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Journal articles on the topic 'Greek Criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Tsakona, Villy. "Irony beyond criticism." Pragmatics and Society 2, no. 1 (2011): 57–86. http://dx.doi.org/10.1075/ps.2.1.04tsa.

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Taking into account recent pragmatic and sociolinguistic approaches to irony, the present study investigates irony as a discursive resource Greek parliamentarians employ to fulfill their institutional roles and to negotiate verbal rules of conduct in highly institutionalized and confrontational debates. It is suggested that, besides criticism, parliamentary irony is used to sharpen attacks against the Opposition, to elicit vivid reactions from the audience and disaffiliate from, or align with, participants, to restore parliamentary order, and to establish cohesive ties between successive parli

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2

Kitromilides, Paschalis. "Spinozist ideas in the greek enlightenment." Balcanica, no. 50 (2019): 105–11. http://dx.doi.org/10.2298/balc1950105k.

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In this paper I discuss the religious ideas and religious criticism voiced by a Greek eighteenth-century philosopher, Christodoulos Efstathiou from Acarnania, also known by the pejorative surname Pamblekis (1730?-1793). He is known in Greek intellectual history on the basis of three works, ?????? ???????? (True Politics) published in 1781, ???? ????????? (On Philosopher), published in 1786, and ???? ?????????? (On Theocracy), published in 1793. The paper presents an analysis of the criticism of the clergy, the Church and organized religion voiced in the latter work. It is argued that Christodo

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Ooms, Steven, та Casper C. de Jonge. "The Semantics of ENAΓΩNIOΣ in Greek Literary Criticism". Classical Philology 108, № 2 (2013): 95–110. http://dx.doi.org/10.1086/671415.

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Kourbana, Stella. "The Birth of Music Criticism in Greece: The Case of the Historian Konstantinos Paparrigopoulos." Nineteenth-Century Music Review 8, no. 1 (2011): 85–100. http://dx.doi.org/10.1017/s1479409811000073.

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The birth of music criticism in Greece is connected with the creation of the Greek state and the consequent reception of opera in Athens, its capital. In the newly formed Greek society, opera was not only considered as a cultural fact, but also as the principal symbol of the European lifestyle, which stood as a model for the new citizens of the European community. The young Konstantinos Paparrigopoulos, before becoming the principal founder of the Greek nationalist historiography, published a number of music reviews on the opera performances in Athens in 1840, eager to contribute to the musica

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Elliott, J. K. "Two Recent Works on Textual Criticism." Novum Testamentum 61, no. 2 (2019): 207–12. http://dx.doi.org/10.1163/15685365-12341620.

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AbstractHere follow two reviews of works within the field of New Testament textual criticism: one is of the final five fascicules of Jean-Claude Haelewyck’s Mark for the Vetus Latina series; the other is of Didier Lafleur’s analysis of a good number of the Greek New Testament manuscripts currently in Tirana, Albania.

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Christopoulos, Marianna. "Anti-Venizelist criticism of Venizelos’ policy during the Balkan Wars (1912-13)." Byzantine and Modern Greek Studies 39, no. 2 (2015): 249–65. http://dx.doi.org/10.1017/s0307013100015378.

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Although the Balkan Wars are regarded as a defining moment in modern Greek history that led to the expansion of Greek territory, they also constitute an important chapter in the history of internal Greek politics: the Greek prime minister Eleftherios Venizelos consolidated his position as the country’s most competent politician; the Palace, at the head of the victorious Greek army, regained much of its lost prestige after the unsuccessful Greco-Turkish war of 1897; and most importantly, the old parties began to function as a united front against Venizelos. This reaction was majorly triggered b

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Sifaki, Eirini, and Anastasia Stamou. "Film criticism and the legitimization of a New Wave in contemporary Greek cinema." Journal of Greek Media & Culture 6, no. 1 (2020): 29–49. http://dx.doi.org/10.1386/jgmc_00002_1.

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Contemporary Greek cinema garnered a great reputation in recent years, including Oscar nominations, numerous awards and distinctions in international festivals and also worldwide media coverage. The emergence of a new group of filmmakers whose creativity and avant-garde aesthetics were stimulated and heightened by the social and economic crisis was first marked by media critics (film critics and cultural journalists). As journalistic art criticism plays a prominent role in the legitimization of cultural products and artistic genres, this article examines the way in which professional film crit

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VAN STEEN, GONDA. "THE AUDACITY OF TRUTH: THE ANTIGONE OF ARIS ALEXANDROU, A PLAY OF ISLAND DETENTION FROM THE GREEK CIVIL WAR." Bulletin of the Institute of Classical Studies 54, no. 1 (2011): 115–36. http://dx.doi.org/10.1111/j.2041-5370.2011.00019.x.

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Abstract This article offers a thematic reading of the Antigone play that the Greek poet Aris Alexandrou finished writing in 1951, while pushed into isolation on the prison islands for leftist detainees of the Greek Civil War. It also discusses the 2003 stage production of the play by director Victor Arditti and the State Theatre of Northern Greece. Alexandrou's free adaptation of Sophocles' Antigone delivers the complex other side of the radical resistance that inspired postwar Greek politics and culture. The playwright's political views made him suffer exile within the ‘internal exile’ of hi

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9

Granger, Herbert. "Xenophanes’ Positive Theology and his Criticism of Greek Popular Religion." Ancient Philosophy 33, no. 2 (2013): 235–71. http://dx.doi.org/10.5840/ancientphil201333221.

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10

Leontis, Artemis. ""The Lost Center" and the Promised Land of Greek Criticism." Journal of Modern Greek Studies 5, no. 2 (1987): 175–90. http://dx.doi.org/10.1353/mgs.2010.0378.

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11

Screnock, John. "A New Approach to Using the Old Greek in Hebrew Bible Textual Criticism." Textus 27, no. 1 (2018): 229–57. http://dx.doi.org/10.1163/2589255x-02701008.

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AbstractEmanuel Tov’s published methodology for using the Old Greek in textual criticism of the Hebrew Bible has been the gold standard for all such methods. I present a new approach by building on Tov’s methodology. Although Tov accounts for the reality of Hebrew variants within the mind of the translator, he explores the idea only with regards to scribal errors, leaving most changes stemming from “contextual exegesis” to be categorized as inner-translational and inadmissible in the text critical endeavor. I argue for an extension of Tov’s method by considering other ways in which a scribe wo

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Moraczewski, Krzysztof. "Krytyka jako dynamika myśli humanistycznej." Prace Kulturoznawcze 23, no. 1 (2019): 17–32. http://dx.doi.org/10.19195/0860-6668.23.1.2.

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Criticism as the dynamics of humanistic thoughtThe text is dedicated to the reconstruction of the idea of the philosophical critique of culture. The emphasis is being put on the origins of such criticism in the Greek distinction between doxa and episteme and its developement through the philosophical criticism of the myth. Next comes the problem of the extension of philosophical critique to the very conditions of the possibility of knowledge, achieved by Immanuel Kant, and the effects of this extension for the status of reason. This leads to the concept of the instrumentalization of reason an

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Shehab, Mohammed. "Orientalists' attitude towards the ancient Arab criticism of the Greek heritage." Humanities Journal of University of Zakho 1, no. 2 (2013): 211–24. http://dx.doi.org/10.26436/2013.1.2.352.

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14

Baltussen, H. "A 'Homeric' hymn to Stalin: performing safe criticism in ancient Greek?" Classical Receptions Journal 7, no. 2 (2014): 223–41. http://dx.doi.org/10.1093/crj/clu008.

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15

Bowie, Ewen L. "Greek Table-Talk before Plato." Rhetorica 11, no. 4 (1993): 355–71. http://dx.doi.org/10.1525/rh.1993.11.4.355.

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Abstract: This essay analyses conversation at archaic and classical Greek banquets and symposia, using first epic, then elegiac and lyric poetry, and finally Old Comedy. Epic offers few topics, mostiy arising from the situation of a guest. Those of sympotic poetry, from which prose exchanges may cautiously be inferred, are more numerous:reflection, praise of the living and the dead, consolation of the bereaved, proclamations of likes and dislikes, declarations of love,narrative of one's own erotic experiences or (scandalously) of others',personal criticism and abuse, and the telling of fables.

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Bula, Andrew. "Parallels and Distinctions in Wole Soyinka’s Season of Anomy and “Orpheus and Eurydice”." Journal of Critical Studies in Language and Literature 2, no. 5 (2021): 1–5. http://dx.doi.org/10.46809/jcsll.v2i5.78.

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Criticism of Wole Soyinka’s Season of Anomy alongside the Greek mythological story of “Orpheus and Eurydice” has usually been an engagement in drawing parallels between both texts, or of uncovering symbols and allusions found within the novel that echoes the Greek myth. None, however, has explored at the same time the range of similarities and dissimilarities between both narratives; nor is there available a sustained attention devoted to the criticism of both. This study fills that critical vacuum. The question thus opened up is that there are convergences as well as divergences in the narrat

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PALAVESTRA, ALEKSANDAR. "TWO COLLECTIONS AND TWO GREEK OBSESSIONS." ISTRAŽIVANJA, Јournal of Historical Researches, no. 31 (November 12, 2020): 197–216. http://dx.doi.org/10.19090/i.2020.31.197-216.

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It has become a truism that museum exhibitions and interpretations are influenced by wider theoretical concepts and the author’s personal ideas. Winckelmann’s legacy is present in most of the European museums. Sometimes the concepts emphasizing Greece are perpetuated over decades, in spite of the fact that new archaeological interpretations contradict this neo-Classicist reading. Two examples will be offered to illustrate this situation. The first is the case of the Neolithic site of Vinča near Belgrade, excavated during several campaigns from 1908 to 1934 by Miloje Vasić. At the time he start

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18

Hayes, Geoffrey. "The Role of Criticism in the Epistemology of Habermas and Popper." South Pacific Journal of Psychology 8 (1995): 19–25. http://dx.doi.org/10.1017/s0257543400001267.

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At the highest altitude, the issue addressed in this paper has to do with the epistemological status of criticism in Western philosophy. What type of knowledge results from criticism and what is the basis on which criticism may be judged as valid or invalid? It is arguable that criticism as a legitimate attitude toward the intellectual and aesthetic products of a society (including the social system itself) did not exist prior to ancient Greek philosophy. The pre-Socratic philosophers were possibly the first to employ criticism in something like the sense that we use this term today. It is not

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Wright, Benjamin G. "The Septuagint as a Hellenistic Greek Text." Journal for the Study of Judaism 50, no. 4-5 (2019): 497–523. http://dx.doi.org/10.1163/15700631-12505130.

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AbstractAs a response to the tradition of scholarship that focused on questions of LXX origins, translation techniques and textual criticism, this article looks at how the LXX translations in antiquity were already in certain respects marked as Greek texts at their production, constructed as Greek literary texts in their origins, and subsequently employed in the same ways as compositional Greek texts by those who engaged them. It shows how the author of Aristeas constructs the LXX as a Greek text, how it functioned as such for Aristobulos and Philo. Already the translators demonstrate in their

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20

Sang-il Lee. "Multiple Originals Hypothesis on Transliteration of New Testament Greek - Re-consideration of Criteria of Textual Criticism and Source Criticism." Korean Evangelical New Testament Sudies 11, no. 3 (2012): 525–52. http://dx.doi.org/10.24229/kents.2012.11.3.001.

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21

Bien, Peter, and Vassilis Lambropoulos. "Literature as National Institution: Studies in the Politics of Modern Greek Criticism." World Literature Today 63, no. 1 (1989): 145. http://dx.doi.org/10.2307/40145244.

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22

Holmes, Michael W. "Collected Papers in Greek and Georgian Textual Criticism – By J. Neville Birdsall." Religious Studies Review 33, no. 3 (2007): 230. http://dx.doi.org/10.1111/j.1748-0922.2007.00203_8.x.

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23

Wright, Matthew. "POETS AND POETRY IN LATER GREEK COMEDY." Classical Quarterly 63, no. 2 (2013): 603–22. http://dx.doi.org/10.1017/s000983881300013x.

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The comic dramatists of the fifth centuryb.c.were notable for their preoccupation with poetics – that is, their frequent references to their own poetry and that of others, their overt interest in the Athenian dramatic festivals and their adjudication, their penchant for parody and pastiche, and their habit of self-conscious reflection on the nature of good and bad poetry. I have already explored these matters at some length, in my study of the relationship between comedy and literary criticism in the period before Plato and Aristotle. This article continues the story into the fourth century an

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24

Frendo, Mario. "Ancient Greek Tragedy as Performance: the Literature–Performance Problematic." New Theatre Quarterly 35, no. 1 (2019): 19–32. http://dx.doi.org/10.1017/s0266464x18000581.

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In this article Mario Frendo engages with the idea of ancient Greek tragedy as a performance phenomenon, questioning critiques that approach it exclusively via literary–dramatic methodologies. Based on the premise that ancient Greek tragedy developed within the predominantly oral context of fifth-century BCE Greece, he draws on Hans-Thies Lehmann's study of tragedy and its relation to dramatic theatre, where it is argued that the genre is essentially ‘predramatic’. Considered as such, ancient Greek tragedy cannot be fully investigated using dramatic theories developed since early modernity. In

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25

Lorini, Gualtiero. "Kant’s Confrontation with Plato and the Greek World in the Inaugural Dissertation." Estudos Kantianos [EK] 8, no. 2 (2021): 107. http://dx.doi.org/10.36311/2318-0501/2020.v8n2.p107.

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The discussion concerning Kant’s knowledge of the Greek world has long been a subject of debate. Our contribution is intended to show that in the Dissertation of 1770 Kant is measured against some currents of Greek thought, and above all with Plato, on topics which will become very important in the articulated development of criticism in the 1770s. One aspect of our analysis deals with the texts that could have filtered Kant’s knowledge of ancient Greek tradition. We will then pore over some crucial features of the Dissertation, such as the distinction between sensible and intelligible knowled

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Strijdom, Johan. "The uses of ancient Greek myths: From social-historical description to ideological criticism." Myth & Symbol 4, no. 2 (2007): 39–48. http://dx.doi.org/10.1080/10223820802503194.

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27

Gligorić, Miroljub. "Christos Yannaras’s Conception of State, Society and Politics and the Greek Apophatic Tradition." Interdisciplinary Journal for Religion and Transformation in Contemporary Society 7, no. 1 (2021): 261–82. http://dx.doi.org/10.30965/23642807-bja10017.

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Abstract The article demonstrates a concept of state, society and politics coined by contemporary Greek religious philosopher Christos Yannaras. The concept derives from two sources: on the one hand from the criticism of the modern cataphatic forms of state and society and on the other hand from the apophatic character of the Greek polis. With this creative critical synthesis, based on the apophatic attitude, Yannaras produces a conception of a new polity, contributing to the liberation of the human subject from various aspects of alienation in the cataphatic systems.

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Krewet, Michael. "Jüngere Textzeugen in der griechischsprachigen Überlieferung von Aristoteles’ „περὶ ἑρμηνείας“ und ihre textkritische Bedeutung". Hermes 149, № 3 (2021): 280. http://dx.doi.org/10.25162/hermes-2021-0025.

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Whitmarsh, Tim. "Josephus, Joseph and the Greek Novel." Ramus 36, no. 1 (2007): 78–95. http://dx.doi.org/10.1017/s0048671x00000801.

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The challenge to classicists to read Josephus ‘as literature’ is an awkward one, because it throws into relief the crooked, appropriative practices we undertake in the name of literary criticism. If Josephus' works are to be seen as ‘literature’—a category closely associated with specifically Hellenic literary ideals, in much of the ancient world as well as the modern academy—then we are also avoiding looking at them as documents of early Jewish cultural history or belief. ‘Literature’ is far from a neutral category.Josephus would, however, have probably approved, at any rate up to a point. In

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Jacobs, L. D. "Die tekskritiek van die Nuwe Testament (1): Die huidige metodologiese situasie." Verbum et Ecclesia 12, no. 2 (1991): 259–75. http://dx.doi.org/10.4102/ve.v12i2.1039.

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The textual criticism of the New Testament (1): The current methodological Situation This first article in a two-part series on the textual criticism of the New Testament focuses on the current state of affairs regarding textcritical methodology. Majority text methods and the two main streams of eclecticism, viz moderate and rigorous eclecticism, as well as statistical methods and the use of conjectural emendation, are reviewed with regard to their views on method as well as the history of the text. The purpose is to arrive at a workable solution which the keen and often not so able textual cr

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Brovkin, Vladimir. "The critics of religion in early Hellenistic philosophy." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 13, no. 2 (2019): 637–47. http://dx.doi.org/10.25205/1995-4328-2019-13-2-637-647.

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This article discusses the socio-historical conditions of the formation of criticism of religious representations in Greek philosophy in the period of early Hellenism. It is established that the formation of this criticism according to Epicurus, Theodorus, Bion and Euhemerus was influenced by the following factors. First, it is the rapid development of the cult of Hellenistic kings. Secondly, it is the emergence of new influential gods, the growing popularity of the Eastern gods in Greece, and religious syncretism. Thirdly, it is a gradual weakening of the traditional cult of the Olympian gods

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Taylor, Quentin. "Ernest Barker and Greek Political Thought: Plato." Polis: The Journal for Ancient Greek Political Thought 23, no. 2 (2006): 222–42. http://dx.doi.org/10.1163/20512996-90000094.

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For much of the twentieth century Ernest Barker was the most frequently cited authority on Greek political thought in the English-speaking world. The centenary of his first publication, The Political Thought of Plato and Aristotle, provides a fitting occasion to commemorate his seminal and enduring contribution to the subject. In the first of two articles, I explore Barker’s treatment of Plato, particularly as a foil for developing his own synthetic brand of neo-idealism. With a focus on the Republic, Barker crafts an erudite yet lively account that leaves little of Plato’s political thought l

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Calvário, Patrícia. "Bounds of Reason in the Knowledge of God: Gregory Palamas’ Criticism of Greek Philosophy." Revista Portuguesa de Filosofia 73, no. 2 (2017): 783–92. http://dx.doi.org/10.17990/rpf/2017_73_2_0783.

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Schniedewind, William M. "Textual Criticism and Theological Interpretation: The Pro-TempleTendenzin the Greek Text of Samuel-Kings." Harvard Theological Review 87, no. 1 (1994): 107–16. http://dx.doi.org/10.1017/s0017816000031655.

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Kirby, John T. "The Rhetorical Situations of Revelation 1–3." New Testament Studies 34, no. 2 (1988): 197–207. http://dx.doi.org/10.1017/s0028688500019998.

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The publication of George Kennedy'sNew Testament Interpretation Through Rhetorical Criticismmarked the full realization of a growing trend in NT criticism, whereby scholars are beginning to look beyond the limitations of form- and source-criticism for another viable hermeneutical tool. Rhetorical criticism has its origins in the classical canons conceptualized and formulated by the principal rhetoricians of Greek and Roman antiquity, such as Aristotle and Quintilian. This methodology sprang from roots in the ancient world; rhetoric was ‘one of the constraints under which New Testament writers

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36

Imbert, Claude. "Gottlob Frege, One More Time." Hypatia 15, no. 4 (2000): 156–73. http://dx.doi.org/10.1111/j.1527-2001.2000.tb00358.x.

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Frege's philosophical writings, including the “logistic project,” acquire a new insight by being confronted with Kant's criticism and Wittgenstein's logical and grammatical investigations. Between these two points a non-formalist history of logic is just taking shape, a history emphasizing the Greek and Kantian inheritance and its aftermath. It allows us to understand the radical change in rationality introduced by Gottlob Frege's syntax. This syntax put an end to Greek categorization and opened the way to the multiplicity of expressions producing their own intelligibility. This article is bas

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Bonanno, Beatrice. "Elimelech or Abimelech? A Study on the Textual Variant of the Name of Noemin’s Husband in LXX-Ruth." Biblische Zeitschrift 65, no. 2 (2021): 308–21. http://dx.doi.org/10.30965/25890468-06502007.

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Abstract This paper analyses the textual variant of the name of Noemin’s husband in the book of Ruth: Elimelech according to the Masoretic Text and Abimelech according to the Septuagint. It investigates if this textual variant is linked to a different Hebrew Vorlage, whether it is carried out during the process of translation of the text in its Greek form, or whether it is due to its transmission in its Greek form. Finally, this study analyses the literary criticism of this variant by showing how a coherent character is created by name and through actions and how, in this way, God’s presence i

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Wright, Matthew. "The tragedian as critic: Euripides and early Greek poetics." Journal of Hellenic Studies 130 (November 2010): 165–84. http://dx.doi.org/10.1017/s0075426910000066.

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AbstractThis article examines the place of tragic poetry within the early history and development of ancient literary criticism. It concentrates on Euripides, both because his works contain many more literary-critical reflections than those of the other tragedians and because he has been thought to possess an unusually ‘critical’ outlook. Euripidean characters and choruses talk about such matters as poetic skill and inspiration, the social function of poetry, contexts for performance, literary and rhetorical culture, and novelty as an implied criterion for judging literary excellence. It is ar

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Li, Hanyue. "The Idea of Tragedy in Arthur Miller’s The Crucible and A View from the Bridge." English Language and Literature Studies 8, no. 2 (2018): 115. http://dx.doi.org/10.5539/ells.v8n2p115.

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Arthur Miller is acknowledged as a heavyweight in portraying ordinary life’s tragedy in twentieth-century America. He believes that tragedy is no longer confined to the kingly man placed aloofness from others; he denies rigid definitions of traditional Greek tragedy and enriches them to keep abreast of the times in modern society. Most Miller scholars, unfortunately, are still preoccupying themselves with Death of a Salesman. Available criticism of these two plays is scant and not extensive. This paper studies both the ostensible structures of standardized Greek tragedy and the hidden ideas of

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Kalasaridou, Sotiria. "The history of C. P. Cavafy in Greek education: Landmarks and Gaps." Journal of Literary Education, no. 2 (December 6, 2019): 90. http://dx.doi.org/10.7203/jle.2.12049.

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Abstract  This article aims to highlight the crucial stages of C.P. Cavafy’s “history in education” through textbooks about literature from 1930 until today. More specifically, the research is constructed around two areas: a) the fundamental role of literary criticism and how it was related to the introduction of C.P. Cavafy in education in 1930, b) the degree of osmosis between History of Literature and History of Education. The methodological criteria of the research are drawn from different areas, such as: i) literary criticism, ii) history of education and educational policy, iii) hi

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Moerbeck, Guilherme. "Between THe aacient and the modern world: war and community in Max Weber’s city typology." Heródoto: Revista do Grupo de Estudos e Pesquisas sobre a Antiguidade Clássica e suas Conexões Afro-asiáticas 4, no. 1 (2019): 168–95. http://dx.doi.org/10.34024/herodoto.2019.v4.10116.

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Economy and Society, one of the most influential oeuvres of the early twentieth century, with impact in several branches of the Human Sciences, has in one of its parts a text of particular interest to researchers of Ancient History, the Typology of Cities. Although Max Weber’s significant aims in composing his text were, blatantly, to evaluate the contemporary world, the density of the Weberian text, the fruit of a unique erudition, revealed an in-depth and singular analysis of the ancient Greek city. The purpose of this article is to analyze Weber’s interpretive choices, in the light of histo

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Anakwue, Nicholas Chukwudike. "The African Origins of Greek Philosophy: Ancient Egypt in Retrospect." Phronimon 18 (February 22, 2018): 167–80. http://dx.doi.org/10.25159/2413-3086/2361.

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The demand of philosophising in Africa has faced a history of criticism that has been particularly Eurocentric and strongly biased. However, that trend is changing with the emergence of core philosophical thinking in Africa. This paper is an attempt to articulate a singular issue in this evolutionâ€”the originality of African philosophy, through Ancient Egypt and its influence on Greek philosophy. The paper sets about this task by first exposing the historical debate on the early beginnings of the philosophical enterprise, with a view to establishing the possibility of philosophical influences

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Quantin, Jean-Louis. "Historical Criticism, Confessional Controversy, and Self-Censorship: Henry Savile and the Lives of John Chrysostom." Erudition and the Republic of Letters 6, no. 1-2 (2021): 138–223. http://dx.doi.org/10.1163/24055069-06010004.

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Abstract Henry Savile wrote a critical dissertation on Chrysostom’s biographers for inclusion in the eighth volume of his edition of Chrysostom’s works in Greek. He was indeed very interested in the Lives of his author, primarily in the Dialogus of Palladius of Helenopolis, then only known in Latin translation, whose Greek original he took considerable pains to unearth, to no avail, in libraries throughout Europe. His amanuenses instead brought him an array of Byzantine hagiographical texts, of which he was dismissive, publishing them only in part. Savile’s dissertation propounds his criteria

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Berent, Moshe. "In Search of the Greek State: A Rejoinder to M.H. Hansen." Polis: The Journal for Ancient Greek Political Thought 21, no. 1-2 (2004): 107–46. http://dx.doi.org/10.1163/20512996-90000063.

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In a collection of articles based on my Cambridge doctoral thesis (1994) I have argued that, contrary to what has been traditionally assumed, the Greek polis was not a State but rather what anthropologists call ‘a stateless society’. The latter is characterized by the absence of ‘government’, that is, an agency which has separated itself out from the rest of social life and which monopolizes the use of violence. In a recent article Mogens Herman Hansen discusses and rejects my notion of the stateless polis. This paper is a rejoinder to Hansen’s criticism and offers critical analysis of the con

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Zharikova, Yuliya. "SEMANTIC AND AXIOLOGICAL PECULIARITIES OF THE «SPEECH» PHRASEOLOGICAL MICROSYSTEM (based on Modern Greek, English and Ukrainian)." Studia Linguistica, no. 17 (2020): 50–60. http://dx.doi.org/10.17721/studling2020.17.50-60.

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Phraseology is the branch of linguistics that attracts a lively interest of the researchers, especially through the prism of the latest trends in language study. Despite the fact that the recent studies are mostly made in the terms of cognitive and cultural lingual studies, still the traditional research vectors formed within the structural-semantic paradigm of linguistic knowledge are relevant. In this context, a comparative research based on the material of the Modern Greek, Ukrainian, as well as English as language of international communication, is, undoubtedly, of high topicality. The «Sp

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Peels, Saskia. "Thwarted Expectations of Divine Reciprocity." Mnemosyne 69, no. 4 (2016): 551–71. http://dx.doi.org/10.1163/1568525x-12341900.

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The notion of reciprocity in Greek religion has been approached from many angles. One question that has not been treated concerns human discontent at gods’ gifts. Given that, in Greek literature, characters conceptualised their relationship with gods as a bond of reciprocal χάρις, did these fictive characters use the same conceptual frame in talking about frustrated expectations of divine reciprocity? When gods did not give in return what had been hoped for, was such disappointment ever constructed as a case of dysfunctional reciprocity? In this paper I argue that the answer is ‘no’, but a con

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van Emde Boas, Evert. "The Tutor’s Beard." Mnemosyne 68, no. 4 (2015): 543–68. http://dx.doi.org/10.1163/1568525x-12301528.

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In this paper I discuss several cases of controversial speaker-line attribution in Greek tragedy, with the overall goal of showing that greater attention needs to be paid to gender-specific language in the business of textual criticism. Differences between male and female speech in Greek drama may offer crucial indications for the attribution of contested lines. I argue that the distribution of E. El. 959-966 in the manuscripts should be maintained, primarily for two gender-related reasons: women in tragedy do not give commands to servants if free men are present, and the discussion of clothin

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CERAMI, CRISTINA. "THOMAS D'AQUIN LECTEUR CRITIQUE DU GRAND COMMENTAIRE D'AVERROÈS À PHYS. I, 1." Arabic Sciences and Philosophy 19, no. 2 (2009): 189–223. http://dx.doi.org/10.1017/s0957423909990026.

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AbstractThe present article aims to provide a reconstruction of the interpretation offered by Thomas Aquinas of the cognitive process described at the beginning of Aristotle's Physics and of his criticism of Averroes' interpretation. It expounds to this end the exegesis of ancient Greek commentators who opened the debate on this question; then, it puts forward a reconstruction of Aquinas' doctrine by means of other texts of his corpus, as well as an explanation of his criticism of Averroes' exegesis; it finally reconstructs Averroes' interpretation worked out in his Great Commentary to Phys. I

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Layoun, Mary N. "Literature as National Institution: Studies in the Politics of Modern Greek Criticism (review)." Journal of Modern Greek Studies 7, no. 1 (1989): 171–73. http://dx.doi.org/10.1353/mgs.2010.0209.

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Skarbek-Kazanecki, Jan. "Greek symposion as a space for philosophical discourse: Xenophanes and criticism of the poetic tradition." Tekstualia 1, no. 56 (2019): 35–52. http://dx.doi.org/10.5604/01.3001.0013.3286.

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The aim of the present article is to discuss the relation between the philosophy and poetry in archaic Greece on the example of Xenophanes of Colophon (6th century BC), the poet best known for a critique of anthropomorphic imagery of the traditional religion. The initial problem lies in understanding the performative aspect of the elegiac poems of Xenophanes; analysis of the fragment 1W and 2W has revealed that the Xenophanes’ literary output can be situated within the framework of the aristocratic symposium. This sympotic context determines the second question, wiz. how the poetic fragments f

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