Relevant bibliographies by topics / Graphic design objects

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Graphic design objects'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Graphic design objects"

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Huang, Jian Wen. "Character Pattern Design to Achieve Digital Media." Advanced Materials Research 1055 (November 2014): 346–49. http://dx.doi.org/10.4028/www.scientific.net/amr.1055.346.

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Character graphic design objectives and principles of digital media completed the implementation of the concept embodied in the visual design of the series. In this paper, the Character in the implementation of digital media graphic design, visual communication line to get through basic and applied to distinguish among the barriers. Character graphics digital media visual resource selection and integration will be the first graphic visual objects, followed by the use of Character graphics source element deconstruction, beaten, restructuring plan, the formation of "Ba Feier" international dance
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Shirina, Nadezhda Sergeevna. "The impact of deconstructivism upon font graphics of the XXI century." Культура и искусство, no. 12 (December 2021): 56–65. http://dx.doi.org/10.7256/2454-0625.2021.12.35628.

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The object of this research is the graphic design in the style of deconstructivism. The subject is the impact of deconstructivism upon font graphics of the XXI century. The goal lies in determination of the impact of deconstructivism upon font graphics of the XXI century. The article examines the concept of deconstructivism and the impact of this phenomenon upon graphic design and typography. The ideas of deconstructivism initially obtained their material form in architecture; thus analysis is conducted on the structures, the authors of which were inspired by the new philosophical ideas and br
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Gedzik, A. "Terminological Component Of Professional-Graphics Preparation For Future Engineers- Teachers." Zhytomyr Ivan Franko state university journal. Рedagogical sciences, no. 2(88) (March 30, 2017): 86–90. http://dx.doi.org/10.35433/pedagogy.2(88).2017.86-90.

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The article deals with the possibility of process optimization graphic preparation of future engineers-teachers initially studying engineering graphics. Proved that one of the requirements that must be implemented in any "form" graphic preparation that allows a person to successfully operate graphical means any level, analyze, design and other features and objects of different objects, accept, store and transmit information common in science and technology by the international graphic language is to master the relevant terminology drawings.
 The analysis of terminological foundations grap
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Pankina, Marina, and Natalia Shabalina. "Eco-friendly architectural design: Evolving from linear plasticity to sustainable spatial environments." E3S Web of Conferences 614 (2025): 04009. https://doi.org/10.1051/e3sconf/202561404009.

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In the professional assessment of methods for searching and implementing the artistic image of a unique architectural object, the analysis of the initial stage of its formation is of utmost importance. The problem of choosing expressive graphic tools for searching and visualizing optimal solutions for architectural complexes, for organically incorporating a building into the surrounding landscape, for understanding the features of the object’s functions and future scenarios for the interaction of people in them does not lose its relevance. In today's diverse toolkit of designers, hand graphics
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Ерцкина, Elena Ertskina, Королькова, and N. Korolkova. "Geometric Modeling in the Automated Designing of Architectural Objects." Geometry & Graphics 4, no. 2 (2016): 48–54. http://dx.doi.org/10.12737/19833.

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The article is devoted to overview of software used in
 the automated designing of architectural objects. Particular attention
 is paid to the features of modern software and the possibility
 of their use in the design of constructions.
 The technique of modern SAPR implementation in educational
 process within studying of «Engineering Graphics» course is
 considered by the example of AutoCAD graphic system for students
 of construction specialties.
 The selection of these CAD systems as the base for graphic
 disciplines teaching is validated.
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Gula, Ievgen, Oksana Maznichenko, Anastasiia Kutsenko, Alla Osadcha, and Nataliia Kravchenko. "Methods of Teaching Graphic Design in HEIs for Art." Journal of Curriculum and Teaching 12, no. 2 (2023): 154. http://dx.doi.org/10.5430/jct.v12n2p154.

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Under the conditions of digitalization in technology and art, there is a sense of significant changes in visual creativity, where design projects are given not only new artistic expressiveness, but everything becomes an immeasurable resource base and source of inspiration for future graphic designers. This new reality encourages the permanent updating of approaches and the use of innovative methods of teaching graphic design in HEIs for art in the process of preparing for the professional activity of a future graphic designer. Therefore, a modern graphic designer, being the creator of a demand
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Petukhova, A. V. "AUTOMATIC GENERATION OF DESCRIPTION GEOMETRY TASKS USING PARAMETRIC TEMPLATES." Bulletin of South Ural State University series "Construction Engineering and Architecture" 24, no. 2 (2024): 56–65. https://doi.org/10.14529/build240208.

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The range of disciplines in the graphic cycle includes descriptive geometry, engineering and computer graphics, basics of computer-aided design of objects and other training courses. The content of the listed disciplines involves the use of a large number of drawings, models, and graphic tasks. Some assignments are given to the student in the electronic form, in the form of drawings made in a graphics editor. Having an extensive database of electronic graphic tasks is an urgent necessity since each student in the academic stream receives an individual set of standard educational tasks. The for
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Liu, Yan Li, Yan Yu, and Xiao Chu Du. "A New Storage Design of Distributed Geographic Information." Advanced Materials Research 532-533 (June 2012): 808–12. http://dx.doi.org/10.4028/www.scientific.net/amr.532-533.808.

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In order to solve the storage problem of mass graphic data in web, an improved hierarchy of graphic objects is used in this paper. By building up layer object, the system can manage the data for different levels of abstraction. It is different from Object-Oriented Data Base (OODB) which used a relational table as an object to manage data. Uniform operations for the same terrain are offered. Using Object-based Storage Device (OSD) is advantaged at data transmission. The method of storing layer object in OSD is given in the paper. Empirical results show that the mechanism is well-suited to fetch
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Votinov, M., and O. Smirnova. "ARCHITECTURAL DESIGN AND TYPES OF VISUALISATION OF INNOVATIVE ARCHITECTURAL OBJECTS." Municipal economy of cities 6, no. 180 (2023): 43–50. http://dx.doi.org/10.33042/2522-1809-2023-6-180-43-50.

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The study is devoted to the modern practical experience of the formation of innovative architectural objects in the urban environment, highlighting the peculiarities of their architectural design and visualisation. Clarifying key concepts and terms necessary for defining the issues of designing and visualising these innovative architectural objects, such as architectural idea, architectural creativity, architectural concept, architectural environment, architectural form, and model, is a focal point. Theoretical exploration and analysis of the experiences of forming innovative architectural obj
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BORYSOVA, Svitlana. "THE CONCEPT OF TRAINING FUTURE GRAPHIC DESIGNERS FOR DESIGNING DESIGN OBJECTS BY MEANS OF DIGITAL TECHNOLOGIES." Cherkasy University Bulletin: Pedagogical Sciences, no. 4 (2024): 135–44. https://doi.org/10.31651/2524-2660-2024-4-135-144.

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Formation of the readiness of the future graphic designer for professional activity in the context of designing design objects characteristic of the industry using digital technologies is an urgent problem of modern professional training. The development of the basic provisions of the concept lays down a holistic system of training coordinated in terms of content, structure, organizational and pedagogical conditions, methods, and means of education, a system of design objects and a complex of digital technologies. The article aims to highlight the provisions of the concept of training future g
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Dissertations / Theses on the topic "Graphic design objects"

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Schlifer, Laura. "Unloosed: Designing Participatory Objects." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3386.

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The ubiquity of technology has mediated the means of receiving content through digital networks; users have complete control over receiving, shaping, and sharing information. In contrast to the inherent elasticity of these networks, physical pieces of communication often manifest through a closed and highly controlled process. However, the increased prominence of user-interaction with media provides an opportunity to evaluate the design process as it applies to the creation of physical objects. Throughout much of my work, I investigate the potential for unloosening the control of designed obje
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Harland, Robert George. "Graphic design as urban design : towards a theory for analysing graphic objects in urban environments." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/12350/.

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This thesis presents a model for analysing the graphic object as urban object, by considering atypical fields of discourse that contribute to the formation of the object domain. The question: what is graphic design as urban design? directs the research through an epistemological design study comprising: an interrogation of graphic design studio practice and the articulation of graphic design research questions; a review and subsequent development of research strategy, design and method towards the articulation of methodology that reflects the nature of the inquiry; a detailed analysis of five
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Hester, Cassie. "Elevating the Everyday: Designed Objects as Companions." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2794.

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From fleeting interactions to long affairs, our relationships with things are diverse and complex. Like people, designed objects and environments are close companions in our lives. The way we understand and engage with artifacts is parallel to the way we interpret and interact with each other. A constant source of comfort and delight, frustration and anxiety, their personalities inform our everyday dialogues and experiences. Designed artifacts assume engaging and pleasurable personalities when they transcend materials, challenge perceptions, and garner active, reflective interactions. Through
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PORTUGAL, RAQUEL DE CASTRO N. TORRES. "FLYERS: FLYING OBJECTS OF THE ELECTRONIC SCENE FROM THE PERSPECTIVE OF GRAPHIC DESIGN." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=16887@1.

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O interesse no estudo dos flyers produzidos para a divulgação de festas de música eletrônica diz respeito à sua capacidade de traduzi-las em imagens. Esta potência estética tem sido reconhecida como um vetor criativo surgido no interior das culturas urbanas. Através da observação deste material, sua confecção e sua linguagem gráfica é possível ter contato com atitudes relativas a estes grupos e elementos simbólicos pertencentes ao imaginário deste universo. Esta análise é conduzida levando em questão o fato de que o comportamento dos indivíduos na contemporaneidade é trançado por relações inte
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Savic, Maja. "The Secret Life of Things." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etd/1124.

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The artist discusses the work presented in The Secret Life of Things, her Master of Fine Arts exhibition held at Slocumb Galleries, East Tennessee State University, from March 18th through 22nd, 2013. The exhibition consists of sixteen illustrations (four of these are digitally enhanced photographs) and one animation that show the artist’s interest in bringing household objects to life. Pieces in the exhibition can be characterized as humorous with a strong narrative and attention to details. Savić’s ideas are based on traditional education with contemporary influences. All printed work is twe
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Barnett, Jamie Marie. "Do You Read Me? Objects of Language and the Language of Objects." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/101.

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My project investigates the intersection of typography and furniture. It questions the language of these objects and compares the two, based on an assumption of similarity. Each supports the assertion of the language system of the other.
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Bonnet, Claire. "FEMME: extinct stereotypes." Thesis, Konstfack, Grafisk design & illustration, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6950.

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My research is about stereotypes of women. Responding to scepticism towardsfeminist movements, my degree project aims to challenge the power structure of today’s Western society. How does visual communication play a big role in creating and/or reproducing inequalities? I have created a retro-futuristic exhibition, placed in an imaginary museum. In a utopian world based in 2050, the exhibition femme: extinct stereotypes, aims to show, explain and deconstruct how women were portrayed around 2020; how society and (pop)culture were deforming humans into stereotypical women.I have created a specula
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Kou, Xinyu. "Computer-aided design of heterogeneous objects." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B34834114.

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Kou, Xinyu, and 寇欣宇. "Computer-aided design of heterogeneous objects." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B34834114.

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Zhao, Die. "Graphics Editor." Thesis, Växjö University, School of Mathematics and Systems Engineering, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1195.

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<p>The human enters into the information age in 21st century; the computer science and technology are developed at full speed, and already infiltrate into various field extensively. Resultantly manual drawing gradually is phased out, for those designers who have no prior experience in the computer operation are concerned, they need to have a kind of two-dimensional graphical tool. Graphics editor system arose to the request for designing planar figures for people who have little knowledge in computer.</p><p>This paper describes the development process of this system what is studied for the fou
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Books on the topic "Graphic design objects"

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Krichevskiĭ, V. Poėtika reprodukt︠s︡ii. Tipoligon-AB, 2007.

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Tun, Than. Sa muiṅʻ thai ka Dījuiṅʻʺ ;ʺ thuiʺ luiʹ krui mayʻ: Myanma design. Yuṃ kraññʻ khyakʻ Cā pe, 2005.

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Pontecorboli, Angelo. Angelo Pontecorboli: Paintings, collages, objects, drawings and graphic design for publishing = dipinti, collages, oggetti, disegni e grafica per l'editoria. A. Pontecorboli, 2007.

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Holth, John S. Graphics as object manipulation: Thesis submitted in partial fulfilment of Master of Arts degree in Computing in Design. Middlesex Polytechnic, 1989.

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Suzanne, Chase, ed. Terri O's easy embellishing: Instantly accessorize everyday objects. Sterling, Pub. Co., 2006.

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Litt, John. A prototype Lisp-based soft real-time object-oriented graphical user interface for control system development. National Aeronautics and Space Administration, 1994.

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E, Wong, Simon Donald L, and United States. National Aeronautics and Space Administration., eds. A prototype Lisp-based soft real-time object-oriented graphical user interface for control system development. National Aeronautics and Space Administration, 1994.

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Litt, John. A prototype Lisp-based soft real-time object-oriented graphical user interface for control system development. National Aeronautics and Space Administration, 1994.

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Litt, John. A prototype Lisp-based soft real-time object-oriented graphical user interface for control system development. National Aeronautics and Space Administration, 1994.

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Steven, Heller, and Steven Heller. Designing for children. Watson-Guptill, 1994.

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Book chapters on the topic "Graphic design objects"

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Berselli, Silvia. "Through the Mirror. Concept Maps to not Lose (One’s Way Between) Objects." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_9.

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AbstractThis study delves into the relationship between the subject and things by regaining the anthropological and cultural values that have become embedded in objects already theoretically investigated by other disciplines (philosophy, literature, history of art, cinema) but here presented together with the works of designers that from the 19th to the 21st century managed to give a voice to things. This presentation springs from multi-annual research undertaken by the author at the universities of Bologna and Parma. After selecting twenty-four everyday objects (like mirror, ring, chair, tabl
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Galluzzo, Michele. "The Open Logo and the Closed History Notes of a Social History of Visual Identities." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_61.

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AbstractThe golden age of corporate identity and logo design has always found wide space in visual communication histories as a crucial moment in the evolution of the graphic design profession in a modern direction. This focus in the last ten years has been confirmed by the publication of monographs, magazines and reprints, the launch of digital archives and publishing houses dedicated to the story of ‘logo-modernism’. If, on the one hand, this interest in the narrative of the modernist corporate identity season has made it possible to access images, information and biographies that were hithe
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Riccò, Dina. "Accessible Experiences. Designing Synaesthetic Access to Culture." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_43.

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AbstractThe experiences produced using environments, physical or cultural objects, change significantly in relation to the characteristics of the users, their skills and limits, as well as change in relation to the aesthetic preferences and the context of use, chosen according to the effectiveness and/or enjoyment of use.This text intends to address the issue of accessibility to a cultural asset in a museum context [12, 13], to highlight how designing a variety of experiential ways, of experiences based on different sensory registers, leads to broadening its accessibility also to users who, by
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Wisskirchen, Peter. "GKS and Object-Oriented System Design." In Object-Oriented Graphics. Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-642-84247-4_5.

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Slusallek, Philipp, and Hans-Peter Seidel. "Object-Oriented Design for Image Synthesis." In Programming Paradigms in Graphics. Springer Vienna, 1995. http://dx.doi.org/10.1007/978-3-7091-9457-7_3.

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Kaplan, Michael R. "The Design of the Doré Graphics System." In Advances in Object-Oriented Graphics I. Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-642-76303-8_10.

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Smeulders, Arnold W. M., and Carlo de Boer. "Design and performance in object recognition." In Graphics Recognition Algorithms and Systems. Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/3-540-64381-8_61.

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Yagiu, Takaaki. "The Fundamental Structure of the Design Object Model." In Computer Graphics: Systems and Applications. Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-642-84420-1_7.

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van Emmerik, Maarten J. G. M. "A Direct Manipulation Environment for Conceptual Design of Three Dimensional Objects." In Advances in Object-Oriented Graphics I. Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-642-76303-8_9.

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Yang, Runze, Shi Chen, Gang Xu, Shanshan Gao, and Yuanfeng Zhou. "Metaballs-Based Real-Time Elastic Object Simulation via Projective Dynamics." In Computer-Aided Design and Computer Graphics. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-9666-7_15.

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Conference papers on the topic "Graphic design objects"

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Pivar, Matej, Jon Brce, and Deja Muck. "DIFFERENT METHODS FOR PRODUCING COLOR REPRODUCTIONS ON 3D PRINTED OBJECTS." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p14.

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This article presents two methods of colour printing on programmable 3D structures and their use for practical applications in everyday life. The colour printing was done by direct printing with a flatbed UV inkjet printer and indirect printing by thermally transferring the electrophotographic toner to the 3D printed object produced with the most widely used and affordable material extrusion 3D printing technology. The print quality of the colour reproductions was determined by basic densitometric and spectrophotometric measurements, ink adhesion analysis and image analysis of the printed grap
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Čuk, Marjeta, Matejka Bizjak, Deja Muck, and Tanja Nuša Kočevar. "3D printing and functionalization of textiles." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p56.

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3D printing is used to produce individual objects or to print on different substrates to produce multi-component products. In the textile industry, we encounter various 3D printing technologies in fashion design, functional apparel manufacturing (protective, military, sports, etc.), including wearable electronics, where textile material is functionalized. 3D printing enables the personalization of the product, which in the apparel industry can be transformed into the production of clothing or parts of clothing or custom accessories. Additive technology allows a more rational use of the materia
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Neskovska, Ratka, Filip Popovski, Svetlana Mijakovska, and Hristina Dimova Popovska. "ILLUMINATION WITH ELECTROCHROMATIC WINDOWS IN VIRTUAL REALITY." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p32.

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Electrochromatic materials are characterized by reversible colour change when placed in an external electric field. One of the possible applications of such electrochromatic films is in the "Smart windows" that are used to modulate the transmitted light in objects. Thin electrochromatic films of copper oxide are obtained by the chemical deposition method of two solutions. The spectral transmission of the resulting films was recorded in a state as obtained, in a coloured and shaded state, in the visible part of the spectrum. From the sum of the intensity of the incident solar spectrum AM 1.5 an
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Burlov, E. V., and R. E. Filenko. "COMMON MISTAKES OF NOVICE GRAPHIC DESIGNERS." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.37.

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The article describes the mistakes most often encountered among novice designers. The lack of competence in the field of graphic design among specialists in various fields gives rise to the creation of graphic images (within the framework of professional tasks) abound in verbal rather than graphic language. As a result, graphic design objects abound in business speech cliche, which gives rise to bad patterns for use as a methodological base in preparing students.
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Gabriele, Gary A., and Agustî Maria I. Serrano. "HyperGear: An Object Oriented Design Program for Single Stage Gear Box Design." In ASME 1991 International Computers in Engineering Conference and Exposition. American Society of Mechanical Engineers, 1991. http://dx.doi.org/10.1115/cie1991-0053.

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Abstract The need for superior design tools has lead to the development of better and more complex computer aided design programs. Two of the more important new developments in application tools being investigation are Object Oriented Languages, and HyperMedia. Object Oriented Languages allow the development of CAD tools where the parts being designed and the design procedures specified are conceptualized as objects. This allows for the development of design aids that are non-procedural and more readily manipulated by the user trying to accomplish a design task. HyperMedia allows for the easy
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Gabrijelčič Tomc, Helena, and Tanja Nuša Kočevar. "Observation on creativity and spatial visualisation skills of graphic arts’ students." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p63.

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The aim of our research was to discover whether education in 3D computer graphics and visualisation can improve students' spatial visualisation skills and how the complex project as a design and synthesis of a 3D animation influences students' creativity. Spatial visualisation skills are extremely valuable in various professions, including graphic design and engineering, where 3D modelling and visualisation is becoming increasingly important for the qualitative execution of professional projects. Scientists define two types of three-dimensional skills, spatial visualisation and spatial orienta
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Kovačević, Dorotea, Dajana Kupres, Fran Šepat, and Maja Brozović. "Exploring odor associations based on packaging visual elements." In 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p57.

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Previous studies have shown that packaging design can influence people’s expectations regarding product attributes. This study explored the role of packaging visual design in presenting a nonvisual attribute (i.e. odor) by investigating consumers’ responses to various graphic designs displayed on perfume packaging. Particularly, the aim was to examine how different visual elements (such as patterns, photographs and illustrations) influence product choices, preferences and odor associations. 136 people participated in the study, with approximately equal numbers of males and females. They were p
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Wang, Xin, Honglu Wang, and Di Wu. "Interactive Simulation of Crawler Crane’s Lifting Based on OpenGL." In ASME 2008 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/detc2008-49608.

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Crawler cranes are the most expensive and frequently shared resource on construction sites, industries, etc. It is engaged in offering various combination for booms and large-capacity of mobile cranes to meet the building industry requirements. Computer simulation has proved to be an effective tool for aiding practitioners in modeling complex construction operations, especially three-dimensional simulation that can provide interactive, three-dimensional graphics. As a graphic standard, OpenGL has powerful three-dimensional graphic processing abilities, but is weakness in three-dimensional mode
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Tziarou, Athina, Athanasios Manavis, Nikolaos Efkolidis, and Panagiotis Kyratsis. "STOP MOTION AS A TOOL TO PRESENT, PROMOTE AND COMMUNICATE PRODUCT DESIGN." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p63.

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Stop motion is an animation technique, where objects are physically manipulated in small increments between individually photographed frames, creating the illusion of movement, when the series of frames is played in sequence. Both stop motion animation and digital animation can attract and engage a user. Stop motion is known for its handcraft character and offers the feeling that what you watch really exists. It brings prototypes to life and highlights their characteristics, while at the same time, allows the storytelling transfer and offers dynamic visualization. Digital animation provides a
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Heuring, Vincent P., and Melanie D. Berg. "The Design Of An Optoelectronic Graphics Display Processor." In Optical Computing. Optica Publishing Group, 1995. http://dx.doi.org/10.1364/optcomp.1995.omc4.

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This paper describes the design of an optoelectronic graphics display processor. The processor has the advantages of simplicity and extremely high-speed generation of computer graphic images. It achieves its speed by processing all the pixels of an image in parallel. It operates by accumulating polygons, the primitive shapes of which ail objects in the scene are composed. A front-end processor, not part of this system, is responsible for generating the coordinates and color or gray shade of each polygon and passing that information to the processor described in this paper. The processor has th
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Reports on the topic "Graphic design objects"

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Motorny, Sergey, S. Glandon, and Jing-Ru Cheng. The design of multimedia object detection pipelines within the HPC environment. Engineer Research and Development Center (U.S.), 2025. https://doi.org/10.21079/11681/49599.

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Computer vision multimedia pipelines have become both more sophisticated and robust over the years. The pipelines can accept multiple inputs, perform frame analysis, and produce outputs on a variety of platforms with near-real-time performance. Vendors such as Nvidia have significantly grown their framework and library offerings while providing tutorials and documentation via online training and tutorials. Despite the prolific growth, many of the libraries, frameworks, and tutorials come with noticeable limitations. The limitations are especially apparent within the high-performance computing
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Rigotti, Christophe, and Mohand-Saïd Hacid. Representing and Reasoning on Conceptual Queries Over Image Databases. Aachen University of Technology, 1999. http://dx.doi.org/10.25368/2022.89.

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The problem of content management of multimedia data types (e.g., image, video, graphics) is becoming increasingly important with the development of advanced multimedia applications. Traditional database management systems are inadequate for the handling of such data types. They require new techniques for query formulation, retrieval, evaluation, and navigation. In this paper we develop a knowledge-based framework for modeling and retrieving image data by content. To represent the various aspects of an image object's characteristics, we propose a model which consists of three layers: (1) Featu
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Rigotti, Christophe, and Mohand-Saïd Hacid. Representing and Reasoning on Conceptual Queries Over Image Databases. Aachen University of Technology, 1999. http://dx.doi.org/10.25368/2022.89.

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The problem of content management of multimedia data types (e.g., image, video, graphics) is becoming increasingly important with the development of advanced multimedia applications. Traditional database management systems are inadequate for the handling of such data types. They require new techniques for query formulation, retrieval, evaluation, and navigation. In this paper we develop a knowledge-based framework for modeling and retrieving image data by content. To represent the various aspects of an image object's characteristics, we propose a model which consists of three layers: (1) Featu
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Sequeira, Dora María, Ileana Alvarado V., and Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, 2007. http://dx.doi.org/10.18235/0006438.

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Nine artists, all living in Costa Rica, were selected out of thirty-four who responded to an open call to present portfolios. The selection criteria is to be forty years of age or younger, have had at least one individual show, and have participated in a minimum of three group exhibitions. The exhibition has been organized by the IDB Cultural Center in collaboration with the Foundation of the Central Bank Museums of Costa Rica. Works include installations and interactive digital art, digital graphics, conventional photography, ceramics, painting, wire drawing and design objects manufactured wi
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Vakaliuk, Tetiana A., Olha V. Korotun, and Serhiy O. Semerikov. The selection of cloud services for ER-diagrams construction in IT specialists databases teaching. CEUR Workshop Proceedings, 2021. http://dx.doi.org/10.31812/123456789/4371.

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One of the main aspects of studying databases in higher education institutions by future IT specialists is database design and software product development. This, in turn, is the most important problem of the developer’s interaction with the customer. To facilitate the process of database design, ER-diagrams are used, which are based on the concepts of “Entity” and “Relationship”. An ER diagram allows you to present a database in the form of visual graphical objects that define a specific subject area. The article considers the available cloud services for the construction of ER-diagrams for l
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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by
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