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Relevant bibliographies by topics / Great Plains Art Museum

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Academic literature on the topic 'Great Plains Art Museum'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "Great Plains Art Museum"

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Kingery-Schwartz, Anne, Rachel S. Popelka-Filcoff, David A. Lopez, Fabien Pottier, Patrick Hill, and Michael Glascock. "Analysis of geological ochre: its geochemistry, use, and exchange in the US Northern Great Plains." Open Journal of Archaeometry 1, no. 1 (2013): 15. http://dx.doi.org/10.4081/arc.2013.e15.

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Samples of pigments indigenous to the US Northern Great Plains were collected in association with the conservation of a buffalo hide tanned and painted by a Crow Indian(s) in the 19th century, which is now in the collection of the National Museum of American Indian. The pigments were characterised using a series of analytical techniques – some common and others uncommon to the conservation science field, including portable X-ray fluorescence (pXRF), X-ray diffraction (XRD), and instrumental neutron activation analysis (INAA). XRF is not capable of differentiating between various ochre samples

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Kugusheva, Alexandra Yu. "Saved art: Simferopol Art Gallery in evacuation (1941–1944)." Issues of Museology 13, no. 1 (2022): 57–64. http://dx.doi.org/10.21638/spbu27.2022.104.

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The article is devoted to the evacuation of Crimean museum collections in October, 1941. The fate of the lost pre-war collection of the Simferopol Art Gallery, which did not have time to leave the Crimea and was destroyed by fire in Kerch port, is well known. At the same time, a temporary exhibition made up of the works of the Simferopol Gallery was evacuated from Feodosiya Art Gallery along with the masterpieces of the great marine painter Ivan Aivazovsky. Prominent museum figures Nikolay S.Barsamov and Jan P.Birzgal managed to send the exhibits to Novorossiysk, then to Krasnodar. Contrary to

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Perger, Gyula. "Adatok Bagol András történelem szemléletéhez." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 3 (2014): 227–34. http://dx.doi.org/10.26080/krrmkozl.2014.3.227.

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András Bagol’s ouvre caught the attention of the ethnographers already in the early 20th century. His sheperd’s crooks, which were inlaid with wax and embellished with his-torical scenes or portraits of Hungarian heroes, were sought after among the wealthy collectors and public collections alike. They are pieces of art of the highest quality, in which the sheperds’ tradition of the Transdanubia is preserved. One of his works, which has been previously unknown, is kept in the museum of Győr: a sheperd’s crook with wax inlay from the year of 1877. This crook was made in honor of Kázmér Hegedűs,

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Rămneanţu, Vasile. "Institutiile culturale si artistice timisorene in “epoca” autofinantarii (1984–1989)." Banatica 1, no. 33 (2023): 529–50. http://dx.doi.org/10.56177/banatica.33.1.2023.art.28.

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The economic crisis in Romania, in 1984–1989, deeply touched the Romanian culture too, the Communist authorities requiering the cultural and artistic institutions a policy of austerity, once with the Decree 476/ 1983. Given the continuous reducing of the statal allocations, the theatres, philarmonic orhestras, opera houses, museums, etc. needed to find outliving solutions. In Timişoara, The National Theatre, German Public Theatre, Magyar Public Theatre, Puppet Theatre, and Romanian Opera House, or the Philarmonic Public Orchestra “Banatul” went over a difficult period while the Banat Museum ha

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Serikbav, N. "SIGNIFICANT WORKS OF KUZEMBAY BAIBOSYNOV IN THE FIELD OF LOCAL STUDIES." Bulletin of Dulaty University 14, no. 2 (2024): 137–44. http://dx.doi.org/10.55956/xqnd3022.

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The article examines the works of the famous historian and local historian Baibosynov Kuzembaya. He made a great contribution to the study of the Zhambyl region. Throughout his life he conducted many scientific studies. He worked hard to find historical sites and valuable materials. Baibosynov Kuzembay did not stop his research even at retirement age. There were cases when they continued archaeological research in the sites of “Nizhniya Baryskhan”, located near the city of Taraz, they drew up a plan to open a museum there and presented it to the regional leadership.He presented the research he

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Székely, Miklós. "Programul unei vieți: rolul lui Lajos Pákei în înființarea Muzeului Industrial și a Școlii Industriale din Cluj." Studia Universitatis Babeș-Bolyai Historia Artium 66, no. 1 (2021): 115–54. http://dx.doi.org/10.24193/subbhistart.2021.05.

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"One Life’s Mission: Lajos Pákei’s Role in Establishing the Industrial Museum and the Industrial School in Cluj. The development of museums and schools of industry took place in some important industrial cities of the Dual-Monarchy, a part of the capitals in Salzburg, Graz, Prague, Brno, Czernowitz starting from the 1870-1880s. In the last quarter of the 19th century several school and some museum buildings of industry were erected in Hungary. Some of these new edifices were capable of performing dual, educational and museum tasks due to their special spaces: their list includes Ödön Lechner’s

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Hendrix, Melvin K. "Africana Resources in the National Maritime Museum, Greenwich, England." History in Africa 14 (1987): 389–97. http://dx.doi.org/10.2307/3171852.

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Beginning in the latter part of the sixteenth century British naval and shipping interests gradually emerged as one of the major maritime forces operating in African waters and, by the end of the eighteenth century, British shipping dominated the export slave trade. The establishment of colonial plantation economies in the Americas, the global expansion of British political and commercial interests resulting from the Napoleonic Wars, and the anti-slave trade suppression campaign in the first three-quarters of the nineteenth century all brought British seafarers into intimate association with A

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Haynes, Gary. "Late Quaternary Mammalian Biogeography and Environments of the Great Plains and Prairies. Russell W. Graham, Holmes A. SemkenJr. , and Mary Ann Graham, editors. Scientific Papers Vol. XXII. Illinois State Museum, Springfield, 1987. xiv + 491 pp., appendix, index. $21.00 (paper)." American Antiquity 54, no. 3 (1989): 661. http://dx.doi.org/10.2307/280797.

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Angosto, Salvador. "Mapping the History of a Territory: Bon Pastor (Barcelona) – Social Remembrance and Heritage Project." Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica, no. 33 (June 30, 2019): 37–54. http://dx.doi.org/10.18778/0208-6107.33.03.

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The topic of the article are the complex stages of the formation of the Bon Pastor neighbourhood in Barcelona, and contemporary efforts to create the remembrance space system that would preserve the social memory and historical identity of the place. The author presents how the urban development plans for the district were transformed as a result of major changes in national politics, economy, and social policy, since the 1930s, through 60s and 70s, till today. The article describes the Bon Pastor Civic Memory project as an interesting example of a participatory action aimed at the preservatio

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Putri, Ida Ayu Karina, and Komang Shintiya Nita Kristiana Putri. "Manajemen Pengelolaan Samsara Living Museum Sebagai Daya Tarik Wisata Budaya Di Desa Jungutan, Kecamatan Bebandem, Kabupaten Karangasem." JURNAL DESTINASI PARIWISATA 10, no. 2 (2022): 287. http://dx.doi.org/10.24843/jdepar.2022.v10.i02.p15.

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Karangasem Regency has a very varied topography such as plains, hills and mountains. Through the image ofthe destination "Karangasem, The Spirit of Bali", Karangasem Regency has a vision and mission to preserveand introduce the existence of authentic Balinese values. Strengthening the image of destinations inKarangasem Regency is carried out through the development of the Samsara Living Museum of Life becausethis museum is not limited to mere physical space but interprets the noble values of Balinese people such asrituals, traditions, culture, and local wisdom. This study uses a qualitative me

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Dissertations / Theses on the topic "Great Plains Art Museum"

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Soelle, Sally. "New Deal art : the Section of Fine Arts Program in the Great Plains states /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1993.

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Mikasa, Princess Akiko of. "Collecting and displaying 'Japan' in Victorian Britain : the case of the British Museum." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669978.

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Parker, Angela. "The History and Educational Legacy of the Manchester Art Museum, 1886-1898." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/623.

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This thesis examines the history of the Manchester Art Museum (Manchester, England), which was founded by Thomas Coglan Horsfall (1841-1932) in 1886. It considers the museum’s permanent collections and its programming from 1886 to 1898 with brief notes on the later years of the institution. While, like previous work on the Manchester Art Museum, the thesis contextualizes the museum within Victorian arts and community institutions, it breaks new ground by highlighting the ways in which it diverged from these institutions. The analysis of the museum’s collections and programming emphasizes the c

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Boorn, Alida S. "Interpreting the transnational material culture of the 19th-Century North American Plains Indians: creators, collectors, and collections." Diss., Kansas State University, 2016. http://hdl.handle.net/2097/34472.

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Doctor of Philosophy<br>Department of History<br>Bonnie Lynn-Sherow<br>American Indian material culture collections are protected in tribal archives and transnational museums. This dissertation argues that the Plains Indian people and Euroamerican people cross pollinated each other’s material culture. Over the last two hundred years’ interpretations of transnational material culture acculturation of the 19th - Century North American Plains Indians has been interpreted in venues that include arts and crafts, photography, museums, world exhibitions, tourism destinations, entertainments and lit

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Vines, Jacob L. "Encounters with the American Prairie: Realism, Idealism, and the Search for the Authentic Plains in the Nineteenth Century." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2511.

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The Great Plains are prevalent among the literature of the nineteenth century, but receive hardly a single representation among the landscapes of the Hudson River School. This is certainly surprising; the public was teeming with interest in the Midwest and yet the principal landscape painters who aimed to represent and idealize a burgeoning America offered hardly a glance past the Mississippi River. This geographical silence is the result of a tension between idealistic and empirical representations of the land, one echoed in James Fenimore Cooper’s The Prairie, Washington Irving’s A Tour on t

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Huang, Michelle Ying Ling. "The reception of Chinese painting in Britain, circa 1880-1920 : with special reference to Laurence Binyon." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1020.

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The British understanding of Chinese painting owed much to Laurence Binyon (1869-1943) who enriched the British Museum’s collections of Oriental painting, and for almost forty years, published widely and delivered lectures in Britain and abroad. Binyon’s legacy is to be found in several archival resources scattered in Britain, America, Japan and China. This dissertation is a study of the reception of Chinese painting in early twentieth century Britain, and examines Binyon’s contribution to its appreciation and criticism in the West. By examining the William Anderson collection of Japanese and

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Rawson, Helen C. "Treasures of the University : an examination of the identification, presentation and responses to artefacts of significance at the University of St Andrews, from 1410 to the mid-19th century, with an additional consideration of the development of the portrait collection to the early 21st century." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/990.

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Since its foundation between 1410 and 1414 the University of St Andrews has acquired what can be considered to be ‘artefacts of significance’. This somewhat nebulous phrase is used to denote items that have, for a variety of reasons, been deemed to have some special import by the University, and have been displayed or otherwise presented in a context in which this status has been made apparent. The types of artefacts in which particular meaning has been vested during the centuries under consideration include items of silver and gold (including the maces, sacramental vessels of the Collegiate C

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Murray, Sharon E. Pullen Daniel J. "The gaze of the beholder how national identity in nineteenth-century England was reinforced by the collection and display of ancient Egyptian material culture /." 2004. http://etd.lib.fsu.edu/theses/available/etd-11152004-210811.

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Thesis (M.A.)--Florida State University, 2004.<br>Advisor: Dr. Daniel J. Pullen, Florida State University, College of Visual Arts and Dance, Dept. of Art History. Title and description from dissertation home page (viewed Jan. 18, 2005). Includes bibliographical references.

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Gonçalves, Carlos da Silveira. "Adriano de Sousa Lopes (1879-1944). Um pintor na Grande Guerra." Doctoral thesis, 2016. http://hdl.handle.net/10362/18445.

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A presente tese estuda o período dedicado à Grande Guerra na vida e obra de Adriano de Sousa Lopes. Foi o único artista oficial do Corpo Expedicionário Português, em França, nomeado em Agosto de 1917, e por isso se discute as suas motivações, os objectivos que propôs ao ministro Norton de Matos e a sua experiência singular na frente de guerra da Flandres. Centrando a análise nas obras de arte e documentação inédita, a tese examina as múltiplas facetas e realizações do artista de guerra – o capitão equiparado e chefe do Serviço Artístico do CEP, o desenhador, o água-fortista, o pintor – e propõ

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Books on the topic "Great Plains Art Museum"

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Calloway, Colin G. Ledger narratives: The Plains Indian drawings of the Lansburgh collection at Dartmouth College. University of Oklahoma Press, 2012.

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J, Baker Laurie, and Plains Art Museum (Fargo, N.D.), eds. Just plain art: An art book. The Museum, 1991.

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Antonino, Caleca, ed. Masterpieces of the world's great museum. Hamlyn, 1988.

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Capture, George P. Horse. Robes of Splendor: Native American Painted Buffalo Hides. New Press, 1993.

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Capture, George P. Horse. Robes of Splendor: Native American Painted Buffalo Hides. New Press, 1995.

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Halvorson, Mark J., and Leslie W. Peltier. A'nicina'be Manido' minesikan: Chippewa Beadwork. State Historical Society of North Dakota, 1996.

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Graham, Evans, and Stoke-on-Trent (England). City Museum and Art Gallery., eds. Palaces of culture: The great museum exhibition. Stoke on Trent City Museum & Art Gallery, 1987.

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Leeuwen, Jean Van. The great Googlestein museum mystery. Phyllis Fogelman Books, 2003.

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editor, Ahlberg Yohe Jill, and Berlo Janet Catherine editor, eds. Plains Indian art of the early reservation era: The Donald Danforth Jr. collection at the Saint Louis Art Museum. Saint Louis Art Museum, 2016.

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Louise, Lincoln, and Minneapolis Institute of Arts, eds. Visions of the people: A pictorial history of Plains Indian life. Minneapolis Institute of Arts, 1992.

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Book chapters on the topic "Great Plains Art Museum"

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Breuer, Marcel. "Whitney Museum of American Art (Currently Frick Madison), 1964–1966." In Great Windows in Modern Architecture. Routledge, 2024. http://dx.doi.org/10.4324/9780429341977-18.

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Adorno, Theodor W. "Valéry Proust Museum." In Extraterritorialities in Occupied Worlds. punctum books, 2016. https://doi.org/10.21983/p3.0131.1.21.

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The Ger-man word, museal (“museum-like”), has unpleasant overtones. It describes ob-jects to which the observer no longer has a vital relationship and which are in the process of dying. They owe their preservation more to historical respect, than to the needs of the present. Museum and mausoleum are connected by more than phonetic association. Museums are like family sepulchers of works of art. They testify to the neutralization of culture. Art treasures are hoarded in them, and their market value leaves no room for pleasure of looking at them. Nevertheless, that pleasure is dependent on the e

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Valle Noronha, Marina. "No Longer Artwork." In Conservation of Contemporary Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_7.

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AbstractIn this conceptual chapter I explore, from a curatorial perspective, a new approach to the lifespan of artworks in museum collections. At a time when the managing of collections is under pressure because of new theories on the conservation of contemporary art, the conventional understanding of collection management might no longer hold. I speculate on how philosopher’s Tristan Garcia’s non-linear notion of time, in which the future does not exist and time is marked by intensities of presence, makes us re-think the engagement with objects perceived as deviant in collections. I investiga

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Page, Joanna. "Introduction." In Decolonial Ecologies. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.08.

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The visual arts have played an integral role in the collection, identification, study, and exhibition of flora and fauna since the earliest times. The introduction traces ways in which art has participated in the construction of knowledge about the New World in particular, drawing on relevant recent scholarship by Daniela Bleichmar, Mauricio Nieto Olarte, and Juan Pimentel, among others. It focuses on how animal and plant life in Latin America were documented by chroniclers of the early colonial period, in the great scientific expeditions of the Enlightenment, and in museum exhibition practice

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&, Cohen. "Great Plains." In America's Scientific Treasures. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197545508.003.0006.

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The chapter “Great Plains” explains about scientific and technological sites of adult interest in Kansas, Missouri, Nebraska, North Dakota, Oklahoma, and South Dakota, including Sedgwick County Zoo, Glore Psychiatric Museum, Hastings Museum, Theodore Roosevelt National Park, Woolaroc, and Mammoth Site. The traveler is provided with essential information, including addresses, telephone numbers, hours of entry, handicapped access, dining facilities, dates open and closed, available public transportation, and websites. Nearly every site included here has been visited by the authors. Although writ

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"Bisonjagd in den Great Plains, Übersee-Museum, Bremen." In EXPOSITUM. transcript-Verlag, 2004. http://dx.doi.org/10.14361/9783839401743-015.

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"Bisonjagd in den Great Plains, Übersee-Museum, Bremen." In EXPOSITUM. transcript Verlag, 2004. http://dx.doi.org/10.1515/9783839401743-015.

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"3 Replication and Reproduction on the Great Plains of Nostalgia." In Not Native American Art. University of Washington Press, 2023. http://dx.doi.org/10.1515/9780295751375-006.

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Olson, Paul A. "Cultural Perception and Great Plains Grasslands." In The Changing Prairie. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195074109.003.0003.

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Abstract Successive groups of witnesses have observed Plains grasslands, and each has seen them through its own lens and within its own frame. This essay concerns the lenses or frames used by the Plains Indians, who perceived the Plains as a circle; the Coronado group, who saw the Plains in “georgic” (or traditional agricultural) terms; the explorers and explorer-painters of the early nineteenth century who represented the grasslands as if they were a “picturesque” painting; and the late-nineteenth-century settlers who turned the grasslands into epic oceans. These represent, in my view, the ma

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Greer, Mavis, and John Greer. "Northwestern Plains Contact-Era Warfare as Reflected in Ethnohistory and Rock Art Studies." In Archaeological Perspectives on Warfare on the Great Plains. University Press of Colorado, 2018. http://dx.doi.org/10.5876/9781607326700.c002.

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Conference papers on the topic "Great Plains Art Museum"

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Zizhiyan, Sergey. "TRENCH ART THE PERIOD OF THE GREAT PATRIOTIC WAR. PRIMITIVE ART ON BOTH FRONT LINES." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3649.khmelita-19/320-329.

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This article attempts to reveal the most characteristic features of “trench art” as a type of primitive art of the period of the Great Patriotic War and its role in the history of everyday life and military history. Through the prism of the analysis of artifacts stored in the funds of the GUK “Bykhovsky District Museum of Local Lore”, the finds of the search engines of the search group “Bykhovsky Frontier” tells about the items made by soldiers in the trenches on both front lines. The author attempts to typologize the objects of “trench art”, discusses the aspects of the creation and use of su

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Banu, Ionut Alexandru. "Iconographic representations on glass from the collection of dr. Nicolae Minovici museum of popular art." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.18.

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The icon on glass, more precisely the icon painted on the back of the glass, is a category of folk art, a genre of folk art practiced almost exclusively in Transylvania and which must be related to some influences from Central Europe. Through this communication, we set out to research, in more detail, a part of the collection of cult objects – icons on glass, bringing to the public’s attention some data about several items of this collection. From this category of heritage, the collection of Dr. Nicolae Minovici Museum of Folk Art counts about 30 icons on glass, made in Transylvania and being

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Ferrare, R. A., D. N. Whiteman, S. H. Melfi, K. D. Evans, and B. N. Holben. "Raman Lidar and Sun Photometer Measurements of Aerosols and Water Vapor During the ARM RCS Experiment." In Optical Remote Sensing of the Atmosphere. Optica Publishing Group, 1995. http://dx.doi.org/10.1364/orsa.1995.tha2.

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The first Atmospheric Radiation Measurement (ARM) Remote Cloud Study (RCS) Intensive Operations Period (IOP) was held during April 1994 at the Southern Great Plains (SGP) Cloud and Radiation Testbed (CART) site near Lamont, Oklahoma. This experiment was conducted to evaluate and calibrate state-of-the-art, ground based remote sensing instruments and to use the data acquired by these instruments to validate retrieval algorithms developed under the ARM program. These activities are part of an overall plan to assess General Circulation Model (GCM) parameterization research. Since radiation proces

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Горшкова, Л. П. "THE GREAT VICTORY IN TEXTILE WORKS FROM THE COLLECTION OF THE MUSEUM OF SAINT PETERSBURG STATE ACADEMY OF ART AND DESIGN NAMED AFTER A. L. STIEGLITZ." In Месмахеровские чтения — 2025. Crossref, 2025. https://doi.org/10.54874/9785605245896.2025.11.05.

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Приводится результат исследования изделий, выполненных в экспериментальной текстильной мастерской Дворца Советов из коллекции Музея прикладного искусства СПГХПА им. А. Л. Штиглица. До настоящей публикации роль текстильщиков в оформлении интерьеров московских высоток и торжественных мероприятий 1940-х гг. практически не рассматривалась в отечественном искусствознании. В статье была поставлена задача определить авторство, точную дату создания и назначение текстильных произведений, в элементах орнамента которых есть символы Победы советского народа в Великой Отечественной войне. The article prese

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Усова, О. В. "BUILDINGS OF THE FORMER CENTRAL SCHOOL OF TECHNICAL DRAWING OF BARON STIEGLITZ IN THE 1920s–1940s." In Месмахеровские чтения — 2025. Crossref, 2025. https://doi.org/10.54874/9785605245896.2025.11.09.

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Период между закрытием Центрального училища технического рисования барона Штиглица (ЦУТР) и открытием Ленинградского художественно-промышленного училища (ЛВХПУ) богат событиями и представляет большой интерес для исследователей. Особо важными для изучения являются годы Великой Отечественной войны и блокады Ленинграда. Этому трагическому и героическому времени в истории академии уделяется особое внимание. В статье публикуются редкие фотографии повреждений в зданиях музея и библиотеки в результате артобстрелов и бомбардировок осажденного Ленинграда. The period between the closure of the Baron Sti

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Антонова, Ю. Б., and А. А. Никифорова. "On the role of restoration in the creation of a new cultural space of the city (on the example of the revival of the Fedorovsky gorodok complex)." In II Международная научно-практическая конференция "Глобальные вызовы и научные инициативы". Crossref, 2024. http://dx.doi.org/10.26118/7374.2024.49.59.007.

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На протяжении второй половины 20 века мы наблюдаем возрождение ансамблей Санкт Петербурга и его пригородов, разрушенных еще в период 1920-30 гг. и во время Великой Отечественной войны. Воссоздание, реставрация и реновация памятников архитектуры сопровождаются значительными изменениями социокультурного пространства: возвращаются к жизни памятники, формируются новые образовательные маршруты, места досуга. Трансформация культурного пространства города, изменение роли музея и форм музеефикации среды, форм коммуникации и трансляции ценностей общества - все это требует теоретического осмысления. Dur

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Thach, Nguyen, Patrick Habecker, Bergen Johnston, et al. "A Novel GAN Approach to Augment Limited Tabular Data for Short-Term Substance Use Prediction." In Thirty-Third International Joint Conference on Artificial Intelligence {IJCAI-24}. International Joint Conferences on Artificial Intelligence Organization, 2024. http://dx.doi.org/10.24963/ijcai.2024/827.

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Substance use is a global issue that negatively impacts millions of persons who use drugs (PWUDs). In practice, identifying vulnerable PWUDs for efficient allocation of appropriate resources is challenging due to their complex use patterns (e.g., their tendency to change usage within months) and the high acquisition costs for collecting PWUD-focused substance use data. Thus, there has been a paucity of machine learning models for accurately predicting short-term substance use behaviors of PWUDs. In this paper, using longitudinal survey data of 258 PWUDs in the U.S. Great Plains collected by ou

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Nikiforovs, Juris. "Works of Latvian Medallists in Fidem Congress Exhibition in Florence." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2024. http://dx.doi.org/10.22364/htqe.2024.37.

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Medal is a miniature to be held. As an art form medal has evolved from being decorative to purely modernistic in a sense of creative expression. Many of Latvian medallists have a long experience in the field of medal art, working as sculptors and educators. Some artists have joined the Latvian Medal club recently. Latvian national section of medal art was represented in FIDEM (International Medal Art Federation) XXXVII Congress exhibition in Biblioteca Nazionale Centrale in Florence 2023 with 25 works by 15 artists of a living generation. Sculptural styles of the exhibited art medals of Latvia

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Alberti, E. "Shake-table test assessment of a base-isolation device for the seismic protection of the Goddess of Morgantina statue." In AIMETA 2022. Materials Research Forum LLC, 2023. http://dx.doi.org/10.21741/9781644902431-77.

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Abstract. Monuments and museums contents in the Mediterranean area have revealed a poor dynamic behavior and suffered large damages during past severe seismic events. Their protection deserved great research efforts due to their inestimable values and high cultural significance. From an analytic point of view, art and museum objects, statues and displays are generally modelled as rigid blocks and have been extensively studied in the non-linear dynamic context. On the other hand, only limited experimental researches have been carried out. Base isolation devices have proven to be highly effectiv

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Mahcar, Fatiha Imane. "Nomination of Ksar Kourdane in Laghouat, Algeria to the UNESCO World Heritage List." In 6th International Students Science Congress. Izmir International Guest Student Association, 2022. http://dx.doi.org/10.52460/issc.2022.001.

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Ksar Kourdane is an architectural masterpiece that can be considered as a model with its aesthetic appeal that reveals the skill of the masters who built it. This Ksar offers a window into the history of this city and has preserved the heritage of the region; it represents one of the places frequented by tourists. It is an authentic symbol of the fusion of cultures and civilizations, as well as the opening up of Muslim culture to the world around it. The Ksar was built according to an architecture that combines modern and traditional style. Compared to other ksours of the region, Ksar Kourdane

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Reports on the topic "Great Plains Art Museum"

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Jewell's Crescent City Illustrated: New Orleans: 1874. Inter-American Development Bank, 2000. http://dx.doi.org/10.18235/0006419.

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Sixty objects and historic documents from the Historic New Orleans Collection, the Louisiana State Museum, and the New Orleans Museum of Art, including maps, photographs, lithographs, land deeds, silverware, earthenware, woodwork, msuic sheets, and even the trumpet of jazz great Dave Bartholomew. The "River and a City" section gave an overview of the history of New Orleans since discovery, and the "Unique Cultural Blend" section highlighted cultural expressions unique to the city itself. The exhibition was organized in honor of the City of New Orleans, site of the 41th Annual Meeting of the ID

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50 Years, 50 Works: The Art of Latin America and the Caribbean in the 20th Century. Information Bulletin No. 108. Inter-American Development Bank, 2009. http://dx.doi.org/10.18235/0008282.

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Selections from the exhibit presented at the Museo de Antioquia, in Medellín, Colombia (from March 16 to May 17, 2009), on occasion of the 50th Anniversary of the Inter-American Development Bank, and the celebration of the 50th Annual Meeting of Governors of the IDB. The Cultural Center of the Inter-American Development Bank (IDB), has scheduled this same exhibition gathering selected artworks from the art collections of the Inter-American Development Bank (IDB) and the Art Museum of the Americas of the Organization of American States (OAS) - both in Washington, D.C. The exhibit represents, to

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