Relevant bibliographies by topics / Great Britain. Royal Fine Art Commission

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Academic literature on the topic 'Great Britain. Royal Fine Art Commission'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Great Britain. Royal Fine Art Commission"

1

Wallsgrove, Jon. "British Methods for Improving Sensitivity of Bridge Designers to Good Bridge Appearance." Transportation Research Record: Journal of the Transportation Research Board 1549, no. 1 (1996): 103–7. http://dx.doi.org/10.1177/0361198196154900115.

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In Britain, there is a two-pronged attack to win design excellence: encourage the best and eliminate the worst. This study describes ways in which the Highways Agency encourages adoption of design excellence in its bridge projects. One is the formal review of designs by the Royal Fine Art Commission and the principal architect-planner, and through public consultations and inquiries. Published advice, including a book on detailed aspects of bridge appearance, is also considered. Further, encouragement of good design is given through conferences to discuss bridge aesthetics, debates in the press
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2

Dietochka, Olha. "The Tradition of Portraying the Monarchs of Great Britain in the Decoration of Fine Ceramics of the Late 17th–20th Centuries." Bulletin of KNUKiM. Series in Arts, no. 49 (December 15, 2023): 8–16. https://doi.org/10.31866/2410-1176.49.2023.293277.

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<strong>The aim of the article</strong>&nbsp;is to reveal peculiarities of the tradition of portraying British monarchs in the decoration of porcelain and faience of the late 17th&ndash;20th centuries period. <strong>Results.</strong>&nbsp;It is determined that first installed products with a certain type of decoration date back to 1690 and 1702. The first one is dedicated to the figure of the Queen of England, Scotland and Ireland, Mary II (1689&ndash;1694). The second early work delineates her heir Anna (1702&ndash;1707). At the same time, the interest in the production of local porcelain an
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Parveen Shaieka. "History of Handloom Industry in Assam with special reference to Sualkuchi." Journal of Advanced Zoology 44, S3 (2023): 1614–527. http://dx.doi.org/10.17762/jaz.v44is-3.1942.

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The Handloom Industry plays a vital role in the socio – economic structure of Assam in terms of providing employment and production of clothes. At the same time preserve and propagate the rich cultural heritage of Assam. Weaving in Assam is as old as human civilization itself and the art of weaving are being passed from one generation to the next. The existence of high-quality weaving skill and production of fine textiles is well documented in great epics like Mahabharata and ancient treatise like Arthashastra1of Kautilya (Choudhry, 1987). Chinese traveler Hiuen Tsang also gives rich descripti
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4

YAMALIDOU, MARIA. "PETER HARMAN and SIMON MITTON (eds.), Cambridge Scientific Minds. Cambridge: Cambridge University Press, 2002. Pp. viii+343. ISBN 0-521-78612-6. £14.95 (paperback). DAVID MILLAR, IAN MILLAR, JOHN MILLAR and MARGARET MILLAR, The Cambridge Dictionary of Scientists. Second edition. Cambridge: Cambridge University Press, 2002. Pp. xii+428. ISBN 0-521-00062-9. £14.95, $20.00 (paperback)." British Journal for the History of Science 37, no. 4 (2004): 466–67. http://dx.doi.org/10.1017/s000708740421617x.

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Peter Harman and Simon Mitton (eds.), Cambridge Scientific Minds and David Millar, Ian Millar, John Millar and Margaret Millar, The Cambridge Dictionary of Scientists. By Maria Yamalidou 466Maria Michela Sassi, The Science of Man in Ancient Greece. By Laurence M. V. Totelin 467H. L. L. Busard, Johannes de Tinemue's Redaction of Euclid's Elements, the So-called Adelard III Version. Volume I: Introduction, Sigla and Descriptions of the Manuscripts, Editorial Remarks, Euclides, Elementa. Volume II: Conspectus Siglorum, Apparatus Criticus, Addenda. By Jackie Stedall 468Gerhard W. Kramer, The Firew
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Cashman, Dorothy Ann. "“This receipt is as safe as the Bank”: Reading Irish Culinary Manuscripts." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.616.

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Introduction Ireland did not have a tradition of printed cookbooks prior to the 20th century. As a consequence, Irish culinary manuscripts from before this period are an important primary source for historians. This paper makes the case that the manuscripts are a unique way of accessing voices that have quotidian concerns seldom heard above the dominant narratives of conquest, colonisation and famine (Higgins; Dawson). Three manuscripts are examined to see how they contribute to an understanding of Irish social and culinary history. The Irish banking crisis of 2008 is a reminder that comments
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6

Mahon, Elaine. "Ireland on a Plate: Curating the 2011 State Banquet for Queen Elizabeth II." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1011.

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IntroductionFirmly located within the discourse of visible culture as the lofty preserve of art exhibitions and museum artefacts, the noun “curate” has gradually transformed into the verb “to curate”. Williams writes that “curate” has become a fashionable code word among the aesthetically minded to describe a creative activity. Designers no longer simply sell clothes; they “curate” merchandise. Chefs no longer only make food; they also “curate” meals. Chosen for their keen eye for a particular style or a precise shade, it is their knowledge of their craft, their reputation, and their sheer abi
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7

Mac Con Iomaire, Máirtín. "Towards a Structured Approach to Reading Historic Cookbooks." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.649.

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Introduction Cookbooks are an exceptional written record of what is largely an oral tradition. They have been described as “magician’s hats” due to their ability to reveal much more than they seem to contain (Wheaton, “Finding”). The first book printed in Germany was the Guttenberg Bible in 1456 but, by 1490, printing was introduced into almost every European country (Tierney). The spread of literacy between 1500 and 1800, and the rise in silent reading, helped to create a new private sphere into which the individual could retreat, seeking refuge from the community (Chartier). This new technol
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8

Nielsen, Hanne E. F., Chloe Lucas, and Elizabeth Leane. "Rethinking Tasmania’s Regionality from an Antarctic Perspective: Flipping the Map." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1528.

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IntroductionTasmania hangs from the map of Australia like a drop in freefall from the substance of the mainland. Often the whole state is mislaid from Australian maps and logos (Reddit). Tasmania has, at least since federation, been considered peripheral—a region seen as isolated, a ‘problem’ economically, politically, and culturally. However, Tasmania not only cleaves to the ‘north island’ of Australia but is also subject to the gravitational pull of an even greater land mass—Antarctica. In this article, we upturn the political conventions of map-making that place both Antarctica and Tasmania
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Books on the topic "Great Britain. Royal Fine Art Commission"

1

Great Britain. Royal Fine Art Commission. Final report, 1998-1999. Stationery Office, 1999.

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2

Hobhouse, Hermione. The Crystal Palace and the Great Exhibition: Art, science, and productive industry : a history of the Royal Commission for the Exhibition of 1851. Continuum, 2002.

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3

Jane, Roberts. Drawings by Holbein from the court of Henry VIII: Fifty drawings from the collection of Her Majesty Queen Elizabeth II, Windsor Castle : the Museum of Fine Arts, Houston, 17 May-16 August 1987. Johnson Reprint Corp., 1987.

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4

Timothy, Clark, Museum of Fine Arts, Boston, and Royal Academy of Arts (Great Britain), eds. The dawn of the floating world, 1650-1765: Early ukiyo-e treasures from the Museum of Fine Arts, Boston. Royal Academy of Arts, 2001.

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5

Hermione, Hobhouse. The Crystal Palace And the Great Exhibition: Science, Art And Productive Industry, the History of the Royal Commission for the Exhibition of 1851. Continuum International Publishing Group, 2002.

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The Crystal Palace and the Great Exhibition: Art, science, and productive industry : a history of the Royal Commission for the Exhibition of 1851. Athlone Press, 2001.

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The Crystal Palace and the Great Exhibition: Art, science, and productive industry : a history of the Royal Commission for the Exhibition of 1851. Continuum, 2004.

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