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Journal articles on the topic 'Graphic artistic image'

Author: Grafiati

Published: 28 May 2022

Last updated: 30 July 2025

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1

Duan, Ai Ling, and Qiong Bo Duan. "Fractal Artistic Algorithm Structure and Image Production." Key Engineering Materials 474-476 (April 2011): 586–91. http://dx.doi.org/10.4028/www.scientific.net/kem.474-476.586.

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The fractal art graphic is one of the main manifestations of fractal art, which can be produced through mathematical models and programming on a computer. The paper investigates the designing concept of fractal art based on its self similarity and the iterative method, elaborates in detail the algorithms and steps of several kind of typical fractal graphics, and by properly inserting some controlling variables, has generated a large number of exquisite and inspiring fractal graphics using the JAVA programming language, confirming the validity and usability of presented algorithm’s.

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2

Horichko, Yaryna. "Sacralisation of the female image during wartime in Ukraine and its reflection in graphic artworks." Art and Design, no. 1 (May 20, 2025): 23–44. https://doi.org/10.30857/2617-0272.2025.1.2.

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The purpose of the study was to analyse artistic strategies and visual mechanisms involved in the sacralisation of the female image in Ukrainian wartime graphics, particularly in posters, engravings, and illustrations from the periods of the world wars and contemporary armed conflicts. The study explored artistic techniques, symbolism, and iconographic traditions that shaped the sacral representation of women in war-related art. The methodological approach was based on a systematic analysis of artistic methods, compositional solutions, colour strategies, and stylistic features of the works exa

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3

Eralin, K. "Artistic Dimension of the Image of Abay in the Visual Arts." Turkology 6, no. 104 (2020): 136–49. http://dx.doi.org/10.47526/2020/2664-3162.024.

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The article defines the concept of "image", "artistic image", "portrait", "artistic dimension" in visual art. It indicates the artistic activity of masters of graphics, painting, sculpture, applied art to create an artistic image of the great poet of the Kazakh people. The author concretizes the units of artistic measurement of the image of the poet of the great steppe in the visual arts in the dimension: idea, composition, color, and technique of execution. The methods of artistic measurement in the works of graphic artist Abilkhan Kasteev, Yevgeny Sidorkin, painter Nagimbek Nurmukhammedov, a

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Eralin, K. "Artistic Dimension of the Image of Abay in the Visual Arts." Turkology 6, no. 104 (2020): 136–49. http://dx.doi.org/10.47526/2020/2664-3162.024.

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The article defines the concept of "image", "artistic image", "portrait", "artistic dimension" in visual art. It indicates the artistic activity of masters of graphics, painting, sculpture, applied art to create an artistic image of the great poet of the Kazakh people. The author concretizes the units of artistic measurement of the image of the poet of the great steppe in the visual arts in the dimension: idea, composition, color, and technique of execution. The methods of artistic measurement in the works of graphic artist Abilkhan Kasteev, Yevgeny Sidorkin, painter Nagimbek Nurmukhammedov, a

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5

Udris, Iryna, and Natalia Udris-Borodavko. "Evolution of Artistic Styles of Commercial Advertising Posters in the Context of the History of Graphic Design." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 230–39. https://doi.org/10.31866/2410-1176.42.2020.207661.

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The purpose of the article is to understand the synthesis and cautious term system of specific artistic features of an advertising poster at every stage of the stylistic evolution for the effective practice of modern graphic designers in creating a variety of advertising images by stylisation. The research methodology is based on the use of systematic art review, stylistic, and comparative analysis of artistic advertising products of the 1870s‑2010s to determine the evolution of artistic styles of commercial advertising posters. The scientific novelty of the study is to conduct a comprehensive

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Jittawiriyanukoon, Chanintorn, and Vilasinee Srisarkun. "Evaluation of graphic effects embedded image compression." International Journal of Electrical and Computer Engineering (IJECE) 10, no. 6 (2020): 6606. http://dx.doi.org/10.11591/ijece.v10i6.pp6606-6617.

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A fundamental factor of digital image compression is the conversion processes. The intention of this process is to understand the shape of an image and to modify the digital image to a grayscale configuration where the encoding of the compression technique is operational. This article focuses on an investigation of compression algorithms for images with artistic effects. A key component in image compression is how to effectively preserve the original quality of images. Image compression is to condense by lessening the redundant data of images in order that they are transformed cost-effectively

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Chanintorn, Jittawiriyanukoon, and Srisarkun Vilasinee. "Evaluation of graphic effects embedded image compression." International Journal of Electrical and Computer Engineering (IJECE) 10, no. 6 (2020): 6606–17. https://doi.org/10.11591/ijece.v10i6.pp6606-6617.

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A fundamental factor of digital image compression is the conversion processes. The intention of this process is to understand the shape of an image and to modify the digital image to a grayscale configuration where the encoding of the compression technique is operational. This article focuses on an investigation of compression algorithms for images with artistic effects. A key component in image compression is how to effectively preserve the original quality of images. Image compression is to condense by lessening the redundant data of images in order that they are transformed cost-effectively

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8

Кротевич, О. В. "ЗНАЧЕННЯ ГРАФІЧНИХ ОБРАЗІВ В ТРАДИЦІЙНОМУ ЯПОНСЬКОМУ ХУДОЖНЬОМУ ТАТУЮВАННІ". Art and Design, № 2 (24 вересня 2019): 97–102. http://dx.doi.org/10.30857/2617-0272.2019.2.9.

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Purpose. Consider, reveal, what value graphic images occupy in traditional modern Japanese artistic tattoo. The methodology of this study is to apply general scientific methods of comparative historical and image-stylistic analysis. Considered, analyzed and identified the main graphic images that affect the formation and preservation of traditional Japanese artistic tattoos. These are images: groups of flora (sakura flower or chrysanthemums, maple leaf), groups of fauna (dragon, tiger, carp) and national, heroic, mythological and religious images (samurai, demons and gods). These are the featu

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Kleymenova, O. K. "“National heartbeat” of the Artist V.V. Arkhipov." Vestnik VGIK 16, no. 4(62) (2024): 6–17. https://doi.org/10.69975/2074-0832-2024-62-4-6-17.

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The article studies the work of the Honored Artist of the Russian Federation V.V. Arkhipov, which spans across various aspects of artistic activity — from film production design to easel paintings and graphic series. The author analyses the design features of sketches for films, set in different historical periods from the era of Ancient Rus' to the present day. Attention is drawn to the artist's ability to not only reproduce the attributes of a particular period, but also to feel the spirit of the time that shapes the events of the characters' lives, as well as to find the appropriate media t

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10

Shevchenko, Liudmyla, and Natalia Novoselchuk. "METHODS OF URBAN ENVIRONMENT DESIGN BY ART AND GRAPHIC MEANS." Urban development and spatial planning, no. 78 (October 29, 2021): 558–69. http://dx.doi.org/10.32347/2076-815x.2021.78.558-569.

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The article is devoted to the methods of urban environment design of the XXI centuries by artistic and graphic means. The process of their inclusion in the urban environment was gradual. It began with painting, graphics, sculpture, arts and crafts and monumental arts. A new wave of artistic and graphic means in the urban environment began to develop intensively in the late nineteenth - early twentieth century. It was due to social and cultural processes in specific cities and countries. The use of various techniques in design began to be introduced from this period. In particular, such as: rea

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Zhou, Yao. "The Application Research of Visual Touch Based on Computer Vision in Artistic Visual Image Design." Wireless Communications and Mobile Computing 2022 (April 21, 2022): 1–14. http://dx.doi.org/10.1155/2022/5710776.

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As a branch of artistic design, artistic visual image design focuses on the visual image, because the scope of artistic visual image design is relatively wide. This research takes ice flower as the research object. After a brief introduction to computer vision and visual touch, it focuses on the current situation of the application of ice flower graphics, the creative graphic design of dew ice flower, the artificial production method of ice flower painting, the method of subject research, the repetition and arrangement of elements, and the type of gradients for ice drawing graphic elements. In

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L., Luffina, and J. Amalaveenus. "Repression of Obsessive-Compulsive Disorder Through Graphic Narrative in Ian William’s The Bad Doctor (2014)." World Journal of English Language 15, no. 4 (2025): 20. https://doi.org/10.5430/wjel.v15n4p20.

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Comics is a sequential art that appeals to a diversified audience, a medium of reflection on culture, society, and history. Graphic literature is a discourse of dynamic interaction of graphics in literature, including literary comics, graphic novels, sequential art, juxtaposed images, and other dimensions of visual and printed images. A Graphic novel is the collaborative medium of the interaction of word and image, visual and verbal imagery to create numerous meanings and multiple interpretations. The term Graphic medicine was coined by Ian Williams who is a doctor, comic artist, and writer; H

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Somova, Svetlana Vladimirovna. "Artistic practices of Leo Bakst in the field of magazine graphics of the «World of Art»." Vestnik of Saint Petersburg State University of Culture, no. 4 (53) (December 2022): 157–62. http://dx.doi.org/10.30725/2619-0303-2022-4-157-162.

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The work of Leo Bakst-graphic artist relates to the aesthetic position of the magazine «World of Art»: the search and free expression of «pure beauty» in the individual style of the artist. The master’s magazine graphics in all its forms – screensavers, endings, stamp, cover, title pages and frontispiece, combining elements of ancient, Asian and Christian art, are mainly plot-based; illustrating the accompanying text, Bakst designs the magazine page as a strictly perfect work of «pure art». In a single plotless screensaver, the space of the sheet is formed decoratively by the play of a thin an

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ROCACIUC, Victoria. "Historiographical landmarks in the axiology of the art of Moldovan book graphics of the period of 1945—2010s." Arta 31, no. 1 (2022): 107–14. http://dx.doi.org/10.52603/arta.2022.31-1.15.

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Until now, the values of the Moldavian book graphics of the period of 1945—2010s have been little studied, the criteria for their analysis and evaluation have not been established, and methodological approaches in this area were incomplete and fragmented. We consider it necessary to recall the essence and relationship of some theoretical concepts related to the „artistic image”, „artistic value” and „aesthetic value”, as well as the concepts of „narrative” and „symbol” in the context of an axiological analysis of national book graphics. This investigation will allow us to study the features an

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Brițchi, Aliona. "The Role of Fine Arts Activity in the Development of Artistic Thinking of Schoolchildren." Review of Artistic Education 22, no. 1 (2021): 186–89. http://dx.doi.org/10.2478/rae-2021-0023.

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Abstract This article deals with the development of artistic and imaginative thinking, imagination and the creation of an artistic image in fine arts lessons using a graphic image. An example of a lesson for elementary school students on creating a mysterious tree image is given, which will help the teacher develop the ability of his students to see and creatively realize their ideas.

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Galimova, Nailya Vagizovna. "Family tamga as a sociocultural graphic symbol." Культура и искусство, no. 4 (April 2021): 66–73. http://dx.doi.org/10.7256/2454-0625.2021.4.35564.

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This article explores the problems of the poorly studied sociocultural practices of spiritual-educational fund of ethnic cultures, among which of particular importance is the study of historical and aesthetic specificity of graphic symbolism. The author reviews the ideographic image of the family symbol of ownership &ldquo;tamga&rdquo; from the perspective of mutual influence of ethnocultural practices of different people that manifests through the system of symbols. Analysis is conducted on the interaction of ethnic graphic symbols in the evolutionary processes of sociocultural activi

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Mel’nyk, Oksa, and Julija Shtets. "Artistic and compositional features of G. Narbut’s book graphics and possibilities of their interpretation in modern graphic design." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 104–8. http://dx.doi.org/10.32461/2226-0285.1.2021.238595.

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The purpose of the article is to generalize and systematize the graphic and compositional parameters of G. Narbut's book graphics and to find ways of their interpretation in modern graphic design. The methodology of the research is represented by general scientific and special methods. Analysis, synthesis, comparative, systemic, and empirical methods have become basic in the study of literature and empirical material. Comparative, compositional, visual-graphic, and descriptive methods were used to identify the figurative and semantic characteristics of G. Narbut's graphic works and their influ

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18

Yakimovich, Alexander K. "Preliminary Results of the Flight. Maria Burganova’s Art." Scientific and analytical journal Burganov House. The space of culture 18, no. 6 (2022): 82–94. http://dx.doi.org/10.36340/2071-6818-2022-18-6-82-94.

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The article is devoted to the work of Maria Burganova, a sculptor, graphic artist, theorist of fine arts. Considering her sculptural compositions, created over a quarter of a century, the author explores the evolution of artistic images, focuses on the peculiarities of the artist's shaping, noting a new understanding of immateriality despite the massiveness of sculptural works and the laws of gravity. External laconicism and clarity of form are paradoxically combined with a wide range of tense internal states in her works. The search for an actual artistic image and its new plastic expression,

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19

Jones, Stephen. "Synthetics: A History of the Electronically Generated Image in Australia." Leonardo 36, no. 3 (2003): 187–95. http://dx.doi.org/10.1162/002409403321921389.

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This paper takes a brief look at the early years of computer-graphic and video-synthesizer–driven image production in Australia. It begins with the first (known) Australian data visualization, in 1957, and proceeds through the compositing of computer graphics and video effects in the music videos of the late 1980s. The author surveys the types of work produced by workers on the computer graphics and video synthesis systems of the early period and draws out some indications of the influences and interactions among artists and engineers and the technical systems they had available, which guided

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20

Rankine, Patrice. "Classics by Design: H of H Playbook and The Trojan Women: A Comic in Art and Commerce." Classical Antiquity 42, no. 2 (2023): 263–70. http://dx.doi.org/10.1525/ca.2023.42.2.263.

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This essay investigates the linguistic, artistic, and typographical dimensions of Anne Carson’s H of H Playbook and Trojan Women by Euripides: A Comedy. I argue that graphic design and design-thinking principles provide a useful and unexplored theoretical framework for deciphering these books, given the often-complex relationship in them between image and words, and sometimes even words presented in different typeface and handwriting. Carson worked in graphic design for a time, and as a poet, words – and metaphor, specifically – are her primary design tool. Language works in tandem with image

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He, Xi Zhong, Yu Zhang, and Li Ping Xie. "A Preliminary Study on Artistic Transcending of Printing Dots." Applied Mechanics and Materials 262 (December 2012): 247–52. http://dx.doi.org/10.4028/www.scientific.net/amm.262.247.

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This article discusses diversifying graphic design elements based on existing print reproduction principles and technology. The authors studied color processing techniques derived from print reproduction principles and assorted image elements derived from restrains in printing technology. The authors also discussed disassembling and restoring procedures during image transformation and reproduction to explain and explore the different styles and compositions of art forms that carry profound information. The visual impact coming from pixel’s form, arrangement, color, direction, and other factors

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Anupam, Reza Asad Al Huda. "Areas of Application in Graphic Design: Emphasis on Logo Design and Brand Identity." Graphic Design Journal 01, no. 01 (2022): 22–52. https://doi.org/10.63771/gdj0201.002.

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The impact of graphic design on the social, economic, cultural, political, and practical aspects of today's world is undeniable. Graphic design plays a crucial role in the promotion and artistic presentation of any service. It visually represents daily material elements and services that meet people's basic needs through specific design processes. Graphic design seamlessly integrates into all aspects of daily life. Notably, 'logo design' and 'brand identity' are two key areas of modern graphic design practice. These topics have been chosen as the main focus of this discussion to illustrate int

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Apele, Diāna, and Ina Treiliņa. "ARTS DOMINANCE IN CALENDAR GRAPHICS DESIGN." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 5 (May 20, 2020): 593. http://dx.doi.org/10.17770/sie2020vol5.5145.

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Art, in a way, is a form of communication, which allows the artist to express their view to the world, show their interpretation and let others see the world through the eyes of the artist. Calendars are the most popular and long-term means of advertising, which is why their design requires a lot of attention. It is important that it does not only look good, but also provides information, fulfils the function of a promotional souvenir and creates an image throughout the entire year ahead. Graphic design is a form of visual communication whose purpose is to solve visual and graphic problems usi

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Tağıyeva, Ruqiyyə, and Raziyyə Allahverdiyeva. "DRAWING IN FINE ARTS AND TECHNIQUES AND METHODS USED IN ITS APPLICATION." Scientific Works 92, no. 1 (2025): 259–62. https://doi.org/10.69682/arti.2025.92(1).259-262.

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Drawing is an image drawn by hand using graphic means such as contour lines, spots and it is one of the various fields of artistic graphics. Drawing, which is the basis of all types of artistic depiction on a flat surface (painting, graphics, etc.), is one of the important and widely developed fields of fine arts. Drawing constitutes the initial stage of development of works of fine arts and plays an important role in determining the general shape, form, volume of objects, as well as their placement in a certain area.The principles of simplicity of drawing methods and universality of construct

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Redies, Christoph, Anselm Brachmann, and Gregor Uwe Hayn-Leichsenring. "Changes of Statistical Properties During the Creation of Graphic Artworks." Art & Perception 3, no. 1 (2015): 93–116. http://dx.doi.org/10.1163/22134913-00002017.

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During the creation of graphic artworks, we studied the evolution of higher-order statistical image properties (complexity, self-similarity, anisotropy of oriented luminance gradients, the slope of log–log plots of radially averaged Fourier power, and the fractal dimension). First, we analyzed two series of lithographs by Pablo Picasso, which represent transformations of highly aesthetic artworks. Second, one of the authors generated a dataset of 20 grayscale drawings using the computer as a drawing tool. The dataset comprised also the unfinished state images that were saved throughout the pro

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Ovchinnikova, Maria Alexandrovna, and Irina Sergeevna Samoylenko. "Artistic and graphic features of visual communication of dairy market brands." Pan-Art 4, no. 3 (2024): 157–65. http://dx.doi.org/10.30853/pa20240023.

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The purpose of the study is to identify the artistic and graphic features of the visual communication of dairy market brands. The article clarifies the role of the artistic and graphic component of brand communication and the role of packaging in branding in general and in the category of dairy products in particular. The main trends in the development of society and their reflection in consumer behavior and trends in the artistic and graphic component of packaging in the dairy market, as well as their impact on the semantic and artistic field of communication in the category of dairy products

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Krotova, T. F., A. M. Osadcha, T. V. Struminska, and I. M. Ryabinova. "ARTISTIC AND GRAPHIC DESIGN OF ADVERTISEMENTS OF THE LATE XIX – EARLY XX CENTURY (BASED ON THE MATERIALS OF THE KYIV CALENDARS)." Art and Design, no. 2 (August 11, 2021): 41–51. http://dx.doi.org/10.30857/2617-0272.2021.2.4.

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Aim: to explore the means of artistic and graphic design of advertisements in periodicals of the late nineteenth – early twentieth century. Methodology. The historical, analytical, iconographic methods have been used in the research; the methods of formal, figurative-stylistic, and comparative analysis have been used for analyzing the samples of advertisements. Results. The analysis of advertisements of periodicals "Kyiv Calendar" of 1989 and "Kyiv Zemsky Calendar and reference book for 1911" is presented in the work in terms of artistic and graphic means (composition, fonts, stylistic feature

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28

Melnyk, Oksana, and Viktor Shtets. "Original graphics of Robert Lisovsky: Genre range and features of the author's artistic language." Text and Image: Essential Problems in Art History, no. 2 (2020): 85–93. http://dx.doi.org/10.17721/2519-4801.2020.2.05.

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The article highlights the work of the Ukrainian emigrant artist Robert Lisovsky (1893-1982), a representative of the Narbut school, a master of book, magazine and applied graphics. While the graphic works by Robert Lisovsky published in books, magazines, calendars and publishing stamps are relatively well-studied, his drawings and watercolors are remain lesser known. The analysis of these works could contribute in clarifying the features of the artist's creative method and author's language. Also, it will determine the stylistic and figurative as well as plot-content preferences of the artist

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Nesterenko, P. "Lviv magazine cover between two world wars – collective image of national artistic modernism." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 152–58. http://dx.doi.org/10.33838/naoma.27.2018.152-158.

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Now that we have the opportunity to view Ukrainian art in all its manifestations without ideological reservations and political boundaries, it is important to highlight magazine graphics. If the magazine graphic of the Ukrainian artists of the Russian and Soviet empires of the first half of the XX century is more or less investigated, then the Galician-Ukrainian cultural renaissance of the interwar twenty years in Lviv still requires its in-depth study. 1920s-30s of the XX century – time of productive ideas in the art of Ukrainian book and magazine graphics. A wave of emigration of creative in

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Vasilevna-Portnova, Irina. "Russian scientific-animalistic images of the 20th century in the collection of biological museums. Their specific structure and meaning." Arte, Individuo y Sociedad 34, no. 4 (2022): 1517–42. http://dx.doi.org/10.5209/aris.79969.

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The article dwells on scientific animalistic images of the XX century, which are stored in natural science museums of the country representing the special art of animal paintings. They are featured in the "scientific illustration" category with an emphasis on objectivity, accuracy of fixation of each form, what didn't exclude the spotting of the characteristic and the main thing in scientific works. Due to the fruitful interaction of animal painters with biologists, their common understanding of the goals of art, scientific illustration has acquired the quality of an artistic image, not ceasin

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Kabakovich, Natalia Aleksandrovna. "The image of the animal and intonational variability of its artistic interpretation in the book graphics of Anatoly Zaplavny." Pan-Art 5, no. 2 (2025): 377–84. https://doi.org/10.30853/pa20250042.

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This article analyzes the graphic illustrations by Anatoly Alekseevich Zaplavny (1939-2019) for animal stories from the collection "Foundling" (published by the Novosibirsk Book Publishing House, 1989, compiled by Yu. M. Mostkov), created based on works by Boris Zhitkov, Mikhail Prishvin, Andrei Platonov, and Nikolai Golovin. The aim of the research is to identify the intonational variability of artistic techniques used by the illustrator in interpreting animalistic images in children's prose. The works selected for analysis differ in stylistic structure, mood, and artistic tasks, which made i

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Kałuża, Anna. "Poezja i obraz, piśmienność i wizualność od 1989 roku." Wielogłos, no. 1 (43) (2020): 37–56. http://dx.doi.org/10.4467/2084395xwi.20.004.12152.

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Poetry and Image, Literacy and Visuality after 1989 The article traces the history of the relationship between linguistic (textual, verbal, discursive) elements and graphic, visual, and pictorial elements in Polish poetry after 1989. The subject of interest here are various phenomena, such as: artistic books (by Natalia Malek, Kira Pietrek, and Justyna Bargielska), reference to painting/film/ photography, experiments with visual and verbal representation, using a language mark/text by visual artists. The goal is not so much to catalog the relationships between text and image, but to describe t

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Markushevich, M. V. "Elements of the methodology of teaching the theme "Raster computer graphics" with the help of the GIMP free graphic editor at the level of basic general education." Informatics in school, no. 6 (December 17, 2022): 12–29. http://dx.doi.org/10.32517/2221-1993-2022-21-6-12-29.

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The article describes the framework of the methodology for teaching basic school students the technology of both processing digital photography and creating raster graphic images from scratch. As a software tool, it is proposed to use the free GIMP raster editor. Raster computer graphics is more complex in relation to vector graphics, since a large number of tools are used in raster graphics, and brush graphic tools (Brush, Pencil, Airbrush) are also actively used, the effective use of which requires user of basic artistic skills. The choice of the free graphic editor GIMP is due to a number o

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Melnyk, Oksana, and Viktor Shtets. "Typography as a means of image enhancement in wartime patriotic graphic creations in Ukraine (2022-2024)." Almanac "Culture and Contemporaneity" 26, no. 2 (2024): 55–67. https://doi.org/10.63009/cac/2.2024.55.

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The relevance of this study lies in the necessity of analysing the role of typography as a visual communication tool in the works of creative resistance in Ukraine under wartime conditions. The purpose of this research was to examine the compositional, artistic, and formal techniques in the typography of patriotic graphic works within Ukraine’s visual information space during the period of Russian military aggression. These techniques aim to strengthen national identity, support patriotic sentiment, and foster social unity. The study revealed that, in wartime realities, the creation of direct

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Pankina, Marina, and Natalia Shabalina. "Eco-friendly architectural design: Evolving from linear plasticity to sustainable spatial environments." E3S Web of Conferences 614 (2025): 04009. https://doi.org/10.1051/e3sconf/202561404009.

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In the professional assessment of methods for searching and implementing the artistic image of a unique architectural object, the analysis of the initial stage of its formation is of utmost importance. The problem of choosing expressive graphic tools for searching and visualizing optimal solutions for architectural complexes, for organically incorporating a building into the surrounding landscape, for understanding the features of the object’s functions and future scenarios for the interaction of people in them does not lose its relevance. In today's diverse toolkit of designers, hand graphics

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Bu, XiaoXuan. "Graphic Design Elements Based on Image Processing in Interior Landscape Design." Mobile Information Systems 2022 (April 30, 2022): 1–11. http://dx.doi.org/10.1155/2022/3691407.

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In recent years, some indoor landscapes have the common problems of stacking elements, improvisation, and lack of artistic beauty; how to perfectly integrate the landscape design elements into the indoor environment space is particularly important. High dynamic range images (HDRI) are more and more widely used in image processing systems; based on SoC FPGA design, the author implements a 20-bit high-dynamic real-time video image processing system, so that according to the characteristics of the indoor environment, extracting landscape design elements, the author can identify categories of grap

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Maltseva, Elena A. "The Symbolysm and Meanings of the Railway Image in Art Culture: the “Home” Concept." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 28, no. 4 (2022): 142–53. http://dx.doi.org/10.15826/izv1.2022.28.4.072.

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The one of the aspects of symbolic value of the railway image in art culture is dealt with in the article. The railway image as an embodiment of the “home” concept is described based on literary, painting, graphic works. The analysis of cultural and philosophical studies showed the “home” concept to be of importance for the culture and revealed its main meanings. The consideration of the home as anthropological and sociocultural space turned out to be useful for the current study. The key ideas of the “home” concept in the artistic image are revealed on the basis of exploration of the large em

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Kostyuchenko, E. V. "Multifunctional Perceptual Mapping of the Various Components of the World Image in Students." Psychological-Educational Studies 7, no. 2 (2015): 72–82. http://dx.doi.org/10.17759/psyedu.2015070207.

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The article analyzes the products of artistic, graphic and verbal activity, objective measures of actualization of the world image in students of different majors and courses of Kiev National University of Culture and Arts on the basis of allocation of the dominant dichotomous signs, and criteria of interrelated components of the world image (physical, cognitive, psychosomatic, emotional and social). We compared the representation of these characteristics in all artworks (group 1: 1438 students) and in a dedicated group of pictures of students, for whom the dominant channel of verbal represent

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Bolek, Elwira. "Gra znakami i znaczeniami w polskim artystycznym plakacie teatralnym." LingVaria 13, no. 25 (2018): 245–53. http://dx.doi.org/10.12797/lv.13.2017.25.18.

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Play on Signs and Meanings in Polish Artistic Theatre PostersThe paper begins with the assumption that an artistic theatre poster is composed of two interacting semiotic systems: the language (the title of the play, the name of the author, the place of stage production, the name or signature of the author of the poster, the year of its creation), and the image (graphic signs, meaningful typography, graphical arrangement, colour scheme). These two codes are interwoven; linguistic signs often fulfill the function of the image in multimodal messages, and vice versa. The application of the categor

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Davydova, Karyna. "Rethinking the canonical Christian image St. Sebastian in the works of Jurij Solovij." Bulletin of Lviv National Academy of Arts 48, no. 48 (2022): 11–17. https://doi.org/10.37131/2524-0943-2022-48-4.

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The article reveals for the first time the problems of analysis and rethinking of the canonical image of St. Sebastian on the example of the works of the Ukrainian and American artist Jurij Solovij. The article also conducts the art analysis of artistic and stylistic features of graphic and artistic works, describes the evolution of the image of St. Sebastian in the works of the world’s leading artists. Methodology. The comparative method was used to reconstruct the evolution of the image of St. Sebastian from Renaissance artists to 20th century artists and to compare their creative concept wi

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Tatiana, Shevchuk. "Буджакское село в графике Владимира Афанасьева: труд и отдых". Analele Universităţii "Dunărea de Jos" din Galaţi Fascicula XIX Istorie 14 (9 червня 2015): 203–20. http://dx.doi.org/10.35219/history.2015.10.

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The article deals with the image and culture of the rural society of Budjak, a border district in the south of Odessa region, Ukraine. The material of the study is the album, “The World of Graphics...” (2001) by the Bessarabian artist Vladimir Afanasyev, who collected 140 ethnographic sketches with a verbal component created by him during a quarter of a century. Graphic images of V. Afanasyev can be divided into cycles, such as “Nature of Budjak”, “Labour”, “Holydays and Rituals”, “Leisure”, while the album pictures are posted on a mixed principle. The artistic perception of Budjak cultural sp

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Ходоренко, А. "A NEW MEDIUM: THE JOURNEY OF THE GRAPHIC NOVEL AS AN ARTISTIC EXPRESSION." Journal “Ukrainian sense”, no. 2 (February 10, 2025): 114–21. https://doi.org/10.15421/462429.

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Background. This article explores the defining characteristics and cultural significance of graphic novels as a legitimate literary and artistic medium. It highlights their distinctive narrative structures, artistic styles, and thematic depth, emphasizing how these elements contribute to their complexity and richness. The study addresses the pursuit of cultural legitimacy within graphic novels, tackling the stigma traditionally associated with comics and advocating for their recognition as serious literature. Purpose. The purpose of this article is to define the unique attributes of graphic no

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O'Connor, N., and B. Hermelin. "Visual and graphic abilities of the idiot savant artist." Psychological Medicine 17, no. 1 (1987): 79–90. http://dx.doi.org/10.1017/s0033291700013003.

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SynopsisFive idiots savants whose artistic output was judged to be at art school entrance standard were matched for performance and verbal IQ with control subjects who had no special artistic talent. Each subject was given tests of reproductive skill with both concrete pictures and unfamiliar and unnameable geometric designs. They were also asked to draw a man, and a test of picture completion was given which involved constructive imagination. In all tests the idiots savants proved clearly superior to IQ-matched controls, indicating the presence of an IQ-independent talent. The results are int

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Portnova, Tatiana Vasilevna. "A. Benois and a ballet theatre at the turn of the XIX–XX centuries (aspects of creative interaction)." LAPLAGE EM REVISTA 7, no. 3B (2021): 158–67. http://dx.doi.org/10.24115/s2446-6220202173b1529p.158-167.

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The study’s goal is to give reasons and scientific credence for Benois’s creation in context of synthesis with fine arts and graphics in Ballet Theater of the end of XIX–beginning of XX century. The study objectives are to reveal phenomenon of arts synthesis in Benois’s method of work on performances and roles on ballet stage, to analyze peculiarities of poetics of a visual image in easel and stage works devoted to dance and created for ballet. The paper investigates artist’s creative method, defines techniques underling most of his works and revealing specific features of artistic, graphic, a

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Zaitseva, Veronika, and Alla Buihasheva. "Ukrainian book design: ways of formation and development." Klironomy 3, no. 3 (2021): 108–19. https://doi.org/10.47451/art2021-10-004.

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In the Ukrainian graphic art development of the 20th century as a whole and specific art events and artistic works, a constant interaction of international and national, general and specific, modern and traditional is traced. The development of the new graphic art was especially influenced by the revaluation of the aesthetic qualities of national art. The research purpose is to study the development of the directions of Ukrainian book art, the formation of new creative features in the European cultural space. The research methodology consists of the general scientific methods application (anal

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Константинов and A. Konstantinov. "Technical Drawing in Graphic Knowledge’s Bases Studying." Geometry & Graphics 5, no. 1 (2017): 51–63. http://dx.doi.org/10.12737/25124.

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In this paper the interrelation of an axonometric and perspective drawing with a represented object’s real vision is considered. What are the most noticeable axonometric and perspective deformations, how is the axonometric and perspective image of a subject differs from its outlines, visible in real space, in nature? Why it is necessary to choose some types of axonometric projections and separate types of linear prospect with care? What mistakes in drawing of such elementary objects as geometrical bodies, household ware, details and models, arise from literal following to "conditional rules" o

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КУЛЕШОВА, СВІТЛАНА, ЮЛІЯ КОШЕВКО, ІРИНА КРИВИЦЬКА, ОКСАНА ЗАХАРКЕВИЧ, and В’ЯЧЕСЛАВ БАЛАБАНОВ. "DESIGN OF CORPORATE CLOTHING: AESTHETIC AND ERGONOMIC ASPECTS." Herald of Khmelnytskyi National University. Technical sciences 333, no. 2 (2024): 353–60. http://dx.doi.org/10.31891/2307-5732-2024-333-2-55.

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The article is devoted to the process of designing corporate clothing for employees and students of higher education of the Khmelnytskyi National University, which is considered as a system of "corporate style → corporate image → corporate clothing and its identity", including logos, colors, graphic elements and graphic standards of visual identification of the KhNU and their structure. Scientific novelty. The most characteristic artistic and compositional solutions and the typology of graphic elements used in the corporate style of KhNU as a means of communication for the creation of the imag

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Романова, Елена Олеговна. "Image of Paris in graphic works of the Russian emigre artists." Искусство Евразии, no. 2(17) (June 27, 2020): 164–72. http://dx.doi.org/10.25712/astu.2518-7767.2020.02.011.

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Париж начала XX столетия явился Меккой для художников из разных стран. Здесь можно было познакомиться с современными тенденциями и художественными течениями в искусстве, влиться в интернациональное сообщество авангардных художников и даже выставить свои работы, исполненные в самом модернистском ключе. Большинство представителей русского художественного круга, решившихся на эмиграцию после революции 1917 года, концентрировалось именно в Париже. Те, кто побывал хоть однажды в этом центре европейской художественной жизни, не могли забыть этот город, подаривший им художественную идентичность, чувс

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Khramova-Baranova, Оlena. "Visual culture of photography in art and design." Almanac "Culture and Contemporaneity" 26, no. 2 (2024): 15–51. https://doi.org/10.63009/cac/2.2024.15.

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The relevance of the research lies in the systematic presentation of the historiography of photography, new innovative approaches in the stylistic and figurative depiction of reality in art and design. The purpose of the research was to investigate the historiography and perspectives of the visual culture of photography in art and design. The research methodology consisted in the application of the historical method, the method of comparative analysis and the historical and cultural approach. The article thoroughly reviewed and analysed the evolution of technical and creative techniques of pho

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Coumans, Anke, Peter Sonderen, Ruth Benschop, and Sara Malou Strandvad. "Dwell/Act/Transform: Drie perspectieven op een expo over artistiek onderzoek." Forum+ 25, no. 2 (2018): 56–63. http://dx.doi.org/10.5117/forum2018.2.coum.

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In november 2017 stelde het lectoraat Image in Context van Academie Minerva te Groningen in zijn jaarlijkse tentoonstelling en symposium onder de noemer Artistic Research in the North de wijze van publiekelijk maken van onderzoek centraal. Als tentoonstellen een geëigende vorm is voor het presenteren van kunst, is het dan ook een geschikt format voor het presenteren van artistiek onderzoek? Beide zijn tenslotte deels discursieve en deels beeldende en ruimtelijke praktijken. Drie onderzoekers (twee kunstlectoren en een hoogleraar) werden uitgenodigd hierover een reflectie te bieden. Sara Strand

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