Academic literature on the topic 'Grazer Werkbundhaus (Graz, Austria)'

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Journal articles on the topic "Grazer Werkbundhaus (Graz, Austria)"

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Woollard, Matthew. "Gerhard Jaritz, Ingo H. Kropac & Peter Teibenbacher (eds.), The Art of Communication. Proceedings of the Eighth International Conference of the Association for History and Computing, Graz, Austria, August 24–27, 1993. Akademische Druck-u. Verlagsanstalt, Graz, 1995, Grazer Grundwissenschaftlichte Forschungen, 1– xvii + 537 pp. ISBN 3-201-01646-2." History and Computing 9, no. 1-3 (1997): 144–46. http://dx.doi.org/10.3366/hac.1997.9.1-3.144.

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Books on the topic "Grazer Werkbundhaus (Graz, Austria)"

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Graz, Stadtmuseum, ed. Fast modern: Grazer Werkbundhaus & Architektur 1918 - 1938 : 21. November 2008 - 3. Mai 2009. Haus der Architektur, 2008.

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Laukhardt, Peter. Der Grazer Schlossberg: Vom Kastell zum Alpengarten. 2nd ed. Verlag für Sammler, 1991.

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Brenner, Elisabeth. Herbarium in Stein: Die Pflanzenwelt der Grazer Leechkirche. Sublilium Schaffer, 2016.

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Wilhelm, Steinböck, Dienes Gerhard Michael, Forenbacher R, and Garnisonsmuseum (Graz Austria), eds. Die Franzosen und der Schlossberg: Graz 1809 : Broschüre zur gleichnamigen Ausstellung im Garnisonsmuseum auf dem Grazer Schlossberg : 21. Juni bis 15. Oktober 1989. Edition Strahalm, 1989.

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Lebensraum mit Geschichte: Der Grazer Schlossberg. Austria Medien Service, 1998.

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"... von Sinnen: Das Grazer Varieté Orpheum : Ausstellung zu 100 Jahre Orpheum Graz. Stadtmuseum Graz, 1999.

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Book chapters on the topic "Grazer Werkbundhaus (Graz, Austria)"

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Louis De La Grange, Henry. "Mahler in Vienna (XX)-The Graz Festival Correspondence with Cosima Wagner-Completion of the Seventh Symphony The Battle for Salome-The Second Symphony in Berlin: Oskar Fried The Fifth Symphony in Trieste, Vienna, and Breslau-Preparation of the Mozart Year (June-December 1905)." In Gustav Mahler. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780193151604.003.0004.

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Abstract In artistic matters form is the important thing, not content. A WEEK after leaving Strasbourg, the ‘two most famous [contemporary] symphonists’ came together once again at the Allgemeiner Deutscher Musikverein Festival, which for the second time in its history was being held in Austria, this time in Graz. The choice of Graz, the capital city of the province of Styria, was not dictated by purely musical reasons, but must be understood in the context of the time as a political gesture by the nationalist German bourgeoisie. This is made clear in the speeches by local officials and manufa
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