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Relevant bibliographies by topics / Graphical score / Dissertations / Theses

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Dissertations / Theses on the topic 'Graphical score'

Author: Grafiati

Published: 7 September 2021

Last updated: 29 July 2025

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1

Vidiksis, Adam. "Vidiksis-Transfigurations [Score]." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/253754.

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Music Composition<br>D.M.A.<br>Transfigurations is a symphonic work in one movement for orchestra and live computer processing utilizing the graphical audio programming language Pure Data. The score and patch for this piece are accompanied by an essay describing the audio processing techniques and the compositional processes employed in this work. Programming methods discussed include strategies for data capture, patch structure, user interface, and processor management. All audio processing in the work is realized in realtime. These sounds are derived directly from the orchestra in performanc

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2

Waernbaum, Ingeborg. "Covariate selection and propensity score specification in causal inference." Doctoral thesis, Umeå : Umeå universitet, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-1688.

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3

Lamaison, Étienne Marie Joseph. "L´interprétation des partitions graphiques non-procédurales." Doctoral thesis, Universidade de Évora, 2013. http://hdl.handle.net/10174/11330.

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Résumé – Les partitions graphiques non-procédurales Cette thèse examine quelles sont les ouvertures qui ont été offertes aux interprètes par l’avènement des partitions graphiques à partir des années 1950. Les partitions graphiques considérées sont désignées comme non-procédurales. Avec Nelson Goodman, il sera établi en quoi les partitions graphiques ne peuvent être considérées comme des formes notationnelles. Ce sont des musiques intuitives en ce sens qu’elles ne suivent pas une procédure d’exécution, mais invitent l’interprète à élaborer des processus de jeux. Après l’analyse de pièces comme

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Behnen, Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar. "Volume I. The construction of motion graphics scores Volume II. Seven motion graphics scores /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1581435611&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of California, Los Angeles, 2008.<br>CD-ROM entitled "The motion graphics scores of Severin Behnen" includes the animated scores. Includes bibliographical references (v. 1, leaves 138-142).

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Bochmann, Rachel Alexandra Consitt. "Criteria for graphic representation in musical scores: Visual elements in musical scores." Master's thesis, Universidade de Évora, 2009. http://hdl.handle.net/10174/18523.

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A interdisciplinaridade entre a música e as artes visuais tem sido explorado por conceituados teóricos e filósofos, embora não exista muito na área da interpretação visual do grafismo de partituras musicais. Este estudo investiga como os grafismos na notação e símbolos musicais afectam o intérprete na sua transformação em som, com referência especial a partituras contemporâneas, que utilizam notação menos convencional para a criação de uma interpretação por sugestão. Outras relações entre o som e o visual são exploradas, incluindo a sinestesia, a temporalidade e a relação entre obra de arte e

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6

Jönsson, Maria. "Promenade pieces : About graphic scores, connotation and pedestrians." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2884.

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<p>Maria Jönsson: Track_4</p><p>Performers: Maria Jönsson - flute, Reuben Fenemore - clarinet, Gustav Broman - electric bass, Albin Vesterberg - electric guitar; Wendy Liao, Artur Musalimov, Naama Freedman, Hue Trinh Luong - pedestrians.</p><p>Video and audio recording of Track_4 with: Maria Jönsson - flute, Reuben Fenemore - clarinet, Gustav Broman - electric bass, Albin Vesterberg - electric guitar; Wendy Liao, Artur Musalimov, Naama Freedman, Hue Trinh Luong - pedestrians.</p>

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7

Fornés, Bisquerra Alicia. "Writer Identification by a Combination of Graphical Features in the Framework of Old Handwritten Music Scores." Doctoral thesis, Universitat Autònoma de Barcelona, 2009. http://hdl.handle.net/10803/3063.

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8

Norman, David. "PREDICTING THE PERFORMANCE OF INTERPRETING INSTRUCTION BASED ON DIGITAL PROPENSITY INDEX SCORE IN TEXT AND GRAPHIC FORMATS." Doctoral diss., University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2193.

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Practitioners have proposed that Digital Natives prefer graphics while Digital Immigrants prefer text. While Instructional Design has been extensively studied and researched, the impact of the graphical emphasis in instructional designs as it relates to digital propensity has not been widely explored. Specifically, this study examined the performance of students when presented with text-only and graphic-only instructional formats. The purpose of this study was to test the relationship between Digital Propensity Index scores of individuals and their performance when interpreting online instruct

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9

Ashry, Rustom Ahmed Rennels Max R. "A comparison of creativity scores between beginning and advanced painting and graphic design students." Normal, Ill. Illinois State University, 1987. http://wwwlib.umi.com/cr/ilstu/fullcit?p8713210.

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Thesis (Ed. D.)--Illinois State University, 1987.<br>Title from title page screen, viewed July 25, 2005. Dissertation Committee: Max R. Rennels (chair), Marilyn P. Newby, E. Robert Stefl, Jack A. Hobbs, Robert C. Goodall, Eugene R. Irving. Includes bibliographical references (leaves 56-57) and abstract. Also available in print.

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10

Bays, Geoffrey Alan. "ScoreSVG a new software framework for capturing the semantic meaning and graphical representation of musical scores using JAVA2D, XML, and SVG /." unrestricted, 2005. http://etd.gsu.edu/theses/available/etd-07072005-150030/.

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Thesis (M.S.)--Georgia State University, 2005.<br>Ying Zhu, committee chair; Rajsekhar Sunderraman, Xaolin Hu, committee members. Electronic text ( 82 p. : ill. (some col.)) : digital, PDF file. Description based on contents viewed July 5, 2007. Includes bibliographical references (p. 52-54).

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11

Gray, David. "The visualization and representation of electroacoustic music." Thesis, De Montfort University, 2013. http://hdl.handle.net/2086/10561.

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In Chapters 1 and 2 there are definitions and a review of electroacoustic music, and then visualization generally and as applied to music. Chapter 3 is a review of specific and relevant literature as regards to the visualization of electroacoustic music. Chapter 4 introduces the concepts of imagining as opposed to discovering new sound, and what is important to this research about these terms; in addition what is meant and indicated by them. Chapter 5 deals with the responses that composers currently working have made to the enquiry concerning visualization. In this chapter these responses are

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12

Schuette, Paul W. "untitled." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276997689.

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13

Hudgins, Donald A. "Rhythm and Views: A Compilation of Eight Projects Including Scoring, Video Production and Motion Graphic Design." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1206070566.

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14

César, Marina Maluli. "Texto sonoro e partitura gráfica: aspectos intersemióticos e enunciativos." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-07062017-083301/.

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A presente tese se dedica à análise de partituras gráficas e da interação entre o som e a imagem que elas apresentam. O corpus da pesquisa inclui tanto partituras cuja notação possui uma motivação plástica quanto verbal além de algumas partituras mistas as quais permitem um olhar sobre a relação entre o texto e a imagem. Tendo em vista que a escrita e concepção da obra musical se influenciam mutuamente, exploramos algumas vias nas quais a enunciação musical presente no enunciado gráfico e a intersemioticidade entre o visual e o sonoro pudessem ser verificadas. Devido ao fato de a música instru

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15

Diaz, Anna. "The Relationship Between Thinking Maps and Florida Comprehensive Assessment Test Reading and Math Scores in Two Urban Middle Schools." Doctoral diss., University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3840.

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The purpose of this study was to determine what difference, if any, exists between the implementation and use of Thinking Maps® and students' academic achievement in Reading and Mathematics as measured over time by the Florida Comprehensive Assessment Test® (FCAT). Thinking Maps® is a registered trademark of Thinking Maps, Inc. The data were examined after three years of Thinking Maps® implementation and instruction. The design of this study was quantitative, with a nonrandomized control group, pretest-posttest design (Ary, Jacobs, & Razavieh, 2002) that examined the effects on student Reading

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16

Vanek, Juraj. "Měření výkonnosti grafického akcelerátoru." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2010. http://www.nusl.cz/ntk/nusl-237240.

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This paper deals with possibilities and functions of modern graphic accelerators and with measuring performance under OpenGL interface. Widespread algorithms to render scene in real-time are used. It focuses on how to test every part of accelerator's graphic pipeline as well as measure performance in rendering of advanced effects and theoretical speed at general purpose calculations through graphic processor. This testing is realized by implementing multiple test series and their further evaluation. Final application enables setting of test parameters and outputs a score, by which is possible

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17

Maluli, Cesar Marina. "Sens et signification musicale dans les partitions graphiques : aspects visuels de l'invention musicale." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040231.

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Ce travail est dédié à l’analyse des partitions graphiques et de l’interaction son-image qui en résulte. Notre corpus de recherche comprend aussi bien des partitions qui utilisent une notation plus plastique que le sous-type textuel ou verbal et quelques partitions mixtes lesquelles permettent un regard sur la relation établie entre le texte et l'image; comme la musique instrumentale est un art performatif, nous examinerons également les aspects énonciatifs présents dans l’écriture de l’œuvre menée par le compositeur et dans son interprétation, au moment de sa lecture et de son exécution par l

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18

Espinel, Miguel Angel. "Replenishment: A Musical Narrative Inspired by Sleep." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062888/.

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The Replenishment cycle contains five works that allude to the experience of sleep, beginning with awake drowsiness and ending with the piece inspired by rapid eye movement (REM) sleep, titled Conceiving Realities. This last piece is an intermedia work composed for chamber ensemble, live painting with biofeedback, computer, and audiovisual processing. This critical essay describes the composition of Conceiving Realities within the context of the Replenishment cycle, followed by a thorough analysis of the research involved in the technological aspects of the piece, and finally, a description of

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19

Schellhas, Daniel H. "PEREGRINATION: A MUSICAL SKETCH OF EUROPE IN FOUR MOVEMENTS." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1174323599.

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Thesis (M.M.)--Bowling Green State University, 2007.<br>For alto saxophone in E♭, violoncello, piano, percussion (vibraphone, crystal glasses (C,E,G♯, B)) Document formatted into pages; contains 1 score (19 p.) Duration: ca. 13 min. Includes bibliographical references.

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20

Jonsäll, Hans Lennart. "Mot händelsernas horisont : Att komponera improviserad musik med ljuddesign som metod." Thesis, Luleå tekniska universitet, Institutionen för ekonomi, teknik, konst och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-85101.

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This Bachelor Thesis in composition explores an alternative compositional process for creating improvised music through the approach of sound design. The questions addressed in the thesis are concerned with how the soundscape can be controlled by the composer while still maintaining the expressivity of an improvised performance. Thus, the composer’s role as both sound designer, producer and performer is investigated using live electronics and score design. The theoretical framework for the thesis is to be found in the intersection between Anglo-American experimental music, electronic music, so

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21

Yen, Yu Ping, and 嚴育屏. "An Object-Oriented-Based Score System with Graphical-User-Interface." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/54980978151712684721.

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碩士<br>中原大學<br>資訊工程研究所<br>82<br>In the world of the multimedia, the "music" always plays a great role, while the computer-music (MIDI) has either become a hot trend of the composition, is widely used at the present time. The exchange of the messages between computers is achieved by the files or network-protocals, while the music between people is relied on the oral singing, the records, or the notations. In either efficiency or accuracy, the traditional hand-copy or artificial type-setting l

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22

Yang, Hsuan-Che, and 楊宣哲. "SCORM-Based Courseware Authoring Tool Using Graphical User Interface." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/54393796952775131285.

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碩士<br>淡江大學<br>資訊工程學系碩士班<br>93<br>Web-based distance learning becomes more popular and convenient, it provides flexible environment for learners. However, it is hard for teachers to design the distance course and assess students’ learning. To overcome this drawback, a systematic assessment mechanism is proposed to enhance interaction between students and teachers. The theory of concept and influence diagram combined together as a new courseware diagram with useful tools. There are three aspects in the courseware diagram. First, a course flow chart can be built systematically and students learni

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23

Redman, G. William. "Book A graphic score for any musicians or non-musicians /." 2006. http://proquest.umi.com/pqdweb?did=1147182711&sid=17&Fmt=2&clientId=39334&RQT=309&VName=PQD.

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Thesis (Ph.D.)--State University of New York at Buffalo, 2006.<br>Title from PDF title page (viewed on June 14, 2007) Available through UMI ProQuest Digital Dissertations. Thesis adviser: Stadelman, Jeffrey P. Includes bibliographical references.

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24

Lin, Yi-Li, and 林怡里. "Design and Implementation of a SCORM-compatible Graphical Strategy-based Course Authoring Tool." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/92011187390202606754.

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碩士<br>國立成功大學<br>資訊工程學系碩博士班<br>94<br>This paper proposes a strategy-based course authoring tool to facilitate the learning strategy being applied to realistic instruction. By means of the proposed authoring tool, an instructor can combine the learning strategy with the existing learning content to edit the SCORM (Sharable Content Object Reference Model)-compatible strategy-based courses, where SCORM is currently the most popular e-learning standard. The features of the strategy-based course authoring tool are (i) Predefined sequencing patterns, where each sequencing pattern is composed of SCORM

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25

Hlaváčková, Jitka. "Grafické partitury jako cesta ke skutečnosti. Ukázka "komplexního realismu" v tvorbě československých umělců 60. a 70. let 20. století v kontextu mezinárodního hnutí experimentální tvorby." Doctoral thesis, 2015. http://www.nusl.cz/ntk/nusl-352950.

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The present work deals, from a general point of view, with the research of methods of depiction. In particular, it focuses on the phenomenon of graphical or visual scores in the former Czechoslovakia within the context of experimental creation movement of the early 1960s. It tries to discover the historical and also immediate social and artistic sources of their existence. It finds them in the need to express the primary (empiric) sensual experience, free from any formal assumptions stemming out of the traditional ways of depiction. The text points out mainly to the multidisciplinary qualities

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26

Bel, Sébastien. "Développement d’une plateforme numérique pour l’apprentissage de la guitare." Thèse, 2018. http://hdl.handle.net/1866/22865.

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27

(8771429), Ashley S. Dale. "3D OBJECT DETECTION USING VIRTUAL ENVIRONMENT ASSISTED DEEP NETWORK TRAINING." Thesis, 2021.

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<div> <div> <div> <p>An RGBZ synthetic dataset consisting of five object classes in a variety of virtual environments and orientations was combined with a small sample of real-world image data and used to train the Mask R-CNN (MR-CNN) architecture in a variety of configurations. When the MR-CNN architecture was initialized with MS COCO weights and the heads were trained with a mix of synthetic data and real world data, F1 scores improved in four of the five classes: The average maximum F1-score of all classes and all epochs for the networks trained with synthetic data is F1∗ = 0.91, compared t

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