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Journal articles on the topic 'Graphic design publications'
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1
Danylenko, Lesya. "Op-Art in the British Graphic Design of the 1960s–1970s. Fashion And Graphic Design." Artistic Culture. Topical Issues, no. 17(1) (June 8, 2021): 38–48. http://dx.doi.org/10.31500/1992-5514.17(1).2021.235125.
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The article reveals the characteristic manifestations of the op-art style in British fashion on the examples of textile companies and individual designers, as well asin graphic design based on the analysis of printed products of British publications in the 1970s. It is claimed that the visual experiments of the op-art in the field of British fashion were most fully revealed in the activities of the textile companies "Heals", "Hull Traders" and "Edinburgh Weavers" and in the work of designer Mary Quant. And in graphic design — in the book covers of the popular science series "Pelican Books".
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Zeller, Sara. "Centering the Periphery: Reassessing Swiss Graphic Design Through the Prism of Regional Characteristics." Design Issues 37, no. 1 (January 2021): 64–75. http://dx.doi.org/10.1162/desi_a_00625.
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In the literature, the history of Swiss graphic design is regularly told as a linear development from illustrative tendencies to Modernist abstraction. Recent research has shown that these narratives were constructed and disseminated by a group of Modernist graphic designers through journals and their own publications. By the mid-1950s, the Modernists themselves began dividing designers of the time into two camps: the individual or illustrative versus the abstract or Modern. This dichotomy, which established itself quickly, continues to shape the narrative of Swiss graphic design to this day. However, this article argues that the reality of graphic design practice in Switzerland in the 1950s was more diverse than previously assumed. Outside an exclusive circle of practitioners, illustration and abstraction were understood more as design methods than as attitudes. Taking this as its starting point, this article looks beyond this dichotomy by drawing on unpublished sources of the time and, thereby, challenges the traditional understanding of Swiss graphic design.
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Михалевич, В. В. "ГРАФІКА ОБКЛАДИНОК ОДЕСЬКОЇ САТИРИЧНОЇ ПЕРІОДИКИ КІНЦЯ XIX – ПОЧАТКУ XX СТОЛІТТЯ." Art and Design, no. 3 (November 13, 2020): 89–97. http://dx.doi.org/10.30857/2617-0272.2020.3.7.
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Purpose. Investigate the features of the design of covers and pages of satirical publications in Odessa in the late XIX – early XX century. Identify the development and general features of the design of satirical periodicals of Odessa in the late XIX – early XX centuries. Methodology. The research methodology is based on comparative and historical methods that help to trace the relevant retrospective of the development of satirical periodicals. Applied art analysis allows to explore, identify, compare and describe the features of the design of certain publications. Results. On the basis of examples and the processed literary sources graphic-stylistic and technical features of artistic design of covers and pages of satirical periodicals of Odessa in the late XIX – early XX centuries are defined. The design of covers of such magazines as «Pchelka», «Crocodil», «Bomba» is analyzed. It was found that the considered editions did not follow a single style of graphic material, but this did not interfere with the overall design. Most satirical magazines had a symmetrical hierarchical cover composition with a limited polychrome palette. The development of humorous and satirical publications from simple leaflets with caricatures to magazines with high-quality art design is traced. The semantic load of the visual material of the analyzed satirical editions is determined. Scientific novelty. The general features of artistic design of covers and pages of satirical editions of Odessa of the end of XIX – the beginning of XX century are defined. Practical significance. The given data concerning the design of covers and pages of satirical magazines of Odessa of the end of XIX – the beginning of XX century will help in understanding of traditions of the Ukrainian graphic design.
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Bischler, Sandra. "K and output: Two Student Publications in Light of Mid-Twentieth Century Graphic Design Education." Design Issues 37, no. 1 (January 2021): 10–25. http://dx.doi.org/10.1162/desi_a_00621.
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Previous historiography of graphic design education in the mid-twentieth century is shaped by published theories and educational principles of a limited circle of design teachers. As a counterbalance, this article stresses the relevance of a marginalized source: design student magazines. It juxtaposes K and output, published in the early 1960s at the Basel School of Design and the Ulm School of Design. Both magazines intended to open critical debates at their schools, but took opposite paths regarding design, editorial concept, content of articles, and critical engagement with their respective schools' design philosophies. An analysis of their reception and context reveals the magazines' corrective potential for design education by raising crucial issues within the design discourse of the 1960s.
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Shepherd, Sandra K., Laura S. Sims, Frances J. Cronin, Anne Shaw, and Carole A. Davis. "Use of focus groups to explore consumers’ preferences for content and graphic design of nutrition publications." Journal of the American Dietetic Association 89, no. 11 (November 1989): 1612–13. http://dx.doi.org/10.1016/s0002-8223(21)02429-9.
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Schez-Sobrino, Santiago, Cristian Gmez-Portes, David Vallejo, Carlos Glez-Morcillo, and Miguel Á. Redondo. "An Intelligent Tutoring System to Facilitate the Learning of Programming through the Usage of Dynamic Graphic Visualizations." Applied Sciences 10, no. 4 (February 23, 2020): 1518. http://dx.doi.org/10.3390/app10041518.
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The learning of programming is a field of research with relevant studies and publications for more than 25 years. Since its inception, it has been shown that its difficulty lies in the high level of abstraction required to understand certain programming concepts. However, this level can be reduced by using tools and graphic representations that motivate students and facilitate their understanding, associating real-world elements with specific programming concepts. Thus, this paper proposes the use of an intelligent tutoring system (ITS) that helps during the learning of programming by using a notation based on a metaphor of roads and traffic signs represented by 3D graphics in an augmented reality (AR) environment. These graphic visualizations can be generated automatically from the source code of the programs thanks to the modular and scalable design of the system. Students can use them by leveraging the available feedback system, and teachers can also use them in order to explain programming concepts during the classes. This work highlights the flexibility and extensibility of the proposal through its application in different use cases that we have selected as examples to show how the system could be exploited in a multitude of real learning scenarios.
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Mardiyah, Siti Umi Khayatun, Joko Kumoro, Chusnu Syarifa Diah Kusuma, and Wahyu Rusdiyanto. "Analisis Kompetensi Mahasiswa Program Studi Sekretari dalam Praktik Kerja Lapangan." EFISIENSI - KAJIAN ILMU ADMINISTRASI 15, no. 2 (April 17, 2019): 9–14. http://dx.doi.org/10.21831/efisiensi.v15i2.24489.
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Tujuan dari penelitian ini adalah: 1) Mengetahui tanggapan Dunia Usaha/Dunia Industri (DU/DI) tentang kompetensi mahasiswa Program Studi (Prodi) D3 Sekretari Fakultas Ekonomi Universitas Negeri Yogyakarta (FE UNY); 2) Mengetahui kompetensi sekretaris yang dibutuhkan oleh DU/DI. Penelitian dilaksanakan bulan Juli sampai dengan Agustus 2017. Penelitian ini merupakan penelitian deskriptif. Pengumpulan data menggunakan kuesioner tertutup dan terbuka. Populasi penelitian adalah organisasi/perusahaan yang menjadi tempat Praktik Kerja Lapangan (PKL). Penarikan sampel penelitian menggunakan teknik purposive sampling. Analisis data penelitian ini menggunakan tahap-tahap analisis data sebagai berikut: 1) mengorganisasi data dan melakukan pemeriksaan data dengan cermat, 2) melakukan pemeriksaan ulang terhadap data, 3) melakukan pengolahan data, 4) melakukan analisis terakhir, membuat interpretasi dan kesimpulan akhir. Hasil penelitian menunjukkan bahwa: 1) tanggapan sebagian besar DU/DI terhadap aspek pengetahuan mahasiswa masuk dalam kategori baik. Aspek keterampilan mendapatkan tanggapan baik. Aspek kepribadian mendapatkan tanggapan baik. 2) Usulan kompetensi baru yang perlu dikuasai oleh calon sekretaris, pihak DU/DI menitikberaktan pada kompetensi yang berkaitan dengan penguasaan teknologi informasi dan internet. Kata kunci : Analisis, Kompetensi Mahasiswa, Praktik Kerja Lapangan ABSTRACT: Analysis of Office Graphic Design Skills for Diploma Students of Secretary Program in Yogyakarta Sate University. One of the secretary roles is as an executor of public relations functions, so that a prospective secretary is required to have the skills to design publications. This study aims to: 1) Know the response of the business/industrial about the needs of office graphic design skills for diploma students of the Secretariat FE UNY; 2) Knowing the graphic design skills needed by business / industrial. The study was conducted in April-June 2018. This study used a descriptive research design with a quantitative approach. The research data was taken using a closed questionnaire. The population in this study were D3 Secretariat students of the UNY FE and organizations or companies that became the place of Field Work Practices (PKL) of D3 Students Secretariat of the Faculty of Economics UNY. The withdrawal of the study sample used a purposive sampling technique for respondents from the DU / DI group and incidental sampling techniques for respondents from the D3 student group at the UNY FE Secretariat. The results showed that the responses of most DU / DI and students regarding the needs of office graphic design skills were: 1). Office graphic design skills are the skills of modern office administration needed to deal with the modernization and variation of office work; 2). The most widely used media delivery information in business/industrial is X-banner; 3). Submission of information looks more modern, interesting and informative with office graphic design skills; 4). Office graphic design skills for students and employees are considered important to be mastered; 5). office graphic design products for the most chosen modern office work, namely agency / company logos. The results of this study can be used as material for consideration and recommendations for the formulation of the UNY FE Secretariat Diploma curriculum and other vocational schools that have similar scientific nomenclature. Keywords: Skills Needs Analysis, Graphic Design, Offices
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Araújo, N. S., L. S. Delazari, V. O. Fernandes, and M. A. Júnior. "A BIBLIOMETRIC STUDY OF GRAPHIC VARIABLES USED ON TACTILE MAPS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIII-B4-2020 (August 24, 2020): 25–32. http://dx.doi.org/10.5194/isprs-archives-xliii-b4-2020-25-2020.
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Abstract. Tactile maps are accessible for visually impaired people. Therefore, studies on the use of graphic variables in tactile cartography are necessary. A search for papers related to the keyword "tactile map" was conducted in the Scopus database and in the annals of the International Cartographic Conference, between the years 2009 and 2019, with the objective of identifying in the international literature the topics concerning to graphic variables, especially those related to color code systems. Among the full manuscripts found in the Scopus and International Cartographic Association databases, the countries with the largest number of publications in the tactile cartography field were Brazil, United States, Greece, Spain and Germany. The main topics related to tactile maps in the last 10 years were: visual impairment, navigation and wayfinding, perception, universal design, among others. Some of the papers suggest the representation of colors for colorblind people, but there is a gap regarding the use of color codes as graphic variables on tactile maps.
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Reinoso-Gordo, Juan, Antonio Gámiz-Gordo, and Pedro Barrero-Ortega. "Digital Graphic Documentation and Architectural Heritage: Deformations in a 16th-Century Ceiling of the Pinelo Palace in Seville (Spain)." ISPRS International Journal of Geo-Information 10, no. 2 (February 19, 2021): 85. http://dx.doi.org/10.3390/ijgi10020085.
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Suitable graphic documentation is essential to ascertain and conserve architectural heritage. For the first time, accurate digital images are provided of a 16th-century wooden ceiling, composed of geometric interlacing patterns, in the Pinelo Palace in Seville. Today, this ceiling suffers from significant deformation. Although there are many publications on the digital documentation of architectural heritage, no graphic studies on this type of deformed ceilings have been presented. This study starts by providing data on the palace history concerning the design of geometric interlacing patterns in carpentry according to the 1633 book by López de Arenas, and on the ceiling consolidation in the 20th century. Images were then obtained using two complementary procedures: from a 3D laser scanner, which offers metric data on deformations; and from photogrammetry, which facilitates the visualisation of details. In this way, this type of heritage is documented in an innovative graphic approach, which is essential for its conservation and/or restoration with scientific foundations and also to disseminate a reliable digital image of the most beautiful ceiling of this Renaissance palace in southern Europe.
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Wijayanti, Nadia Sasmita, Sutirman Sutirman, Purwanto Purwanto, Mochamad Hanafi, and Wahyu Rusdiyanto. "Analisis Kebutuhan Keterampilan Desain Grafis Perkantoran Bagi Mahasiswa D3 Sekretari UNY." EFISIENSI - KAJIAN ILMU ADMINISTRASI 15, no. 2 (April 17, 2019): 1–8. http://dx.doi.org/10.21831/efisiensi.v15i2.24488.
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Salah satu peran sekretaris adalah sebagai pelaksana fungsi hubungan masyarakat, sehingga seorang calon sekretaris dituntut memiliki keterampilan mendesain publikasi. Penelitian ini bertujuan untuk: 1) Mengetahui tanggapan Dunia Usaha /Dunia Industri (DU/DI) tentang kebutuhan keterampilan desain grafis perkantoran bagi mahasiswa D3 Sekretari FE UNY; 2) Mengetahui keterampilan desain grafis yang dibutuhkan oleh DU/DI. Penelitian dilaksanakan pada bulan April-Juni tahun 2018. Penelitian ini menggunakan desain penelitian deskriptif dengan pendekatan kuantitatif. Data penelitian diambil menggunakan angket tertutup. Populasi dalam penelitian ini adalah mahasiswa D3 Sekretari FE UNY dan organisasi atau perusahaan yang menjadi tempat Praktik Kerja Lapangan (PKL) Mahasiswa D3 Sekretari FE UNY. Penarikan sampel penelitian menggunakan teknik purposive sampling untuk responden dari kelompok DU/DI dan teknik insidental sampling untuk responden dari kelompok mahasiswa D3 Sekretari FE UNY. Hasil penelitian menunjukkan bahwa tanggapan sebagian besar DU/DI dan mahasiswa mengenai kebutuhan keterampilan desain grafis perkantoran yaitu: 1). Keterampilan desain grafis perkantoran merupakan ketrampilan administrasi perkantoran modern yang diperlukan untuk menghadapi modernisasi dan variasi pekerjaan kantor; 2). Media penyampian informasi yang paling banyak digunakan di DU/DI adalah X-banner; 3). Penyampaian informasi terlihat lebih modern, menarik dan informatif dengan keterampilan desain grafis kantor; 4). Keterampilan desain grafis perkantoran bagi mahasiswa dan pegawai dianggap penting untuk dikuasai; 5). produk desain grafis perkantoran untuk pekerjaan perkantoran modern yang paling banyak dipilih yaitu logo instansi/perusahaan. Hasil penelitian ini dapat digunakan sebagai bahan pertimbangan dan rekomendasi perumusan kurikulum D3 Sekretari FE UNY dan sekolah vokasi lain yang mempunyai kemiripan nomenklatur keilmuan. Kata kunci : Analisis Kebutuhan Keterampilan, Desain Grafis, Perkantoran ABSTRACT: Analysis of Office Graphic Design Skills for Diploma Students of Secretary Program in Yogyakarta Sate University. One of the secretary roles is as an executor of public relations functions, so that a prospective secretary is required to have the skills to design publications. This study aims to: 1) Know the response of the business/industrial about the needs of office graphic design skills for diploma students of the Secretariat FE UNY; 2) Knowing the graphic design skills needed by business / industrial. The study was conducted in April-June 2018. This study used a descriptive research design with a quantitative approach. The research data was taken using a closed questionnaire. The population in this study were D3 Secretariat students of the UNY FE and organizations or companies that became the place of Field Work Practices (PKL) of D3 Students Secretariat of the Faculty of Economics UNY. The withdrawal of the study sample used a purposive sampling technique for respondents from the DU / DI group and incidental sampling techniques for respondents from the D3 student group at the UNY FE Secretariat. The results showed that the responses of most DU / DI and students regarding the needs of office graphic design skills were: 1). Office graphic design skills are the skills of modern office administration needed to deal with the modernization and variation of office work; 2). The most widely used media delivery information in business/industrial is X-banner; 3). Submission of information looks more modern, interesting and informative with office graphic design skills; 4). Office graphic design skills for students and employees are considered important to be mastered; 5). office graphic design products for the most chosen modern office work, namely agency / company logos. The results of this study can be used as material for consideration and recommendations for the formulation of the UNY FE Secretariat Diploma curriculum and other vocational schools that have similar scientific nomenclature. Keywords: Skills Needs Analysis, Graphic Design, Offices
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Yulianti, Nurhasanah, Yusuf Zaenal Abidin, and Dono Darsono. "Proses Kegiatan Publikasi Program Pusat Pelayanan Terpadu Kesehatan Haji dan Umroh Melalui 4 Steps Public Relations." Reputation: Jurnal Hubungan Masyarakat 2, no. 4 (July 9, 2020): 421–40. http://dx.doi.org/10.15575/reputation.v2i4.702.
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Publikasi adalah kegiatan menyebarluaskan informasi kepada publik. Tujuan penelitian ini untuk mengetahui proses penemuan masalah/pencarian data dan fakta, perencanaan dan pemrograman, mengambil tindakan dan komunikasi, dan kegiatan evaluasi pada publikasi. Penelitian ini menggunakan konsep 4 Steps Public Relations dari Cutlip, Center and Broom. Landasan penelitian ini berpijak pada konsep 4 Steps Public Relations yang mengacu kepada publikasi dan Public Relations. Penelitian ini menggunakan pendekatan kualitatif, metode deskriptif kualitatif dan paradigma kontruktivisme, teknik pengumpulan data yang di lakukan dalam penelitian ini menggunakan wawancara dan observasi. Berdasarkan hasil penelitian diperoleh kesimpulan: pertama, Defining Public Relations Problem: Pengumpulan data travel, menentukan bahan publikasi, koordinasi, sponsorship, pengajuan proposal kegiatan. Kedua, Planning and Programming: Menentukan dan memahami tujuan dan target, planning tema dan desain grafis untuk publikasi. Ketiga, Taking Action and Communicating: Menentukan bentuk publikasi, penggunaan media dalam publikasi dan sasaran komunikasi. Keempat, Evaluations: Melihat respon masyarakat, melihat kunjungan publik P2TKHU, melakukan upaya peningkatan kualitas publikasi.
Publication is the activity of disseminating information to the public. The purpose of this research is to find out the process of finding problems/finding data and facts, planning and programming, taking action and communication, and evaluating activities in publications. This research uses the concept of 4 Steps Public Relations from Cutlip, Center and Broom. The basis of this research rests on the concept of 4 Steps Public Relations which refers to publications and Public Relations. This Research uses a qualitative approach, qualitative descriptive methods and constructivism paradigms, data collection techniques carried out in this research using interviews and observation. Based on the results of the research concluded: first, Defining Public Relations Problem: Collection of travel data, determine material for publication, coordination, sponsorship, submission of proposal activities. Second, Planning and Programming: Determine and understand objectives and targets, planning themes and graphic design for publication. Third, Taking Action and Communicating: Determine the form of publication, use of media in publications and communication goals. Fourth, Evaluations: Seeing the response of the community, seeing P2TKHU's public visit, making efforts to improve the quality of publications.
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Mokhirev, Aleksandr, Konstantin Rukomojnikov, Marina Gerasimova, and Sergey Medvedev. "Development of methodological foundations for the design of logging infrastructure taking into account the dynamically changing environment." Journal of Applied Engineering Science 18, no. 4 (2020): 500–504. http://dx.doi.org/10.5937/jaes0-25227.
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Development of forest resources is currently associated with significant difficulties, primarily due to unsatisfactory infrastructure in greater part of the forest area. It is necessary to create an effective, mathematically based forest infrastructure so that the forest industry will be developing actively. This will create the prerequisites for effective continuous and sustainable use of the forest. At the same time, the transport and economic availability of wood resources will increase significantly. There are many options for organizing the logging process by forestry enterprises. In most cases, they are selected by management based on personal experience. This study is a continuation of the work of the author's team on the complex problem of algorithmization and optimization of logging operations, taking into account the analysis of various moving and processing operations of wood resources. In previous publications, the authors presented a graphic-analytical model for solving the task. This article presents a description of the algorithm developed on the basis of the presented mathematical and graphic-analytical models for finding an effective technological chain of transport, loading and unloading and processing operations of the logging process in dynamic natural production conditions. The developed algorithm can be considered as a methodological basis for logging infrastructure design, taking into account the dynamically changing environment.
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OZHHA, MYKHAILO OZHHA, OLHA POTAPCHUK, OLHA POTAPCHUK, and OLEKSANDR YASHCHYK. "PROJECT METHOD FOR TEACHING 3D DESIGN SYSTEMS TO FUTURE ENGINEERS-TEACHERS." Scientific Issues of Ternopil Volodymyr Hnatiuk National Pedagogical University. Series: pedagogy, no. 2 (April 6, 2021): 32–41. http://dx.doi.org/10.25128/2415-3605.20.2.5.
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The article substantiates the relevance of the introduction of new methods and technologies of teaching in modern engineering-pedagogical education, which will provide quality training of specialists in the field of computer 3D design in connection with demand of society for the use of three-dimensional design technologies in all fields of human activity: engineering, education, art , architecture, design, construction, etc. The following methods of studying 3D design systems in professional training of future engineers-teachers in the field of computer technology have been considered in accordance with three directions of three-dimensional design: engineering design of technological. architectural objects, and production systems; development of modern methodical materials for studying three-dimensional design and printing technologies; teaching technologies of three-dimensional design to future specialists, whose professional activity involves the use of three-dimensional graphics.
A review of scientific publications devoted to the study of three-dimensional design in higher education has been carried out. The analysis of current methods of teaching graphic disciplines states to the fact that most of them provide the formation of skills and abilities of students in the system of two-dimensional graphic training, whereas the issues of three-dimensional design remain poorly studied. The purpose of the article is to describe the methodology for teaching three-dimensional design systems to future engineers-teachers in the field of computer technology using the project method to determine the optimal strategy for development of both engineering and pedagogical components of their professional development.
The article studies the use of the project method based on a systematic approach in the study of three-dimensional computer design to enhance the creative and research potential of students of engineering-pedagogical specialities. The paper introduces a model of professional activity in 3D design with a detailed justification of all its stages: analysis, animation, modeling, texturing, visualization and report for students’ effective understanding of the sequence of these stages and the peculiarities of working with them; Autodesk software product – 3ds MAX was used as the main design tool. An algorithm for the use of the project method was developed on the example of studying the discipline “Three-dimensional modeling and animation”. The following prospects for further research have been proposed: the definition of theoretical foundations and the development of teaching methods for three-dimensional computer design for future engineers-teachers in the process of studying professionally oriented disciplines.
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Flammia, Madelyn. "Avoiding Desktop Disasters: Why Technical Communication Students should Learn about Mechanical Paste up Techniques." Journal of Technical Writing and Communication 23, no. 3 (July 1993): 287–95. http://dx.doi.org/10.2190/bldx-08k6-34ae-xx1k.
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Today many students learn how to use desktop programs such as PageMaker and Ventura in technical communication courses; however, few of those students are also learning the principles of graphic design underlying the production of mechanicals. The ability to use a desktop publishing program does not necessarily guarantee the ability to produce well-designed and effective documents. In fact, the growing use of desktop publishing software has led to a proliferation of documents that violate all the rules of good design. This article describes a technical publications course in which students gain a better understanding of the principles of design and layout by using mechanical paste up techniques. When required to use mechanical paste up in addition to desktop publishing software, students acquired a more thorough understanding of grids and white space as well as a greater confidence in their abilities to do page design.
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Gadet, Ph. "Segmental innervation: a graphic synthesis of correspondence between dermatomes, myotomes, sclerotomes and viscerotomes. Systematic review of existing works and publications about dermatomes, myotomes, sclerotomes and viscerotomes aimed to design a graphic synthesis of somato-visceral correspondences." Russian Osteopathic Journal, no. 3-4 (February 11, 2020): 150–63. http://dx.doi.org/10.32885/2220-0975-2019-3-4-150-163.
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This article proposes a graphic synthesis in the form of an illustration of somato-visceral correspondences achieved through a literature review of existing publications about dermatomes, myotomes, sclerotomes and viscerotomes. Fundamental concepts of osteopathy, correspondence of the medullary levels of innervation between the somatic structures and visceral organs is proposed in the form of a graphic synthesis.The goal of research. Relevant studies in French, English and German language have been collected. Dedicated search engines, Google Scholar, JSTOR Search, MEDLINE / Pubmed, Web of Science have been consulted as well as all specifi c medical libraries accessible on-line and on-site. Synthesis of collected data has been used to design correspondences between dermatomes, myotomes, sclerotomes and viscerotomes.Conclusion. The aim of this systematic review suggests a graphical synthesis correspondence of the innervation areas in human body between somatic structures and visceral structures and organs. These illustrations of a neurological correspondence between structures highlight the principles of global management for a person carrying somatic dysfunctions. Further experimental investigations using imaging tools and current technological advances should help to a more complete elaboration of neurological correspondences between structures as well as understand the process of osteopathic therapy effectiveness.
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Kunz, Hans-Joachim. "Bibliographische Arbeit der SÄchsischen Landesbibliothek Dresden auf dem Gebiet der bildenden kunst." Art Libraries Journal 11, no. 1 (1986): 28–29. http://dx.doi.org/10.1017/s030747220000448x.
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The Bibliographie Bildende Kunst has come out annually since 1973. It records literature of various kinds about painting, graphic art, plastic art, architecture, applied art, book art, design, folk art, artistic photography as well as theory and history of art. The compilation comprises monographs, periodical essays and important contributions from the daily press. Every yearly volume contains an index of authors and an index of subjects. Every five years a cumulated index is published. Since 1973 the Bibliographie Illustrierte Bucher der Deutschen Demokratischen Republik has come out. It lists GDR publications containing artistic illustrations. Every yearly volume is made accessible by means of an index of authors and subject titles. Index cumulations are published every five years. In 1984 a list concerning the location of periodicals and serials about Fine Arts in libraries of the German Democratic Republic was published. It contains titles from the 18th mid-century onward up to the present, including information on the particular ownership of GDR libraries. These publications are obtainable from Sächsische Landesbibliothek Dresden, GDR-8060 Dresden, PSF 467/468.
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Fomin, Dmitry V. "Methods of Graphic Design of the Collected Editions: from the Experience of Soviet Artists of the 1920s." Bibliotekovedenie [Library and Information Science (Russia)] 67, no. 6 (December 27, 2018): 645–54. http://dx.doi.org/10.25281/0869-608x-2018-67-6-645-654.
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For the first time, there is presented the comprehensive analysis of the works of Soviet artists of book of the second half of the 1920s, engaged in the book design of the collected works. The flood of the book market with multi-volumes of fiction can be considered a kind of revenge of “big forms”, reaction to the previous stage of book culture, where brochure played the leading role. In the second half of the 1920s, the collected works were most often published in soft-covers. Each volume could be issued as a separate book, strikingly different from the other volumes. This gave the artists a certain freedom of manoeuvre and allowed to break the ingrained stereotypes. There was widely used a spectacular technique: the cover drawing was the same for all volumes, but the colouring of each volume varied.The aim of the article is to expand the established ideas about the book design of the 1920s, to consider and introduce into scientific circulation the forgotten works of known artists. The author carried out the comparative analysis of the multi-volumes issued by the leading publishing houses of those years, using the complex of complementary methods: bibliological, art historical and general historical.Gosizdat was the undisputed leader in the quantitative indicators of publications of the collected works, but its artistic policy in that area was characterized by old-fashioned conservatism tended to minimize the visual elements. The famous publishing house “Academia” in those years published the collected works quite rarely, but enriched the art of book with graphic cycles of such outstanding masters as V.A. Favorsky and N.P. Akimov. The book designers of the publishing house “Zemlya i Fabrika” were particularly successful and consistent in updating the appearance of the collected works: their works had a broad stylistic range and tendency to experiment. Creative search of artists of the 1920s deserves the attention of book historians, designers, illustrators, publishers, because it can give them productive creative ideas.
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Thomas, M. B., H. W. Beck, J. H. Crane, J. J. Ferguson, and J. W. Noling. "A Computer-based Diagnostic System for Diseases, Disorders, and Pests of Subtropical and Tropical Fruits." HortScience 30, no. 4 (July 1995): 758A—758. http://dx.doi.org/10.21273/hortsci.30.4.758a.
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A computer-based diagnostic system that can assist commercial producers, extension agents, and homeowners in the diagnosis of diseases, disorders, and pest damage for citrus, avocado, `Tahiti' lime, mango, carambola, lychee, and papaya was developed. The program was written in C++ and runs under MS-DOS. The system design was based on the diagnostic reasoning process of experts by identifying the location of symptoms, tree vigor, and occurrence within a grove. Full-screen color images link symptoms to possible diseases, disorders, and/or pest damage. Users can also refer to expert knowledge, graphic displays, pop-up menus, dialogue boxes, and retrieve information via hypertext from extension publications as well as current control methods. The program is available on CD-ROM, contains over 800 digital color images, and includes a glossary of terms.
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Mykhalevych, Viktor. "GRAPHIC DESIGN OF USR MAGAZINES AND CAMP PUBLICATIONS OF WUPR AND UPR OF SATIRICAL ORIENTATION (ON THE EXAMPLES OF “SAMOKHOTNYK” AND “LIAZARONI” MAGAZINES)." Knowledge, Education, Law, Management 2, no. 3 (2020): 37–42. http://dx.doi.org/10.51647/kelm.2020.3.2.7.
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Deepres, Ravi. "The Path to Woolf Works and the Language of Design." New Theatre Quarterly 35, no. 03 (July 18, 2019): 251–60. http://dx.doi.org/10.1017/s0266464x19000253.
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Film technology has become an increasingly prominent component of theatre design. In the practice of Robert Wilson and Robert Lepage it may support what has been described as a ‘pizza style’ of presentation, in which disparate techniques and modes of presentation are used to disturb conventional ideas of narrative, context, and textual authority, while in the work of Motionhouse it creates a language of dance as circus. The longstanding collaboration between film designer Ravi Deepres and choreographer Wayne McGregor presents an alternative model, at once highly composed as narrative and based on meticulous research into textual evidence. In this interview with David Roberts, Deepres charts the evolution of his work with McGregor up to their award-winning Woolf Works, showing how a genuinely collaborative artistic process and attention to the graphic possibilities of different film technologies have transformed our understanding of the role of design in devised performance. Ravi Deepres is Professor of Moving Image and Photography at Birmingham City University. For the past nineteen years he has designed shows in collaboration with choreographer Wayne McGregor. Their most recent success, Woolf Works, won the Olivier Award for Best New Dance Production and re-opened at La Scala Milan in April 2019. David Roberts is Professor of English at Birmingham City University. His recent publications include George Farquhar: A Migrant Life Reversed (Bloomsbury, 2018), and he is currently working on a new edition of Congreve's The Way of the World.
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Costigan-Eaves, Patricia. "Some observations on the design of William Playfair's line graphics." Information Design Journal 6, no. 1 (January 1, 1990): 27–44. http://dx.doi.org/10.1075/idj.6.1.02cos.
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The work of William Playfair, who is often landed as an originator of most modern-day graphic methods, has received very Utile systematic scrutiny and analysis. Playfair made his graphic debut with the publication in 1786 of The commercial and political atlas; this cycled through several editions and permutations* With one or two exceptions, Play f air's second major graphic contribution was A letter on our agricultural distresses, their causes and remedies of 1821, While Playfak has been credited with having 'invented' bar, circle and pie graphics, it was ime graphics he favoured most and used most frequently This paper contains some observations on the evolution of his approach to the design of line graphics; it examines some of the pitfalls of this approach. His astute insight into the value of the graphic method is most noteworthy and is also examined in this paper.
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Alekseychuk, M. S., P. A. Chapchay, and E. A. Avramenko. "DECLINE OF LATERAL DISPLACEMENT OF SHIP AFTER A MANEUVER BY THE INPUT OF ADDITIONAL AMENDMENT OF THE COURSE." Shipping & Navigation 30, no. 1 (December 1, 2020): 08–15. http://dx.doi.org/10.31653/2306-5761.30.2020.08-15.
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In work is specified, that navigation safety of sailing to a great extent depends on the errors of the navigation measuring, and also from operating reliability of sensors of navigation information. It is also marked that descriptions of exactness of gyroscopic compass influence on navigation safety. Because sizes of his errors the requirements providing the set exactness of determination of azimuthal directions are produced. At maneuvering of ship there are inertia errors which cause appearance of lateral displacement of ship after his turn, that can lead to the navigation failure of ship. Therefore, there is the problem of decline of lateral relocation bias of ship which appears after his turn, that conduces to the decline of navigation accident rate. The analysis of the last achievements and publications is resulted in work, the decision of the considered problem and selection of parts unsolved before is begun in which. Within the framework of theory endless rapid maneuver, expression for total inertia deviation which depends on character of maneuver and breadth of sailing of ship is resulted in the publication. It is shown that transversal relocation bias of ship is an integral function in relation to the function of deviation and for estimation of its size analytical expression is resulted, which it is visible from, that transversal displacement also depends on speed of ship after a maneuver. It is marked in the publication, that transversal displacement is more complete description of exactness of gyrocompass on the protracted time domains, as it represents the consequences of influencing of maneuvering on a gyrocompass in the «smoothed» kind out. From these positions, obviously, that inertia deviation is the index of instantaneous exactness of gyrocompass. Two methods of decline of transversal displacement of ship are offered, thus for estimation of efficiency of the offered procedure of indemnification of lateral displacement of ship the computer program allowing to produce the calculation of the crooked dependence of total inertia error from time with the subsequent graphic reflection was developed. The program also expects and builds the graphs of dependence of lateral displacement without indemnification, total lateral displacement with partial indemnification and with complete indemnification. The results of computer graphic design are resulted, which it ensues from, that total inertia error and lateral without indemnification is multiplied displacements with growth of breadth, during partial indemnification total lateral displacement diminishes approximately in 5 times, and at the variable additional amendment of course lateral displacement of ship is absent.
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Навольська, Л. В. "ІСТОРІОГРАФІЧНІ АСПЕКТИ ФОРМОУТВОРЕННЯ ЧОЛОВІЧОГО ОДЯГУ." Art and Design, no. 4 (February 3, 2020): 68–78. http://dx.doi.org/10.30857/2617-0272.2019.4.6.
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Systematization of the basic principles of men’s apparel design evolution, depending on historical, social and cultural aspects, analysis of factors of design modification, substantiation of the logic of changes, determining the degree of their relevance in the future. The research includes the analysis of publications on the chosen topic, analytical processing, systematization of the information base collected in the course of research with illustrative material on men's clothing. The work uses visual and graphic methods of data processing, which make it possible to clearly illustrate the specifics of combining traditional silhouettes and elements of culture. The evolution of men’s apparel design is analyzed on the example of a classical suit: the cyclical nature of men’s apparel design has been confirmed – changes in the design are shown as the reproduction of the same apparel with minor corrections required by the corresponding epoch in the interinfluence of its concept and function. It has been revealed that artistic and aesthetic tastes of each epoch in the history of humanity are best reflected in the men's apparel, which is also interrelated with the studies on the evolution of military apparel design. The research made it possible to determine the main stages and regularities in the evolution of design of men's clothing, trends in the logic of the creative process of the apparel design. The logic of changes in the design of men's apparel has been systematized and structured, taking into account the concept of design, ergonomic, structural and technological aspects. Practical relevance of the obtained results lies in making it possible to simulate creative processes of designing men’s apparel.
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Kogut, Natalia, and Marharyta Tarasenko. "Peculiarities of Author’s Rights Protection to Original Works of Art: Historical and Legal Aspect." Law Review of Kyiv University of Law, no. 4 (January 12, 2021): 314–19. http://dx.doi.org/10.36695/2219-5521.4.2020.55.
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The authors investigate the legal regulation of copyright protection in all possible arts: architecture, sculpture, graphics, design,painting, etc. The authors focus on the emergence of copyright in works in new art genres in the digital age, in particular: 3-D digitalmodels; engraving; engraving; pop-up publications and others. Peculiarities of free use of works and creation of derivative works indifferent kinds of art are determined.Each art form needs its own approach to regulating the author’s rights to the work. Architectural objects include both constructionprojects and drawings, as well as the buildings themselves, garden and park formations.The architectural design and the building are protected separately from each other. Therefore, there is no possibility to protect thearchitect’s rights to permit or prohibit the implementation of the project in the building and preserve the copyright to the architecturalpart of the building value, because in this case the idea (construction project) and building – various forms of works’ expression. However,construction projects are not subject to patent law, can not be patented as an invention, utility model, and do not belong to indust -rial designs. The building as a whole is not the subject of copyright, as copyright protects only the shape of the building, not engineeringsolutions, which in themselves, separately from the building, can be patented as inventions or utility models.Plagiarism of sculptures, especially sculptures of famous people and characters, is difficult to prove. In addition, there is the questionof the need to obtain permission from living famous people to create such sculptures for their commercial use. There is a questionof recognizing or not recognizing the 3-D sculpture as the original object of copyright.Works of fine art can be divided into: architecture, painting, graphics, sculpture, decorative and applied arts, photography anddesign. Works created with the help of a print as a unique type of graphic technique are considered original, as well as film photographs,when each developed photo will be original. Each copy of a book created using the pop-up technique is also considered original.The plots of films are difficult to defend in the context of copyright, because, in fact, they are a concept or idea that is easy tochange. The legislation does not clearly define that such a modification will be considered a derivative of the original work. The legislationdoes not contain clear criteria for defining plagiarism in works of art. Also, the legislation does not regulate co-authorship withmore or less complicity.
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Astaptseva, Khrystyna. "Fashion Referentiality of Stefaniia Martyniuk on the Pages of the Daily Newspaper “Novyi Chas”/”New Time” (1935-1939)." Scientific notes of the Institute of Journalism, no. 2 (75) (2019): 95–109. http://dx.doi.org/10.17721/2522-1272.2019.75.7.
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The objective of this paper is to introduce into scientific discourse the factual material about journalistic and editorial heritage of Stefaniia Martyniuk who is an unknown person up to the present day in world of fashion, turning to one more page in the forgotten history of the Ukrainian fashion-journalism. For reconstruction of social experience of Stefaniia Martyniuk it was used the biographical method. Analysis of documents, namely all issues of the newspaper “Novyi Chas”/”New Time” from 1926 till 1939, helped us to identify those numbers of the paper in which the thematic column “Nashym chytachkam”/“To our readers” was published. Using the method of periodization, we were able to trace the qualitative changes in development of the women’s column “Nashym chytachkam”/“To our readers”. The linguistic and stylistic (philological) method was used to analyze the stylistics and language of the column materials. For classification of journalistic heritage of Stefaniia Martyniuk, the genre method was applied. As well we used rhetorical analysis to study linguistic means in the editor’s texts. The discursive analysis was used to reveal correlation between publications and political, social and cultural preferences of Stefaniia Martyniuk. This paper focuses on the history of the women’s thematic column “Nashym chytachkam”/“To our readers” issued in 1935-1939. The main genres of the column were selected. All issues of the column were studied and a detailed description of the editor’s work process was represented. All publications were analyzed and the stylistic features of this thematic column were studied. The conceptual peculiarities of graphic design of the column and its illustrative material were highlighted. A fashion-glossary of the most commonly used fashion terms and meanings traced in the publications of the column “Nashym chytachkam”/“For our readers” was compiled.
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Fomin, Dmitry V. "The Theme of the Revolution in the Children’s Books of the 1920-ies." Bibliotekovedenie [Russian Journal of Library Science] 67, no. 1 (April 22, 2018): 61–68. http://dx.doi.org/10.25281/0869-608x-2018-67-1-61-68.
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Reflection of the events of the October Revolution of 1917 in the domestic publications for children in the 1920-ies — early 1930-ies is a very significant and interesting, but insufficiently studied topic. This theme had been mainly explored from the standpoint of literary analysis, without considering peculiarities of the crucial component of the books graphics. In the article there is made an attempt to analyse mainly from the bibliological and art critical point of view a number of editions, directly or indirectly related to the theme of Revolution, to consider stylistic features of their external design, to identify the most typical art techniques used by illustrators of those years. The considered period is interesting because there were no ready-made models to emulate for the writers and artists, there were no rigid canons of the “Revolutionary children book”; the most important topic from the point of view of Soviet ideology had been mastered by trial-and-error method. In the mid-1920-ies, writers and graphic artists preferred the allegorical, fairy-tale interpretations of the Revolution theme: in the illustrative cycles of such different masters, as M.V. Dobuzhinsky, B.V. Joganson, D.A. Bulanov, V.S. Tvardovsky, the victorious revolts were committed in a fantastic country, in the kingdom of toys or in the world of animals. Rather unsuccessful should be recognized the experience of graphical interpretation of revolutionary themes with the use of heavy-weight allegories; much more convincing, though not undisputed, was the method of describing the class battles from the point of view of a child. In publications of the early 1930-ies, all sorts of allegory give way to the direct access to the historical events of 1917; however, the graphical language of the books remains conditional. In the works of A.I. Poret, P.M. Kondratyev, B.I. Inozemtsev, N.V. Svinenko, the epic scale of the Revolution is emphasized with the use of unexpected lines of sight, bold spatial solutions; and primitive style is often synthesized with the techniques of avant-garde art. Using different strategies of mythologization and poetization of the Revolution, illustrators were successfully resolving the problem of not only political, but also aesthetic education of the younger generation.
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Nazarkevych, M. A., and O. A. Troyan. "Identification of latent images in printed documents." Scientific Bulletin of UNFU 29, no. 3 (April 25, 2019): 120–24. http://dx.doi.org/10.15421/40290325.
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The protection of printed documents plays an important role in the information security of the state. The problems of the development of graphic methods of document protection are analysed. The analysis showed that there is a certain gap in document protection and the control of originality, and also the need for effective protection of documents to prevent their falsification. The possibility to improve the protection result by using latency for the effectiveness of document security is considered. This method allows providing a high level security of information in printed form, leaving no room for possible falsifications even on modern copier devices. The technology of protection involves the creation of protective elements based on the release of latency when attempting to falsify documents. Information technology is developed at the stage of document preparation for printing. The method of protecting printed documents, showing which latent images remain promising in protection, is analysed. The main threats for printed and electronic publications and types of falsifications are determined. The basic principles of protection have been constructed, which ensure the reliability and integrity of the document containing a hidden element. The research of scanned images has revealed that the original document does not match its copy. The article describes the method of identifying means of their unique features. The methods of selecting multiple image keys are explored and they are compared with the corresponding keys of the reference images. The method can be applied in various ways, for example, to recognize graphic elements. The advantages of this method are simplicity of circuit design, increased speed, and accuracy of identification. The results of application of the elemental comparison method for recognition of latent images are proved, which confirms its efficiency. For the protection of documents, a fairly wide range of defence methods is used, each of which is characterized by a certain degree of reliability and has its own specificity, which consists in determining the assessment of threats to the documents, the conditions of their circulation and application. Moreover, it should be noted that any protection will only be effective if it is constantly improved and outpaces the technical and financial capabilities of the initiators of attacks.
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Rojas-de-Gracia, María-Mercedes, Pilar Alarcón-Urbistondo, and Eva María González Robles. "Couple dynamics in family holidays decision-making process." International Journal of Contemporary Hospitality Management 30, no. 1 (January 8, 2018): 601–17. http://dx.doi.org/10.1108/ijchm-10-2016-0562.
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Purpose Family holiday decision-making (FHDM) is a process composed of several stages. This paper aims to describe two objectives: to identify at each stage the roles in couples, the main decision-maker in the case of family holidays; and to determine the most influential variables. Design/methodology/approach To identify the roles played by the partners, a frequency analysis has been conducted, which provides a graphic representation of the so-called feasibility triangles. The technique selected to identify the variables that explained the decision structure was binary logistic regression. In total, 375 useful dyads of questionnaires were received. Findings Holidays follow a joint decision-making process in the initiation phase and in the final decision, while the search for information is carried out equally by either partner. The woman’s work situation, the type of destination travelled to and the difference in education levels between them are the variables that best explain how couples decide on their family holidays. Practical implications A better understanding of the FHDM process will help tourism companies to improve their marketing campaigns. Originality/value The characteristics of the sample composed of 375 couples whose members completed a questionnaire separately have allowed not have to rely on one response per household, which adds reliability to the results. This sample is higher than the one of many reference publications on the subject. Furthermore, this paper revealed differences between male and female perception.
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Morton, Linda P. "PRSA publication managers’ preferences for graphic designs." Public Relations Review 31, no. 2 (June 2005): 281–83. http://dx.doi.org/10.1016/j.pubrev.2005.02.011.
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O.A., Ilchenko, and Bondar D.V. "MANIPULATIVE HEADLINES IN THE MODERN MEDIA SPACE (ON THE MATERIAL OF UKRAINIAN-LANGUAGE ONLINE PUBLICATION)." South archive (philological sciences), no. 84 (December 23, 2020): 146–50. http://dx.doi.org/10.32999/ksu2663-2691/2020-84-22.
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Purpose. The article is devoted to the identification of manipulative headlines in the media space of Ukrainian-language online publications in 2020 and the analysis of manipulative technologies applied to them. The purpose of the article is to identify manipulative technologies applied to headlines in the modern Ukrainian-language media space.Methods. To achieve this goal, the paper uses appropriate research methods: the method of continuous sampling for the selection of manipulative media headlines that occur in online publications; method of content analysis to study the implicative content of manipulative titles of publications of Ukrainian online publications in 2020. Results. The title in the online edition is a communicative unit that performs a number of functions: nominative-informational, advertising-expressive, graphic-distinctive.Manipulative technologies used by journalists and editors for verbal design of headlines of materials published in online publications are analyzed. Among them – the use of stereotypes, labeling, repetition of information, anonymous authority, statement of fact, distraction, the principle of contrast, psychological shock.Conclusions. As a result of the content analysis, which was to identify the implicative content of manipulative titles of Ukrainian online publications in 2020, the authors of this investigation found that journalists and editors productively use manipulative technologies that increase clickability and, consequently, bring profit to owners media. But there is a trend: the more actively mass media use these technologies, i.e. the clickability increases, the lower the quality of information content in the media space. Poor performance of the main function of mass media in society – information – causes a violation of the process of socio-political communication. The analyzed techniques create manipulative content, the purpose of which is to attract the attention of media consumers (the main thing is the advertising-expressive function of headlines), which play an important role in the media space, because they disseminate information on social networks or orally.Key words: manipulation, media manipulation, manipulation technology, content. Мета. Стаття присвячена виявленню маніпулятивних заголовків у медіапросторі україномовних інтернет-видань за 2020 рік, їхніх комунікативних функцій, аналізу маніпулятивних технологій, що застосовуються до них. Мета статті – виявити маніпулятивні технології, що застосовуються до заголовків у сучасному україномовному медіапросторі.Методи. Для досягнення поставленої мети в роботі використано відповідні методи дослідження, а саме: метод суцільної вибірки для добору маніпулятивних медіазаголовків, що трапляються в інтернет-виданнях; метод контент-аналізу для вивчення імплікатурного змісту маніпулятивних заголовків публікацій українських інтернет-видань 2020 року.Результати. Заголовок в інтернет-виданні – комунікативна одиниця, яка виконує низку функцій: номінативно-інформаційну, рекламно-експресивну, графічно-видільну.Проаналізовано маніпулятивні технології, які журналісти та редактори використовують для вербального оформлення заголовків матеріалів, які розміщують в інтернет-виданнях. Серед них використання стереотипів, наклеювання ярликів, повтор інформації, анонімний авторитет, констатація факту, відволікання уваги, принцип контрасту, психологічний шок.Висновки. У результаті проведеного контент-аналізу, що полягав у виявленні імплікатурного змісту маніпулятивних заголовків публікацій українських інтернет-видань 2020 року, автори цієї розвідки з’ясували, що журналісти та редактори продуктивно застосовують маніпулятивні технології, які підвищують клікабельність, а отже, приносять прибуток власникам медіа. Але виявляється тенденція: чим активніше масмедійники використовують ці технології, тобто росте клікабельність, тим нижча якість інформаційного контенту в медіапросторі. Неякісне виконання основної функції масмедіа в суспільстві – інформування – спричиняє порушення процесу суспільно-політичної комунікації. За допомогою проаналізованих технік створюється маніпулятивний контент, мета якого – привернути увагу медіаспоживачів (головною стає рекламно-експресивна функція заголовків), які відіграють важливу роль у медіапросторі, оскільки саме вони поширюють інформацію в соціальних мережах чи усно.Ключові слова: маніпуляція, медіаманіпуляція, технологія маніпулювання, контент.
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Артеменко, М. П., and І. С. Агаджанян. "ХУДОЖНЬО-ОБРАЗНІ ОСОБЛИВОСТІ ГЕРОЇВ КОСПЛЕЮ В КОНТЕКСТІ ДОСЯГНЕННЯ ТУРИСТИЧНОЇ АТРАКЦІЇ." Art and Design, no. 3 (December 11, 2018): 41–53. http://dx.doi.org/10.30857/2617-0272.2018.3.4.
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The study seeks to systematize artistic-figurative features of cosplay heroes in the context of achieving tourist attraction taking into account the cultural traditions of the eastern (Japanese) and western (American-European) directions of this subculture.The research includes a critical analysis of publications on selected topics, analytical processing and systematization of the collected information base of the study with photo-illustrative material, in which examples of costumes for cosplay are recorded. Also, the visual-graphic methods of data processing were used in the work, which allowed to illustrate clearly the characteristic conceptual directions of artistic images of the eastern and western directions of this subculture.Four groups of artistic images of cosplay heroes of the origin are distinguished, as well as fundamental differences in the images of the eastern and western directions of cosplay are revealed. For the Western (American-European), a classification scheme consisting of 12 basic groups of characters with distinctive external features was formed; for the eastern (Japanese), a more complex hierarchical structure that contains three global categories (images of the "real world", "fictional world", "the medieval world") and one auxiliary (fanservice images). Global categories of images are divided into 9 groups.For the first time, scientific analysis and systematization of artistic-figurative features of heroes of cosplay have been conducted taking into account the specifics of the cultural traditions of the eastern (Japanese) and western American-European) directions of this subculture.The results of the research can be used in pedagogical activities in teaching a number of disciplines related to the design of a spectacle and theatrical costume, as well as in the practice of designers, costume designers, cosplayers, tourism managers, etc.
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Aleksieiev, Oleksandr M., Mykola M. Korotun, and Dmytro V. Trebukhov. "ВИКОРИСТАННЯ АНІМАЦІЇ ЯК ЗАСОБУ ПІДВИЩЕННЯ МОТИВАЦІЇ НАВЧАННЯ СТУДЕНТІВ ІНЖЕНЕРНИХ СПЕЦІАЛЬНОСТЕЙ." Information Technologies and Learning Tools 65, no. 3 (July 1, 2018): 76. http://dx.doi.org/10.33407/itlt.v65i3.1985.
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The study of the principles of action and technical objects design at high levels of abstraction presents considerable difficulties for engineering students and, as a result, reduces their motivation for learning. Drawings, diagrams, general types of technical objects, that are crucial to gaining understanding of how complex mechanisms operate, can be easily converted into digital format. However, their use to increase the motivation of students for learning is hampered by insufficient theoretical groundwork and limited experience in the introduction of animated graphic materials. The analysis of publications on the subject of the article confirms that the use of information and communication technologies can improve the quality of teaching in higher education institutions, including by enhancing students' motivation for learning. The aim of the study was to determine the impact of animation on the correlation between internal and external motives in the course of educational activity of students majoring in engineering. The article describes the framework developed by the authors for creating animation of a technical object model and its perception by the students in the context of increasing motivation. Three levels of animation (low, medium and high) are classified according to the degree of realism of the designed models of technical objects. The findings reveal that the control of animation at each level of realism makes it possible to transform it into a game situation and enhance the practical skills of managing the object. The authors have carried out a comparative analysis of the influence of animation on the motivation of students of engineering majors. The experimental testing has identified a statistically significant change in the ratio between internal and external motives, determined the level of motives associated with acquiring knowledge and skills, gaining engineering qualifications and formally obtaining a degree after graduating from a higher education institution.
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Fomin, Dmitry V. "The Concept of “The Art of Book” in the Works of Book Scientists of the 1920s." Bibliotekovedenie [Russian Journal of Library Science] 69, no. 5 (December 9, 2020): 491–500. http://dx.doi.org/10.25281/0869-608x-2020-69-5-491-500.
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The author uses historiographic analysis, scientologic and bibliological methods to analyse the texts of the leading domestic book scientists of the 1920s, expressed on the art and design of book. The article identifies the range of the most important sources from the point of view of the studied theme. The author traces how the concept of the “art of book” was interpreted by scientists of that period, how it was introduced into science, and what aspects of study of design skills seemed to be the most advanced. Increased interest in the appearance and aesthetic quality of printed publications, which had been observed in the art criticism since the end of the 19th century, moved in the 1920s to the field of academic science. There is a need to concretize the basic concepts of “book art criticism”, specify them in detail in the general system of book science. According to the majority of researchers, the art of book should be understood first of all not as graphic decorations, illustrative additions to the text, but its typographic interpretation, clear coordination of all elements of the book ensemble. This idea was also expressed by the critics of Silver age, but it was the book scientists of the 1920s who especially vigorously promoted it, introduced it into the minds of contemporaries and into scientific circulation, and used it as a methodological basis for their theoretical constructions.M.I. Shchelkunov’s monograph “History, technology, art of book printing” played an important role in the history of “art book science”. It contains a lot of valuable information; however it is largely spoiled by the author’s vulgar-sociological approach to the chosen topic. More successful were the works of A.A. Sidorov “The art of book”, “Book as an object of study and artistic elements of book”, which raised the question of the need to study the forms of book, the laws of its construction, and the ratio of constructive and decorative elements in the design ensemble. The author also considers the statements about the art of book by M.N. Kufaev, A.M. Lovyagin, N.F. Garelin, M.I. Fabrikant, A.G. Fomin, P.M. Dulsky. Attempts by scientists in the 1920s to create a theory of book art, to approach the study of print works from the standpoint of art studies, were not always successful, but nevertheless, they were of great importance for Russian book science, expanded its borders and significantly influenced its further development.
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Figueiredo, Frederico C., Dena E. Eber, and Joaquim A. Jorge. "Refereed digital publication of computer graphics educational materials." Computers & Graphics 28, no. 1 (February 2004): 119–24. http://dx.doi.org/10.1016/j.cag.2003.10.013.
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Sereda, A. P., and M. A. Andrianova. "Study Design Guidelines." Traumatology and Orthopedics of Russia 25, no. 3 (October 18, 2019): 165–84. http://dx.doi.org/10.21823/2311-2905-2019-25-3-165-184.
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Complying with certain requirements or, more precisely, following the guidelines for the design of a scientific publication helps to make it not only more comprehensible for reviewers and readers, but actually enhances the quality of work. For example, even if some aspects in design logic were fulfilled but not described, other researchers doing meta-analysis may wrongly but for a good reason downgrade such publication and exclude it from the analysis. Understanding of the guidelines for study design ensures not only the proper description of the results but the initial planning of work. The CA RE guidelines were established for reporting of clinical cases, STROBE — for reporting observational studies (cohort and case-control studies), CO NSORT — for reporting randomized studies (these guidelines are often used also for other comparative and case series studies), STARD — for reporting diagnostic studies, and PRISMA — for reporting of systematic reviews and meta-analyses. The present paper describes the key aspects of those guidelines and provides templates for graphic display of study design in form of flow charts. Evidently, we should not forget that each study is unique and there is always a place for a reasonable compromise between “requirements” and the real logic of the research in place.
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Dayanov, Anna, and Raphael Zalmanzon. "THE CONSTRUCTION OF THE KIROV DEPARTMENT STORE AND FACTORY-KITCHEN IN MEMOIRS AND DOCUMENTS." Scientific and analytical journal Burganov House. The space of culture 16, no. 3 (September 10, 2020): 88–102. http://dx.doi.org/10.36340/2071-6818-2020-16-3-88-102.
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The article presents the history of the Narva Factory-Kitchen construction in the late 1920s - early 1930s. A decision was made on the general construction of factory-kitchens, which were to become the basis of the USSR’s state public catering system in the 1920s-1930s. In Leningrad, it was decided to build four factory-kitchens, including the Narva one, which was supposed to share a building with a department store (later the Kirov Department Store). A competition was announced to design the factory-kitchen building. The article describes the factory-kitchen project that won the competition. Four architects were the authors of the project developed in the constructivism style. Over time, the idea of factory-kitchens turned out to be inconsistent, and the Narva Factory-Kitchen was closed. The Kirov Department Store had also stopped working for a long time. In the early 2000s, a decision was made to reconstruct it. During the preparation of the project for the reconstruction of the Kirov Department Store, research work was carried out to identify design materials and documents on the history of the Narva Factory-Kitchen and Department Store building. In addition to many graphic images, the authors of the article discovered interesting facts about the construction progress and the first years of the factory-kitchen. The found documents: protocols, reports, critical notes, and memoirs of a participant in the events, illuminate the construction and operation of the factory-kitchen from different points of view - from official materials (texts of explanatory notes to project documentation, publications in the official press, minutes of meetings, construction inspection reports) and from personal assessments of various facts related to the Nevsky Factory-Kitchen (memoirs of contemporaries, workers who took part in the construction work and further operation of the enterprise). The documents also made it possible to reproduce the realities of the production process of the 1920s-1930s, for example, socialist competition, high-powered work practices, and shturmovshchina. The fact that construction work was carried out in the absence of actual plans was revealed. Besides, the coordination of work was systematically disrupted. The created picture shows a low work organization level, which caused numerous imperfections and low construction quality. In turn, this was one of the reasons for the problems in the operation of the factory-kitchen. Based on the found documents and the actual violations of an operational nature, the article also notes: non-observance of the sanitary and hygienic regime, the monotonous menu of the dining room, low quality of dishes. The documents also report on economic violations. Later, for several reasons, the very idea of a factory-kitchen discredited itself. At present, the building of the Kirov Department Store has been reconstructed and is in operation.
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Tiurikova, E., О. Pogorelov, V. Titinov, and О. Nedoshitko. "FORMATION OF THE COMMUNICATIVE AND OPERATIONAL GRAPHIC COMPETENCIES OF THE ARCHITECTURE STUDENTS." East European Scientific Journal 1, no. 4(68) (May 14, 2021): 18–26. http://dx.doi.org/10.31618/essa.2782-1994.2021.1.68.9.
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The publication is devoted to the problem of the formation of the communicative and operational graphic competencies of the architecture students. The parallels are drawn between the design and artistic activities of the students. The forms of search and implementation of a creative idea by the graphic means are studied. The paper reveals modern approaches to the professional communication by graphic methods, means of forming environmental mise-en-scenes, featuring the functional and activity, emotional and figurative, etc. components of the architectural concept. The parallels are drawn between the theatrical and scenographic approach, cinema storyboard and the method of featuring sequential environmental impressions in the architectural sketches. The potential of formal art in enhancing the emotional-compositional component of students’ works are researched.
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LLOYD, T. "What women should know about AIDS By Julia Chiapella, Marcia Quackenbush and Kay Clark. Graphic design by Elizabeth Warshaw and Julia Chiapella. Santa Cruz, CA: Network Publications, 1988. Available from: Network Publications, P.O. Box 1830, Santa Cruz, CA 95061-1830, (408) 438-4080. Price: 50 for $14.00; 200 for $48.00; 500 for $100.00; 1,000 for $170.00. Add 15% for postage/ handling. Order title #136." Journal of Nurse-Midwifery 34, no. 3 (May 1989): 157. http://dx.doi.org/10.1016/0091-2182(89)90070-0.
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Perna, Stefano. "Design ResearchScape. A visual exploration of Design Research publications." Design Journal 20, sup1 (July 28, 2017): S952—S963. http://dx.doi.org/10.1080/14606925.2017.1353040.
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Sereda, Andrey P., and Marina A. Andrianova. "Study design guidelines." Russian Journal of Pediatric Surgery, Anesthesia and Intensive Care 10, no. 3 (December 25, 2020): 353–68. http://dx.doi.org/10.17816/psaic697.
Full textAbstract:
Complying with certain requirements or, more precisely, following the guidelines for the design of a scientific publication helps to make it not only more comprehensible for reviewers and readers, but actually enhances the quality of work. For example, even if some aspects in design logic were fulfilled but not described, other researchers doing meta-analysis may wrongly but for a good reason downgrade such publication and exclude it from the analysis. understanding of the guidelines for study design ensures not only the proper description of the results but the initial planning of work. The CARE guidelines were established for reporting of clinical cases, STROBE for reporting observational studies (cohort and case-control studies), CONSORT for reporting randomized studies (these guidelines are often used also for other comparative and case series studies), STARD for reporting diagnostic studies, and PRISMa for reporting of systematic reviews and meta-analyses. The present paper describes the key aspects of those guidelines and provides templates for graphic display of study design in form of flow charts. evidently, we should not forget that each study is unique and there is always a place for a reasonable compromise between requirements and the real logic of the research in place.
The article is the reprint published with the permission of the copyright holder. Original article: Sereda AP, Andrianova MA. Study Design Guidelines. Traumatology and Orthopedics of Russia. 2019;25(3):165-184. doi: 10.21823/2311-2905-2019-25-3-165-184
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Hula, Yevhen, and Alla Osadcha. "Features of the impact of design on the progress of humanity." Aspects of Historical Musicology 21, no. 21 (March 10, 2020): 8–22. http://dx.doi.org/10.34064/khnum2-21.01.
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Background. Within the framework of art-historical discourse, the peculiarities of the influence of design developments and concepts on progress of humanity are considered. Researchers offer ambiguous estimates of this phenomenon, discussions are lasting and different opinions on the issues of influence of design on technological and cultural progress of human society are putting forward. The aim of the paper is to systematize and generalize scientific concepts about the design role in the society progress. Novelty of the research consisting in synthesis of information on features of development of design for the last years in various spheres of culture and social practice defines its practical significance: the Ukrainian educators and art critics can consider the information contained in the article useful to develop new strategy of training in bases of design to non-specialist students. Methodology. Major publications and monographs on the subject have been reviewed. It has been found that terminological judgment of design began with the middle of the XX century, first, within postmodern paradigm. The design as a component of culture correlates with cultural and art traditions, philosophy, ecology and other areas of public and humanitarian knowledge. Hence, the study of the role of design in ensuring progress provides for the wide use of theoretical and methodological tools not only of design theory, but also of other disciplines: art history, cultural studies, social psychology, aesthetics, ecology, etc. The design is considered both as universal and as a national phenomenon. The definitions of design in the works of a number of domestic and foreign authors in the context of its cultural-creative influence are compared. The analysis of design in its connection with artistic creativity is carried out. The components of contemporary design art are determined, the characteristic to the newest manifestations of design is given. Results. The design represents the hierarchical structure expressed by means of а material, space and balance of proportions, contrasts, repetitions (in ornaments, etc.), scale and a form, a size, a color and density, texture and weight, and other. It is possible to consider culture of design as the huge multilayered text, which is written down by different ways in different spheres of culture and art. However the dilemma “art or production” in the sphere of design is inevitable. Design is directly involved in technical progress in material culture and uses the art of planning, invention, modeling as a method, also introducing new object forms (see, for example, Vershinin & Melentyev, 2005: 1001). The design role in culture is connected with creation of esthetically perfect fine environment. At the same time, it is differentiated essentially depending on the region of the world. So, design creativity is reasonably considered a manifestation of project activities and project culture of the 20th century. However, the progressive function of design at the beginning of the 21st century is that design is becoming a way to bridge the gap between technical civilization and spiritual culture, and design projecting is becoming a way of harmonizing human life in a modern environment. The importance of design for the progress of humankind is clearly demonstrated by the modern ecological direction, one of the components of the international movement of “green” design, namely, “environmental” design. This concept implies the creation of products that are compatible with the environment, the reduction and complete elimination of the negative impact on nature through the use of alternative resources and energy, as well as non-toxic materials. Ideally, the design should be in line with the “3R” ecological principle: reduce, reuse, and recycle. The value of design for progress in art can be understood, having only tracked integration of painting, architecture, industrial and graphic design and having seen what the role in tangled process of creation of design is played by contents and a form, which also are the expression of the thought, the point of view and social responsibility of the designers. It is also important to emphasize the role of the designer’s profession, because for many artists design and art is a cultural mission, where life and work are inseparable. Judgments of design in art are formed, proceeding from two types of estimates: symbolical, or associative (external), and formal (internal). Symbolical estimates are mostly subjective and have no relation to design or art per se, being most often based on a habit, rumors, others thought, personal factors, prejudices, misunderstanding, that is on social, psychological, political, financial and even religious factors. Internal assessments concern an esthetics and actually design (appearance of the work of art, its visual quality) regardless of what it personifies. If external estimates belong to contents, then internal – to beauty. The latter is difficult to measure it and here such factors as talent, erudition, taste, susceptibility, experience and visual feeling matter. When determining a role of design in art, it is also necessary to remember that the principles of laconicism, laws of color, a rhythm and even plot equally work in any material, these fundamentals exist out of time, space, the state, school or style. To resume, human progress is largely driven by the positive influences of design concepts. Summarizing the views of Ukrainian and foreign researchers, it can be argued that design as a type of purposeful creative activity of mankind contributes to progress, since: 1) provides support for the development of civilization by creating new and improving known man-made objects; 2) creates an optimal human environment in order to achieve maximum comfort of his existence; 3) contributes to the formation of creative personality traits, its purposeful activity, which is one of the main social tasks. Design acts as an universal phenomenon, which covers different spheres of human activity, being, at the same time, the factor of socio-cultural communication and the basis for personality realization. As the socio-cultural phenomenon, it correlates with understanding of the person as source of intrinsic forces acting like the harmony catalyst in space.
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Craig, Robert. "Ideological Aspects of Publication Design." Design Issues 6, no. 2 (1990): 18. http://dx.doi.org/10.2307/1511433.
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Boers, Maarten. "Graphics and statistics for cardiology: designing effective tables for presentation and publication." Heart 104, no. 3 (October 13, 2017): 192–200. http://dx.doi.org/10.1136/heartjnl-2017-311581.
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Research is of little use if its results are not effectively communicated. Data visualised in tables (and graphs) are key components in any scientific report, but their design leaves much to be desired. This article focuses on table design, following two general principles: clear vision and clear understanding. Clear vision is achieved by maximising the signal to noise ratio. In a table, the signal is the data in the form of numbers, and the noise is the support structure necessary to interpret the numbers. Clear understanding is achieved when the story in the data is told effectively, through organisation of the data and use of text. These principles are illustrated by original and improved tables from recent publications. Two special cases are discussed separately: tables produced by the pharmaceutical industry (in clinical study reports and reports to data safety monitoring boards), and study flow diagrams as proposed by the Consolidated Standards of Reporting Trials and Preferred Reporting Items for Systematic Reviews and Meta-Analyses initiatives.
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Bettley, James. "A survey of current design publishing." Art Libraries Journal 17, no. 3 (1992): 27–30. http://dx.doi.org/10.1017/s0307472200007926.
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In comparison with architectural books, books on design have a relatively recent history, although not as recent as might be thought since many of today’s design books had antecedents in the 1930s. The publishing of design books in the 1930s followed the emergence of design as a profession; the rapid expansion of design publishing in the last two decades has been stimulated by the design boom of the 1980s, by the rise of design history as an academic discipline, and by new varieties of and issues in design such as computer graphics, design education, and “green” design. Publications from this period include some major new bibliographies and reference works, but also a good deal of transient material which will nonetheless possess some documentary or curiosity value in time to come. Writings about design by designers themselves are still in short supply.
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Tenconi, Lucia. "Fotografia e arti visive nella progettualitŕ di Ico Parisi." TERRITORIO, no. 61 (June 2012): 137–44. http://dx.doi.org/10.3280/tr2012-061022.
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A day of studies held at the Politecnico in Milan dedicated to Ico Parisi has re-launched the project for publication of a monographic volume dedicated to the multi-faceted work of the this architect from Como. This project offers the opportunity to reconsider the role of photography in Parisi's designs, where a snapshot was never a detailed, truthful, immutable reproduction of reality, but a symbolic and critical representation of the subject mediated by the author, a source of creative inspiration, more images and the concretisation of utopian places. Following the evolution of Parisi's poetics through his experiences in the photographic field, this essay shows the development of the relationship between graphic representation and architectural design, which became progressively closer until the two expressive realms almost completely overlapped, and photography itself became architecture.
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Afrashtehfar, Kelvin I., Jing-Wen Yang, Amaweya A. H. Al-Sammarraie, Hui Chen, and Musab H. Saeed. "Pre-clinical undergraduate students’ perspectives on the adoption of virtual and augmented reality to their dental learning experience: A one-group pre- and post-test design protocol." F1000Research 10 (June 15, 2021): 473. http://dx.doi.org/10.12688/f1000research.53059.1.
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Background: We live in a time where traditional education has rapidly incorporated online modalities due to the recent SARS-CoV-2 (COVID-19) safety measures such as social distancing. Regardless of these challenges, health education constantly strives to implement the best technologies available for an effective student deep learning outcome. Virtual (VR) and augmented reality (AR) in the dental pre-clinical stage may help stimulate students to better understand the foundation material prescribed in the curriculum. Most visual material available for students is still mainly based on 2D graphics. Thus, this study will attempt to evaluate the students' perceptions about implementing VR/AR technologies in the learning setting. Methods: A single-group pretest-posttest design will be implemented where students will be exposed to VR/AR and fill out two questionnaires, one before and one after the exposure. Conclusions: This project is intended to start once the institutional ethical approval is obtained. It is expected that the analysis from the current project will provide recommendations to improve the students' academic curriculum pre-clinical experience. The recommendations will be provided in the form of at least three scientific publications, with one publication for each subject area intended to be evaluated (i.e., head and neck anatomy, dental anatomy, and removable prosthodontics).
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Sayed, Ali H. "Free Electronic Access to SP Publications [advertisement]." IEEE Transactions on Image Processing 18, no. 12 (December 2009): 2617. http://dx.doi.org/10.1109/tip.2009.2031339.
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Creigh-Tyte, Anne. "Design Research Publications in the English-Speaking World." Design Journal 1, no. 1 (March 1998): 54–61. http://dx.doi.org/10.2752/146069298790225181.
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Pakdil, M. E., R. N. Celik, Ö. Kaya, Y. C. Konak, and C. Guney. "SMART AERONAUTICAL CHART MANAGEMENT SYSTEM DESIGN." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences II-2/W2 (October 19, 2015): 83–87. http://dx.doi.org/10.5194/isprsannals-ii-2-w2-83-2015.
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Civil aviation is developing rapidly, and the number of domestic and international operations is increasing exponentially every year than the previous one. Airline companies with increased air traffic and the number of passengers increase the demand of new aircrafts. An aircraft needs not only fuel but also pilot and aeronautical information (charts, digital navigation information, flight plan, and etc.) to perform flight operation. One of the most important components in aeronautical information is the terminal chart. Authorized institution in every state is responsible to publish their terminal charts for certain periods. Although these charts are produced in accordance with ICAO’s Annex 4 and Annex 15, cartographic representation and page layout differs in each state’s publication. This situation makes difficult to read them by pilots. In this paper, standard instrument departure (SID) charts are analysed to produce by use of cutting-edge and competitive technologies instead of classical computer-aided drawing and vector based graphic applications that are currently used by main chart producers. The goal is to design efficient and commercial chart management system that is able to produce aeronautical charts with same cartographic representation for all states.
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Stytz, Martin R., Philip Amburn, Patricia K. Lawlis, and Keith Shomper. "Virtual Environments Research in the Air Force Institute of Technology Virtual Environments, 3-D Medical Imaging, and Computer Graphics Laboratory." Presence: Teleoperators and Virtual Environments 4, no. 4 (January 1995): 417–30. http://dx.doi.org/10.1162/pres.1995.4.4.417.
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The Air Force Institute of Technology Virtual Environments, 3-D Medical Imaging, and Computer Graphics Laboratory is investigating the 3-D computer graphics, user-interface design, networking protocol, and software architecture aspects of distributed virtual environments. In this paper we describe the research projects that are underway in the laboratory. These projects include the development of an aircraft simulator for a distributed virtual environment, projects for observing, analyzing, and understanding virtual environments, a space virtual environment, a project that incorporates “live” aircraft range data into a distributed virtual environment, a virtual environment application framework, and a project for use in a hospital emergency department. We also discuss the research equipment infrastructure in the laboratory, recent publications, and the educational services we provide.