Academic literature on the topic 'Greece - 19th century'

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Journal articles on the topic "Greece - 19th century"

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Zacharopoulos, George. "The sabre in 19th century Greece." Acta Periodica Duellatorum 6, no. 2 (2020): 189–98. http://dx.doi.org/10.36950/apd-2018-012.

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This article gives a brief overview on Greek sabre sources with a special focus on Philipp Müller’s and Nikolaos Pyrgos’ treatises. The article does not aim to give a complete list of treatises neither to analyze the any of the mentioned books in details – rather it aims to give an insight in those two books which might have had the most important impact on the development of the Greek sabre fencing in the 18th and 19th Centuries.
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Kokosalakis, Nikos. "Religion and Modernization in 19th Century Greece." Social Compass 34, no. 2-3 (1987): 223–41. http://dx.doi.org/10.1177/003776868703400208.

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ΘΑΝΑΗΛΑΚΗ, ΠΟΛΛΗ. "ΟΙ ΠΡΟΤΕΣΤΑΝΤΙΚΕΣ ΙΔΕΕΣ, Ο MARK TWAIN ΚΑΙ ΤΟ ΠΡΟΤΥΠΟ TOΥ ΠΑΙΔΙΚΟΥ ΧΑΡΑΚΤΗΡΑ ΣΤΟ ΜΙΣΣΙΟΝΑΡΙΚΟ ΒΙΒΛΙΟ ΣΤΗΝ ΕΛΛΑΔΑ (19ΟΣ ΑΙ.)". Μνήμων 27 (1 січня 2005): 109. http://dx.doi.org/10.12681/mnimon.813.

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<p>Polly Thanailaki, The protestant ideas, Mark Twain and the model of the child's character in the missionary books in Greece in the 19th century</p><p>This essay explores the historical evolution which was observed in the shaping of the child's model of character in the American literature books of the 19th century within the frame of the protestant ideas and values. It also studies the impact of this development in the missionary books for children in Greece in the same century. We particularly focus on Mark Twain's revolutionary presence in the American children's literature by, firstly, placing emphasis on the change that the great American author made to the strict puritan model with the shaping of a more liberal and «innocent» children's character and, secondly, by analyzing the response which Twain's books met from the Greek 19th century readers. In this paper we argue that Twain's writing, known for realism, biting social satire and memorable children's characters, influenced the Greek children's literature in the end of the 19th century. The translations of his works started taking the lead in the end of this century in Greece. Moreover, this essay studies the re-shaping of the child's character in the missionary books published in Greece in the mid 19th century. The missionaries also followed the new trend for the children's character. The missionary stories appeared less didactic and strict.</p>
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Antoniou, Georgios P. "Water reservoirs complex of 19th century in Patras, Greece." International Journal of Global Environmental Issues 15, no. 1/2 (2016): 34. http://dx.doi.org/10.1504/ijgenvi.2016.074364.

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Margaritis, A., G. Papathanakos, M. Korre, and G. Papadopoulos. "Obstetric analgesia and anesthesia in the 19th century in Greece." European Journal of Anaesthesiology 29 (June 2012): 170–71. http://dx.doi.org/10.1097/00003643-201206001-00564.

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Breger, Claudia. "Gods, German Scholars, and the Gift of Greece." Theory, Culture & Society 23, no. 7-8 (2006): 111–34. http://dx.doi.org/10.1177/0263276406069886.

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This article argues that the abundance of Greek figures and scenarios in Kittler’s recent work points to a shift in his oeuvre, which, however, does not represent a radical break with his ‘hardware studies’. At the turn of the 21st century, Kittler champions an emphatic notion of culture as a necessary supplement to science and technology. This conceptual marriage mediates grand historical narratives of cultural identity. Specifically, Kittler’s texts provide us with narratives of Greek origin which serve to re-capture collective identities in the age of globalization. On the explicit level, this identity is predominantly European, but the search has national components as well. With his turn to culture, the organizing trope of 19th-century German nationalism, Kittler has also embraced the legacy of German philhellenism, which articulated national identities through the theme of ‘elective affinity’. Kittler’s Greece occupies the very structural place it had in 19th-century German philhellenism: It stands in for both the foundation of European civilization and its virtual better self, a realm of sensual culture untainted by modern capitalism and Empire. Most of the figures inhabiting this realm are familiar from 19th-century discourse as well, but these discursive loops are fueled by contemporary feedback. Kittler’s Greek narratives have developed out of postwar academic discourses and connect to other post-unification Greek fantasies.
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Romanou, Ekaterini. "Italian musicians in Greece during the nineteenth century." Muzikologija, no. 3 (2003): 43–55. http://dx.doi.org/10.2298/muz0303043r.

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In Greece, the monophonic chant of the Orthodox church and its neumatic notation have been transmitted as a popular tradition up to the first decades of the 20th century. The transformation of Greek musical tradition to a Western type of urban culture and the introduction of harmony, staff notation and western instruments and performance practices in the country began in the 19th century. Italian musicians played a central role in that process. A large number of them lived and worked on the Ionian Islands. Those Italian musicians have left a considerable number of transcriptions and original compositions. Quite a different cultural background existed in Athens. Education was in most cases connected to the church - the institution that during the four centuries of Turkish occupation kept Greeks united and nationally conscious. The neumatic notation was used for all music sung by the people, music of both western and eastern origin. The assimilation of staff notation and harmony was accelerated in the last quarter of the 19th century. At the beginning of the 20th century in Athens a violent cultural clash was provoked by the reformers of music education all of them belonging to German culture. The clash ended with the displacement of the Italian and Greek musicians from the Ionian Islands working at the time in Athens, and the defamation of their fundamental work in music education.
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Kritikos, Theodore. "Science and Religion in Greece, at the End of 19th Century." Historein 1 (May 1, 2000): 35. http://dx.doi.org/10.12681/historein.125.

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Hastaoglou‐Martinidis, Vilma, Kiki Kafkoula, and Nicos Papamichos. "Urban modernization and national renaissance: Town planning in 19th century Greece." Planning Perspectives 8, no. 4 (1993): 427–69. http://dx.doi.org/10.1080/02665439308725783.

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Christodoulou, George, Dimitris Ploumpidis, Nikos Christodoulou, and Dimitris Anagnostopoulos. "Mental health profile of Greece." International Psychiatry 7, no. 3 (2010): 64–67. http://dx.doi.org/10.1192/s1749367600005877.

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Since the mid-1980s, a profound reform in the organisation of mental health provision has been taking place in Greece (Madianos & Christodoulou, 2007; Christodoulou, 2009). The aim has been to modernise the outdated system of care (Christodoulou, 1970), which was based on in-patient asylum-like treatment, the beginning of which can be roughly dated to the second half of the 19th century (Christodoulou et al, 2010).
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Dissertations / Theses on the topic "Greece - 19th century"

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Sotiropoulos, Michail. "European jurisprudence and the intellectual origins of the Greek state : the Greek jurists and liberal reforms (ca 1830‐1880)." Thesis, Queen Mary, University of London, 2015. http://qmro.qmul.ac.uk/xmlui/handle/123456789/9111.

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This thesis builds on, and contributes to recent scholarship on the history of nineteenth‐century liberalism by exploring Greek legal thought and its political implications during the first decades after independence from the Ottomans (ca.1830‐1880). Protagonists of this work of intellectual history are the Greek jurists—a small group of very influential legal scholars—most of whom flocked to the Greek kingdom right after its establishment. By focusing on their theoretical contributions and public action, the thesis has two major contentions. First, it shows that the legal, political and economic thought of the jurists was not only conversant with Continental liberal currents of the Restoration, but, due to the particular local context, made original contributions to liberalism. Indeed, Greek liberals shared a lot with their counterparts in France, Italy and Germany, not least the belief that liberty originated in law and the state and not against them. Another shared feature was the distinction between the elitist liberal variant of the ‘Romanist’ civil lawyers such as Pavlos Kalligas, and the more ‘radical moderate’ version of Ioannis Soutsos and Nikolaos Saripolos. At the same time, the Greek liberals, seeking not to terminate but to institutionalize the Greek revolution, tuned to the radical language of natural rights (of persons and states) and national sovereignty. This language, which sought to control the rulers, put more contestation in power and expand political participation gained wide currency during the crisis of the 1850s, which exposed also the precarious place of Greece in the geography of European civilization. The second contention of the thesis is that this ‘transformation of thought’, informed the ‘long revolution’ of the 1860s and the new system of power this latter established. By so doing, it shows that liberal jurisprudence provided the intellectual foundations upon which the modern Greek state was build.
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Stratigopoulou, Christine. "Identity and society in mid 19th century Greece : the case of Otho's reign." Thesis, University of Leicester, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341651.

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Dedoussopoulos, A. A. "Capitalism, simple commodity production and merchant capital : The political economy of Greece in the 19th century." Thesis, University of Kent, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372839.

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Ferguson, Michael 1981. "Transportation and communication networks in late Ottoman Salonica : 1800-1912." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99371.

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This thesis argues that the development of new transportation and communication networks in and around the Ottoman city of Salonica was largely responsible for its remarkable growth in the late nineteenth and early twentieth-century. The success of these new networks of steamships, telegraphs and railways, hinged upon their ability to overcome the geographical limitations of the region which, as in any pre-industrial society, had made the movement of people and goods both glacially slow and thus costly since time immemorial. The development of these new networks had many serious effects: it served to bring Salonica and the Empire under greater influence of the European powers, deeply link it to the emerging international economy and all but destroy traditional networks such as caravans and sailing vessels. Salonica was a central part of the late Ottoman story for a variety of reasons, and thus, attempting to understand its development provides us with a way to understand the late Ottoman story as a whole.
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Rhodes, Anthony. "Jacob Burckhardt: History and the Greeks in the Modern Context." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/279.

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In the following study I reappraise the nineteenth century Swiss historian Jacob Burckhardt (1818-1897). Burckhardt is traditionally known for having served as the elder colleague and one-time muse of Friedrich Nietzsche at the University of Basel and so his ideas are often considered, by comparison, outmoded or inapposite to contemporary currents of thought. My research explodes this conception by abandoning the presumption that Burckhardt was in some sense "out of touch" with modernity. By following and significantly expanding upon the ideas of historians such as Allan Megill, Lionel Gossman, Hayden White, Joseph Mali, John Hinde and Richard Sigurdson, among others, I am able to portray Burckhardt as conversely inaugurating a historiography laden with elements of insightful social criticism. Such criticisms are in fact bolstered by virtue of their counter-modern characteristic. Burckhardt reveals in this way a perspicacity that both anticipates Nietzsche's own critique of modernity and in large part moves well beyond him. Much of this analysis is devised through a genealogical approach to Burckhardt which places him squarely within a cohesive branch of post-Kantian thought that I have called heterodox post-Kantianism. My study revaluates Burckhardt through the alembic of a "discursive" post-Kantian turn which reinvests many of his outré ideas, including his radical appropriation of historical representation, his non-teleological historiography, his various pessimistic inclinations, and additionally, his non-empirical, "aesthetic" study of history, or "mythistory," with a newfound philosophical germaneness. While I survey the majority of Burckhardt's output in the course of my work, I invest a specific focus in his largely unappreciated Greek lectures (given in 1869 but only published in English in full at the end of the twentieth century). Burckhardt's "dark" portrayal of the Greeks serves to not only upset traditional conceptions of antiquity but also the manner in which self-conception is informed through historical inquiry. Burckhardt returns us then to an altogether repressed antiquity: to a hidden, yet internal "dream of a shadow." My analysis culminates with an attempt to reassess the place of Burckhardt's ideas for modernity and to correspondingly reexamine Nietzsche. In particular, I highlight the disparity between Nietzsche's and Burckhardt's reception of the "problem of power," including the latter's reluctance - which was attended by ominous and highly prescient predictions of future large-scale wars and the steady "massification" of western society - to accept Nietzsche's acclamation of a final "will to power." Burckhardt teaches us the value of history as an active counterforce to dominant modern reality-formations and in doing so, his work rehabilitates the relevance of history for a world which, as Burckhardt once noted, suffers today from a superfluity of present-mindedness.
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Barlagiannis, Athanasios. "Hygiène publique et construction de l'Etat grec, 1833-1845 : la police sanitaire et l'ordre public de la santé." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0044.

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Ce travail porte sur le développement de l’hygiène publique dans le royaume de Grèce entre 1833, année de l’accession au trône du prince Othon de Bavière, et 1845, lorsqu’un système complet des lazarets et d’offices de santé trace les frontières politiques et épidémiologiques du royaume. Après avoir traité les structures de prévention sanitaire érigées tantôt à l’intérieur du pays (vaccinateurs, médecins publics, médecins municipaux) tantôt sur ses frontières, nous étudions les mesures pour lutter contre les maladies contagieuses (surtout la peste et la variole) et contre les miasmes. Nous nous efforçons d’analyser également les maladies qui déterminent la mortalité à l’époque ainsi que les théories médicales qui expliquent les mesures appliquées, en essayant de dépasser certains aspects de la distinction classique d’Erwin Ackerknecht entre contagionnisme et infectionnisme. Enfin, nous abordons la formation du corps médical officiel, processus qui a entraîné des changements dans la pratique médicale. Cet intérêt pour l’hygiène publique impose l’étude de la construction de l’Etat et de sa ‘base biologique’. L’hygiène publique définit les menaces contre lesquelles elle s’érige en même temps qu’elle construit et met en sécurité la collectivité. Dans l’Etat de police du caméraliste Othon I, ces développements sont l’affaire de la bureaucratie, de l’administration, de la force publique et de la science de la police sanitaire. Son but était la construction et la mise en ordre de l’espace public, de l’espace d’action de l’Etat, qui est tout autant naturel que social. Cet établissement d’un ordre favorise la centralisation sanitaire en même temps qu’il prétend discipliner (processus de civilisation) les éléments naturels et les forces sociales pour qu’ils puissent être coordonnés sans résistances ; autrement dit, l’action d’imposer un ordre pacifie. La police sanitaire contrôle ces processus, en reconfigurant les liens que les hommes tissent entre eux, avec la géographie, avec la nature et avec leurs maladies<br>This study is about the organization of public hygiene in the kingdom of Greece between 1833, when prince Otto of Bavaria ascends to the throne, and 1845, when the political and epidemiological frontiers of the kingdom are traced by a complete system of lazarettos and sanitary offices. We will firstly analyze the structures of sanitary prevention in the interior of the country (vaccinators, public health doctors, municipal doctors) as well as at its frontiers, and then we will focus on the measures against contagious diseases (such as the plague and smallpox) and against miasmas. We are also interested in examining the main diseases that determine the mortality of the period under scrutiny and the medical theories that explain the applicable sanitary measures. At the same time, we will review some of the aspects of the classical distinction of Erwin Ackerknecht between contagionism and miasmatic theory. Finally, we will study the difficult formation of an official group of medical professionals. The interest in public hygiene imposes the study of the biological construction of the state and, subsequently, of the state itself. Public hygiene defines the threats which it tries to prevent, and it creates and secures the collectivity. In the Police State of the cameralist king Otto, these developments are controlled by the bureaucracy, the administration, the public force and the science of medical police. Its purpose is to construct and order the public space, the space of state action, which is natural as well as social. This action of ordering imposes the centralization of health and at the same time it normalizes the natural elements and the social forces so that they can coordinate without resistance; in other words, the action of ordering pacifies. Medical police controls these processes by reconfiguring the ties that bind individuals with each other and with the geography, the nature and their diseases
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Foster, Clare Louise Elizabeth. "'A very British Greek play' : a critical investigation of the origins and tradition of Greek plays in Greek in England, 1880-1921." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708816.

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Hines, Sara Marie. "'Taste of the world' : a re-evaluation of the publication history and reception context of Andrew Lang's Fairy Book series, 1889-1910." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7792.

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This thesis examines Andrew Lang’s Fairy Book series (1889-1910) as a material and cultural commodity, thereby re-evaluating neglected or overlooked aspects of its significance as a printed collection of fairy tales. First, it defines the publishing context for fairy-tale collections printed in Britain prior to the publication of The Blue Fairy Book in 1889. As such, Chapter One addresses pervasive claims that Lang’s series systematically revived a waning interest in fairy tales. The chapter first offers context for Lang’s series by providing a bibliographic history of the classic fairy tales – most of which are included in The Blue Fairy Book – in English from 1691 to 1889. It then focuses specifically on the decade of the 1880s to examine types of fairy-tale collections that were available in print prior to the series’ first volume and suggests that the fairy tale as a publishing phenomenon was more prominent in the late nineteenth century than has been assumed. Chapter Two seeks to establish how the diverse literary, cultural, and intellectual course of Lang’s career made him particularly suitable to edit a collection of fairy tales. His academic interests in literature as well as his ongoing study of fairy tales influenced his editorial strategies for The Blue Fairy Book, which then provided a model for the remainder of the series. Chapter Three examines the phenomenon of the “literary series” through an exploration of paratextual elements, such as Longmans’ production, branding, and marketing strategies as well as Henry J. Ford’s book illustrations and designs. The seasonal context in which the books were published provides a further framework for situating Lang’s series within the history of publishing fairy tales in Britain. Chapter Four considers the series’ printings and sales numbers, along with themes that are present throughout the published reception of the series. While Longmans capitalizes on Lang’s name in their branding strategies, in the popular press Lang’s name became synonymous with fairy-tale narratives. Furthermore, the series’ immediate reception challenges more recent scholarly positions regarding the very significant group of translators who contributed towards the series. Finally, Chapter Five recognizes the colonial context of the period and positions interest in fairy tales within the wider nineteenth-century phenomenon of collecting objects and narratives from across the Empire. It further demonstrates how narratives of race and colonialism influenced both text and illustration in the Fairy Books. The conclusion consists of a brief overview of Fairy Book editions that have been produced from 1910 to the present. Not only did the series achieve immediate popularity during its initial publication, but it has also remained in print for over a century. Through an exploration of the series as a material, publishing phenomenon, and by attending closely to presentational devices, this thesis re-examines the cultural significance of Lang’s Fairy Books.
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Luppino, Angela. "Raffaele Gargiulo e la sua collezione di vasi al Museo Archeologico Nazionale di Napoli : ricerche sul restauro dei vasi antichi nella prima metà del XIX secolo a Napoli : tecniche e materiali." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100020.

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La recherche a analysé la figure éclectique de Raffaele Gargiulo, marchand d'antiquités célèbre en Europe, collectionneur, personnage complexe et controversé de l'histoire du Musée de Naples, dans le monde des Antiquités napolitaines de la première moitié du XIXème siècle. À partir de sa collection d’objets provenant de la Grande-Grèce; l'une des plus riches du Musée de Naples, et en examinant en particulier les vases peints, nous avons analysé ses méthodes de travail ainsi que ses techniques de restauration, les matériaux qu’il a utilisés et les choix qu’il a faits pour reconstruire et comprendre les critères qui ont guidé la pratique de la restauration des vases du musée Royal Bourbon dans la première moitié du XIXème siècle. La recherche a analysé les événements historiques qui ont conduit le Musée Royal à acheter l’intégralité de la collection de Raffaele Gargiulo et, en particulier, sa collection de vases. Le travail effectué est accompagné de documents d'archives qui illustrent les longues négociations concernant l'achat des matériaux, commencé en 1852 et achevé en 1855 et renseignent sur les tendances et les choix effectués par le Musée Royal de Naples en étroite collaboration avec la Commission des Antiquités et des Beaux-Arts. L’enquête a permis d’en savoir plus sur le restaurateur-marchand qu’était R. Gargiulo et sur les relations qu’il entretenait avec les personnes impliquées dans ces affaires. En partant des sources bibliographiques, des anciens inventaires et des documents d’archives, nous avons identifié les vases de la collection Gargiulo (environ 481 vases) et tous les “vases Gargiulo" achetés par le Musée de Naples. Nous avons compilé le catalogue des vases, en les classant par type de céramique et en rédigeant une fiche pour chacun d’eux. À travers le catalogage des vases, qui a permis la reconstruction de la collection, nous avons cherché à identifier et à mettre en évidence les goûts du collectionneur R. Gargiulo mais aussi des personnes impliquées dans les choix (ministre, directeur du Musée, experts), qui ont déterminé un certain style pour les collections du Musée de Naples<br>The research focuses on the eclectic figure of Raffaele Gargiulo, who was a dealer, an expert, a restorer, a collector, a controversial figure in the history of the Naples Museum and Neapolitan antiques market in the first half of the nineteenth century. Starting from his collection of antiquites, one of the richest coming from Magna Graecia and which arrived in the Naples Museum, we have primarily examined the vases and have tried to analyze the restoration methods, the materials used and the choices made to reconstruct the criteria that guided the practice of the vases restoration in the Royal Bourbon Museum in the first half of the nineteenth century. The research analyzes the historical events that led to the purchase, by the Museum, of Raffaele Gargiulo’s collection, focusing mainly on the study of the vases collection. The research, enriched by archival documentation aimed at illustrating the long negotiation in the acquisition of the objects, which began in 1852 and ended in 1855, has shown the judgements and the choices made by the Neapolitan Museum in cooperation with the Commissione di Antichità e Belle Arti. Furthermore, it has contributed to define the figure of the restorer-dealer Gargiulo and his relationship with the people interested in the deal. A combination of archival documentation, old inventories and surveys in the Museum’s stores has allowed us to identify the Gargiulo’s vases collection (about 481 vases) and all the "Gargiulo’s vases" in the Museum. The vases catalogue has been created, in order to classify them according to type of ceramic, with an individual file for each vase. Thanks to the catalogue, which has aimed to the reconstruction of the collection, we have been able to highlight the aspects related to the criteria and to the taste of the collector Gargiulo and of the figures involved (Minister, Director of the Museum, experts, etc.). They have all contributed to the enrichment of the collections of the Naples Museum through the variety of artifacts and provenance from different locations in the Naples Kingdom.The research has also investigated the figure of the restorer Gargiulo, his "career" and his activities at the «Officina dei Vasi Italo-greci» of the Naples Museum. The restoration methods have been analyzed on some vases that still preserve the ancient interventions, focusing on a comparative study between old photos and archival documentation<br>La ricerca ha analizzato l'eclettica figura di Raffaele Gargiulo, commerciante, abile restauratore, collezionista, figura controversa nella storia del Museo di Napoli e dell’antiquaria napoletana nella prima metà del XIX secolo. Partendo dalla sua collezione, una delle raccolte più ricche di materiali di provenienza magnogreca mai giunte nel Museo di Napoli, esaminando in particolare i vasi, si è cercato poi di analizzare i metodi di restauro, i materiali adoperati e le scelte attuate per ricostruire e comprendere i criteri che guidarono la pratica del restauro dei vasi del Museo Borbonico nella prima metà dell'Ottocento. La ricerca ha analizzato le vicende che hanno portato all’acquisizione da parte del Museo Borbonico della collezione di Gargiulo nella sua totalità e, in particolare, della collezione vascolare. Il lavoro, corredato da documenti archivistici volti ad illustrare la lunga trattativa nell'acquisizione dei materiali, iniziata nel 1852 e conclusa nel 1855, ha messo in evidenza le valutazioni, le tendenze e le scelte operate a Napoli presso il Museo in stretto rapporto con la Commissione di Antichità e Belle Arti e ha contribuito a delineare la figura del restauratore-commerciante Gargiulo e il suo rapporto con le figure che, più o meno appassionatamente, si interessarono alla vicenda.Sono stati individuati, sulla base delle fonti, degli antichi inventari e dei documenti archivistici, i vasi della collezione Gargiulo (481 vasi ca.) e tutti i “vasi Gargiulo” immessi nel Museo. Si è redatto il catalogo dei vasi, diviso per classi ceramiche e con la redazione di singole schede per ogni vaso. Attraverso il catalogo e quindi la ricostituzione della collezione, si sono potute individuare, nella sua varietà di classi ceramiche e di provenienze, gli aspetti relativi ai criteri e al gusto di Gargiulo e delle figure coinvolte (Ministro, Direttore del Museo, esperti, etc.) che hanno determinato anche una scelta di gusto e di rappresentatività per le collezioni del Museo di Napoli. La ricerca ha anche preso in esame la figura del restauratore Gargiulo, la sua “carriera” e la sua attività presso «l’Officina dei Vasi Italo-greci» del Museo di Napoli. Si sono esaminati i metodi di restauro su alcuni vasi che ancora conservano gli interventi antichi, anche attraverso uno studio comparativo tra le foto antiche e i documenti di archivio
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Amilitou, Eftychia. "L'écrivain et le camelot. Enjeux d'une littérature de presse dans les romans "athéniens" (1913-1945) de Gr. Xenopoulos." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030159.

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Ce travail a pour objectif la mise en évidence des interférences entre la presse et la littérature. en étudiant les "romans athéniens" de Grigorios Xénopoulos, publiés en feuilleton entre 1913 et 1945 dans la presse athénienne, nous examinons le champ littéraire et journalistique grec depuis la fin du XIXe siècle et jusqu’à la deuxième guerre mondiale, la description de l’espace urbain (Athènes) et la présence de l’interdiscours dans les romans. Nous traitons le corpus dans l’optique d’une littérature de presse, médiatique et largement accessible. Enfin, dans le sillage de l’analyse du discours et particulièrement de la nouvelle rhétorique, nous examinons la dimension argumentative des textes et l’image de l’auteur dans la fiction, telle qu’elle est perçue notamment à travers le réseau intertextuel<br>This work aspires to the description of the connection between the press and the literature. by studying Grigorios Xenopoulos’"Athenian novels", published in serial form between 1913 and 1945 in the Athenian press, I examine the greek literary and journalistic field from the end of the 19th century until the world war II, the description of the urbain space (Athens) and the interdiscourse in the novels. the corpus is treated from the point of view of the media and the largely accessible press literature. Finally, following on from the discourse analysis and in particular from the new rhetoric, I examine the argumentative dimension of the texts and the image of the author in fiction, as it is perceived in particular through the intertextual network
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Books on the topic "Greece - 19th century"

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Getty Research Institute. 19th-century photography of ancient Greece. Getty Research Institute, 1997.

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Christiansen, Jette. The rediscovery of Greece: Denmark and Greece in the 19th century. Ny Carlsberg glyptotek, 2000.

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Gazi, Effi. Scientific national history: The Greek case in comparative perspective (1850-1920). Peter Lang, 2000.

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British aestheticism and Ancient Greece: Hellenism, reception, gods in exile. Palgrave Macmillan, 2009.

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Fields of wheat, hills of blood: Passages to nationhood in Greek Macedonia, 1870-1990. University of Chicago Press, 1997.

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David, Ricks, ed. The making of modern Greece: Nationalism, Romanticism, and the uses of the past (1797-1896). Ashgate Pub. Company, 2009.

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Greek federalism during the nineteenth century: Ideas and projects. East European Quarterly, 1995.

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Neoclassical architecture in Greece. J. Paul Getty Museum, 2004.

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In Byron's shadow: Modern Greece in the English & American imagination. Oxford University Press, 2002.

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Constantina, Bada, ed. The making of the modern Greek family: Marriage and exchange in nineteenth-century Athens. Cambridge University Press, 1992.

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Book chapters on the topic "Greece - 19th century"

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Mouzelis, Nicos P. "Application: Socio-Political Transitions in 19th- and Early 20th-Century Greece." In Post-Marxist Alternatives. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-12978-2_5.

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Thanailaki, Polly. "Spreading the ‘Word of God’. Women-Missionaries and Protestant Education in the Balkans, Greece and Italy." In Gender Inequalities in Rural European Communities During 19th and Early 20th Century. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75235-8_4.

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Kopp, Matthias, Daniel Strauch, and Christian Wacker. "Application of Computers in Historical-Topographical Research: A Database for Travel Reports on Greece (18th and 19th Century)." In Studies in Classification, Data Analysis, and Knowledge Organization. Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-642-76307-6_43.

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Heraclides, Alexis. "The Modernist Imagination: A 19th Century Conflict." In The Greek-Turkish Conflict in the Aegean. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230283398_3.

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Vykoupil, Libor. "Botrys neboli esej o záludnostech historikovy práce (rozprava o metodě)." In Filosofie jako životní cesta. Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-14.

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The elder and more experienced certainly know or at least have a vague idea that there used to be a Greek brandy named Botrys containing 40 % of alcohol. Its name was probably derived from the name of Botrytis cinerea (botrytis bunch rot, more commonly). The Greek term is Βότρυς and its transcription into Latin alphabet is Votrus or Votris. However, if a scholar attempts to verify in such an elementary finding, they can get entangled in very complex and tricky historical facts. After weeks of hard work it turned out that it is probably easier to write a chapter on the history of Greek economy of the second half of 19th century than a few lines on a distillery producing a brandy called Botrys. And so this contribution somehow by the way describes a solution to the „raisin problem“ in order to conclude with some basic information on the label Botrys.
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Scalora, Francesco. "“Che dura prova è tentar di greca aquila il dorso”. The Greek War of Independence and its resonance in Sicilian culture of the 19th century." In The Greek Revolution in the Age of Revolutions (1776–1848). Routledge, 2021. http://dx.doi.org/10.4324/9781003033981-8.

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Llewellyn-Smith, Michael. "Crete in the Nineteenth Century." In Venizelos. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197586495.003.0002.

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Venizelos was born and brought up in Crete under Ottoman rule, and the island shaped his early career. The author gives an account of Ottoman government of Crete in the 19th century, and how Greek independence attracted the Cretans. Crete's mixed populations of Christians and Muslims developed at different speeds. Uprisings by Christians in 1821, 1866 and later aimed at securing Crete's union (enosis) with Greece. The Great Powers, especially Britain, France, and Russia, had helped secure Greek independence, while delaying Cretan union, so as to preserve the integrity of the Ottoman empire. This was the Cretan Question, part of the wider Eastern Question. The 19th century saw the development of the Great Idea (megali idea) of incorporating in the Greek kingdom as many Greek communities from outside as possible. Civil society was developing in Crete in the second half of the19th century, and as the Cretan Christians increased in wealth and population, the Muslims were largely left behind.
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"Early Women’s Press (Three Female Magazines): A Challenge for the 19th Century East and Greece." In Women Telling Nations. Brill | Rodopi, 2014. http://dx.doi.org/10.1163/9789401211123_019.

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"Western Aesthetics." In Advances in Religious and Cultural Studies. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1702-4.ch001.

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This chapter studies the development and basic ideas of Western aesthetic thoughts by reviewing the aesthetic history of ancient Greece and the Middle Ages and by investigating the modern and contemporary aesthetics. It initially discusses the dominant classical Greek aesthetics, the medieval aesthetics, the 19th century aesthetics, and finally the modern aesthetics. The chapter finds that while the history of aesthetics is marked by countless schools of thoughts, only a few people of rare talent have made significant contribution to the entire human civilization through their aesthetic theories and ideas.
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Xepapadako, Avra. "European Itinerant Opera and Operetta Companies Touring in the Near and Middle East." In The Music Road. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266564.003.0016.

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Τ‎his chapter focuses on the activity of musical theatre companies touring in south-eastern Europe, the Near East, the Caucasus and Central Asia during the 19th and early 20th centuries. It investigates cultural transfer and amalgamation between the metropolitan culture of the West and the Orient in the domain of opera and operetta. Greece, in particular, functioned as a cultural crossroads between East and West. From 1840 onwards, Italian opera companies began to tour in Greece and its new theatres, and even further towards the Near East; they were followed, from 1870 onwards, by French operetta and vaudeville companies. In the last decades of the 19th century, these French artists expanded their itineraries towards the East, beyond familiar geographical boundaries, tracing their own small odysseys on the map. The chapter charts and presents these traces, attempting to shed light on an unexplored area of the world history of music and theatre.
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Conference papers on the topic "Greece - 19th century"

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Themelis, Nickolas J. "Changes in Public Perception of Role of Waste-to-Energy for Sustainable Waste Management of MSW." In 19th Annual North American Waste-to-Energy Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/nawtec19-5439.

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In the last ten years, public and government perceptions of waste-to-energy have changed considerably. Most people who bothered to visit waste management facilities recognize that landfilling can only be replaced by a combination of recycling and thermal treatment with energy recovery. During the same period, the Earth Engineering Center (EEC) of Columbia University research and public information programs have concentrated on advancing all means of sustainable waste management in the U.S. and abroad. The results of EEC research are exemplified in the graphs of the Hierarchy of Waste Management and the Ladder of Sustainable Waste Management of nations; in this paper, the latter has also been used to compare the waste management status of the fifty states of the Union. This paper also describes how the European Union has directed that thermally efficient treatment of MSW is equivalent to recycling. The rapid growth of WTE in this century is exemplified by the hundreds of new WTE plants that have been built or are under construction, most with, government assistance as in the case of other essential infrastucture. The need for concerted action by concerned scientists and engineers around the world has led to the formation of the Global WTERT Council. By now there are sister organizations of EEC and WTERT in Brazil, Canada, China, France, Germany, Greece (SYNERGIA) and Japan. Others are being formed in other countries.
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Lazos, Panayotis, and George N. Vlahakis. "Physics education in the Greek community schools of Istanbul (19th century). The books." In 9TH INTERNATIONAL PHYSICS CONFERENCE OF THE BALKAN PHYSICAL UNION (BPU-9). AIP Publishing LLC, 2016. http://dx.doi.org/10.1063/1.4944208.

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Dimarogonas, Andrew D. "The Origins of Engineering Design." In ASME 1993 Design Technical Conferences. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/detc1993-0255.

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Abstract Engineering is distinguished from craft or invention by systematic development and use of intelligence and scientific knowledge. Elements of engineering design can be found in the great Potamic civilizations but systematic engineering design activity started in the ancient Greek and Hellenistic world and matured under the Romans. The renaissance and the industrial revolution revived Engineering and modern engineering design was eventually defined during the 19th Century.
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Rovithis, Petros, Eleni Rovithis-Livaniou, Vasile Mioc, Cristiana Dumitrache, and Nedelia A. Popescu. "Educational Actions of some Greek Scholars in Romania: end of 16th—beginning of 19th century." In EXPLORING THE SOLAR SYSTEM AND THE UNIVERSE. AIP, 2008. http://dx.doi.org/10.1063/1.2993655.

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E. Anagnastopol, Bogdan. "The Organization and Merchants Ethnicity of the Greek Companies in Transylvania in the Late 18th Century and Early 19th Century." In 3rd International Conference on Advanced Research in Social Sciences and Humanities. GLOBALK, 2020. http://dx.doi.org/10.33422/3rd.icarsh.2020.10.11.

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Lazos, Panagiotis, and George N. Vlahakis. "Physics education in the Greek community schools of Istanbul (19th century). Scientific instruments and experiments in electrostatics." In 9TH INTERNATIONAL PHYSICS CONFERENCE OF THE BALKAN PHYSICAL UNION (BPU-9). AIP Publishing LLC, 2016. http://dx.doi.org/10.1063/1.4944207.

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Anagnastopol, Bogdan Eugen. "The Education Organization in the Greek Merchants Companies from Brasov and Sibiu in 18th and 19th Century." In 2nd International Conference on Research in Social Sciences and Humanities. GLOBALK, 2020. http://dx.doi.org/10.33422/2nd.icrsh.2020.12.06.

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Cheirchanteri, G. "The Stone Masonry Contribution in Greek Industrial Buildings’ Typology and Construction Durability (Late 19th to Early 20th Century)." In XV International Conference on Durability of Building Materials and Components. CIMNE, 2020. http://dx.doi.org/10.23967/dbmc.2020.138.

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Dimarogonas, Andrew D. "On the Axiomatic Foundation of Design." In ASME 1993 Design Technical Conferences. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/detc1993-0027.

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Abstract Mechanical design methodology has its origins in the writings of ancient Greek and Alexandrine authors between 300 BC and 100 AD when also the first aesthetic theory was proposed. German authors of the middle of 19th Century have introduced the foundation for Mechanical Design on basic Design Principles, modernized the machine element methodology and introduced the parallel development of the function with the form. F. Redtenbacher introduced a set of design principles. Reuleaux (1852) introduced two fundamental Design Principles (Ground Rules), re-introduced recently in axiomatic form by Suh et al. The paper discusses the merits of establishing Design Principles or Design Axioms as the fundamental Rules of design and the implications of these Rules on the design and manufacturing methodology. The relation of the Design Rules with the principles of the total quality engineering in the Taguchi sense is also investigated.
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"Urban renewal of an inner city derelict plant area as a green building shopping centre." In 19th Annual European Real Estate Society Conference: ERES Conference 2012. ERES, 2012. http://dx.doi.org/10.15396/eres2012_117.

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