Relevant bibliographies by topics / Graphic design styles

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Graphic design styles'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Graphic design styles"

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Udris, Iryna, and Natalia Udris-Borodavko. "Evolution of Artistic Styles of Commercial Advertising Posters in the Context of the History of Graphic Design." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 230–39. https://doi.org/10.31866/2410-1176.42.2020.207661.

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The purpose of the article is to understand the synthesis and cautious term system of specific artistic features of an advertising poster at every stage of the stylistic evolution for the effective practice of modern graphic designers in creating a variety of advertising images by stylisation. The research methodology is based on the use of systematic art review, stylistic, and comparative analysis of artistic advertising products of the 1870s‑2010s to determine the evolution of artistic styles of commercial advertising posters. The scientific novelty of the study is to conduct a comprehensive
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Potapenko, Anna M., Mykola V. Potapenko, and Nina M. Pantus. "FEATURES OF LETTERING STYLES IN GRAPHIC DESIGN." European Journal of Arts, no. 1 (2023): 27–32. http://dx.doi.org/10.29013/eja-23-1-27-32.

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Gula, Ievgen, Oksana Maznichenko, Anastasiia Kutsenko, Alla Osadcha, and Nataliia Kravchenko. "Methods of Teaching Graphic Design in HEIs for Art." Journal of Curriculum and Teaching 12, no. 2 (2023): 154. http://dx.doi.org/10.5430/jct.v12n2p154.

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Under the conditions of digitalization in technology and art, there is a sense of significant changes in visual creativity, where design projects are given not only new artistic expressiveness, but everything becomes an immeasurable resource base and source of inspiration for future graphic designers. This new reality encourages the permanent updating of approaches and the use of innovative methods of teaching graphic design in HEIs for art in the process of preparing for the professional activity of a future graphic designer. Therefore, a modern graphic designer, being the creator of a demand
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Ortega, Engels, Ilya Casanova, Itala Paredes, and Liliana Canquiz. "Estilos de aprendizaje: estrategias de enseñanza en LUZ." Telos: Revista de Estudios Interdisciplinarios en Ciencias Sociales 21, no. 3 (2019): 710–30. http://dx.doi.org/10.36390/telos213.11.

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The development of the future professional graphic design requires the constant use of didactic and financial resources for learning, the product of a growing market and with greater demands due to global growth. This directs the way to the use of teaching strategies in correspondence with the style of student learning that strengthen their potentialities. The objective is to evaluate the learning styles present in the students assigned to the Graphic Design program of FADLUZ, to generate teaching and motivational strategies that stimulate their learning. A descriptive and field research was c
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Mukhamedov, Umarkhon Sobitovich. "Trends In The Emergence And Development Of Styles In Web-Design." American Journal of Interdisciplinary Innovations and Research 03, no. 10 (2021): 21–24. http://dx.doi.org/10.37547/tajiir/volume03issue10-04.

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This article discusses the emergence of styles and possible ways of developing trends in web-design. The increase in interest in Internet technologies, their rapid development, spread, reaching a certain qualitative level in the visualization of information, contribute to a significant influx of professional designers into this still new area of graphic design.
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Nemtchinova, Elena E., Stepan A. Popov, Yuri N. Kepa, Daria Yu Ermilova, and Nadezhda B. Lyakhova. "Memphis patterns in graphic design." LAPLAGE EM REVISTA 7, Extra-D (2021): 427–33. http://dx.doi.org/10.24115/s2446-622020217extra-d1123p.427-433.

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The purpose of this work is to study the theory of Memphis patterns use, as well as the use of elements of ornamental art in graphic design, which are extremely relevant in modern design. The Memphis pattern trend in modern graphic design requires in-depth analysis. Why is the specificity of the means of expressing Memphis patterns associated with the requirements of today’s effective communication? This study examines the techniques of the artistic language of the Memphis pattern and its expressive means. The analysis of the used ornamental elements is carried out. The connection between the
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Shkolna, Olga, Olga Sosik, and Alla Buigasheva. "Stylistics of Ukrainian Fine Art, Architecture and Design in the Second Half XIX – Early XXI Centuries’ Period." Demiurge: Ideas, Technologies, Perspectives of Design 4, no. 2 (2021): 291–98. http://dx.doi.org/10.31866/2617-7951.4.2.2021.246856.

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The aim is to explore the key concepts of stylistics of Ukrainian fine arts, architecture and various types of design of the second half of the XIX – early XXI centuries in the relationship of individual fields of knowledge. Research methods – hermeneutic, axiological, historical-genetic, historical-chronological, comparative, culturological, formal-stylistic, art analysis. The selected tools allow you to compare the stylistic features of different types of design (industrial, graphic, clothing, environment), fine arts and architecture. A novelty is an overview of evolutionary processes in ter
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Shkolna, Olga, Olga Sosik, and Alla Buigasheva. "Stylistics of Ukrainian Fine Art, Architecture and Design in the Second Half XIX – Early XXI Centuries' Period." Demiurge: Ideas, Technologies, Perspectives of Design 4, no. 2 (2021): 291–98. https://doi.org/10.31866/2617-7951.4.2.2021.246856.

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The aim is to explore the key concepts of stylistics of Ukrainian fine arts, architecture and various types of design of the second half of the XIX – early XXI centuries in the relationship of individual fields of knowledge. Research methods – hermeneutic, axiological, historical-genetic, historical-chronological, comparative, culturological, formal-stylistic, art analysis. The selected tools allow you to compare the stylistic features of different types of design (industrial, graphic, clothing, environment), fine arts and architecture. A novelty is an over
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Krafte, Katrīna, Viesturs Lāriņš, and Andra Fernāte. "VISUAL COMMUNICATION GRAPHIC GUIDANCE’S CONTENT OF SPECIAL ARTISTRY STYLE CREATION FOR YOUNG RHYTHMIC GYMNASTS." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 2 (July 3, 2023): 516–25. http://dx.doi.org/10.17770/sie2023vol2.7097.

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The artistic evaluation of the competitive composition has a significant effect on the final result in rhythmic gymnastics. An important criterion of artistry is the ability of gymnasts to prove the idea and image of music-accompanied composition dynamically and emotionally. Thus, special artistry like imagery and its style is one of the determining tools for making an aesthetic impression, which accordingly affects the subjective evaluation of the composition. Considering the early specialization in rhythmic gymnastics, it is necessary to develop imagery of gymnasts already at the initial pre
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Alamarat, Yazan Ibrahim, and Hussein Mohammad Al-Omari. "The Effect of Combining 2D and 3D Moving Particles on Hybrid Motion Graphics." Dirasat: Human and Social Sciences 52, no. 2 (2024): 328–36. https://doi.org/10.35516/hum.v52i2.6250.

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Objectives: This study aimed to evaluate the level of complexity involved in integrating 2D and 3D techniques and evaluating the utility of this approach for designers in generating innovative motion designs,. It also aims to examine the design methodology employed in the creation of 2D and 3D motion graphics. Methods: The study used the descriptive- analytical approach. It also used the quantitative approach based on understanding the effect of combining 2D and 3D moving particles in designing new and innovative designs and determining the relevant terminology and concepts to create 2D and 3D
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Dissertations / Theses on the topic "Graphic design styles"

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Kok, Petrus Jacobus, and A. Bayaga. "Effects of prior spatial experience, gender, 3d solid computer modelling and different cognitive styles on spatial visualisation skills of graphic design students at a rural-based South African university." Thesis, University of Zululand, 2018. http://hdl.handle.net/10530/1811.

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Submitted in fulfilment to the Department of Planning and Administration of the requirements for the degree of Doctor in Education in the Faculty of Education at the University of Zululand’ 2018.<br>Studies pertaining to the relationship and effect of prior spatial experience, gender and how they influence three-dimensional (3D) solid modelling as well as different cognitive styles on the spatial visualisation skills has little to no evidence, especially in graphics design students at rural–universities. Additionally, graphics design students often struggle to understand, process and convert m
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Hunter, Darrin S. "Regionalism in Graphic Design." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367928330.

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Meacher, Gary Earl. "Note-taking and Information Retention and Recall." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1334547127.

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Aynsley, Jeremy. "'Gebrauchsgraphik' : style and ideology in German graphic design 1910-1939." Thesis, Royal College of Art, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600808.

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Kurovska, D. V. "International typography style." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/14373.

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Kolisnyk, Oleksandra, Yevgen Gule, and Tetyana Kugai. "Style features in the modern graphic design as a method of a social communication." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/9983.

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The stylistic features of the contemporary graphic design and its connection with previous European art traditions are considered; also further innovative trends in the design of this area are predicted due to the social challenges of the informational society.<br>Розглядаються стильові особливості сучасного графічного дизайну, зв'язок із попередніми традиціями європейського мистецтва та прогнозуються подальші інноваційні тенденції дизайну у цій сфері, що зумовлені соціальними викликами інформаційного суспільства.
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Dambrauskienė, Vaida. "Poligrafinis firminis stilius." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070119_154154-64596.

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The structure of the work has two parts: in the first part we discuss the analysis of literature, characteristic of advertising, the plan of activity, the style of the company, image and the main formation features. All this concurrent of the trademark, it’s functions, species, colours. In the second part goes theory applies with the chosen company’s booklet creation, it’s analysis.
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Mandíková, Eva. "Firemní styl - grafický manuál." Master's thesis, Vysoká škola ekonomická v Praze, 2008. http://www.nusl.cz/ntk/nusl-9129.

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This diploma thesis concentrates on corporate design that is one of the important elements of corporate identity by which company can frame it's image. Good image is very important for any company, still some small companies are forgetting about it.
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Röbsteck, Vilém. "Grafické studio Plus 420 728 528 648." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2016. http://www.nusl.cz/ntk/nusl-240503.

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The base of this diploma thesis is a creation of the studio of graphic design Plus 420 728 528 648, its vissual style, introduction to the mean projects which we have recently solved and which, in my opinion, characterize well our design work which we have chosen.
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Green, Rebecca S. "The role of aesthetic style in the visual communication of climate change." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/91366/1/Rebecca_Green_Thesis.pdf.

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Public apathy on the issue of Anthropogenic Climate Change (ACC) is widespread, with more than half of surveyed Australians and Britons in denial of the phenomenon. While much is known about media influences and strategies such as message framing, there is little in the way of research on the impact of designed visual communication. This study builds knowledge and challenges assumptions by employing a relational approach between ACC visual communications, the professionals producing them, and the members of society that these communications are attempting to influence, contributing knowledge t
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Books on the topic "Graphic design styles"

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Jobling, Paul. Graphic design: Reproduction and representation since 1800. Manchester University Press, 1996.

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Art, Archives of Canadian, ed. J.E.H. MacDonald, designer: An anthology of graphic design, illustration and lettering. Archives of Canadian Art, 1996.

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Piña, Leslie A. Graphic Herman Miller. Schiffer Pub. Ltd., 2001.

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Harten, Jürgen. Art meets ads: Kunst trifft Werbung in der Ausstellung "Avantgarde & Kampagne" = art meets ads at the exhibition "Avantgarde & Kampagne". Edition Cantz, 1993.

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Müller-Brockmann, Josef. Geschichte des Plakates =: Histoire de l'affiche = History of the poster. Phaidon Press, 2004.

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Müller-Brockmann, Josef. Geschichte des Plakates =: Histoire de l'affiche = History of the poster. Phaidon, 2004.

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Burns, Charles. Facetasm: A creepy mix & match book of gross face mutations! Gates of Heck, 1998.

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Chagall, Marc. Marc Chagall: Selected graphic works. Berkeley Square Gallery, 1990.

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Steven, Heller. Graphic style: From Victorian to post-modern. H.N. Abrams, 1988.

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Henry, Moore. Henry Moore: Catalogue of graphic work. Cramer, 1986.

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Book chapters on the topic "Graphic design styles"

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Gee, Lilian Lee Shiau, and Jasni Dolah. "Graphic Styles Appearance: Perception of Malaysian Students." In Proceedings of the Art and Design International Conference (AnDIC 2016). Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_14.

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Singh, Diksha, and Ankita Roy. "Trends in the Gond Aesthetics and Narrative Styles in Graphic Novels." In Design in the Era of Industry 4.0, Volume 3. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-0428-0_10.

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Mallinson, Jonathan. "9. 1924–25: Recognition of the Artist Potter." In William Moorcroft, Potter. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.09.

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This chapter explores the development of Moorcroft’s work against the background of two major international exhibitions: the British Empire Exhibition at Wembley in 1924, and the Exposition des arts décoratifs et industriels in Paris the following year. His high-profile involvement in the Wembley exhibition, epitomised in his magnificent stand designed by Edward Maufe, was one of the landmarks of his career. His display enhanced his reputation as a ceramic artist, culminating in an article published in the Daily Graphic entitled ‘A Potter of Genius’. Surviving reports written to Moorcroft thre
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Raposo, Daniel, João Neves, José Silva, and Catarina Laginha. "The Contribute of Graphic Style and Connotations to Memorability of Brand Marks from Agri-Food Sector." In Advances in Ergonomics in Design. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41983-1_59.

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Talley, Anna Kallen. "From Swiss Modernism to the International Compliant Style: Grids and Graphic Design in the Age of Information Disorder." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-43516-4_9.

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Graulund, Christian Uldal, Dmitrij Szamozvancev, and Neel Krishnaswami. "Adjoint Reactive GUI Programming." In Lecture Notes in Computer Science. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71995-1_15.

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AbstractMost interaction with a computer is via graphical user interfaces. These are traditionally implemented imperatively, using shared mutable state and callbacks. This is efficient, but is also difficult to reason about and error prone. Functional Reactive Programming (FRP) provides an elegant alternative which allows GUIs to be designed in a declarative fashion. However, most FRP languages are synchronous and continually check for new data. This means that an FRP-style GUI will “wake up” on each program cycle. This is problematic for applications like text editors and browsers, where ofte
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Navarro, Danielle, and David Foxcroft. "3. Getting started with jamovi." In Learning Statistics with jamovi. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0333.03.

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Chapter 3 of the book introduces readers to the statistical software jamovi, guiding them through the initial steps of downloading, installing, and familiarising themselves with its interface. The chapter emphasises the advantages of using jamovi for statistical analysis, including its user-friendly design, compatibility with the R statistical programming language, and open-source nature, which helps avoid the constraints of costly proprietary software. A significant portion of the chapter is devoted to exploring jamovi’s graphical user interface, with explanations on managing datasets, workin
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Méot, François. "Synchrocyclotron." In Particle Acceleration and Detection. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-59979-8_7.

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AbstractThis chapter introduces the concept of phase focusing by synchronous acceleration, and the synchrocyclotron which confirmed the principle. Synchrocyclotron style of acceleration in a fixed field alternating gradient accelerator (FFAG) is also addressed. The theoretical material needed for the simulation exercises is essentially that of the Weak Focusing Synchrotron, Chap. 8, regarding phase stability, and that of the Classical Cyclotron, Chap. 3, or FFAG optics, Chap. 10, regarding transverse stability. The chapter begins with a brief reminder of the historical context, and continues w
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Kolosnichenko, Olena, and Kalyna Pashkevych. "METHODOLOGY FOR THE DEVELOPMENT OF THE COMPANY STYLE BASED ON THE STUDY OF ANALOGUES." In Graphic design in information and visual space. Publishing House “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-274-6-4.

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The concept of corporate style is considered, its main elements and carriers are listed. It was established that corporate style performs the following main functions: differential, identifying and image. The method of analyzing analogues to determine the features and regularities of corporate styles of companies that use corporate style as an effective means of communication is considered. The main trends in the development of corporate styles are considered, the influence of the corporate color on the consumer’s emotional state is described. The sequence of developing the corporate identity
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Holovchanska, Yevheniia. "STAGES AND METHODS OF DEVELOPING DESIGN-GRAPHICS OF MOBILE GAME APPLICATIONS." In Graphic design in information and visual space. Publishing House “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-274-6-11.

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The work is devoted to the peculiarities of developing graphics for game applications. The article considers the historiography of the problem, analyzes the design process and types of games by genre, features of different graphic styles. Based on the research, the idea of a new game application using elements of Ukrainian mythology was proposed, requirements for its main functionality and appearance were formed, the concept of a mobile game application, its target audience was determined, the main characters, screens, playing field, background, screensavers were designed and other elements of
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Conference papers on the topic "Graphic design styles"

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Liu, TianYi, Min Niu, and HanLong Xia. "Digital illustration and cultural creative design of Wudang Mountain style based on graphic style transfer algorithm." In Third International Conference on Machine Vision, Automatic Identification and Detection, edited by Renchao Jin. SPIE, 2024. http://dx.doi.org/10.1117/12.3035430.

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Zhang, Xinxin. "Exploring Graphic Design with Style Generative Adversarial Networks Based loss Function Using Logo Images." In 2024 International Conference on Integrated Intelligence and Communication Systems (ICIICS). IEEE, 2024. https://doi.org/10.1109/iciics63763.2024.10859770.

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Song, Jinyu, Weitao You, Shuhui Shi, et al. "GradeS: An AI-Driven Graphic Design Support System for Design Style Analysis." In ASME 2023 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/detc2023-114660.

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Abstract The style of graphic design is an important design factor that influences the memorability of designs. Graphic designers routinely analyze the latest designs, capture the style trends, and create designs that match the style trends to appeal to a larger audience. Nonetheless, the lack of quantitative style analysis techniques can lead to an inefficient analysis process and introduce subjectivity and bias. To expedite designers’ understanding of design style trends and make the analysis more objective, we propose GradeS, an AI-driven graphic design support system that facilitates multi
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S. Oluyemi, Ayorinde, Oluwafemi S. Adelabu, and E. Bankole Oladumiye. "IDENTIFICATION TENDENCIES IN THE ONOMASTICS OF NON-ALCOHOLIC BEVERAGE PACKAGING DESIGN IN AKURE, NIGERIA." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p59.

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Non-alcoholic beverages (NAB) are widely consumed by diverse demography. Also, there are myriads of names for branding NAB for identification purposes. However, the proliferation of various naming styles on NAB packaging—such as cans, bottles, cartons, and plastics—can lead to misinterpretation, causing consumers to mistakenly associate these products with different categories. This misinterpretation can result in consumers spending more time searching for their preferred products or avoiding them altogether. Previous research highlights instances of negative brand names that evoke strong resp
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Rauh, Patricija, Gregor Franken, and Klementina Možina. "Legibility analysis of self-designed typeface with eye-tracking device." In 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p90.

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Typography appears in every aspect of our lives. It is closely intertwined with the representation of information, communication, and our cultural and national identity. Until the invention of computer in printing, only a few typefaces were in use. Then, almost overnight, a flood of new typefaces appeared in different type styles or in their combinations. Nowadays, a vast number of tools is available for designing typefaces, enabling almost anyone to do it. Nevertheless, not every typeface is well designed and useful, i.e. legible. A successful type design requires following the established ae
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Beriş, Yeter. "DEVELOPMENT OF FEMALE ARTIST IDENTITY IN THE 19TH CENTURY: AN EXAMINATION IN THE CONTEXT OF PRINT ART." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p65.

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The 19th century stands as a pivotal period in art history, marked by significant strides in both artistic expression and the struggle for women's rights. Women encountered various obstacles as they endeavoured to carve out their identities, seeking greater recognition and acceptance within the artistic sphere. However, this journey was fraught with substantial impediments to women's artistic and educational development. Initially, during the first half of the 19th century, access to art education for women was severely restricted. Often deprived of formal artistic training, they were typicall
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T. F. Poon, Stephen. "Preliminary report on doodling’s cultural role as intentional art: A study of youth perceptions of aesthetic self-expression and idea helper in branding." In 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p78.

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The concept of doodles as a self-expression art-form is discussed through a quantitative study on the perceptions of youths towards doodling activity to produce ideas, to develop self-confidence, and in decision making for brands. The intentionality and purposes for doodling have been much critiqued by contemporary visual researchers. This paper considers the function of doodles in visual communication, and how contextual utilisation of doodles as a communication medium impacts individualistic expression as well as influencing consumer decision-making in brand preferences. Research also highli
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Zuza, Lara, and Jure Ahtik. "Analysis and design of animated posters." In 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p77.

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Using a static or animated information on a medium, such as a poster, is a common decision to be made nowadays. Advertising solutions in the form of a screen that mimics a traditional poster format offer us a way to bring to life something that has been static for more than a century. Deciding if and when it is better to use an animated rather than a static (printed) poster is not always easy. The campaign budget has to be higher, and a decision must be based on the proven effectiveness and communicativeness of the medium in question. Research is focused on whether and how animation can improv
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Lakićević, Milena, Ivona Simić, and Radenka Kolarov. "Designing parterres on the main city squares." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p66.

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A “parterre” is a word originating from the French, with the meaning interpreted as “on the ground”. Nowadays, this term is widely used in landscape architecture terminology and depicts a groundlevel space covered by ornamental plant material. The designing parterres are generally limited to the central city zones and entrances to the valuable architectonic objects, such as government buildings, courts, museums, castles, villas, etc. There are several main types of parterres set up in France, during the period of baroque, and the most famous one is the parterre type “broderie” with the most ad
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Bao, Suomiya. "Visualizing situations: comparing pixel and vector art style in a dining situation sketch." In 9th International Conference on Kansei Engineering and Emotion Research (KEER2022). Kansei Engineering and Emotion Research (KEER), 2022. http://dx.doi.org/10.5821/conference-9788419184849.72.

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Previous study indicated that the simplicity of a visualized situation could play an important role in comprehension and emotion. However, the effect of the art style was never discussed. As an art style with minimalist aesthetic, pixel art’s popularity and value are not well explained. This study is aimed to investigate the difference between pixel and vector art style by comparing one of the visualized situations extracted from previous study and the pixelated counterpart.&#x0D; &#x0D; 166 valid responses were collected (69 males &amp; 97 females). Participants were randomly separated into 2
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Reports on the topic "Graphic design styles"

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Удріс, Ірина Миколаївна, and Наталя Сергіївна Удріс-Бородавко. Design of the Franco-Belgian Exhibition Poster of the 1890-s in the Context of the Art Nouveau Style Formation. КНУКіМ, 2019. http://dx.doi.org/10.31812/123456789/5087.

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The purpose of the article is to determine the artistic and graphic peculiarities of the Franco-Belgian exhibition poster of the 1890s in the context of the formation of the Art Nouveau style. The research methodology of the work is based on the use of traditional art methods: historical and cultural, reconstructive and model, historical and attributive, which contributed to the revealing of artistic and graphic transformations in the field of Franco-Belgian spectacular poster. The scientific novelty of the article lies in the author’s artistic interpretation of the stylistic manner of the cre
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