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Books on the topic 'Greek drama (Tragedy) Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

The living art of Greek tragedy. Bloomington: Indiana University Press, 2003.

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2

Christian, Meier. The political art of Greek tragedy. Cambridge: Polity Press, 1993.

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3

Christian, Meier. The political art of Greek tragedy. Baltimore: Johns Hopkins University Press, 1993.

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4

From Homer to tragedy: The art of allusion in Greek poetry. London: Routledge, 1990.

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5

Herington, C. J. Poetry into drama: Early tragedy and the Greek poetic tradition. Berkeley: University of California Press, 1985.

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6

Poetry in drama: Early tragedy and the Greek poetic tradition. Berkeley: University of California Press, 1985.

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7

Knoepfler, Denis. Les imagiers de l'Orestie: Mille ans d'art antique autour d'un mythe grec / Denis Knoepfler ; avant-propos de Jean-Pierre Jelmini. Zürich: Akanthus, 1993.

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8

L'art, ou, La plasticité de l'esprit. Paris: Ellipses, 2008.

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9

The art of Euripides: Dramatic technique and social context. Cambridge: Cambridge University Press, 2010.

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10

Pots & plays: Interactions between tragedy and Greek vase-painting of the fourth century B.C. Los Angeles: J. Paul Getty Museum, 2007.

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11

Narrative in drama: The art of the Euripidean messenger-speech. Leiden: E.J. Brill, 1991.

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12

Università degli studi Roma tre. Dipartimento di studi sul mondo antico, ed. La tragedia greca: Testimonianze archeologiche e iconografiche : atti del convegno, Roma, 14-16 ottobre 2004. Roma: Università degli studi di Roma tre, Dipartimento di studi sul mondo antico, 2009.

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13

Teatro attico e pittura vascolare: Un tragedia di Cheremone nella ceramica italiota. Hildesheim: G. Olms, 2001.

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14

Oreste: Immagini di un discusso eroe del passato. Firenze: Firenze Atheneum, 2003.

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15

Brea, Luigi Bernabò. Le maschere ellenistiche della tragedia greca. Naples: Centre Jean Bérard, 1998.

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16

Green, J. R. Images of the Greek theatre. Austin: University of Texas Press, 1995.

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17

1926-, Handley E. W., and British Museum, eds. Images of the Greek theatre. London: Published for the trustees of the British Museum by British Museum Press, 1995.

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18

Staurou, Vlachos Angelos. Monophrōn: Technē, tragōdia, historia. Athēna: I.D. Kollarou & Sias A.E. Vivliopōleion tēs "Hestias", 1999.

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19

Sewell, Richard C. In the theatre of Dionysos: Democracy and tragedy in ancient Athens. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2007.

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20

Strauss, Richard. Richard Strauss Edition: Sämtliche Bühnenwerke = complete stage works. : op.58 : Tragödie in einem Aufzuge = tragedy in one act. Wien: Verlag Dr. Richard Strauss, 1996.

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21

Shakespeare, William. The tragedy of Macbeth. New York: New American Library, 1986.

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22

Shakespeare, William. The tragedy of Macbeth. Oxford: Oxford University Press, 1990.

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23

1564-1616, Shakespeare William, ed. The tragedy of Macbeth. Leicester, United Kingdom: Sweet Cherry Publishing, 2013.

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24

Shakespeare, William. The tragedy of Macbeth. Oxford: Oxford University Press, 2008.

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25

Shakespeare, William. The tragedy of Macbeth. New York: New American Library, 1987.

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26

Shakespeare, William. The tragedy of Macbeth. Portsmouth, NH: Boynton/Cook Publishers, 1990.

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27

Shakespeare, William. The tragedy of Macbeth. New York: Washington Square Press, 1992.

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28

Shakespeare, William. The Tragedy of Macbeth. New York, USA: Oxford University Press, 1990.

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29

Shakespeare, William. The tragedy of Macbeth. New York: Washington Square Press, 2002.

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30

Greek tragedy. Malden, MA: Blackwell Pub., 2008.

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31

Herington, C. J., and Thomas Gould. Greek tragedy. Cambridge: Cambridge University Press, 2009.

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32

Euripides. Iphigenia in Tauris. Warminster: Aris & Phillips, 2000.

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33

Euripides. Iphigenie bei den Taurern. Stuttgart: M&P Verlag für Wissenschaft und Forschung, 1998.

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34

Euripides. Iphigeneia in Tauris. New York: Oxford University Press, 1992.

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35

Euripides. Iphigenia among the Taurians: Bacchae ; Iphigenia at Aulis ; Rhesus / Euripides ; translated and edited by James Morwood ; introduction by Edith Hall. New York: Oxford University Press, 2000.

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36

Euripides. Iphigenia among the Taurians. Chicago: Ivan R. Dee, 1997.

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37

Euripides. Iphigenia in Tauris. Studio City, CA: Players Press, 1998.

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38

Euripides. Iphigenia among the Taurians: Bacchae ; Iphigenia at Aulis ; Rhesus. Oxford [U.K.]: Oxford University Press, 1998.

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39

Euripides. Iphigenia among the Taurians: Bacchae ; Iphigenia at Aulis ; Rhesus. New York: Oxford University Press, 2008.

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40

Euripides. Ifigenia in Tauride ; Ifigenia in Aulide. Milano: Biblioteca universale Rizzoli, 1988.

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41

Reading Greek tragedy. Cambridge: Cambridge University Press, 1986.

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42

Goodell, Thomas Dwight. Athenian Tragedy: A Study in Popular Art. Kessinger Publishing, 2005.

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43

Goodell, Thomas Dwight. Athenian Tragedy: A Study In Popular Art. Kessinger Publishing, LLC, 2007.

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44

Billings, Joshua. Genealogy of the Tragic - Greek Tragedy and German Philosophy. Princeton University Press, 2017.

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45

Griffiths, Emma M. Children in Greek Tragedy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198826071.001.0001.

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Abstract:

Astyanax is thrown off the walls of Troy, Medeia kills her children to take revenge on her husband, and Aias reflects sadly on his son’s inheritance, yet he kills himself and leaves Eurysakes vulnerable to his enemies. The pathos created by threats to children is a notable feature of Greek tragedy, but does not explain the range of situations where the playwrights chose to employ them. Although they are largely silent, passive figures, children exert a dramatic force that goes beyond their limited onstage presence. This book proposes a new paradigm to understand the roles of children in tragedy, emphasizing their dangerous potential as the future adults of myth. Their multiple projected lives create dramatic palimpsests which are paradoxically more significant than the immediate emotional effects. Children are never killed because of their immediate weakness, but because of their potential strength. Staging considerations underpin this re-evaluation, as the embodied identities of children are central to their roles. A new examination of the evidence for child actors concludes that the physical presence of children was a significant factor in their presentation. The socio-historical context of fifth-century Athens gives some pointers, but child roles can only be fully appreciated as theatrical phenomena, utilizing the inherent ambiguities of drama.

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46

Genealogy of the Tragic: Greek Tragedy and German Philosophy. Princeton University Press, 2014.

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47

Billings, Joshua. Genealogy of the Tragic: Greek Tragedy and German Philosophy. Princeton University Press, 2014.

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48

Greek Tragedy on the Move: The Birth of a Panhellenic Art Form c. 500-300 BC. Oxford University Press, 2017.

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49

Mastronarde, Donald J. Art of Euripides: Dramatic Technique and Social Context. University of Cambridge ESOL Examinations, 2015.

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50

Billings, Joshua. Genealogy of the Tragic. Princeton University Press, 2014.

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