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Books on the topic 'Greek and foreign cinema'

Author: Grafiati

Published: 19 April 2025

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1

Perna, Concetta Cirigliano. Cinema paradiso. New York, N.Y: Edizioni Farinelli, 2008.

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2

1907-, Magill Frank Northen, ed. Magill's survey of cinema, foreign language films. Englewood Cliffs, N.J: Salem Press, 1985.

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3

Slesin, Suzanne. Greek style. London: Thames and Hudson, 1988.

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4

Christodoulou, Christos K. The Manakis brothers: The Greek pioneers of the Balkanic cinema. Greece: Organization for the Cultural Capital of Europe, 1988.

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5

Watts, Niki. Colloquial Greek. London: Routledge, 1994.

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6

Thanasis, Spilias, ed. Greek. 3rd ed. Footscray, Vic: Lonely Planet, 2006.

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7

D̲okos, Thanos P. Non-proliferation and Greek foreign policy. Athens: Hellenic Foundation for European and Foreign Policy, 1994.

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8

Kakoura, Alison. Talk Greek. Lincolnwood, Chicago, Ill: Passport Books, 1999.

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9

A, Iannucci Amilcare, ed. Dante, cinema, and television. Toronto: University of Toronto Press, 2004.

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10

A, Iannucci Amilcare, ed. Dante, Cinema, and Television. Canada: University of Toronto Press, 2004.

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11

Salazar, Alejandro Cantarero de, and Alicia Esteban Santos. Greek Lyric Poetry and Its Influence: Texts, Iconography, Music and Cinema. Newcastle-upon-Tyne, UK: Cambridge Scholars Publishing, 2020.

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12

Bou, Núria. Deesses i tombes: Mites femenins en el cinema de Hollywood. Barcelona: Proa, 2004.

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13

Bou, Núria. Deesses i tombes: Mites femenins en el cinema de Hollywood. Barcelona: Proa, 2004.

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14

Sofroniou, Sofronios Agathocli. Modern Greek. Lincolnwood, Ill., USA: NTC Pub. Group, 1993.

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15

1954-, Allert Beate, ed. Comparative cinema: How American university students view foreign films. Lewiston, N.Y: Edwin Mellen Press, 2008.

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16

Lancia, Enrico. Attori stranieri del nostro cinema. Roma: Gremese editore, 2006.

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17

Bahcheli, Tozun. Greek-Turkish relations and U.S. foreign policy. Washington, DC (1550 M St., NW, Washington 20005): U.S. Institute of Peace, 1997.

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18

Bahcheli, Tozun. Greek-Turkish relations and U.S. foreign policy. Washington, DC (1550 M St., NW, Washington 20005): U.S. Institute of Peace, 1997.

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19

Bahcheli, Tozun. Greek-Turkish relations and U.S. foreign policy. Washington, DC (1550 M St., NW, Washington 20005): U.S. Institute of Peace, 1997.

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20

Bahcheli, Tozun. Greek-Turkish relations and U.S. foreign policy. Washington, DC (1550 M St., NW, Washington 20005): U.S. Institute of Peace, 1997.

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21

Bahcheli, Tozun. Greek-Turkish relations and U.S. foreign policy. Washington, DC (1550 M St., NW, Washington 20005): U.S. Institute of Peace, 1997.

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22

Karpouchtsis, Charalampos. German Foreign Policy and Greek Martyr Communities. Wiesbaden: Springer Fachmedien Wiesbaden, 2024. http://dx.doi.org/10.1007/978-3-658-44370-2.

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23

Peter, Bien, ed. Greek today: Workbook. Hanover, N.H: University Press of New England, 2004.

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24

New Greek cinema =: Nouveau cinema grec : 1981-1986. Athens: Greek Film Centre, 1987.

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25

Karalis, Vrasidas. A History of Greek Cinema. The Continuum International Publishing Group, 2012. http://dx.doi.org/10.5040/9781628928501.

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26

Strassinopoulou, Maria. Greek National Cinema (National Cinemas). Routledge, 2006.

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27

Strassinopoulou, Maria. Greek National Cinema (National Cinemas). 4th ed. Routledge, 2006.

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28

Greek Cinema: Texts, Histories, Identities. Intellect, Limited, 2012.

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29

A history of Greek cinema. New York, NY: Continuum, 2012.

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30

Hadjikyriacou, Achilleas. Masculinity and Gender in Greek Cinema. Bloomsbury Publishing Inc, 2013. http://dx.doi.org/10.5040/9781628928792.

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31

Phillis, Philip E. Greek Cinema and Migration, 1991-2016. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474437035.001.0001.

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Abstract:

Greek Cinema and Migration examines the ways in which the cinema of Greece has responded to the post-1990s phenomenon of becoming a host country for immigrants. The book focuses mainly on migration from Albania that dominated social discourse and cinematic representation in the 1990s and 2000s, but also sheds light on cinematic responses to the mid-2010s ‘refugee crisis’. Placing contemporary Greek cinema within the context of European film production and transnational cinema, the book explores the fascination of Greek filmmakers with migration, mobility, borders and identity between 1991 and 2016. With case studies such as The Suspended Step of the Stork (1991), The Way to the West (2003) and many more, Greek Cinema and Migration provides an in-depth understanding of contemporary Greek cinema and its direct correlation to the country’s struggles to implement European modernity. It tackles important questions on identity and representation, highlighting the role of migrants as constitutive ‘others’ who help to redefine national identity in times of encroaching globalization. The book raises in addition important questions on representations of migrants and refugees in film and mainstream media, focusing primarily on the role of migrant-related violence and its links to both humanitarianism and the agenda of the Far Right which gained a strong footing in crisis-era Greece. The author thus argues that migrants and refugees appear as either perpetrators or victims of violence in an intolerant host society, strengthening thus the role of stereotypes – both negative and positive.

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32

Phillis, Philip E. Greek Cinema and Migration, 1991-2016. Edinburgh University Press, 2020. http://dx.doi.org/10.1515/9781474437059.

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33

Greek Cinema and Migration, 1991-2016. Edinburgh University Press, 2022.

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34

Phillis, Philip E. Greek Cinema and Migration, 1991-2016. Edinburgh University Press, 2020.

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35

Phillis, Philip E. Greek Cinema and Migration, 1991-2016. Edinburgh University Press, 2020.

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36

Phillis, Philip E. Greek Cinema and Migration, 1991-2016. Edinburgh University Press, 2020.

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37

1994: Neos hellēnikos kinēmatographos = new Greek cinema. Athens: Greek Film Centre, 1994.

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38

Masculinity And Gender In Greek Cinema 19491967. Continuum Publishing Corporation, 2013.

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39

Papanikolaou, Dimitris. Greek Weird Wave: A Cinema of Biopolitics. Edinburgh University Press, 2021.

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40

Papanikolaou, Dimitris. Greek Weird Wave: A Cinema of Biopolitics. Edinburgh University Press, 2021.

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41

Papanikolaou, Dimitris. Greek Weird Wave: A Cinema of Biopolitics. Edinburgh University Press, 2023.

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42

Socrates, Lisa. Time and Space in Contemporary Greek-Cypriot Cinema. Lang Publishing, Incorporated, Peter, 2015.

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43

1990 1993: New Greek cinema = neos hellēnikos kinēmatographos. Athens: Greek Film Centre, 1993.

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44

Socrates, Lisa. Time and Space in Contemporary Greek-Cypriot Cinema. Lang AG International Academic Publishers, Peter, 2015.

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45

Hadjikyriacou, Achilleas. Masculinity and Gender in Greek Cinema: 1949-1967. Bloomsbury Academic & Professional, 2013.

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46

Hadjikyriacou, Achilleas. Masculinity and Gender in Greek Cinema: 1949-1967. Bloomsbury Academic & Professional, 2013.

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47

Socrates, Lisa. Time and Space in Contemporary Greek-Cypriot Cinema. Lang AG International Academic Publishers, Peter, 2015.

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48

Socrates, Lisa. Time and Space in Contemporary Greek-Cypriot Cinema. Lang AG International Academic Publishers, Peter, 2015.

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49

Socrates, Lisa. Time and Space in Contemporary Greek-Cypriot Cinema. Lang AG International Academic Publishers, Peter, 2015.

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50

Hadjikyriacou, Achilleas. Masculinity and Gender in Greek Cinema: 1949-1967. Bloomsbury Publishing Plc, 2015.

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