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Dissertations / Theses on the topic 'Greek Criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Guast, William Edward. "Greek declamation in context." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:e9c314af-b1e1-45bb-9a14-79791c64ac39.

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This thesis looks at the genre of Greek declamation in the second and third centuries of the Common Era. Communis opinio sees the genre as 'nostalgic', a chance for Greeks dissatisfied with their political powerlessness under Rome to 'escape' to the glorious classical past of a free Greece. I argue, by contrast, that despite its famous classicism of language and theme, Greek declamation remains firmly anchored in the present of the Roman empire, and has much to say to that present. The thesis explores in three sections three contemporary contexts in which to read the genre. Each section is mad

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2

Mason, Henry Charles. "The Hesiodic Aspis : introduction and commentary on vv. 139-237." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:05a4c022-03d0-4508-800c-9e68e8429999.

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This thesis is concerned with the pseudo-Hesiodic Aspis, also known as the Scutum or Shield of Herakles (Heracles). It is divided into two halves: the Introduction, consisting of four chapters, is followed by detailed line-by-line commentary on a portion of the Greek text. Chapter I surveys the evidence for the poem's origins and dating before moving on to its scholarly reception since Wolf. It then argues that, for a proper understanding of the Aspis, the methodologies of oral poetics must be balanced with an awareness of its responses to fixed texts (in particular the Iliad). Chapter II exam

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3

Paleou, Matrona. "Literary criticism, poetry and ideological commitment : C.P. Cavafy and the Greek Left ( 1950-1974)." Thesis, University of Birmingham, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529793.

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4

Macleod, Eilidh. "Linguistic evidence for Mycenaean epic." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14497.

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It is now widely acknowledged that the Greek epic tradition, best known from Homer, dates back into the Mycenaean Age, and that certain aspects of epic language point to an origin for this type of verse before the date of the extant Linear B tablets. This thesis argues that not only is this so, but that indeed before the end of the Mycenaean Age epic verse was composed in a distinctive literary language characterized by the presence of alternative forms used for metrical convenience. Such alternatives included dialectal variants and forms which were retained in epic once obsolete in everyday s

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5

Andreiomenos, Giorgos. "The reception of Kalvos by modern Greek criticism : an account of the bibliography 1818-1960." Thesis, University of Birmingham, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519513.

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This thesis deals with the reception of Kalvos by Greek criticism and consists of ten Chapter in three parts. The first chapter refers to the positive reactions of European critics to Kalvos's first scholarly and poetic appearances in public. Chapter two discusses the reception of Kalvos by nineteenth century criticism, expressed primarily by Heptanesian literati and the Romantics of the Old Athenian School. The third chapter examines the treatment of Kalvos's poetry by Kostis Palamas and the contribution of the latter to the development of Kalvian Studies. Chapter four assesses the legacy of

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6

English, David J. "The identity of the 'amartoloi in the Pharisees' criticism of Jesus' table-fellowship." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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7

Adcock, James Seth. "A comparative study of the Hebrew and Greek text forms of Jeremiah 10:1-18." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11968.

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I wish to argue the following points: 1. MT Jeremiah gives a more complex text form in its more intricate poetic structure and, therefore, represents a more ancient or earlier form of verses 10:1-18. 2. LXX Jeremiah demonstrates later interpretative and textual developments in its logical structure of verses 10:1-18, which gives emphasis to verse 11 in its structural placement of verse 9 within that of verse 5, along with the necessary deletions of verses 10:6-8 and 10. 3. Qumran, apocryphal, and pseudepigraphtical material demonstrate the cultural and scribal milieu that readily explains the

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8

Ciesko, Martin. "Menander and the expectations of his audience." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:ae81b7d0-87da-4e3e-bd00-3b49743a82c1.

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Fiktion der Handlung? This highly conventional genre can, I claim, through both embracing and problematising its very conventionality express itself with irony and subtlety that is at least as effective as open self-praise by poets in comic genres that allow it.

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9

Miles, John Russiano. "Retroversion and text criticism : the predictability of syntax in the ancient translation from Greek to Ethiopic /." Chico,Calif. : Scholars press, 1985. http://catalogue.bnf.fr/ark:/12148/cb349311238.

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10

Boeke, Hanna. "Wisdom in Pindar : gnomai, cosmology and the role of the poet." Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/50549.

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Thesis (PhD)--Stellenbosch University, 2005<br>ENGLISH ABSTRACT: This study investigates the cosmological context of Pindar' s victory odes, and its importance for their encomiastic purpose. The introductory chapter deals with selected aspects of Pindaric scholarship in order to establish the usefulness of such an investigation. The first part of the study focuses on gnomai as a reflection of cosmological ideas. In Chapter 2 modem scholarship on the proverb and maxim, various ancient texts on gnomai and a number of references in Pindar are analysed in support of the contention that gnoma

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11

van, Emde Boas Evert H. "Linguistic studies in Euripides' Electra." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:dbecc2f8-f980-4a33-9fdc-20d8c1329dc5.

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Euripides’ Electra has long been one of the playwright’s most controversial works. This book offers a reading of the play concentrating on its language, which is analysed by applying a variety of modern linguistic approaches: conversation analysis, pragmatic theories of speech acts and inference, politeness theory, the study of the interplay of gender and language, paroemiology, and the study of discourse cohesion. The first three chapters argue for the Peasant, Electra and Orestes, respectively, that their linguistic behaviour constitutes a vital part of their characterisation. The Peasant’s

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12

Clarke, Kent D. "An examination of the United Bible Societies' Greek New Testament based upon textual criticism and critical analysis." Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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13

Hanink, Johanna Marie. "Classical tragedy in the age of Macedon : studies in the theatrical discourses of Athens." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609148.

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14

Meijering, Roos. "Literary and rhetorical theories in Greek scholia." Groningen : E. Forsten, 1987. http://books.google.com/books?id=YXtfAAAAMAAJ.

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15

Habetzeder, Julia. "Evading Greek models : Three studies on Roman visual culture." Doctoral thesis, Stockholms universitet, Institutionen för arkeologi och antikens kultur, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-79421.

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For a long time, Roman ideal sculptures have primarily been studied within the tradition of Kopienkritik. Owing to some of the theoretical assumptions tied to this practice, several important aspects of Roman visual culture have been neglected as the overall aim of such research has been to gain new knowledge regarding assumed Classical and Hellenistic models. This thesis is a collection of three studies on Roman ideal sculpture. The articles share three general aims: 1. To show that the practice of Kopienkritik has, so far, not produced convincing interpretations of the sculpture types and mo

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Mann, Christopher John Rupert. "Myth and truth in some odes of Pindar." Thesis, University of Oxford, 1993. http://ora.ox.ac.uk/objects/uuid:fb1fa986-6226-48e7-86a8-89df6b800669.

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The main part of this thesis is a survey of Pindar's treatment, in his epinicians, of myths involving the mythological family of the Aiakids. I establish what may be known of Pindar's sources for these stories, and then compare his own accounts. I consider (together with some minor incidents) Aiakos' assist- ance in building the walls of Troy; Phokos' murder; Peleus' experience with Hippolyta and Akastos, and his marriage to Thetis; Telamon's participation in Herakles' expedition against Troy; Achilles' infancy, his combats against Telephos, Kyknos, Hektor and Memnon, and his own fate; Aias'

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Hosty, Matthew. "An edition with commentary of the Batrachomyomachia." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:9af478b9-771d-4a9f-94ed-8cf6bc7d7cd2.

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The thesis consists of three main sections: the Introduction, the text (with apparatus), and the Commentary. The Introduction begins with a survey of the available evidence for the poem’s date and authorship, before moving on to consider its generic affiliations and influences, focusing on two particular areas: its links with the ill-defined genre of παρῳδία, and its relationship to animal-narratives elsewhere in ancient literature (particularly fable) and visual art. This is followed by a detailed analysis of the poem’s style and metre, a brief tour of its Nachleben up to the 13th century, an

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18

Harper, Joshua Lynn. "Responding to a puzzled scribe : the Barberini version of Habakkuk 3 analysed in the light of the other Greek versions." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608099.

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Komninou, Nikolitsa. "The awarded young adult novel in Greece (1985-2004)." University of Sydney, 2006. http://hdl.handle.net/2123/2764.

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Master of Philosophy<br>The purpose of this study was to examine the adolescent novels that were awarded in Greece from 1985 till 2005 by four major organizations. The primary focus was to outline the main characteristics of the awarded adolescent novel that developed during the last 20 years in Greece and secondly, to examine the main characteristics of those awarded novels so as to understand the importance of this newly formed genre and the important role it can play in the development of the adolescent. In the first part of the study we outlined the development and the main characteristics

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Natsina, Anastasia. "Greek short stories in the last quarter of the twentieth century : contribution to an exploration of the postmodern." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:a5e8d523-e2de-449f-8b5e-fe16d86f4edb.

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The thesis examines Greek short stories written and published since the fall of the dictatorship in Greece in 1974, a year marking the beginning of the country's increasing opening to western lifestyles, mentalities and preoccupations. The present research explores two questions: How do Greek short stories of this period respond to the challenges of the postmodern condition, and what is the picture of the postmodern that one could draw from these texts. To this goal more than a hundred short stories are examined, by Sotiris Dimitriou, Michel Fais, Rhea Galanaki, E. Ch. Gonatas, Yiorgos loannou

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Hilton, Naomi. "3 Baruch & the rewriting of scripture." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609984.

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Polychronakis, Ioannis. "Song odyssey : negotiating identities in Greek popular music." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669839.

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Robertson, George Ian Cantlie. "Evaluative language in Greek lyric and elegiac poetry and inscribed epigram to the end of the fifth century B.C.E." Thesis, University of Oxford, 1999. http://ora.ox.ac.uk/objects/uuid:3a03f8c6-5e38-4066-b313-5df6b5eedd19.

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This dissertation is a study of the rhetorical uses of evaluative language in Greek lyric and elegiac poetry and inscribed epigram of the period from the seventh to the fifth century B.C.E. The discussion focuses on the poets' evaluations of human worth in three areas, each of which forms a separate chapter: martial valour, the relationship between physical appearance and inner virtue, and political or social values. Within each chapter, particular aspects of the subject under discussion are treated under separate headings. Although the literary material has been treated in various ways in the

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Trafford, Simon J. "The theology of Aeschylus." Thesis, Swansea University, 2013. https://cronfa.swan.ac.uk/Record/cronfa42603.

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This thesis examines the theology of Aeschylus through a close text-based discussion of the nature and justice of Zeus. This will not be a dogmatic investigation that looks for signs of monotheism or 'proto-monotheism'. Rather, this thesis will examine the presentation of the god in Aeschylus, as he is found in his plays, free from any desire or attempt to form a rounded, comprehensive 'Aeschylean theology'. The first chapter considers the two closely connected divine terms, thetaepsilonozeta and deltaalphaiotamuonu. The clear-cut and easily discernible meaning of thetaepsilonozeta acts as a c

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Hartley, Vivian Alma. "Ennius and his predessors." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28058.

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The Annales of the Roman poet, Quintus Ennius, was not an isolated example of an historical epic. Other poets before Ennius' time had written epics of various types, and different sorts of poems that dealt with historical or national material, and some of these influenced Ennius. This study will consider Ennius' relationship to the Homeric epics, and show how he imitated them in form and style. The writings of other Greek poets who preceded Ennius will be examined to determine whether they might also have influenced the Roman poet. The works of the two Roman poets who wrote before Ennius wil

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Šcepanovic, Sandra. "Αἰών and Χρόνος : their semantic development in the Greek poets and philosophers down to 400 BC". Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669922.

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Giere, Samuel D. "A new glimpse of Day One : an intertextual history of Genesis 1.1-5 in Hebrew and Greek texts up to 200 CE." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/155.

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This thesis is an unconventional history of the interpretation of Day One, Genesis 1.1-5, in Hebrew and Greek texts up to c. 200 CE. Using the concept of ‘intertextuality’ as developed by Kristeva, Derrida, and others, the method for this historical exploration looks at the dynamic interconnectedness of texts. The results reach beyond deliberate exegetical and eisegetical interpretations of Day One to include intertextual, and therefore not necessarily deliberate, connections between texts. The purpose of the study is to gain a glimpse into the textual possibilities available to the ancient re

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Fox, Peta Ann. "Heroes at the gates appeal and value in the Homeric epics from the archaic through the classical period." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002168.

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This thesis raises and explores questions concerning the popularity of the Homeric poems in ancient Greece. It asks why the Iliad and Odyssey held such continuing appeal among the Greeks of the Archaic and Classical age. Cultural products such as poetry cannot be separated from the sociopolitical conditions in which and for which they were originally composed and received. Working on the basis that the extent of Homer’s appeal was inspired and sustained by the peculiar and determining historical circumstances, I set out to explore the relation of the social, political and ethical conditions an

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Jacobs, Victor Stephen. "Arthrous occurrence and function in the Pauline corpus with particular focus on the text of Romans." Thesis, University of Wales Trinity Saint David, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683335.

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Turquois, Elodie Eva. "Envisioning Byzantium : materiality and visuality in Procopius of Caesarea." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:943e33e8-10cd-4f27-8134-60b6f088b5a8.

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The three works of Procopius of Caesarea, the History of the Wars, the Buildings and the Secret History, form a corpus which can be profitably studied as a whole. My thesis is a typology of the visual in Procopius’ corpus, which is embedded in a study of narrative technique. It concerns itself with the representation of material reality and the complex relationship between materiality and the text. It utilises the digressive and the descriptive as an indirect entry point to expose Procopius’ literary finesse and his use of poikilia. In the first half of this thesis, the main object of my study

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Samaras, Peter Panagiotis. ""Eros tyrannidos" : a study of the representations in Greek lyric poetry of the powerful emotional response that tyranny provoked in its audience at the time of tyranny's earliest appearance in the ancient world." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24104.

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Since its earliest appearance, the word $ tau upsilon rho alpha nu nu acute iota varsigma$ referred to absolute rule obtained in defiance of any constitution that existed previously. In early Greek lyric poetry, tyranny is represented as a divine blessing, but one that meets with opposition against the tyrant and puzzlement at the behaviour of the gods. In Archilochus and elsewhere tyrannical ambition is termed eros. The common property that makes both tyranny and beauty objects of eros is luminosity: As the 'radiance' $ rm( lambda alpha mu pi rho acute o tau eta varsigma)$ of beauty is to the

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Spelman, Henry Lawlor. "Pindar and his audiences." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:83184846-33cc-41bf-a7d0-8b1f1da5c57d.

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This thesis explores Pindar's relationship to his audiences. Part One demonstrates how his victory odes take into account an audience present at their premiere performance and also secondary audiences throughout space and time. It argues that getting the most out of the epinicians involves simultaneously assuming the perspectives of both their initial and subsequent audiences. Part Two describes how Pindar uses his audiences' knowledge of other lyric to situate his work both within an immanent poetic history and within a contemporary poetic culture. It sets out Pindar's vision of the literary

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Sherwood, Jane. "Perceptions of gender and the divine in Greek texts of the second and third centuries A.D." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:e8ab1177-499c-4572-9395-dc22c53fe886.

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This thesis investigates the construction and reflection of gender identities in the religious sphere, namely the gods, their worshippers, and the rituals which link them. Religiously-interested Greek texts written by Artemidoros, Pausanias, Plutarch and Heliodoros in the second and third centuries A.D. form the basis of four chapter- studies. The introduction explores how deploying gender as a tool for investigating the texts reveals the author's own perceptions of how male and female operate within his discourse, and considers how these perceptions relate to the world beyond the text. Chapte

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Franzoni, Maria Giulia. "A philosophy as old as Homer : Giacomo Leopardi and Greek poetic pessimism." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/11357.

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The aim of this thesis is twofold: it explores Giacomo Leopardi's (1798-1837) interpretation of, and engagement with, Greek pessimistic thought and, through him, it investigates the complex and elusive phenomenon of Greek pessimistic thought itself. This thesis contends that Greek pessimistic thought – epitomised by but not limited to the famous wisdom of Silenus, the µὴ φῦναι topos – is an important element of Greek thought, a fundamental part of some of Greece's greatest literary works, and a vital element in the understanding of Greek culture in general. Yet this aspect of ancient thought h

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Lampaki, Eleni. "A comparative study of the manuscripts and early printed editions of the Cretan tragedy Erofili and its interludes." Thesis, University of Cambridge, 2014. https://www.repository.cam.ac.uk/handle/1810/246286.

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In this dissertation, I investigate the textual tradition of the Cretan tragedy Erofili by Georgios Chortatsis (16th century). The play, accompanied by a set of four Interludes, has survived in three manuscripts and two editions, all originating from the 17th century. All the witnesses are examined and presented thoroughly, both as autonomous texts and in comparison to each other. The examination of each witness separately sheds light not only on the history of the transmission of Erofili, but also to the production of manuscripts and printed books in Crete, the Heptanese and Venice in general

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Hemingway, Ben. "The dream in classical Greece : debates and practices." Thesis, University of Oxford, 2009. http://ora.ox.ac.uk/objects/uuid:d0d272ee-e293-44bf-b8c2-02b68304d22f.

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This thesis aims to address the Greek attitude to their dream experience in the classical period, as it was conceived in theories and engaged with in dream practices. The emphasis is on the relationship between these elements and the wider cultural frames which surrounded them, in order both to illustrate the manner in which culture influences the conception of dreams, and also to use dreams themselves as a mirror to reflect parts of Greek culture. As a study it has been heavily shaped by the approaches to dreams developed by anthropologists, outlined in Chapter 2, who have emphasised the impo

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Malamis, Daniel Scott Christos. "The justice of Dikê on the forms and significance of dispute settlement by arbitration in the Iliad." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002162.

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This thesis explores the forms and significance of dispute settlement by arbitration, or ‘δίκη’, in the Iliad. I take as my focus the ‘storm simile’ of Iliad XVI: 384-393, which describes Zeus’ theodical reaction to corruption within the δίκη-court, and the ‘shield trial’ of Iliad XVIII: 498-508, which presents a detailed picture of such a court in action, and compare the forms and conception of arbitration that emerge from these two ecphrastic passages with those found in the narrative body of the poem. Analysing the terminology and procedures associated with dispute settlement in the Iliad,

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Becker, Joseph Peter. "An ontology of grace : the doxological trajectory and pneumasomatic properties of XAPIΣ in 2 Corinthians 8-9". Thesis, University of Wales Trinity Saint David, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683351.

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Vodoklys, Edward J. "Blame-expression in the epic tradition." New York : Garland, 1992. http://catalog.hathitrust.org/api/volumes/oclc/25130912.html.

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Papanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /." London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Soares, Marina Peixoto 1985. "As Rãs, de Aristófanes : introdução, tradução e notas." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270757.

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Orientador: Flávio Ribeiro de Oliveira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-24T23:09:44Z (GMT). No. of bitstreams: 1 Soares_MarinaPeixoto_M.pdf: 3795789 bytes, checksum: 6535fed014bae350a69e6c944a1cf5c6 (MD5) Previous issue date: 2014<br>Resumo: Esta pesquisa tem como objeto de estudo a comédia grega As Rãs, do poeta Aristófanes (c. 450 a.C.). Nosso principal objetivo é a realização da tradução da peça para o português, buscando preservar as características do estilo do autor e os efeitos cômic

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Bell, Lonnie David. "Textual stability and fluidity exhibited in the earliest Greek manuscripts of John : an analysis of the second/third-century fragments with attention also to the more extensive papyri (P45, P66, P75)." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/11768.

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This thesis is an assessment of the character of textual transmission reflected in the pre-fourth century Greek manuscripts of the Gospel of John. Since John is the most attested New Testament book among the early papyri, has the highest number of papyri that share overlapping text, and is the best attested Christian text in the second century, it serves well as a case study into the level of fluidity and stability of the New Testament text in its earliest period of transmission. The transmission of New Testament writings in this period has been characterized by a number of scholars as error-p

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Hixson, Elijah Michael. "Gospel of Matthew in a sixth-century manuscript family : scribal habits in the Greek Purple Codices 022, 023 and 042." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31388.

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The purpose of this thesis is to assess the extent to which the singular readings of a manuscript reveal the tendencies of the scribe who wrote its text by examining three related Greek manuscripts from the sixth century. The three manuscripts are all luxury copies of the Gospels' purple codices, so named because they are written in silver and gold ink on parchment that has been dyed purple. The manuscripts, Codex Purpureus Petropolitanus (N 022), Codex Sinopensis (O 023) and Codex Rossanensis (Σ 042), were all copied in the sixth century from a common exemplar. Chapter One introduces the thre

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Carmo, Neto Julio Maria do. "Metamorfoses X, o livro de Orfeu : estudo introdutorio, tradução e notas." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269122.

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Orientador: Marcos Aurelio Pereira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-13T02:58:13Z (GMT). No. of bitstreams: 1 CarmoNeto_JulioMariado_M.pdf: 486382 bytes, checksum: d9bf65f7ed3fb8a498a9152496dd362b (MD5) Previous issue date: 2009<br>Resumo: Este trabalho versa sobre o mito de Orfeu, narrado pelo poeta romano Ovídio em sua obra as Metamorfoses. Focamo-nos no aspecto artístico dessa personagem, que freqüentemente é considerada o poeta, cantor e músico arquetípico. A seção da obra em que ela se

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Scapin, Nuria. "'The flower of suffering' : a study of Aeschylus' Oresteia in the light of Presocratic ideas." Thesis, University of St Andrews, 2016. http://hdl.handle.net/10023/9314.

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My PhD thesis, The Flower of Suffering, offers a philosophical evaluation of Aeschylus' Oresteia in light of Presocratic ideas. By examining several aspects of the tragic trilogy in relation to some of Aeschylus' near-contemporary thinkers, it aims to unravel the overarching theological ideas and the metaphysical and epistemological assumptions underpinning the Oresteia's dramatic narrative. My aim is to bring to relief those aspects of the Oresteia which I believe will benefit from a comparison with some ideas, or modes of thought, which circulated among the Presocratic philosophers. I will e

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Gera, Deborah Levine. "The dialogues of the Cyropaedia." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:fd2e7159-de3a-4186-9d4f-f320eec2a40a.

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This thesis is an examination of the dialogues of Xenophon's Cyropaedia. Chapter I opens with a brief introduction to the Cyr. - its genre, date, epilogue and place in modern scholarship. The second half of the chapter is devoted to an overall survey of the work's dialogues. The dialogues are listed and divided into seven main categories; various formal features of the dialogues - their length, number of speakers, presence of an audience, dramatic background etc. - are noted. The second chapter deals with the "Socratic" or didactic dialogues of the Cyr. These conversations are first compared t

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Granholm, Patrik. "Alciphron, Letters of the Courtesans : Edited with Introduction, Translation and Commentary." Doctoral thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-183681.

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This dissertation aims at providing a new critical edition of the fictitious Letters of the Courtesans attributed to Alciphron (late 2nd or early 3rd century AD). The first part of the introduction begins with a brief survey of the problematic dating and identification of Alciphron, followed by a general overview of the epistolary genre and the letters of Alciphron. The main part of the introduction deals with the manuscript tradition. Eighteen manuscripts, which contain some or all of the Letters of the Courtesans, are described and the relationship between them is analyzed based on complete

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Ponelis, Karlien. "Die invloed van die Plautiniese klug op die moderne klug." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52206.

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Thesis (MPhil)--Stellenbosch University, 2001.<br>ENGLISH ABSTRACT: The present thesis deals with the impact of the ancient Greek farce on modem literature with specific reference to the play Kinkels innie Kabel (1971) by the contemporary Afrikaans author André P. Brink. This play is loosely based on Shakespeare's The Comedy of Errors, which in tum derives from Plautus' Menaechmi. Brink's play thus resonates with an entire European tradition. The relationship between the modem and the ancient farce is studied with reference to the concept of comedy. Comic effects, the difference between

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Leite, Letticia Batista Rodrigues. "Sobre os fragmentos poeticos de Safo de Lesbos e ideias da existencia de uma voz feminina : reflexões sobre Historia, Linguistica e Literatura." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279188.

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Orientador: Pedro Paulo Abreu Funari<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-13T02:57:57Z (GMT). No. of bitstreams: 1 Leite_LetticiaBatistaRodrigues_M.pdf: 1418684 bytes, checksum: dcba9242e98f69da82780d668c4d90bb (MD5) Previous issue date: 2009<br>Resumo: O objetivo central desta dissertação é problematizar como a relação linguagem/discurso aparece intimamente relacionada à questão do sexo/gênero, no âmbito dos trabalhos dos estudiosos que se propuseram a tratar dos fragmentos poéticos de

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Wajdenbaum, Philippe. "Analyse structurale de la Bible hébraïque: les Argonautes du désert." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210491.

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Par une analyse comparative de la Bible, Ancien Testament, selon la méthode structurale de Cl. Lévi-Strauss, avec les textes d'Homère, d'Hérodote, de Platon, et d'autres auteurs grecs antiques, il est avancé que la Bible aurait été écrite à l'époque hellénistique, par des auteurs juifs acculturés, éduqués à la grecque. L'Israël biblique tel que raconté dans les livres de Genèse à II Rois serait alors une fiction littéraire inspirée de la Cité idéale des Lois de Platon, nantie de mythes grecs, tirés de l'Enquête d'Hérodote et des principaux cycles de la mythologie grecque (Argonautes, Thèbes, H

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