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1

Pfurtscheller, G., C. Neuper, G. R. Muller, B. Obermaier, G. Krausz, A. Schlogl, R. Scherer, et al. "Graz-BCI: state of the art and clinical applications." IEEE Transactions on Neural Systems and Rehabilitation Engineering 11, no. 2 (June 2003): 1–4. http://dx.doi.org/10.1109/tnsre.2003.814454.

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Doberer, Sabine. "NS-Provenienzforschung an der Universitätsbibliothek der Kunstuniversität Graz." Mitteilungen der Vereinigung Österreichischer Bibliothekarinnen und Bibliothekare 68, no. 1 (February 10, 2019): 141–42. http://dx.doi.org/10.31263/voebm.v68i1.1006.

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Die Bibliothek der Universität für Musik und darstellende Kunst Graz (KUG) hat im April 2014 ein Projekt zum Thema NS-Provenienzforschung begonnen, es ist das erste Projekt dieser Art an der KUG. Das Projekt beschränkt sich auf die Sondersammlung, die einen Bestand von ca. 430 Büchern und ca. 1.080 Musikdrucken und Autographen aufweist. Einen Schwerpunkt bilden die Nachlässe von zumeist steirischen Komponisten und Komponistinnen. Da die Bestände erst nach 1960 erworben wurden und die Sondersammlung sich hauptsächlich aus Nachlässen, Schenkungen und aus Ankäufen aus Antiquariaten zusammensetzt, gestaltet sich die Provenienzrecherche als schwierig. Ohne distinktive Hinweise aufden Vorbesitzer oder die Vorbesitzerin in den einzelnen Exemplaren lässt sich deshalb die ursprüngliche Herkunft nicht eindeutig klären. Dabei gilt es auch zu bedenken, dass – vor allem bei Ankäufen aus Antiquariaten – die Bücher und Noten den Besitzer oder die Besitzerin mehrfach gewechselt haben können. Die Vorgabe des Projektes war es, den Bestand der Sondersammlung auf verdächtige Bücher und Noten zu überprüfen, geraubte Bestände zu identifizieren und an die rechtmäßigen EigentümerInnen oder deren Nachkommen zu restituieren...
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Виммер, Теодор, Мария-Бернадетт Турнер, Иши Дорау, Хаймо Фриш, and Оливер Ратшулер. "High Quality Open Spaces in Urban Development — Selected Examples from Graz, Austria." Городские исследования и практики 3, no. 3 (March 3, 2020): 69–98. http://dx.doi.org/10.17323/usp33201869-98.

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Growing urbanization poses an enormous challenge to city planners. Noticeable effects of the increased population density in cities include housing shortages, rising real estate prices, increased traffic, air pollution, shortages of green spaces and attractive public spaces, the rising cost of urban infrastructure and the risk of social tensions. Especially in dense urban areas, public open spaces (squares and streets, urban parks and spacious recreational areas) have become increasing important. Their design, functionality and the adaption to the needs of the residents significantly influences the quality and atmosphere of urban coexistence. The consideration of quality criteria is essential for the creation of sustainable, livable and smart open spaces. Modern approaches to sustainable planning in urban areas and the versatile aspects of state-of-the-art open space design are the core themes of this article. General aspects of landscape planning in Austria and selected best practice projects in the context of urban development are presented.This article gives an overview of open space planning in Austria. To be successful, projects must consider the specific needs of city districts, which requires tailor-made approaches and an interdisciplinary planning team. To be accepted and adequately used by the public, projects must be based on a detailed analyses of the spatial, natural and social conditions.The complex and diverse challenges of open space planning in Austrian cities can be seen as representative for other cities, as certain urban trends occur (in slightly altered dimensions) all over Europe or on an even bigger scale. Selected best practice urban planning projects, which have been realized by freiland Environmental Consulting CE Ltd, based on state-of-the-art principles, demonstrate modern planning approaches to tackling these challenges.
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Bruckner-Haring, Christa. "The Development of the Austrian Jazz Scene and Its Identity 1960-1980." European Journal of Musicology 16, no. 1 (December 31, 2017): 136–57. http://dx.doi.org/10.5450/ejm.2017.16.5784.

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In Austria, a country steeped in music history and famous for composers such as Mozart, Haydn, and Bruckner, jazz was quick to earn a place in the cultural landscape. After World War II, important jazz scenes rapidly evolved in Vienna and Graz and, particularly from the 1960s onwards, grew into a strong and independent national jazz scene. Its musicians and ensembles focussed on developing their own characteristics and styles. This article examines primary aspects of the jazz scene during these formative years, such as the series of amateur jazz festivals held in the 1960s, Friedrich Gulda's commitment to jazz, Graz as a jazz centre and the institutionalisation of jazz at the Academy of Music in Graz in 1965, the role of the Austrian broadcasting network (ORF), and the impact of the Vienna Art Orchestra. In addition to archival records and musicological and journalistic texts, interviews conducted with members of different parts of the jazz scene offer important insights into the development of jazz during this period (with musicians, ensembles, educators and researchers, festival and venue organisers, agencies and policy makers, members of the media). This article offers an overview of pertinent aspects of the Austrian jazz scene between 1960 and 1980, revealing opinions about the influence of these aspects on the formation of Austrian jazz identity.
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Gamerith, V., D. Muschalla, P. Könemann, and G. Gruber. "Pollution load modelling in sewer systems: an approach of combining long term online sensor data with multi-objective auto-calibration schemes." Water Science and Technology 59, no. 1 (January 1, 2009): 73–79. http://dx.doi.org/10.2166/wst.2009.772.

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Pollutant load modelling for sewer systems is state-of-the-art, especially for the estimation of discharged pollutant loads and development of sewer management strategies. However, conventionally obtained calibration data sets are often not exhaustive and have significant drawbacks. In the Graz West catchment area (Graz, Austria), continuous high-resolution long-term online measurements for discharge and pollutant concentration have been carried out since 2002. In this paper, the application of single- and multi-objective auto-calibration schemes based on evolution strategies for a deterministic hydrological pollutant load model will be discussed. Three approaches for pollutant load modelling are examined and compared: using a constant storm weather concentration and two surface accumulation–wash-off approaches with basic respectively extended wash-off equations. It is shown that the applied auto-calibration method leads to very satisfying results for both the calibration and the validation data set, and also for the dry and the storm weather runoff. Results from multi-objective calibration show better robustness in validation events than single-objective calibration. The build-up wash-off approach using the basic wash-off equation gives the best correlations between measured data and simulation results.
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Muschalla, D., S. Schneider, K. Schröter, V. Gamerith, and G. Gruber. "Sewer modelling based on highly distributed calibration data sets and multi-objective auto-calibration schemes." Water Science and Technology 57, no. 10 (May 1, 2008): 1547–54. http://dx.doi.org/10.2166/wst.2008.305.

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Pollutant load modelling for sewer systems is state-of-the-art, especially for the estimation of discharged pollutant loads and development of sewer management strategies. However, conventionally obtained calibration data sets are often not exhaustive and have significant drawbacks. In the Graz West catchment area (Graz, Austria), continuous high-resolution long-term online measurements for discharge and pollutant concentration have been carried out since 2002. In this paper, the application of single- and multi-objective auto-calibration schemes based on evolution strategies for a deterministic hydrological pollutant load model will be discussed. Three approaches for pollutant load modelling are examined and compared: using a constant storm weather concentration and two build-up wash-off approaches with basic respectively extended wash-off equations. It is shown that the applied auto-calibration method leads to very satisfying results for both the calibration and the validation data set, and also for the dry and the storm weather runoff. However, until now, convective storms have not been convincingly represented. The build-up wash-off approach using the basic wash-off equation shows the best correlations between measured data and simulation results. As one of the chosen objectives for the multi-objective optimisation reacted highly sensitively to measurement errors, additional improvements can be expected after refining the criteria used in this algorithm.
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KARTSEVA, EKATERINA A. "SCREEN FORMS AT BIENNIALS OF CONTEMPORARY ART." Art and Science of Television 16, no. 3 (2020): 11–30. http://dx.doi.org/10.30628/1994-9529-2020-16.3-11-30.

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Video today is a popular tool for artists of postmodern, poststructuralist, post-conceptual orientations. These practices have not yet developed their economic model and have spread mainly through biennials and festivals of contemporary art, as the main form of their comprehension and display. At the same time, “video art”, “video installations”, “video sculptures”, “video performances”, “films” at the exhibitions are far from an exhaustive list of strategies, stating a cinematic turn in contemporary art, where videos are considered among the basic tools of a contemporary artist and curator. It gets increasingly difficult to imagine exhibitions that resonate with the public and critics without video. From an avant-garde countercultural practice, video has become the mainstream of contemporary exhibition projects and is presented in exhibitions in many variations. The article analyzes the strategies for including video in the expositions of national pavilions at the 58th Venice Biennale, among which the production of video content in the genre of documentary filming, investigative journalism, artistic mystification, and interactive installation can be distinguished. Artists both create their own content and use footage content from the Internet. The main awards of the Biennale are won by large—scale projects that dialogize fine art with cinema and theater. For the implementation of artistic ideas curators of biennial projects attract professional directors, screenwriters, sound and light specialists. The biennials of contemporary art, by analogy with the term screen culture, can be attributed to the large format in contemporary art. At them, video goes beyond the small screens with the help of full-screen interactive installations, projections on buildings, films timed to exhibitions are broadcast on YouTube and Netflix. As the coronavirus pandemic has shown, the search for new tactics using screen forms is sometimes the only way out for a large exhibition practice in a situation where it is impossible to conduct international projects and comply with new regulations. The Riga Biennale of Contemporary Art, Steirischer herbst in Graz, followed this path. The exhibition is moving closer to film production. New optical and bodily models are being formed. The contemplative essence of art is being replaced by new ways of human perception of information, space and time, built on the convergence of communication means—video, music, dance, the interpenetration of objective and virtual realities.
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Cook, Robert B. "The Mineral Art of Hildegard Könighoferby Hildegard Könighofer and Dietmar Jakely. Herausgeber and Verleger, Graz, Austria. 224 pages; 2010; $170 (hardbound)." Rocks & Minerals 85, no. 6 (November 20, 2010): 561–62. http://dx.doi.org/10.1080/00357529.2010.517142.

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9

Palacios Labrador, Luis. "“NOAH´S ARK”: EL ARTE DE HUMANIZAR EL GRAN NÚMERO." Proyecto, Progreso, Arquitectura, no. 10 (2014): 104–17. http://dx.doi.org/10.12795/ppa.2014.i10.07.

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10

Telek, Péter, and Wolfgang Trummer. "INTRODUCTION OF DEMO3D INTO THE SCIENTIFIC EDUCATION OF MATERIAL HANDLING." Advanced Logistic Systems - Theory and Practice 12, no. 1 (April 25, 2019): 61–76. http://dx.doi.org/10.32971/als.2019.005.

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Using of advanced machines and methods requires highly educated engineers, who gain their basic knowledge at universities. In the aspect of material handling, the Institute of Logistics of the University of Miskolc (LOG) is one of the leading education centres in Hungary, so its teaching materials, methods and devices have significant effects to the knowledge of future logistic engineers. In this paper, we describe the state of the art of planning of material handling and the education structure of LOG. Main objective of this paper is to present developing possibilities of the scientific education of LOG with some help of the Institute of Engineering Logistics of TU Graz (ITL) in the frame of project UMi-TWINN. One of the most important results of the project is the application of the Demo3D software for the education of material handling. The developed examples, videos, sheets and other documentations are directly usable in the teaching curricula of different courses of LOG.
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11

Gruss, Daniel. "Software-based microarchitectural attacks." it - Information Technology 60, no. 5-6 (December 19, 2018): 335–41. http://dx.doi.org/10.1515/itit-2018-0034.

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Abstract Modern processors are highly optimized systems where every single cycle of computation time matters. Many optimizations depend on the data that is being processed. Microarchitectural attacks leak this data (side channels) or exploit physical imperfections to take control of the entire system (fault attacks). In my thesis (D. Gruss. Software-based Microarchitectural Attacks. PhD thesis, Graz University of Technology, 2017), I improved over state of the art in microarchitectural attacks and defenses in three dimensions. I cover these briefly in this summary. First, I show that attacks can be fully automated. Second, I present several novel previously unknown side channels. Third, I show that attacks can be mounted in highly restricted environments such as sandboxed JavaScript code in websites, and on any computer system including smartphones, tablets, personal computers, and commercial cloud systems. These results formed one of the corner stones for attacks like Meltdown (M. Lipp et al. Meltdown: Reading kernel memory from user space. In USENIX Security Symposium, 2018) and Spectre (P. Kocher et al. Spectre attacks: Exploiting speculative execution. In S&P, 2019) which were discovered months after the thesis was concluded.
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12

Woollard, Matthew. "Gerhard Jaritz, Ingo H. Kropac & Peter Teibenbacher (eds.), The Art of Communication. Proceedings of the Eighth International Conference of the Association for History and Computing, Graz, Austria, August 24–27, 1993. Akademische Druck-u. Verlagsanstalt, Graz, 1995, Grazer Grundwissenschaftlichte Forschungen, 1– xvii + 537 pp. ISBN 3-201-01646-2." History and Computing 9, no. 1-3 (October 1997): 144–46. http://dx.doi.org/10.3366/hac.1997.9.1-3.144.

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13

Toschi, I., E. Nocerino, F. Remondino, A. Revolti, G. Soria, and S. Piffer. "GEOSPATIAL DATA PROCESSING FOR 3D CITY MODEL GENERATION, MANAGEMENT AND VISUALIZATION." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-1/W1 (May 31, 2017): 527–34. http://dx.doi.org/10.5194/isprs-archives-xlii-1-w1-527-2017.

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Recent developments of 3D technologies and tools have increased availability and relevance of 3D data (from 3D points to complete city models) in the geospatial and geo-information domains. Nevertheless, the potential of 3D data is still underexploited and mainly confined to visualization purposes. Therefore, the major challenge today is to create automatic procedures that make best use of available technologies and data for the benefits and needs of public administrations (PA) and national mapping agencies (NMA) involved in “smart city” applications. The paper aims to demonstrate a step forward in this process by presenting the results of the SENECA project (Smart and SustaiNablE City from Above – <a href="http://seneca.fbk.eu"target="_blank">http://seneca.fbk.eu</a>). State-of-the-art processing solutions are investigated in order to (i) efficiently exploit the photogrammetric workflow (aerial triangulation and dense image matching), (ii) derive topologically and geometrically accurate 3D geo-objects (i.e. building models) at various levels of detail and (iii) link geometries with non-spatial information within a 3D geo-database management system accessible via web-based client. The developed methodology is tested on two case studies, i.e. the cities of Trento (Italy) and Graz (Austria). Both spatial (i.e. nadir and oblique imagery) and non-spatial (i.e. cadastral information and building energy consumptions) data are collected and used as input for the project workflow, starting from 3D geometry capture and modelling in urban scenarios to geometry enrichment and management within a dedicated webGIS platform.
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Falord, Mélanie, Gouzel Karimova, Aurélia Hiron, and Tarek Msadek. "GraXSR Proteins Interact with the VraFG ABC Transporter To Form a Five-Component System Required for Cationic Antimicrobial Peptide Sensing and Resistance in Staphylococcus aureus." Antimicrobial Agents and Chemotherapy 56, no. 2 (November 28, 2011): 1047–58. http://dx.doi.org/10.1128/aac.05054-11.

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ABSTRACTThe GraSR two-component system (TCS) controls cationic antimicrobial peptide (CAMP) resistance inStaphylococcus aureusthrough the synthesis of enzymes that increase bacterial cell surface positive charges, byd-alanylation of teichoic acids and lysylination of phosphatidylglycerol, leading to electrostatic repulsion of CAMPs. The GraS histidine kinase belongs to the “intramembrane-sensing kinases” subfamily, with a structure featuring a short amino-terminal sensing domain, and two transmembrane helices separated only by a short loop, thought to be buried in the cytoplasmic membrane. The GraSR TCS is in fact a multicomponent system, requiring at least one accessory protein, GraX, in order to function, which, as we show here, acts by signaling through the GraS kinase. ThegraXRSgenes are located immediately upstream from genes encoding an ABC transporter,vraFG, whose expression is controlled by GraSR. We demonstrated that the VraFG transporter does not act as a detoxification module, as it cannot confer resistance when produced on its own, but instead plays an essential role by sensing the presence of CAMPs and signaling through GraS to activate GraR-dependent transcription. A bacterial two-hybrid approach, designed to identify interactions between the GraXSR and VraFG proteins, was carried out in order to understand how they act in detecting and signaling the presence of CAMPs. We identified many interactions between these protein pairs, notably between the GraS kinase and both GraX and the VraG permease, indicating the existence of an original five-component system involved in CAMP sensing and signal transduction to promoteS. aureusresistance.
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Litscher, Gerhard, and Gerhard Opitz. "Technical Parameters for Laser Acupuncture to Elicit Peripheral and Central Effects: State-of-the-Art and Short Guidelines Based on Results from the Medical University of Graz, the German Academy of Acupuncture, and the Scientific Literature." Evidence-Based Complementary and Alternative Medicine 2012 (2012): 1–5. http://dx.doi.org/10.1155/2012/697096.

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The scientific literature in the area of laser acupuncture is rather large; however, the actual mechanisms and effects have not yet been proven in detail. Since the early days of laser acupuncture, there are still many open questions concerning technical parameters of this innovative technique. In this paper, we report about the most important technical parameters (wavelength, output power, power density, energy density, dose range, and continuous or pulsed laser) for laser acupuncture and present quantitative results for optimal laser stimulation, which allow eliciting reproducible effects in the periphery and in the brain. There are several position statements on laser acupuncture and also several review articles in scientific literature concerning clinical effectiveness of laser acupuncture. For example, the Australian Medical Acupuncture College stated recently that “the optimal energy density for laser acupuncture and biostimulation, based on current clinical experience, is 4 J/cm2”. However, our results of previous research studies and of this paper clearly show that dose must be adjusted according to the individual responses.
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Mohr, L., R. Benauer, P. Leitl, and F. Fraundorfer. "DAMAGE ESTIMATION OF EXPLOSIONS IN URBAN ENVIRONMENTS BY SIMULATION." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-3/W8 (August 21, 2019): 253–60. http://dx.doi.org/10.5194/isprs-archives-xlii-3-w8-253-2019.

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<p><strong>Abstract.</strong> Precise models of the impact of explosions in urban environments provide novel and valuable information in disaster management for developing precautionary, preventive and mitigating measures. Yet to date, no methods enabling accurate predictions of the process and effect of detonations at particular locations exist. We propose a novel approach mitigating this gap by combining state-of-the-art methods from photogrammetric 3D reconstruction, semantic segmentation and computational based numerical simulations. In a first step, we create an accurate urban 3D reconstruction from georeferenced aerial images. The resulting city model is then enriched with semantic information obtained from the original source images as well as from registered terrestrial images using deep neural networks. This allows for an efficient automatic preparation of a 3D model suitable for the use as a geometry for the numerical investigations. Using this approach, we are able to provide recent and precise models of an area of interest in an automated fashion. Within the model, we are now able to define the explosive charge size and location and simulate the resulting blast wave propagation using CFD simulation. This provides a full estimation for the expected pressure propagation of a defined charge size. From these results, arising damages and their extent, as well as possible access routes or countermeasures, can be estimated. Using georeferenced sources allows for the integration and utilization of simulation results into existing geoinformation systems of disaster management units, providing novel inputs for training, preparation and prevention. We demonstrate our proposed approach by evaluating expected glass breakage and expected damages impairing the structural integrity of buildings depending on the charge size using a 3D reconstruction from aerial images of an area in the inner city of Graz, Austria.</p>
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Kogler, Susanne. "Adorno as Critics – Mozart, Wagner and Strauss in the Light of the Aesthetic Theory." Musicological Annual 41, no. 1 (December 1, 2005): 45–57. http://dx.doi.org/10.4312/mz.41.1.45-57.

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There is no doubt, that Adomo's critical monographs and essays on Wagner and Strauss, as well as the text on Sibelius, number among the most controversially discussed parts of his oeuvre. One important reason for this controversial reception is the fact that these writings combine philosophical and musical views. As far as the musicologists are concerned, the texts lack a detailed analytical perspective; from the philosophical point of view on the other hand, the deliberations are too much dominated by musical phenomena. This text, which was written for a lecture held at the Musicology Department of the University of Ljubljana in April 2005, aims at placing Adorno's music criticism in the context of his critical aesthetics and in his musical philosophy respectively, which he summed up in his Aesthetic Theory. By doing so the most important criteria, which refer directly to the critical perspective of his thought concerning language and culture in general, shall be focused upon. The article consists of four parts: The first part will focus on Adorno's ideas on 20th century art in general, for these theoretical thoughts constitute the basis of his thoughts on music and musicians. In the second part, Adorno's demands of musical criticism are placed in the centre of interest. The third part discusses Adorno's critique of Wagner by comparing it to his views on Mozart. The fourth and last part provides a detailed analysis of Adorno's two essays on Richard Strauss. Beside Adorno's Aesthetic Theory his writings on music criticism, in particular the paper held in 1967 at the Institute for Musical Criticism and Aesthetical Research of the former Music Academy in Graz entitled »Reflections on musical criticism«, his Essay on Wagner and his two papers on Richard Strauss written in 1924 and 1964 serve as textual basis for the following consideration.
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Khairulina, N. F. "The art of aphorisms in „The Picture of Dorian Gray” by Oscar Wilde." Bulletin of Luhansk Taras Shevchenko National University, no. 4 (335) (2020): 170–76. http://dx.doi.org/10.12958/2227-2844-2020-4(335)-170-176.

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The article under consideration is devoted to the study of the nature of aphorisms in an artistic text. Variants of definitions of the term „aphorism” in modern science, its functions, and semantic features in the text are fully provided. The objective and all the tasks for solving are realized during the process of investigation. The principles of using aphorisms in English literature are described on the example of O. Wilde’s novel „The Picture of Dorian Gray”. The classification and interpretation of aphorisms that are actively used in the text of the English writer in the original language are provided. The analysis of aphorisms showed that the most common themes of the writer are love, marriage, life, art, human existence, religion. However, along with general philosophical themes, there are a number of themes that are unique to O. Wilde. For example, topics of beauty, aesthetics, success, etc. The analysis of structural features of aphorisms has shown that in the work there are aphorisms consisting of one sentence, and aphorisms consisting of two and more sentences. It is proved that the stability of the aphorism implies its regular reproduction in the language in the same form, with the preservation of all components and the order of their sequence. A sign of intertextuality is that aphorisms, as a rule, are successfully intertwined in the outline of other texts and often contain references to other texts. The presence of a specific author means that the authorship of the aphorism is well known and recorded in material sources.
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Steens, S. C. A., F. Admiraal-Behloul, G. P. Th Bosma, G. M. Steup-Beekman, H. Olofsen, S. le Cessie, T. W. J. Huizinga, and M. A. van Buchem. "Selective gray matter damage in neuropsychiatric lupus." Arthritis & Rheumatism 50, no. 9 (2004): 2877–81. http://dx.doi.org/10.1002/art.20654.

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Rahman, Ataur, and Nawsheen Farooqui. "Effectiveness of Aid for Trade (AfT): Evidence from Bangladesh." Global Review of Accounting and Finance 7, no. 1 (March 2016): 13–24. http://dx.doi.org/10.21102/graf.2016.03.71.02.

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Oh, Janet. "Gray Area." Afterimage 41, no. 2 (September 1, 2013): 28–29. http://dx.doi.org/10.1525/aft.2013.41.2.28.

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22

Schechner, Richard. "My Art in Life: Interviewing Spalding Gray." TDR/The Drama Review 46, no. 4 (December 2002): 154–74. http://dx.doi.org/10.1162/105420402320907074.

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23

Erzen, Jale. "The city as social sculpture." SAJ - Serbian Architectural Journal 6, no. 1 (2014): 3–16. http://dx.doi.org/10.5937/saj1401003e.

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The arguments in this paper try to show that the city is basically a social space and that before its fixed physical matter in the form of architecture and urban structures, it is the people that construct the essential character and presence of a city. The idea of social sculpture is taken as a vivid metaphor that refers back to the work and ideas of Joseph Beuys. Beuys claimed that events and actions of the people in a city were social sculptures and he illustrated this in his famous street-sweeping performance with his students. The city belongs to the people and cities are responsibilities of their inhabitants. In arguing for this, the paper refers also to the GEZİ events in Istanbul. These arguments lead to the conclusion that more vital and meaningful art of the future will have to relate to the urban context more than anything else.
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Rudnik-Karwatowa, Zofia, and Jewhenija Karpiłowśka. ""Wortbildung und Internet / Словообразование и интернет / Tvorba riječi i internet" (Institut für Slawistik der Karl-Franzens-Universität Graz, 22–25.03.2016). XVII Międzynarodowa Konferencja Naukowa Komisji Słowotwórczej przy Międzynarodowym Komitecie Slawistów." Studia z Filologii Polskiej i Słowiańskiej 53 (December 24, 2018): 401–15. http://dx.doi.org/10.11649/sfps.2018.026.

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Wortbildung und Internet / Словообразование и интернет / Tvorba riječi i internet [Word-Formation and the Internet] (Institut für Slawistik der Karl-Franzens-Universität Graz, 22–25.03.2016). 17th International Conference of the Word-Formation Commission of the International Committee of SlavistsThe article is a report of the 17th International Conference held on March 22–25, 2016, at the Institute of Slavic Studies, University of Graz, by the Word-Formation Commission of the International Committee of Slavists. The subject matter of the conference – Word-Formation and the Internet – proved apt due to its topicality. The authors describe each presentation delivered during this academic event. Wortbildung und Internet / Словообразование и интернет / Tvorba riječi i internet (Institut für Slawistik der Karl-Franzens-Universität Graz, 22–25.03.2016). XVII Międzynarodowa Konferencja Naukowa Komisji Słowotwórczej przy Międzynarodowym Komitecie SlawistówArtykuł stanowi sprawozdanie z XVII Międzynarodowej Konferencji Naukowej zorganizowanej w dniach 22–25 marca 2016 roku w Instytucie Slawistyki Uniwersytetu w Grazu przez Komisję Słowotwórczą przy Międzynarodowym Komitecie Slawistów. Tematyka konferencji Słowotwórstwo i internet okazała się bardzo trafna ze względu na jej aktualność. Autorki omawiają poszczególne referaty uczestników tego wydarzenia naukowego.
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Cavender, Druie, and Morris Ziff. "Anti-HLA–B27 antibodies in sera from patients with gram-negative bacterial infections." Arthritis & Rheumatism 29, no. 3 (March 1986): 352–57. http://dx.doi.org/10.1002/art.1780290307.

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26

Frleta, Zrinka. "Art, the Artist and Ethics in Wilde's Picture of Dorian Gray." European Journal of Interdisciplinary Studies 3, no. 4 (October 6, 2017): 18. http://dx.doi.org/10.26417/ejis.v3i4.p18-21.

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This paper examines ideological and philosophical premises of aestheticism, presented in Wilde's critical essays (The Critic as Artist and The Decay of Lying), and epigrams in the preface to the novel The Picture of Dorian Gray, which both offer a philosophical context to the novel. Aestheticism emphasized that art can not be subordinated to moral, social, religious and didactic goals, because its ultimate goal is art itself, l'art pour l'art (art for art's sake). „Art never expresses anything but itself.“ „All bad art comes from returning to Life and Nature, and elevating them into ideals.“ „Life imitates Art far more than Art imitates Life.“ „Lying, the telling of beautiful untrue things, is the proper aim of Art.“ (Wilde, 1891). The relations between art and reality (concealment of reality) and art and ethics (an ethical function of art) have been explored through the interaction of the characters of Basil Hallward and Sibyl Vane with Dorian Gray. The paper also examines the role of the artist, his morality in the process of creating and experiencing the work, and the influence of the work of art on the artist himself/herself.
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Frleta, Zrinka. "Art, the Artist and Ethics in Wilde's Picture of Dorian Gray." European Journal of Interdisciplinary Studies 9, no. 1 (October 6, 2017): 18. http://dx.doi.org/10.26417/ejis.v9i1.p18-21.

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This paper examines ideological and philosophical premises of aestheticism, presented in Wilde's critical essays (The Critic as Artist and The Decay of Lying), and epigrams in the preface to the novel The Picture of Dorian Gray, which both offer a philosophical context to the novel. Aestheticism emphasized that art can not be subordinated to moral, social, religious and didactic goals, because its ultimate goal is art itself, l'art pour l'art (art for art's sake). „Art never expresses anything but itself.“ „All bad art comes from returning to Life and Nature, and elevating them into ideals.“ „Life imitates Art far more than Art imitates Life.“ „Lying, the telling of beautiful untrue things, is the proper aim of Art.“ (Wilde, 1891). The relations between art and reality (concealment of reality) and art and ethics (an ethical function of art) have been explored through the interaction of the characters of Basil Hallward and Sibyl Vane with Dorian Gray. The paper also examines the role of the artist, his morality in the process of creating and experiencing the work, and the influence of the work of art on the artist himself/herself.
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Battaglia, Martin, and Rachel K. Owen. "The Informal Art of Mentorship in Grad School." CSA News 62, no. 9 (September 2017): 44–45. http://dx.doi.org/10.2134/csa2017.62.0916.

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29

Urquhart, Ross, and Marjorie B. Cohn. "Francis Calley Gray and Art Collecting for America." New England Quarterly 60, no. 4 (December 1987): 670. http://dx.doi.org/10.2307/365441.

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30

Klayman, Richard, and Marjorie B. Cohn. "Francis Calley Gray and Art Collecting for America." American Historical Review 92, no. 5 (December 1987): 1275. http://dx.doi.org/10.2307/1868631.

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Miller, Lillian B., and Majorie B. Cohn. "Francis Calley Gray and Art Collecting for America." Journal of the Early Republic 8, no. 3 (1988): 332. http://dx.doi.org/10.2307/3123709.

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32

DOY, GEN. "ART AND SEX BY GRAY WATSON AND ART AND DEATH BY CHRIS TOWNSEND." Art Book 16, no. 2 (May 2009): 70. http://dx.doi.org/10.1111/j.1467-8357.2009.01033_2.x.

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33

Acconci, Vito. "Mur Island, Graz, Austria." Architectural Design 78, no. 1 (January 2008): 100–101. http://dx.doi.org/10.1002/ad.618.

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34

Stoehr, Kathleen J., and Janet M. Liston. "Tessellation art." Teaching Children Mathematics 23, no. 8 (April 2017): 512. http://dx.doi.org/10.5951/teacchilmath.23.8.0512.

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Engage students in discovering and creating tessellations through patterns from their everyday lives. Students make tessellations come alive as geometric shapes with no gaps or overlaps through hands on activities. Postscript items are designed as rich grab-and-go resources that any teacher can quickly incorporate into his or her classroom repertoire with little effort and maximum impact. Submit your quick game, puzzle, activity, or instructional strategy along with suggestions for how teachers of different grade bands (K–1, 2–3, 4–6) can use this idea. Send submissions of no more than 250 words to this department by accessing http://tcm.msubmit.net. See detailed submission guidelines for all departments at http://www.nctm.org/WriteForTCM
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Nguyen, Vu H., Hien T. Nguyen, Hieu N. Duong, and Vaclav Snasel. "n-Gram-Based Text Compression." Computational Intelligence and Neuroscience 2016 (2016): 1–11. http://dx.doi.org/10.1155/2016/9483646.

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We propose an efficient method for compressing Vietnamese text usingn-gram dictionaries. It has a significant compression ratio in comparison with those of state-of-the-art methods on the same dataset. Given a text, first, the proposed method splits it inton-grams and then encodes them based onn-gram dictionaries. In the encoding phase, we use a sliding window with a size that ranges from bigram to five grams to obtain the best encoding stream. Eachn-gram is encoded by two to four bytes accordingly based on its correspondingn-gram dictionary. We collected 2.5 GB text corpus from some Vietnamese news agencies to buildn-gram dictionaries from unigram to five grams and achieve dictionaries with a size of 12 GB in total. In order to evaluate our method, we collected a testing set of 10 different text files with different sizes. The experimental results indicate that our method achieves compression ratio around 90% and outperforms state-of-the-art methods.
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MacDonald, Glen, Lianfa Shi, Christine Vande Velde, Judy Lieberman, and Arnold H. Greenberg. "Mitochondria-dependent and -independent Regulation of Granzyme B–induced Apoptosis." Journal of Experimental Medicine 189, no. 1 (January 4, 1999): 131–44. http://dx.doi.org/10.1084/jem.189.1.131.

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Granzyme B (GraB) is required for the efficient activation of apoptosis by cytotoxic T lymphocytes and natural killer cells. We find that GraB and perforin induce severe mitochondrial perturbation as evidenced by the release of cytochrome c into the cytosol and suppression of transmembrane potential (Δψ). The earliest mitochondrial event was the release of cytochrome c, which occurred at the same time as caspase 3 processing and consistently before the activation of apoptosis. Granzyme K/perforin or perforin treatment, both of which kill target cells efficiently but are poor activators of apoptosis in short-term assays, did not induce rapid cytochrome c release. However, they suppressed Δψ and increased reactive oxygen species generation, indicating that mitochondrial dysfunction is also associated with this nonapoptotic cell death. Pretreatment with peptide caspase inhibitors zVAD-FMK or YVAD-CHO prevented GraB apoptosis and cytochrome c release, whereas DEVD-CHO blocked apoptosis but did not prevent cytochrome c release, indicating that caspases act both up- and downstream of mitochondria. Of additional interest, Δψ suppression mediated by GraK or GraB and perforin was not affected by zVAD-FMK and thus was caspase independent. Overexpression of Bcl-2 and Bcl-XL suppressed caspase activation, mitochondrial cytochrome c release, Δψ suppression, and apoptosis and cell death induced by GraB, GraK, or perforin. In an in vitro cell free system, GraB activates nuclear apoptosis in S-100 cytosol at high doses, however the addition of mitochondria amplified GraB activity over 15-fold. GraB- induced caspase 3 processing to p17 in S-100 cytosol was increased only threefold in the presence of mitochondria, suggesting that another caspase(s) participates in the mitochondrial amplification of GraB apoptosis. We conclude that GraB-induced apoptosis is highly amplified by mitochondria in a caspase-dependent manner but that GraB can also initiate caspase 3 processing and apoptosis in the absence of mitochondria.
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Mannings, David. "Jonathan Richardson, Thomas Gray, and the Genealogy of Art." Journal of the History of Ideas 55, no. 3 (July 1994): 405. http://dx.doi.org/10.2307/2709847.

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38

Callow, Simon. "Simon Gray: a True Original in Life and Art." New Theatre Quarterly 25, no. 2 (May 2009): 107–8. http://dx.doi.org/10.1017/s0266464x09000190.

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The playwright Simon Gray died of lung cancer on 7 August 2008 at the age of seventy-one. He also found success later in life as a diarist, at first in wryly comic records of the disaster-prone productions of his plays – but with tragic irony most recently in The Smoking Diaries, reflecting on his lifelong addiction to cigarettes (and much else besides). Here, his friend the actor and writer Simon Callow pays a personal tribute.
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Royo Naranjo, Lourdes. "Art Collection Neue Börse." Boletín de Arte, no. 25 (April 2, 2018): 851–55. http://dx.doi.org/10.24310/bolarte.2004.v0i25.4647.

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Bajo el título Art Collection Neue Börse se expuso en el Centro de ArteContemporáneo de Málaga la muestra de un total de treinta y cuatro fotografías de gran formato seleccionadas de la colección de Arte de la Bolsa de Alemania (Deutsche Béirse) entre los días 23 de febrero y 25 de mayo de 2003. Una novedad tanto en el ámbito nacional como internacional, puesto que era la primera vez que la colección Deutsche Börse abandonaba su sede habitual de Francfurtk para ser expuesta.
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Mariño, José B., Rafael E. Banchs, Josep M. Crego, Adrià de Gispert, Patrik Lambert, José A. R. Fonollosa, and Marta R. Costa-jussà. "N-gram-based Machine Translation." Computational Linguistics 32, no. 4 (December 2006): 527–49. http://dx.doi.org/10.1162/coli.2006.32.4.527.

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This article describes in detail an n-gram approach to statistical machine translation. This approach consists of a log-linear combination of a translation model based on n-grams of bilingual units, which are referred to as tuples, along with four specific feature functions. Translation performance, which happens to be in the state of the art, is demonstrated with Spanish-to-English and English-to-Spanish translations of the European Parliament Plenary Sessions (EPPS).
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Lutz, Jürgen, Lorenz Jäger, Dominique de Quervain, Till Krauseneck, Frank Padberg, Martina Wichnalek, Antje Beyer, et al. "White and gray matter abnormalities in the brain of patients with fibromyalgia: A diffusion-tensor and volumetric imaging study." Arthritis & Rheumatism 58, no. 12 (December 2008): 3960–69. http://dx.doi.org/10.1002/art.24070.

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42

Aslangul, Elisabeth. "Antineutrophil Cytoplasmic Antibody Positivity in Gram-Positive andBartonella-Induced Infective Endocarditis: Comment on the Article by Mahr et al." Arthritis & Rheumatology 67, no. 5 (April 27, 2015): 1407–8. http://dx.doi.org/10.1002/art.39046.

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43

Fleischmann, Roy. "Editorial: The American College of Rheumatology White Paper on Biosimilars: It Isn't All White-There Is Some Gray and Black." Arthritis & Rheumatology 70, no. 3 (February 7, 2018): 323–25. http://dx.doi.org/10.1002/art.40402.

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44

Gontijo, Marco Túlio Pardini, Genesy Perez Jorge, and Marcelo Brocchi. "Current Status of Endolysin-Based Treatments against Gram-Negative Bacteria." Antibiotics 10, no. 10 (September 22, 2021): 1143. http://dx.doi.org/10.3390/antibiotics10101143.

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The prevalence of multidrug-resistant Gram-negative bacteria is a public health concern. Bacteriophages and bacteriophage-derived lytic enzymes have been studied in response to the emergence of multidrug-resistant bacteria. The availability of tRNAs and endolysin toxicity during recombinant protein expression is circumvented by codon optimization and lower expression levels using inducible pET-type plasmids and controlled cultivation conditions, respectively. The use of polyhistidine tags facilitates endolysin purification and alters antimicrobial activity. Outer membrane permeabilizers, such as organic acids, act synergistically with endolysins, but some endolysins permeate the outer membrane of Gram-negative bacteria per se. However, the outer membrane permeation mechanisms of endolysins remain unclear. Other strategies, such as the co-administration of endolysins with polymyxins, silver nanoparticles, and liposomes confer additional outer membrane permeation. Engineered endolysins comprising domains for outer membrane permeation is also a strategy used to overcome the current challenges on the control of multidrug-resistant Gram-negative bacteria. Metagenomics is a new strategy for screening endolysins with interesting antimicrobial properties from uncultured phage genomes. Here, we review the current state of the art on the heterologous expression of endolysin, showing the potential of bacteriophage endolysins in controlling bacterial infections.
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Pinciroli Vago, Nicolò Oreste Pinciroli, Federico Milani, Piero Fraternali, and Ricardo da Silva Torres. "Comparing CAM Algorithms for the Identification of Salient Image Features in Iconography Artwork Analysis." Journal of Imaging 7, no. 7 (June 29, 2021): 106. http://dx.doi.org/10.3390/jimaging7070106.

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Iconography studies the visual content of artworks by considering the themes portrayed in them and their representation. Computer Vision has been used to identify iconographic subjects in paintings and Convolutional Neural Networks enabled the effective classification of characters in Christian art paintings. However, it still has to be demonstrated if the classification results obtained by CNNs rely on the same iconographic properties that human experts exploit when studying iconography and if the architecture of a classifier trained on whole artwork images can be exploited to support the much harder task of object detection. A suitable approach for exposing the process of classification by neural models relies on Class Activation Maps, which emphasize the areas of an image contributing the most to the classification. This work compares state-of-the-art algorithms (CAM, Grad-CAM, Grad-CAM++, and Smooth Grad-CAM++) in terms of their capacity of identifying the iconographic attributes that determine the classification of characters in Christian art paintings. Quantitative and qualitative analyses show that Grad-CAM, Grad-CAM++, and Smooth Grad-CAM++ have similar performances while CAM has lower efficacy. Smooth Grad-CAM++ isolates multiple disconnected image regions that identify small iconographic symbols well. Grad-CAM produces wider and more contiguous areas that cover large iconographic symbols better. The salient image areas computed by the CAM algorithms have been used to estimate object-level bounding boxes and a quantitative analysis shows that the boxes estimated with Grad-CAM reach 55% average IoU, 61% GT-known localization and 31% mAP. The obtained results are a step towards the computer-aided study of the variations of iconographic elements positioning and mutual relations in artworks and open the way to the automatic creation of bounding boxes for training detectors of iconographic symbols in Christian art images.
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Bullivant, Lucy. "BIX Matrix realities:united, Kunsthaus Graz, Austria." Architectural Design 75, no. 1 (January 2005): 82–85. http://dx.doi.org/10.1002/ad.19.

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47

Puiu, Tudor, Anson E. Kairys, Lynne Pauer, Tobias Schmidt-Wilcke, Eric Ichesco, Johnson P. Hampson, Vitaly Napadow, Daniel J. Clauw, and Richard E. Harris. "Association of Alterations in Gray Matter Volume With Reduced Evoked-Pain Connectivity Following Short-Term Administration of Pregabalin in Patients With Fibromyalgia." Arthritis & Rheumatology 68, no. 6 (May 26, 2016): 1511–21. http://dx.doi.org/10.1002/art.39600.

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48

Witt, Matthias, Felix Mueller, Axel Nigg, Christiane Reindl, Jan Leipe, Fabian Proft, Nicola Stein, et al. "Relevance of Grade 1 Gray-Scale Ultrasound Findings in Wrists and Small Joints to the Assessment of Subclinical Synovitis in Rheumatoid Arthritis." Arthritis & Rheumatism 65, no. 7 (July 2013): 1694–701. http://dx.doi.org/10.1002/art.37954.

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49

Kämpf, Tobias. "Leitbild Lebensreform. Harry Graf Kessler und Karl Ernst Osthaus als Museumsgründer." Zeitschrift für Kunstgeschichte 83, no. 1 (March 24, 2020): 49–90. http://dx.doi.org/10.1515/zkg-2020-1003.

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AbstractAt the beginning of the twentieth century, Germany moved to the institutional forefront of the art world. Through the creation of two museums, in Hagen and in Weimar, dedicated to contemporary avant-gardes in art, architecture, and design, the recently united nation propagated its claim for international leadership in the cultural sphere. Both establishments were the result of private initiatives of collectors who possessed great literary talent and artistic distinction and who were strongly opposed to the aesthetic ideals of the main arbiter of German taste, Emperor William II. This essay is the first comparative study of the museums in Hagen and Weimar, whose founders disagreed with developments in Darmstadt but were inspired by those in Hamburg and, to a lesser degree, in Krefeld. Analyzing their intellectual origins and historic development, the essay provides a comprehensive chronology as well as an articulate topography of early-twentieth-century German art institutions promoting cultural innovation.
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Wright, Helena E. "Francis Calley Gray and Art Collecting for America. Marjorie B. Cohn." Winterthur Portfolio 22, no. 4 (December 1987): 297–99. http://dx.doi.org/10.1086/496343.

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