Relevant bibliographies by topics / Greek Criticism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Greek Criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Greek Criticism"

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Tsakona, Villy. "Irony beyond criticism." Pragmatics and Society 2, no. 1 (2011): 57–86. http://dx.doi.org/10.1075/ps.2.1.04tsa.

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Taking into account recent pragmatic and sociolinguistic approaches to irony, the present study investigates irony as a discursive resource Greek parliamentarians employ to fulfill their institutional roles and to negotiate verbal rules of conduct in highly institutionalized and confrontational debates. It is suggested that, besides criticism, parliamentary irony is used to sharpen attacks against the Opposition, to elicit vivid reactions from the audience and disaffiliate from, or align with, participants, to restore parliamentary order, and to establish cohesive ties between successive parli
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Kitromilides, Paschalis. "Spinozist ideas in the greek enlightenment." Balcanica, no. 50 (2019): 105–11. http://dx.doi.org/10.2298/balc1950105k.

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In this paper I discuss the religious ideas and religious criticism voiced by a Greek eighteenth-century philosopher, Christodoulos Efstathiou from Acarnania, also known by the pejorative surname Pamblekis (1730?-1793). He is known in Greek intellectual history on the basis of three works, ?????? ???????? (True Politics) published in 1781, ???? ????????? (On Philosopher), published in 1786, and ???? ?????????? (On Theocracy), published in 1793. The paper presents an analysis of the criticism of the clergy, the Church and organized religion voiced in the latter work. It is argued that Christodo
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Ooms, Steven, та Casper C. de Jonge. "The Semantics of ENAΓΩNIOΣ in Greek Literary Criticism". Classical Philology 108, № 2 (2013): 95–110. http://dx.doi.org/10.1086/671415.

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Kourbana, Stella. "The Birth of Music Criticism in Greece: The Case of the Historian Konstantinos Paparrigopoulos." Nineteenth-Century Music Review 8, no. 1 (2011): 85–100. http://dx.doi.org/10.1017/s1479409811000073.

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The birth of music criticism in Greece is connected with the creation of the Greek state and the consequent reception of opera in Athens, its capital. In the newly formed Greek society, opera was not only considered as a cultural fact, but also as the principal symbol of the European lifestyle, which stood as a model for the new citizens of the European community. The young Konstantinos Paparrigopoulos, before becoming the principal founder of the Greek nationalist historiography, published a number of music reviews on the opera performances in Athens in 1840, eager to contribute to the musica
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Elliott, J. K. "Two Recent Works on Textual Criticism." Novum Testamentum 61, no. 2 (2019): 207–12. http://dx.doi.org/10.1163/15685365-12341620.

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AbstractHere follow two reviews of works within the field of New Testament textual criticism: one is of the final five fascicules of Jean-Claude Haelewyck’s Mark for the Vetus Latina series; the other is of Didier Lafleur’s analysis of a good number of the Greek New Testament manuscripts currently in Tirana, Albania.
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Christopoulos, Marianna. "Anti-Venizelist criticism of Venizelos’ policy during the Balkan Wars (1912-13)." Byzantine and Modern Greek Studies 39, no. 2 (2015): 249–65. http://dx.doi.org/10.1017/s0307013100015378.

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Although the Balkan Wars are regarded as a defining moment in modern Greek history that led to the expansion of Greek territory, they also constitute an important chapter in the history of internal Greek politics: the Greek prime minister Eleftherios Venizelos consolidated his position as the country’s most competent politician; the Palace, at the head of the victorious Greek army, regained much of its lost prestige after the unsuccessful Greco-Turkish war of 1897; and most importantly, the old parties began to function as a united front against Venizelos. This reaction was majorly triggered b
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Sifaki, Eirini, and Anastasia Stamou. "Film criticism and the legitimization of a New Wave in contemporary Greek cinema." Journal of Greek Media & Culture 6, no. 1 (2020): 29–49. http://dx.doi.org/10.1386/jgmc_00002_1.

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Contemporary Greek cinema garnered a great reputation in recent years, including Oscar nominations, numerous awards and distinctions in international festivals and also worldwide media coverage. The emergence of a new group of filmmakers whose creativity and avant-garde aesthetics were stimulated and heightened by the social and economic crisis was first marked by media critics (film critics and cultural journalists). As journalistic art criticism plays a prominent role in the legitimization of cultural products and artistic genres, this article examines the way in which professional film crit
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VAN STEEN, GONDA. "THE AUDACITY OF TRUTH: THE ANTIGONE OF ARIS ALEXANDROU, A PLAY OF ISLAND DETENTION FROM THE GREEK CIVIL WAR." Bulletin of the Institute of Classical Studies 54, no. 1 (2011): 115–36. http://dx.doi.org/10.1111/j.2041-5370.2011.00019.x.

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Abstract This article offers a thematic reading of the Antigone play that the Greek poet Aris Alexandrou finished writing in 1951, while pushed into isolation on the prison islands for leftist detainees of the Greek Civil War. It also discusses the 2003 stage production of the play by director Victor Arditti and the State Theatre of Northern Greece. Alexandrou's free adaptation of Sophocles' Antigone delivers the complex other side of the radical resistance that inspired postwar Greek politics and culture. The playwright's political views made him suffer exile within the ‘internal exile’ of hi
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Granger, Herbert. "Xenophanes’ Positive Theology and his Criticism of Greek Popular Religion." Ancient Philosophy 33, no. 2 (2013): 235–71. http://dx.doi.org/10.5840/ancientphil201333221.

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Leontis, Artemis. ""The Lost Center" and the Promised Land of Greek Criticism." Journal of Modern Greek Studies 5, no. 2 (1987): 175–90. http://dx.doi.org/10.1353/mgs.2010.0378.

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Dissertations / Theses on the topic "Greek Criticism"

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Guast, William Edward. "Greek declamation in context." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:e9c314af-b1e1-45bb-9a14-79791c64ac39.

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This thesis looks at the genre of Greek declamation in the second and third centuries of the Common Era. Communis opinio sees the genre as 'nostalgic', a chance for Greeks dissatisfied with their political powerlessness under Rome to 'escape' to the glorious classical past of a free Greece. I argue, by contrast, that despite its famous classicism of language and theme, Greek declamation remains firmly anchored in the present of the Roman empire, and has much to say to that present. The thesis explores in three sections three contemporary contexts in which to read the genre. Each section is mad
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Mason, Henry Charles. "The Hesiodic Aspis : introduction and commentary on vv. 139-237." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:05a4c022-03d0-4508-800c-9e68e8429999.

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This thesis is concerned with the pseudo-Hesiodic Aspis, also known as the Scutum or Shield of Herakles (Heracles). It is divided into two halves: the Introduction, consisting of four chapters, is followed by detailed line-by-line commentary on a portion of the Greek text. Chapter I surveys the evidence for the poem's origins and dating before moving on to its scholarly reception since Wolf. It then argues that, for a proper understanding of the Aspis, the methodologies of oral poetics must be balanced with an awareness of its responses to fixed texts (in particular the Iliad). Chapter II exam
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Paleou, Matrona. "Literary criticism, poetry and ideological commitment : C.P. Cavafy and the Greek Left ( 1950-1974)." Thesis, University of Birmingham, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529793.

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Macleod, Eilidh. "Linguistic evidence for Mycenaean epic." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14497.

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It is now widely acknowledged that the Greek epic tradition, best known from Homer, dates back into the Mycenaean Age, and that certain aspects of epic language point to an origin for this type of verse before the date of the extant Linear B tablets. This thesis argues that not only is this so, but that indeed before the end of the Mycenaean Age epic verse was composed in a distinctive literary language characterized by the presence of alternative forms used for metrical convenience. Such alternatives included dialectal variants and forms which were retained in epic once obsolete in everyday s
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Andreiomenos, Giorgos. "The reception of Kalvos by modern Greek criticism : an account of the bibliography 1818-1960." Thesis, University of Birmingham, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519513.

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This thesis deals with the reception of Kalvos by Greek criticism and consists of ten Chapter in three parts. The first chapter refers to the positive reactions of European critics to Kalvos's first scholarly and poetic appearances in public. Chapter two discusses the reception of Kalvos by nineteenth century criticism, expressed primarily by Heptanesian literati and the Romantics of the Old Athenian School. The third chapter examines the treatment of Kalvos's poetry by Kostis Palamas and the contribution of the latter to the development of Kalvian Studies. Chapter four assesses the legacy of
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English, David J. "The identity of the 'amartoloi in the Pharisees' criticism of Jesus' table-fellowship." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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Adcock, James Seth. "A comparative study of the Hebrew and Greek text forms of Jeremiah 10:1-18." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11968.

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I wish to argue the following points: 1. MT Jeremiah gives a more complex text form in its more intricate poetic structure and, therefore, represents a more ancient or earlier form of verses 10:1-18. 2. LXX Jeremiah demonstrates later interpretative and textual developments in its logical structure of verses 10:1-18, which gives emphasis to verse 11 in its structural placement of verse 9 within that of verse 5, along with the necessary deletions of verses 10:6-8 and 10. 3. Qumran, apocryphal, and pseudepigraphtical material demonstrate the cultural and scribal milieu that readily explains the
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Ciesko, Martin. "Menander and the expectations of his audience." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:ae81b7d0-87da-4e3e-bd00-3b49743a82c1.

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Fiktion der Handlung? This highly conventional genre can, I claim, through both embracing and problematising its very conventionality express itself with irony and subtlety that is at least as effective as open self-praise by poets in comic genres that allow it.
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Miles, John Russiano. "Retroversion and text criticism : the predictability of syntax in the ancient translation from Greek to Ethiopic /." Chico,Calif. : Scholars press, 1985. http://catalogue.bnf.fr/ark:/12148/cb349311238.

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Boeke, Hanna. "Wisdom in Pindar : gnomai, cosmology and the role of the poet." Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/50549.

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Thesis (PhD)--Stellenbosch University, 2005<br>ENGLISH ABSTRACT: This study investigates the cosmological context of Pindar' s victory odes, and its importance for their encomiastic purpose. The introductory chapter deals with selected aspects of Pindaric scholarship in order to establish the usefulness of such an investigation. The first part of the study focuses on gnomai as a reflection of cosmological ideas. In Chapter 2 modem scholarship on the proverb and maxim, various ancient texts on gnomai and a number of references in Pindar are analysed in support of the contention that gnoma
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Books on the topic "Greek Criticism"

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Philodemus. On frank criticism. Scholars Press, 1998.

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Grube, G. M. A. The Greek and Roman critics. Hackett Pub. Co., 1995.

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1937-, West M. L., ed. Greek lyric, tragedy, and textual criticism: Collected papers. Oxford University Press, 2007.

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Birdsall, J. Neville. Collected papers in Greek and Georgian textual criticism. Gorgias Press, 2005.

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Greek poets. Salem Press, 2012.

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Greek tragedy. Blackwell Pub., 2008.

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Hunter, Gwen. Greek drama. Longman, 1996.

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Herington, C. J., and Thomas Gould. Greek tragedy. Cambridge University Press, 2009.

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Reading Greek tragedy. Cambridge University Press, 1986.

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Syntax criticism of the Synoptic Gospels. E. Mellen Press, 1987.

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Book chapters on the topic "Greek Criticism"

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Gwilliau, G. H. "III. THE PLACE OF THE PESHITTO VERSION IN THE APPARATUS CRITICUS OF THE GREEK NEW TESTAMENT." In Studies in Biblical and Patristic Criticism, edited by S. R. Driver, T. K. Cheyne, and W. Sanday. Gorgias Press, 2006. http://dx.doi.org/10.31826/9781463211769-003.

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Fuhrmann, Manfred. "Myth as a Recurrent Theme in Greek Tragedy and Twentieth-Century Drama." In New Perspectives in German Literary Criticism: A Collection of Essays. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400866984-014.

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Zografidou, Zosi. "Magris e la Grecia." In Biblioteca di Studi di Filologia Moderna. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.16.

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Claudio Magris is deeply interested in the classics and Greek culture. The current essay focuses on Magris and Greece through employing two different approaches. On the one hand, it highlights Magris’ interest in Greek culture, art and literature. In his works, Magris reflects on the diachronic presence of classical heroes, such as Ulysses or Antigone, within the broader field of world literature. On the other, this essay aims to analysing the reception of Magris’ translations in Greece, including the literary criticism of his works.
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Pontani, Filippomaria. "A Scholium and a Glossary: two Footnotes to the Circulation of Rhetorical Texts in the Medieval Greek-speaking World." In Textual Transmission in Byzantium: between Textual Criticism and Quellenforschung. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.lectio-eb.5.102545.

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Russell, Donald A. "Greek Criticism of the Empire." In The Cambridge History of Literary Criticism. Cambridge University Press, 1990. http://dx.doi.org/10.1017/chol9780521300063.011.

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"Genetic Criticism and the Papyri: Some Suggestions." In Greek Medical Papyri. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110536409-014.

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Bilby, Mark G. "Mainstreaming Mimesis Criticism." In Classical Greek Models of the Gospels and Acts. Claremont Press, 2018. http://dx.doi.org/10.2307/j.ctvbcd1wt.6.

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"Criticism of Pindar’s poetry in the scholia vetera." In Approaches to Greek Poetry. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110631883-011.

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"25. Literary criticism of the Cologne Mani Codex." In Greek Myth and Religion. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110449242-025.

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"Index of Greek and Latin Words." In Perspectives on New Testament Textual Criticism. BRILL, 2005. http://dx.doi.org/10.1163/9789047406952_030.

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Conference papers on the topic "Greek Criticism"

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Verner, Inna. "The legacy of Maximus the Greek in the biblical revision of Euthymius Chudovsky (1680s)." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.04.

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The paper explores the use by Euthymius Chudovsky of Maximus the Greek’s achievements in the linguistic revision of biblical texts. Correction and translation of the New Testament by Euthymius in the 1680s demonstrates not only the appeal to the texts translated by Maximus as language patterns, but also the development of his philological criticism of the text of Holy Scripture and its interpretation.
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Poulios, A., A. Iliadis, and M. Seiragakis. "Satirical song in the Greek theater of the 20th century: aspects of political and social criticism - identity issues - stylistics." In VI Международная научная конференция по эллинистике памяти И.И. Ковалевой. Московский государственный университет им. М.В. Ломоносова, 2021. http://dx.doi.org/10.52607/9785190116113_213.

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Malykhina, Yulia. "Utopia as Topos of Boundaries Erosion between Private & Public Sphere." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-15.

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The article covers ideas of public life in ancient Greek philosophy having given rise to discussion on the necessity of separation and rapprochement of public and private spheres. This study rests upon the analysis of ‘publicness’ and ‘privacy’ in the philosophical conceptions of such authors as J. Habermas who deems ‘publicness’ as communication, and H. Arendt who refers to ‘publicness’ as the polis-based worldview. Plato’s dialogue ‘The State’, which can be deemed as the first-ever example of a utopian text, provides us with the most detailed and consistent instance of criticism of the priva
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