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Books on the topic 'Greek feminism; National identity'

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1

Language and national identity in Greece, 1766--1976. Oxford University Press, 2009.

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2

Proteou, Pavlina. National identity, minorities and the Greek state: The Ntopioi/Slavophones of Greek Macedonia. typescript, 1995.

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3

Culture and national identity in Republican Rome. Cornell University Press, 1992.

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4

Gruen, Erich S. Culture and national identity in Republican Rome. Duckworth, 1993.

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5

Paschalis, Kitromilides, Tampakē Anna, and Symposio Hellēno-voulgarikes scheseis tēn epochē tēs diamorphōsēs tōn ethnikōn tautotētōn (2008 : Athens, Greece), eds. Greek-Bulgarian relations in the age of national identity formation. Institute for Neohellenic Research, National Hellenic Research Foundation, 2010.

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6

1952-, Moghadam Valentine M., ed. Gender and national identity: Women and politics in muslim societies. Published for the United Nations University World Institute for Development Economics Research (UNU/WIDER) by Zed Books, 1994.

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7

Arms and the woman: Just warriors and greek feminist identity. Columbia University Press, 2008.

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8

Made in India: Decolonizations, queer sexualities, trans/national projects. Palgrave Macmillan, 2004.

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9

Negotiating identity in the ancient Mediterranean: The archaic and classical Greek multiethnic emporia. Cambridge University Press, 2012.

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10

Infiltrating culture: Power and identity in contemporary women's writing. Manchester University Press, 1996.

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11

Asyl und Athen: Die Konstruktion kollektiver Identitäten in der griechischen Tragödie. Metzler, 2003.

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12

Rosello, Mireille. Infiltrating culture. Manchester University Press, 1996.

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13

Sappho's sweetbitter songs: Configurations of female and male in ancient Greek lyric. Routledge, 1996.

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14

Doherty, Lillian Eileen. Siren songs: Gender, audiences, and narrators in the Odyssey. University of Michigan Press, 1995.

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15

The Americas of Asian American literature: Gendered fictions of nation and transnation. Princeton University Press, 1999.

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16

Weltman, Sharon Aronofsky. Ruskin's mythic queen: Gender subversion in Victorian culture. Ohio University Press, 1998.

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17

Hanʼguk sosŏl ŭi pundan iyagi. Chʻaek Sesang, 2006.

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18

Mackridge, Peter. Language and National Identity in Greece, 1766-1976. Oxford University Press, U.S.A., 2010.

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19

David, Ricks, and Magdalino Paul, eds. Byzantium and the modern Greek identity. Ashgate, 1998.

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20

Greek Idea: The Formation of National and Transnational Identities. I. B. Tauris & Company, Limited, 2012.

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21

Zervas, Theodore G. The Making of a Modern Greek Identity: Education, Nationalism, and the Teaching of a Greek National Past. Columbia University Press, 2012.

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22

Dimitris, Damaskos, and Plantzos Dimitris, eds. A singular antiquity: Archaeology and Hellenic identity in twentieth-century Greece. Benaki Museum, 2008.

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23

Frary, Lucien J. Russia and the Making of Modern Greek Identity, 1821-1844. Oxford University Press, 2015.

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24

The Greek Idea: The Formation of National and Transnational Identities (International Library of Political Studies). Tauris Academic Studies, 2007.

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25

(Editor), David Ricks, and Paul Magdalino (Editor), eds. Byzantium and the Modern Greek Identity (Publications (King's College (University of London). Centre for Hellenic Studies), 4.). Variorum, 1998.

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26

Rosello, Mireille. Infiltrating Culture: Power and Identity in Contemporary Women's Writing. Palgrave Macmillan, 1996.

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27

Wiegman, Robyn, Inderpal Grewal, and Caren Kaplan. Transnational America: Feminisms, Diasporas, Neoliberalisms. Duke University Press, 2005.

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28

Shields, Tanya L. Bodies and Bones: Feminist Rehearsal and Imagining Caribbean Belonging. University of Virginia Press, 2014.

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29

Greek Romanian Relations. Interculturalism and National Identity / Relations Gréco-roumaines. Interculturalité et identité nationale. Edited by Paschalis M. Kitromilides and Anna Tabaki / Sous la direction de Paschalis M. Kitromilidès et Anna Tabaki. INR–FNRS, 2004.

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30

Ortega, Amadeu Mezquida. Nova Declaració Valencianista: 100 anys després. ACV Tirant lo Blanc, 2018.

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31

Lee, Rachel C. Americas of Asian American Literature: Gendered Fictions of Nation and Transnation. Princeton University Press, 1999.

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32

Lee, Rachel C. Americas of Asian American Literature: Gendered Fictions of Nation and Transnation. Princeton University Press, 1999.

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33

Bodies and Bones: Feminist Rehearsal and Imagining Caribbean Belonging (New World Studies). University of Virginia Press, 2014.

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34

Phillis, Philip E. Greek Cinema and Migration, 1991-2016. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474437035.001.0001.

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Greek Cinema and Migration examines the ways in which the cinema of Greece has responded to the post-1990s phenomenon of becoming a host country for immigrants. The book focuses mainly on migration from Albania that dominated social discourse and cinematic representation in the 1990s and 2000s, but also sheds light on cinematic responses to the mid-2010s ‘refugee crisis’. Placing contemporary Greek cinema within the context of European film production and transnational cinema, the book explores the fascination of Greek filmmakers with migration, mobility, borders and identity between 1991 and
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35

Grewal, Inderpal. Transnational America: Feminisms, Diasporas, Neoliberalisms (Next Wave: New Directions in Womens Studies). Duke University Press, 2005.

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36

Transnational America: Feminisms, Diasporas, Neoliberalisms (Next Wave: New Directions in Womens Studies). Duke University Press, 2005.

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37

Siren Songs: Gender, Audiences, and Narrators in the Odyssey. University of Michigan Press, 1996.

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38

Scuriatti, Laura. Mina Loy's Critical Modernism. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813056302.001.0001.

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In Mina Loy’s Critical Modernism, Laura Scuriatti argues that Loy’s corpus of works produces a kind of “critical” modernism, making the case that Loy’s corpus exhibits a skeptical, detached attitude toward its own simultaneous celebration and criticism of modernist aesthetic paradigms. Most modernist works are self-reflexive in this regard, but Loy’s corpus creates for itself a space of dis-affiliation, which combines critique with self-critique, rather than forging a space of rebellion and antagonism. Scuriatti investigates the notions of the masterpiece and the sacred art object, especially
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39

Mendoza, Louis G., ed. The Oxford Encyclopedia of Latina and Latino Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/acref/9780190624316.001.0001.

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Latina/o literature is a growing field of study. It is both an emerging literature and a rich historical one that continues to be documented and uncovered in archival and personal collections. The Oxford Encyclopedia of Latina and Latino Literature offers a sweeping introduction to a variety of genres and themes in Latina/o literature from its Latin American origins in the precolonial period to contemporary texts and perspectives. The collection illustrates the historical, social, and political contexts in which successive generations of Latina and Latino authors have written, exploring the in
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40

Evangelista, Stefano. Literary Cosmopolitanism in the English Fin de Siècle. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198864240.001.0001.

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Derived from the ancient Greek for ‘world citizenship’, cosmopolitanism offers a radical alternative to identities and cultural practices built on the idea of the nation: cosmopolitans imagine themselves instead as part of a global community that cuts across national and linguistic boundaries. This book argues that fin-de-siècle writing in English witnessed an extensive and heated debate about cosmopolitanism, which transformed readers’ attitudes towards national identity, foreign literatures, translation, and the idea of world literature. It offers a critical examination of cosmopolitanism as
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41

Bogdanova, Olga A. Russian Estate and Europe: Diachrony, Nostalgia, Universalism. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0623-9.

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The book brings together articles by 24 authors, distributed into three problematic and thematic sections: a diachronic view of the Russian estate, estates of the Russian emigration, estates of European countries. A number of constant features of the Russian literary estate and cottages (storehouse of culture, moral space, the core of national identity, the concept of “non-city” in mass society, etc.) are highlighted in a comparative and diachronic analysis. The structure-forming potential and references of the “estate-dacha topos” in the foreign culture of Russian emigrants of the ХХth centur
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42

Hales, Shelley. The History of Human Habitation. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272333.003.0004.

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Charles Garnier’s exhibition L’Histoire de l’habitation humaine, designed for the 1889 Exposition Universelle in Paris, included reconstructions of Greek, Roman and, most originally, a Gallo-Roman house that represented Classical antiquity. The accounts of Garnier’s lost houses offer a means to explore the ways in which the physical resurrection of the domestic past became a powerful means of literal and metaphorical place-making for visitors to exhibitions in Britain and France throughout the nineteenth century. They provide an opportunity to articulate more closely the changing perceptions i
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43

Mérand, Frédéric. The Political Commissioner. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192893970.001.0001.

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Based on four years of embedded observation in the cabinet of a European Commissioner, this book develops a sociology of international political work. Empirically, it offers an insider’s chronicle of the European Union between 2015 and 2019. The analysis traces the successes and failures of Commissioner Pierre Moscovici and his team on five issues that defined European politics between 2015 and 2019: the Greek crisis, budgetary disputes with Spain and Portugal, the rise of populism in Italy, the reform of the eurozone, and the fight against tax evasion. The aim is not to ascertain whether the
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44

Murray, Chris. China from the Ruins of Athens and Rome. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198767015.001.0001.

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Fascinated and often baffled by China, Anglophone writers turned to classics for answers. In poetry, essays, and travel narratives, ancient Greece and Rome lent interpretative paradigms and narrative shape to Britain’s information on the Middle Kingdom. While memoirists of the diplomatic missions in 1793 and 1816 used classical ideas to introduce Chinese concepts, Roman history held ominous precedents for Sino–British relations according to Edward Gibbon and Samuel Taylor Coleridge. John Keats illuminated how peculiar such contemporary processes of Orientalist knowledge-formation were. In Brit
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