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Relevant bibliographies by topics / Gravity's rainbow

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Academic literature on the topic 'Gravity's rainbow'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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Journal articles on the topic "Gravity's rainbow"

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Smoot, George F., and Paul J. Steinhardt. "Gravity's rainbow." General Relativity and Gravitation 25, no. 11 (November 1993): 1095–100. http://dx.doi.org/10.1007/bf00763752.

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Ruthen, Russell. "Gravity's Rainbow." Scientific American 265, no. 3 (September 1991): 26. http://dx.doi.org/10.1038/scientificamerican0991-26.

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Magueijo, João, and Lee Smolin. "Gravity's rainbow." Classical and Quantum Gravity 21, no. 7 (March 8, 2004): 1725–36. http://dx.doi.org/10.1088/0264-9381/21/7/001.

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Berger, Maurice. "Gravity's rainbow." Women & Performance: a journal of feminist theory 14, no. 1 (January 2004): 165–72. http://dx.doi.org/10.1080/07407700408571447.

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Turier, Christine. "Pynchon's Gravity's Rainbow." Explicator 50, no. 4 (July 1992): 244–46. http://dx.doi.org/10.1080/00144940.1992.9935336.

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Flam, F. "Scientists Chase Gravity's Rainbow." Science 260, no. 5107 (April 23, 1993): 493. http://dx.doi.org/10.1126/science.260.5107.493.

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Williamson, M. "Gravity's rainbow [gravitational waves]." IEE Review 51, no. 7 (July 1, 2005): 44–48. http://dx.doi.org/10.1049/ir:20050705.

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Garattini, Remo. "Traversable wormholes in distorted gravity." International Journal of Modern Physics D 24, no. 09 (July 31, 2015): 1542025. http://dx.doi.org/10.1142/s0218271815420250.

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In this paper, we consider the effects of distorted gravity on the traversability of the wormholes. In particular, we consider configurations which are sustained by their own gravitational quantum fluctuations. The Ultraviolet divergences appearing to one loop are taken under control with the help of a Noncommutative geometry representation and gravity's rainbow. In this context, it will be shown that for every framework, the self-sustained equation will produce a Wheeler wormhole, namely a wormhole of Planckian size. This means that, from the point of view of traversability, the wormhole will be traversable in principle, but not in practice. For this purpose, in the context of gravity's rainbow we have considered different proposals of rainbow's functions to see if the smallness of the wormhole is dependent on the chosen form of the rainbow's function. Unfortunately, we discover that this is not the case and we suggest that the self-sustained equation can be improved to see if the wormhole radius can be enlarged or not. Some consequences on topology change are discussed.

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Liang, Tairan, Wei Tang, and Wei Xu. "Entropy relations and bounds of BTZ black hole in gravity's rainbow." International Journal of Modern Physics D 28, no. 08 (June 2019): 1950109. http://dx.doi.org/10.1142/s0218271819501098.

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In this paper, we present the entropy relations and bounds of Banados–Teitelboim–Zanelli (BTZ) black hole in two models of gravity's rainbow. Because of the effect of gravity's rainbow, one can find that the entropy product and sum both lost their universality and become mass-dependent. On the other hand, comparing the entropy bound of event horizon to the BTZ case, it is shown that the angular momentum [Formula: see text] enlarges the entropy bound while the gravity's rainbow parameter [Formula: see text] diminishes it. For the entropy bound of Cauchy horizon, the gravity's rainbow parameter [Formula: see text] enlarges it at the large [Formula: see text] limit, while [Formula: see text] diminishes it at the small [Formula: see text] limit. These suggest some clues on the geometrical origin of black hole entropy bounds.

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Ali, Ahmed Farag, Mir Faizal, Barun Majumder, and Ravi Mistry. "Gravitational collapse in gravity's rainbow." International Journal of Geometric Methods in Modern Physics 12, no. 09 (October 2015): 1550085. http://dx.doi.org/10.1142/s0219887815500851.

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In this paper, we will analyze the gravitational collapse in the framework of gravity's rainbow. We will demonstrate that the position of the horizon for a particle inside the black hole depends on the energy of that particle. It will also be observe that the position of the horizon for a particle falling radially into the black hole also depends on its energy. Thus, it is possible for a particle coming from outside to interact with a particle inside the black, and take some information outside the black hole. This is because for both these particles the position of horizon is different. So, even though the particle from inside the black hole is in its own horizon, it is not in the horizon of the particle coming from outside. Thus, we will demonstrate that in gravity's rainbow information can get out of a black hole.

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Dissertations / Theses on the topic "Gravity's rainbow"

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Pooley, Charles. "The varieties of paranoia in Gravity's rainbow." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0002/MQ43933.pdf.

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Mouw, Ted. "Gravity's Rainbow: Modernist Discourse Vineland: Postmodernist Discourse." Oberlin College Honors Theses / OhioLINK, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1397142953.

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Simony, Christopher. "Slothrop's Sublime: Perversion and Paranoia in Gravity's Rainbow." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/124.

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This paper examines how the protagonist of Gravity’s Rainbow, Tyrone Slothrop, seeks subjective fixity in the historical and postmodern sublime. Using an approach that draws upon the theories of Freud, Lacan, and Zizek, the essay argues that while Slothrop indulges his own paranoia and commits acts of increasing perversion to assert self, these attempts actually blur the lines of identity instead of presenting an autonomous being.

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Battesti, Anne. "Gravity's rainbow de Thomas Pynchon : l'écriture de la bifurcation." Orléans, 1994. http://www.theses.fr/1994ORLE1006.

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L'écriture de Th. Pynchon, dans son oeuvre majeure qu'est Gravity's rainbow, mobilise toutes les ressources de l'expressivité. Le spectacle d'une telle profusion reconduit la "bifurcation" majeure du roman au plan thématique : entre, d'une part, l'intégration tautologique de toute variété et de tout écart, et d'autre part la désintégration du monde et des significations dans la dissipation des formes. La dissipation affecte l'origine et l'autorité des discours, étudiés dans le premier chapître : la circulation des voix effectue un partage, et une dépossession des locuteurs ; la simulation et l'imitation sont une stratégie majeure du pouvoir comme de la résistance au pouvoir. Le deuxième chapître est une étude de la phrase. La multiplication des rapports à la faveur de l'ellipse parataxique, met en crise les continuités et produit des configurations instables. Ce métamorphisme est volontiers ironique et met en doute tout détournement : la révolte romantique contre la synthèse hypotaxique est à la fois ironisée et relayée. La dénomination et la métaphore occupent le troisième chapître. Dans la crise des rapports analogiques, épuisement symbolique, invention poétique et simulation s'échangent et ébranlent la figuration de l'autre, et de l'unique. Le lyrisme est tout contre ce qu'il combat
Th. Pynchon's style, in his major work Gravity's rainbow, is a sum of expressive ressources. This spectacular profusion exhibits the main "bifurcation" in the novel : between the tautological integration of variety and deviations on the one hand, and on the other hand the disintegration of the world and of meanings in a dissipative formlessness. The origins and authorities of discourses are affected, as shown in the first chapter : the circulation of voices points to a redistribution, but also a dispossession of the speakers ; impersonation and simulation are a major strategy of power, and of the resistance to power as well. The second chapter is a study of the sentence. The multiplication of relationships, thanks to the predominant paratactic ellipsis, produces a crisis of continuity and an instability of the configurations. Such metamorphism is often potentially ironic, and casts a doubt on the forms of deviation : the romantic rebellion against synthesis is replayed, between irony and the search for another subversion. Denomination and metaphor are examined in the third chapter. In the crisis of analogical relationships, ceaseless exchanges appear between symbolical exhaustion, poetic invention, and simulation : the figuration of the other, and of the singular, are everywhere pursued and threatened. Lyricism is right "against" the power it fights

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De, Zwaan Victoria. "Metaphor and possibility in Pynchon : an interpretation of Gravity's rainbow." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65485.

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Ober, Didier. "L'apocalypse et son theatre dans "gravity's rainbow" de thomas pynchon." Lille 3, 1996. http://www.theses.fr/1996LIL30021.

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"gravity's rainbow" est le theatre d'une fin du monde imminente et qui a pour-tant deja eu lieu sous cette surface que l'on appelle "realite" ou "histoire". Theatralisee, cette fin est un devenir. Concernant autant les personnages que le lecteur, la quete du sens, ou meme d'une coherence, devieirt l'experience d'une ; prrance en devenir, a jamais inachevee et qui plongerait le sujet dans le devenir de sa propre. Disparition. Le recit lui-meme se nourrit de sa propre destruction et donne lieu a une nouvelle destination, a un nouveau commencement qui ne peut etre que le recommencement de sa propre fin ou de l'impossibilite du sens. C'est | une apocalypse en ce sens que, par-dela la destruction du monde et l'eclatement du cadre fictionnel, est devoilee la theatralite du monde et de l'histoite. Ce devoilement mene a une autre facon de lire, mais aussi de voir le monde, et a sa regeneration par la multiplicite. L'oeuvre en tant qu'objet d'interpretation disparait dans l'experience de sa lecture, destabilisant le lecteur et son besoin de coherence. La quete semble se prolonger au-dela du livre
"gravity's rainbow" is the theater of an end of the imminent world and which has already placed on this surface which is called "reality" or "history". Theatralized, this end is a becoming. Concerning the characters that the reader, the quality of the sense, or even of a coherence, should take the experience of one; prevail in becoming, never unaccepted and that would dive the subject in the becoming of his own disappointment. The sentence himself is entitled to its own destruction and gives a new destination to a new beginning that may be only the recommendation of his own end or the impossibility of sense. This is | an apocalypse as meaning that beyond the destruction of the world and the exclusion of the fictional framework is unveiled theatrality of the world and histoy. This devoyment has another way to read, but also see the world, and has regeneration through multiplicity. The work as an object of interpretation was disappeared in the experience of its reading, destabilizing the reader and its need of coherence. The question seems to extend beyond the book

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Stern, Megan. "The poetics of technoscience in Thomas Pynchon's Gravity's Rainbow and Vineland." Thesis, University of Kent, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296719.

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Zadworna-Fjellestad, Danuta. "Alice's adventures in wonderland and Gravity's rainbow a study in duplex fiction /." Doctoral thesis, Stockholm, Sweden : Almqvist & Wiksell International, 1986. http://books.google.com/books?id=Q5laAAAAMAAJ.

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Spencer, Benjamin Paul. "Memory Machines: Exploring Moby-Dick and Gravity's Rainbow Through the History of Film." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/31492.

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For close to a decade, I have weighed comparative approaches to â the Great American Novelâ . Progress increased as soon as I resolved on selecting Moby-Dick as the work originally responsible for issuing that slogan. Making this particular selection required the application of a dynamic concept which, appropriately, reflects critiques of knowledge production: â the Archiveâ . Perhaps the most direct references to a conceptual archive appear in Derridaâ s Archive Fever: A Freudian Impression, which addresses the dual forces â preservation/destructionâ that influence allegory and mythology. Other critical writers refer to a similar concept through various other terms, ultimately equipping my thesis with a method for studying the relation between myth and allegory. The method draws from each writerâ s focus on the form and content dynamics of artifacts, and how these dynamics reflect the historical conditions that affirm or produce them. Specifically, all the writers I have selected to study, in some way consider the play between the mechanical apparatus and the representation it produces. Thus, I concluded that my literary comparative approach could involve juxtaposing a different, historically concurrent mode of documentation: film media and photography. Gravityâ s Rainbow is often considered, after Moby-Dick, the most universally-recognized â Great American Novelâ . Pynchon spends a lot of time referring to mass-produced films, their effects on the global order emerging with WWII, and to the material occurrence of film technology as it relates to the book as a material artifact. For Pynchon, the backlots built up by such â greatsâ as D.W. Griffith constitute the twentieth-century frontier.
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Joyce, Peyton Meigs. "(Re)visions of genocide narratives of genocide in Thomas Pynchon's V. and Gravity's Rainbow /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/460587574/viewonline.

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Books on the topic "Gravity's rainbow"

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Pynchon, Thomas. Gravity's rainbow. London: Vintage, 1995.

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Pynchon, Thomas. Gravity's rainbow. New York: Penguin Books, 1995.

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Pynchon, Thomas. Gravity's rainbow. New York: Penguin Books, 2000.

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Hägg, Samuli. Narratologies of Gravity's rainbow. Joensuu: Joensuun yliopisto, 2005.

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Weisenburger, Steven. A Gravity's rainbow companion: Sources and contexts for Pynchon's novel. Athens, Ga: University of Georgia Press, 1988.

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Pynchon's mythography: An approach to Gravity's rainbow. Carbondale: Southern Illinois University Press, 1987.

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Gravity's rainbow illustrated: One picture for every page. Portland, OR: Tin House Books, 2006.

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Smith, Zak. Gravity's rainbow illustrated: One picture for every page. Portland, OR: Tin House Books, 2006.

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Wilkes, Owen. Chasing gravity's rainbow: Kwajalein and US ballistic missile testing. Canberra, Australia: Strategic and Defence Studies Centre, Research School of Pacific Studies, Australian National University, 1991.

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The style of connectedness: Gravity's rainbow and Thomas Pynchon. Columbia: University of Missouri Press, 1987.

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Book chapters on the topic "Gravity's rainbow"

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Bronfen, Elisabeth, and KLL. "Pynchon, Thomas: Gravity's Rainbow." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12358-1.

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Seed, David. "Gravity’s Rainbow." In The Fictional Labyrinths of Thomas Pynchon, 157–219. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-08747-1_5.

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Dugdale, John. "Epilogue: Gravity’s Rainbow." In Thomas Pynchon, 186–89. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10807-7_5.

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McHoul, Alec, and David Wills. "Gravity’s Rainbow and the post-rhetorical." In Writing Pynchon, 23–66. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20674-2_2.

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Crosthwaite, Paul. "Gravity’s Rainbow and Traumatic Models of History." In Trauma, Postmodernism, and the Aftermath of World War II, 45–75. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230594722_3.

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Garattini, R. "Self Sustained Traversable Phantom Wormholes and Gravity’s Rainbow." In Springer Proceedings in Physics, 167–73. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94256-8_19.

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Garattini, Remo. "Self Sustained Traversable Wormholes and Topology Change Induced by Gravity’s Rainbow." In Springer Proceedings in Physics, 351–57. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20046-0_42.

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Moore, George B. "Paranoia and the Aesthetics of Chaos in Thomas Pynchon’s Gravity’s Rainbow." In Allegory Old and New, 203–18. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-1946-7_14.

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Pierański, Piotr. "Gravity’s Rainbow - Structure of a 2D Crystal Grown in a Strong Gravitational Field." In Phase Transitions in Soft Condensed Matter, 45–48. Boston, MA: Springer US, 1989. http://dx.doi.org/10.1007/978-1-4613-0551-4_3.

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Stokes, Raymond. "Gravity and the rainbow-makers: Some thoughts on the trajectory of the German chemical industry in the twentieth century." In The German Chemical Industry in the Twentieth Century, 441–49. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-015-9377-9_15.

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Conference papers on the topic "Gravity's rainbow"

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Garattini, Remo. "Aspects of Gravity's Rainbow in Black Hole Entropy." In Entropy 2021: The Scientific Tool of the 21st Century. Basel, Switzerland: MDPI, 2021. http://dx.doi.org/10.3390/entropy2021-09877.

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Corda, Christian, Theodore E. Simos, George Psihoyios, and Ch Tsitouras. "Primordial Inflation from Gravity’s Rainbow." In ICNAAM 2010: International Conference of Numerical Analysis and Applied Mathematics 2010. AIP, 2010. http://dx.doi.org/10.1063/1.3498620.

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Garattini, Remo, and Francisco S. N. Lobo. "Gravity’s Rainbow and traversable wormholes." In Proceedings of the MG14 Meeting on General Relativity. WORLD SCIENTIFIC, 2017. http://dx.doi.org/10.1142/9789813226609_0127.

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Garattini, Remo, and Gianluca Mandanici. "Gravity’s Rainbow and compact stars." In Proceedings of the MG14 Meeting on General Relativity. WORLD SCIENTIFIC, 2017. http://dx.doi.org/10.1142/9789813226609_0160.

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Grgas, Stipe. "Pynchon’s Gravity’s Rainbow and the Question of Capital." In The (Un)usable Pasts in American Studies. Filozofski fakultet u Zagrebu, FF Press, 2018. http://dx.doi.org/10.17234/wpas.2018.1.

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Pasumarthi, Kasyap S., and Ajay K. Agrawal. "Schlieren Measurements of Buoyancy Effects on Flow Transition in Low-Density Gas Jets." In ASME 2004 Heat Transfer/Fluids Engineering Summer Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/ht-fed2004-56810.

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The transition from laminar to turbulent flow in helium jets discharged into air was studied using Rainbow Schlieren Deflectometry technique. In particular, the effects of buoyancy on jet oscillations and flow transition length were considered. Experiments to simulate microgravity were conducted in the 2.2s drop tower at NASA Glenn Research Center. The jet Reynolds numbers varied from 800 to 1200 and the jet Richardson numbers ranged between 0.01 and 0.004. Schlieren images revealed substantial variations in the flow structure during the drop. Fast Fourier Transform (FFT) analysis of the data obtained in Earth gravity experiments revealed the existence of a discrete oscillating frequency in the transition region, which matched the frequency in the upstream laminar regime. In microgravity, the transition occurred farther downstream indicating laminarization of the jet in the absence of buoyancy. The amplitude of jet oscillations was reduced by up to an order of magnitude in microgravity. Results suggest that jet oscillations were buoyancy induced and that the brief microgravity period may not be sufficient for the oscillations to completely subside.

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Zhao, Tao, Philip Cooper, and Joost Brugmans. "Deepwater Rigid Spools Slugging Flow Fatigue Design." In ASME 2010 29th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2010. http://dx.doi.org/10.1115/omae2010-20469.

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Tie-in spools form an important part of any deepwater flowline system. Successful designs have the potential to deliver significant savings in fabrication, transportation and installation costs, whilst protecting project schedules. For multiphase flowlines, slug-induced fatigue damage has emerged as a governing design criterion in recent projects. Spans have become the focus of attention for slug-induced fatigue damage. These may occur at tie-in spools used to connect flowlines in deepwater developments. Conventional piping design software tools are commonly used for rigid spools design. Limitations/disadvantages of conventional tools were identified by comparison with detailed simulation of critical aspects of the design using more advanced numerical simulation tools. Rigorous 3D numerical dynamic analysis was used to simulate gravity variation of the slugs and bubbles, and the dynamic impact effect due to the passage of slugs through bends. Resonance effects of spools exposed to slugging flow were inspected and the cause of spools resonance was investigated. The consequential fatigue damage was computed using a time-domain FEA and rainflow counting algorithm. While conducting slugging flow fatigue FEA, bespoke pipe-soil interaction models were developed to simulate cyclic lateral and vertical resistances of the very soft seabed soils typically found in deepwater fields. A contact technique with nonlinear normal and decoupled bi-axial tangential interactions was implemented using FORTRAN subroutines. The analysis procedures developed are outlined, and typical spool designs are presented. The paper seeks to understand the slugging flow effects to the deepwater spools fatigue design, fatigue design, especially while the spools resonance can not be mitigated, and provide the optimised spool configuration in which the slugging effects are minimised, taking due account of the complexities outlined above.

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