making art from new techniques. His designs for Glamour and Vogue used a innovative b

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24

Painter 11 Creativity: Digital Artist's Handbook. Focal Press, 2009.

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25

Doran, Fionnuala. Why Can't a Woman be More Like a Man. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450399.

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This practice-based output is comprised of two original comic illustration works, created in the style of graphic novels: Why Can’t a Woman be More Like a Man (2018) and Granny Alice in Slumberland (2018). Doran created the works during her invited participation in a 10-day international artist residency at the European School of Image, Angouleme, France. The residency was part of Wom@rts, a €1.6M European Union Creative Europe Programme. Participating artists were invited to respond to Simone de Beauvoir’s The Second Sex, on the 70th anniversary of its publication. Why Can’t a Woman be More L

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26

Powers, Anne, and Kent McQuilkin. Cinema 4d: The Artist's Project Sourcebook. Taylor & Francis Group, 2012.

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27

Powers, Anne, and Kent McQuilkin. Cinema 4d: The Artist's Project Sourcebook. Taylor & Francis Group, 2012.

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28

McQuilkin, Kent. Cinema 4D: The Artist's Project Sourcebook. Taylor & Francis Group, 2017.

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29

Designers' identities. Laurence King Pub., 2010.

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30

Cuthbert, Michael Scott. Difference, Disability, and Composition in the Late Middle Ages. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.27.

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Francesco da Firenze (often called Landini) and Antonio da Teramo were two of the most important Italian composers of the late fourteenth centuries. Though both reached the pinnacles of fame, contemporary descriptions and pictorial images of both composers highlight aspects of disability. Francesco “il Cieco” was blind, and Antonio “Zachara” was short of stature, wore his arm in a sling, and had only two or three fingers on each hand. Chronicles of their lives contain a narrative of compensation with respect to Francesco and an overcoming of disability for Antonio, who was scribe to the pope.

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31

Olphert, Derek. Digital Visions: The Official Deep Paint Digital Artist Guide (Miscellaneous). Muska & Lipman/Premier-Trade, 2002.

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32

O'Keefe, Linda. Hybrid Soundscapes. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450306.

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Hybrid Soundscapes is a multi-component body of outputs investigating acoustic ecology. It is comprised of sound installation, an album, participatory community engagement activities and peer-reviewed publications.The output was the outcome of three years of practice-led research into the impact of renewable energy technology on rural and natural landscapes. O Keeffe investigated four sites where new types of renewable energies have had an impact on natural landscapes: the southern region of Iceland, the Northern Terra Alta region of Spain, Barrow-in-Furness in the UK and Beijing, China. The r

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33

Steinmueller, Uwe, and Juergen Gulbins. Fine Art Printing for Photographers: Exhibition Quality Prints with Inkjet Printers. Rocky Nook, 2006.

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34

Fraunhar, Alison. Mulata Nation. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496814432.001.0001.

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Mulata Nation traces the figure of the mulata, the woman of mixed racial heritage in Cuban artwork and performance from the colonial era through the modern to the contemporary. While perhaps most widely linked with sensuality and sexual desirability, the mulata also serves as the embodiment of Cuba’s spirituality, and as emblematic of Cuban identity. Through close readings of representations of the mulata in fine and graphic art, mulata performers and the performance of mulata characters at distinct historical and ideological moments, the book claims that far from being a static, flat figure,

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35

Donnelley, Robert G., Candace S. Greene, and Janet Catherine Berlo. Transforming Images: The Art of Silver Horn and His Successors. Smart Museum Of Art, The University Of C, 2001.

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36

Wittrock, Wlofgang, and Riva Castleman. Henri De Toulouse Lautrec: Images of the 1890's. Museum of Modern Art, 1991.

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37

Dinur, Eran. Complete Guide to Photorealism for Visual Effects, Visualization and Games. Taylor & Francis Group, 2021.

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38

The Complete Guide to Photorealism for Visual Effects, Visualization and Games. Routledge, 2021.

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39

Dinur, Eran. The Complete Guide to Photorealism for Visual Effects, Visualization and Games. Routledge, 2021.

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40

Dinur, Eran. Complete Guide to Photorealism for Visual Effects, Visualization and Games. Taylor & Francis Group, 2021.

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41

Dinur, Eran. Complete Guide to Photorealism for Visual Effects, Visualization and Games. Taylor & Francis Group, 2021.

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42

Hullfish, Steve. Art and Technique of Digital Color Correction. Taylor & Francis Group, 2013.

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43

Hullfish, Steve. Art and Technique of Digital Color Correction. Taylor & Francis Group, 2013.

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44

Hullfish, Steve. Art and Technique of Digital Color Correction. Taylor & Francis Group, 2018.

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45

Hullfish, Steve. Art and Technique of Digital Color Correction. Taylor & Francis Group, 2012.

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46

Hullfish, Steve. Art and Technique of Digital Color Correction. Taylor & Francis Group, 2013.

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47

Hullfish, Steve. Art and Technique of Digital Color Correction. Elsevier Science & Technology Books, 2013.

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48

Hullfish, Steve. Art and Technique of Digital Color Correction. Taylor & Francis Group, 2013.

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49

Hullfish, Steve. Art and Technique of Digital Color Correction. Taylor & Francis Group, 2008.

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50

Hullfish, Steve. Art and Technique of Digital Color Correction. Taylor & Francis Group, 2013.

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