Academic literature on the topic 'Greek poet'
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Journal articles on the topic "Greek poet"
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Heath, Malcolm. "Greek Literature." Greece and Rome 65, no. 1 (2018): 103–8. http://dx.doi.org/10.1017/s0017383518000013.
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Asya Sigelman can write spectacularly well. Recently I've been spending a lot of time with Longinus (a.k.a. almost anyone but Longinus), and there were points in Pindar's Poetics of Immortality which made me think: Longinus would have appreciated that! It helped that Sigelman's theme is immortality – which she rightly insists does not, for Pindar, mean indefinite temporal extension: it is realized in a perhaps momentary achievement of godlike excellence (2–3). And prophecy is ‘not simply accurate prediction’ but the ‘god-like vision’ with which poets, as well as prophets, are endowed (5), along with the ability to share that vision: ‘it is just such sharing that we encounter in Pindar's epinicians’ (6). Longinus, too, speaks of the vision of godlike authors (35.2). But the line of argument which reading Longinus had primed me to expect is not the one the one that Sigelman actually takes. She sets her face firmly against ‘extrapoetic’ circumstances and objectives (9), and insists on reading ‘intrapoetically’ (11). She is concerned with how all that is extrapoetic ‘becomes the stuff and substance of immortality within and by means of the ode, right before the eyes of the song's audience, regardless of which epoch this audience belongs to’ (10). (Note, in parenthesis, ‘eyes’: Sigelman only once remembers that audiences have ears [136]: a very un-Longinian oversight.) One might ask: can the conditions of reception really be disregarded? The question turns out to be otiose (or, rather, the prompt to the question turns out to be misleading), since Sigelman's poet, victor and audience are ‘exclusively…intrapoetic characters’ (11). From this we can infer that when she says that ‘Pindar structures his adjectives and myths in such a way as to keep constant focus on the song's ongoing work of crafting itself from within’ (14), she is not referring to Pindar, but to an intrapoetic homonym. Yet if the song is crafting itself from within, what structuring is left for the intrapoetic poet (a product, presumably, of the song's self-crafting) to do? ‘The epinician is always…structured as an address of the intrapoetic “I” of the poet to the intrapoetic “you” of the concentric, progressively widening circles of victor, family, clan, polis, and Hellas’ (56). The intrapoetic poet has a structuring function only as one of the structuring devices that the poem uses to compose itself. And the poem is strikingly self-obsessed: ‘the core underlying structure of Pindar's song is preoccupied with revealing and displaying the creative poetic effort whereby the song comes to be’ (83): that is (since this Pindar is ex hypothesi intrapoetic), whereby the song brings itself into being by means of its own ‘perpetual self-construction’ (84). When ‘Pindar lays bare and demands appreciation of his arduous poetic labor’ (85), it is not easy to believe that Sigelman is keeping her exclusively intrapoetic promise. But acquitting her of inconsistency entails convicting her of the ontological extravagance of a poem that is ‘a living creature engrossed in the ongoing process of creating itself’ (120), which, as Aristotle impishly said of Plato's Forms, is ‘empty verbiage and poetic metaphors’ (Met. 1.9, 991a20–2) or meaningless ‘tum-ti-tums’ (An. post. 1.22, 83a32–4). Nor, I confess, could I make much sense of her account of the semantics of attributive and predicative adjectives (22–3), which leads to the claim that a story cast in the shape of an attributive adjective (i.e. as a relative clause) is not really a narrative. Semantically, such a story unfolds itself, much as how in the phrase ‘beautiful woman’ the beauty of the woman is not something we are informed about by an external agency, but something that the noun ‘woman’ discloses about itself. (27, emphasis in original)
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Burton, Diana. "Response and Composition in Archaic Greek Poetry." Antichthon 45 (2011): 58–76. http://dx.doi.org/10.1017/s0066477400000058.
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AbstractThis paper discusses a series of archaic poems in which one poet responds directly to the work of another, identifying the other by name or by direct allusion (for example, Simonides frag. 542 PMG, Solon frag. 20 West, Sappho frag. 137 Voigt). Such responses often disagree with their models, and this disagreement is frequently constructed in terms of a correction, not only to the subject matter, but also to the way in which the original is composed. These responses, therefore, not only reflect the pattern of improvisation and ‘capping’ common to much Greek poetry, but form an ongoing debate on the nature and role of the poet and his poetry. The construction of such responses also serves to underline both the importance of improvisation and the permanency of the fame conveyed by the completed poem.
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Swain, Simon. "Arrian the epic poet." Journal of Hellenic Studies 111 (November 1991): 211–14. http://dx.doi.org/10.2307/631906.
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We know of several Greek translators of works originally written in Latin. Of non-Christian, purely literary material, we know of six. First, there is Claudius' powerful freedman, Polybius, who turned Homer into Latin prose and Vergil into Greek prose (SenecaConsol. ad Polyb. 8.2, 11.5). Then, under Hadrian we have Zenobius ‘the sophist’, who translates Sallust'sHistoriesand “so-called Wars’ (Suda Z 73). The translation into Greek of Hyginus' Fabulae can be dated precisely, for its unknown author tells us that he copied it up on 11th September 207 (CGILiii 56.3off.). Similarly, the extant translation of Eutropius'Breviariumby Paianios, probably a pupil of Libanius, can be dated securely to about 380. The translation of the same by Capito (SudaK 342), which survives in excerpts, is placed with some confidence at the beginning of the sixth century. The date and identity of the last of our translators, ‘Arrian the epic poet’, who rendered theGeorgicsof Vergil (SudaA 3867), is unclear.
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Al-Husseini, Sahar Abdul Ameer Haraj. "Graphematic Emblems in Selected Poems by John Hollander Sahar Abdul Ameer Haraj Al-Husseini." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES, no. 226(1) (September 1, 2018): 49–60. http://dx.doi.org/10.36473/ujhss.v0i226(1).172.
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Graphematic poem or shape poem or pattern poem, like any other poem, is a poem that discusses diverse and common subjects like love, idea, time and many other topics ; yet with a certain difference that is the subject is similar to the printed format of the text. To say that it presents a picture of certain familiar object that is similarly the subject of the poem. Such poems are likewise termed shaped verse. They are not new for they are part of a long convention that ranges from Alexandrian Greek poets to Lewis Carroll and beyond. John Hollander(1929 –2013) is an American poet who wrote pattern poetry with a variety of diverse themes . His Types of Shape (1969) offers twenty-five shaped poems in the convention of George Herbert, a seventeenth century English poet. Graphematic poems must also to a certain degree own their special self-reflective picture in so far as the shape as well as the content are concerned. They show a wide array of themes and Hollander's graphematic poems show fascinating investigates with unbending forms that undermine the authority of his writing. Hollander in uniting content and form supports creating one authoritative outcome in the field of poetry.
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Al-Husseini, Sahar Abdul Ameer Haraj. "Graphematic Emblems in Selected Poems by John Hollander Sahar Abdul Ameer Haraj Al-Husseini." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 226, no. 1 (2018): 49–60. http://dx.doi.org/10.36473/ujhss.v226i1.172.
Full textAbstract:
Graphematic poem or shape poem or pattern poem, like any other poem, is a poem that discusses diverse and common subjects like love, idea, time and many other topics ; yet with a certain difference that is the subject is similar to the printed format of the text. To say that it presents a picture of certain familiar object that is similarly the subject of the poem. Such poems are likewise termed shaped verse. They are not new for they are part of a long convention that ranges from Alexandrian Greek poets to Lewis Carroll and beyond. John Hollander(1929 –2013) is an American poet who wrote pattern poetry with a variety of diverse themes . His Types of Shape (1969) offers twenty-five shaped poems in the convention of George Herbert, a seventeenth century English poet. Graphematic poems must also to a certain degree own their special self-reflective picture in so far as the shape as well as the content are concerned. They show a wide array of themes and Hollander's graphematic poems show fascinating investigates with unbending forms that undermine the authority of his writing. Hollander in uniting content and form supports creating one authoritative outcome in the field of poetry.
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Bzinkowski, Michał, and Rita Winiarska. "Images of Sculptures in the Poetry of Giorgis Manousakis." Classica Cracoviensia 19 (December 31, 2016): 5–14. http://dx.doi.org/10.12797/cc.19.2016.01.
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The imagery of fragmentary sculptures, statues and stones appears often in Modern Greek Poetry in connection with the question of Modern Greeks’ relation to ancient Greek past and legacy. Many famous poets such as the first Nobel Prize winner in literature, George Seferis (1900-1971), as well as Yannis Ritsos (1909-1990) frequently use sculptural imagery in order to allude to, among other things, though in different approaches, the classical past and its existence in modern conscience as a part of cultural identity. In the present paper we focus on some selected poems by a well-known Cretan poet Giorgis Manousakis (1933-2008) from his collection “Broken Sculptures and Bitter Plants” (Σπασμένα αγάλματα και πικροβότανα, 2005), trying to shed some light on his very peculiar usage of sculpture imagery in comparison with the earlier Greek poets. We attempt to categorize Manousakis’ metaphors and allusions regarding the symbolism of sculptures in correlation with existential motives of his poetry and the poet’s attitude to the classical legacy.
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Frendo, David. "Anonymus Graecosiculus: A Twelfth-Century Greek Poet." Peritia 24-25 (January 2014): 181–96. http://dx.doi.org/10.1484/j.perit.5.102746.
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Bashir, Burhan. "Insanity or Inspiration: A Study of Greek and Arab Thoughts on Poetry." Arab World English Journal For Translation and Literary Studies 5, no. 2 (2021): 115–25. http://dx.doi.org/10.24093/awejtls/vol5no2.9.
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The nexus between poetry, insanity, and inspiration is peculiar and can be traced back to earlier centuries. There are many examples in Greek and Arab literature where poetry is believed to have connections with divinity, possession, or even madness. The paper will try to show what Greeks and Arabs thought about the origin and the creation of poetry. It will attempt to show how early mythology and legends of both assign a supernatural or abnormal source to poetry. References from these two cultures will show the similarity in some theories like that of muses and supernatural beings, helping the poet achieve his goal. In order to show the similarity, many Greek and Arab philosophers/poets shall be referred to in the discussion. The methodology used shall be descriptive and analytical in nature.
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Hayes, Michael Thomas. "The Poetic Generation of Place: Ethnography for a Better World." Ethnographic Edge 2, no. 1 (2018): 119. http://dx.doi.org/10.15663/tee.v2i1.39.
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In this article, I employ the ethnographer poetic as a strategic provocation to rethink the foundation of contemporary ethnography. The root of the word poet or poem is the ancient Greek concept of poiesis. Poiesis is defined as making. While in the Greek tradition poiesis foregrounded an analysis of the arts or aesthetics, contemporary usages highlight the making of a social or political dimension. Drawing from the social and political dimensions of poiesis, I argue that the ethnographer does more than simply represent a social context, and, instead, calls the place into existence. The ethnographer poet transforms ethnography from a representational form of inquiry into a generative poetics of place. This allows for a new social mythos to emerge in which the field of ethnography is brought into the service of envisioning and working toward a society that is hopeful, abundant, vibrant, and just.
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Byrne, Shannon N. "Horace Carm. 2.12, Maecenas, and Prose History." Antichthon 34 (November 2000): 18–29. http://dx.doi.org/10.1017/s0066477400001155.
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Carm. 2.12 has often received attention because scholiasts observe that Licymnia is a pseudonym for Maecenas' wife Terentia. The poem is also interesting for the originality of the recusatio it contains, and for the comments it elicits from scholars on Maecenas. Horace begins with a polite refusal to incorporate epic themes into his poetry, and in lines 9-12 he announces that Maecenas will better tell of Caesar's deeds in prose (‘pedestribus historiis’). Rejections of grand themes are found in Greek poetry, but for Roman poets the recusatio acquired the added function of dismissing apparent requests for weighty poetry, and poets on occasion address Maecenas in recusationes that supposedly decline his requests. Typically the poet recommends another poet to undertake the rejected task in a more elevated style, usually because the other person's talent (ingenium) is better suited to the job. In the case of Carm. 2.12.9-12, however, Maecenas himself is the suggested alternate, and he is not asked to compose a poem, but to write about Caesar's deeds in prose. Interpretations of these lines tend to focus on Horace's motives for suggesting that Maecenas, whose literary style was notoriously bad, should compose anything, much less prose history, for Caesar. In fact there are no motives or hidden meanings concerning Maecenas as a writer. Horace merely turned to a genre that better represented both his patron's status and the weightiness of Caesar's deeds.
Dissertations / Theses on the topic "Greek poet"
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Krikos-Davis, Katerina Hebe. "A study of George Seferis' Logbook III (1953-1955)." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314997.
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Boeke, Hanna. "Wisdom in Pindar : gnomai, cosmology and the role of the poet." Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/50549.
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Thesis (PhD)--Stellenbosch University, 2005<br>ENGLISH ABSTRACT: This study investigates the cosmological context of Pindar' s victory odes, and its importance for
their encomiastic purpose. The introductory chapter deals with selected aspects of Pindaric
scholarship in order to establish the usefulness of such an investigation. The first part of the study
focuses on gnomai as a reflection of cosmological ideas. In Chapter 2 modem scholarship on the
proverb and maxim, various ancient texts on gnomai and a number of references in Pindar are
analysed in support of the contention that gnomai provide a legitimate basis for an overview of
the cosmology revealed in Pindars poetry. The overview presented in Chapter 3 discusses three
broad topics. The first concerns the elemental forces, fate, god and nature, the second deals with
the human condition and the third considers man in society from the perspectives of the
household and family relationships on the one hand and relationships outside the OtKOs on the
other. The overview suggests that Pindar's work is founded on a mostly conventional outlook on
man and his relationships with both extra-human powers and his fellow man. To complement the
overview three epinikia, Olympian 12, Isthmian 4 and Olympian 13 are analysed in Chapter 4.
They demonstrate how the complexity of an actual situation compels the poet to emphasise
different aspects of the cosmology or even to suggest variations to accepted views. The analyses
imply that presenting the cosmological context of a particular celebration in an appropriate way
is part of the poet's task. This aspect is further investigated in Chapter 5, which looks at the role
of the poet as mediator of cosmology. In some cases the poet demonstrates certain preferred
attitudes which in tum presuppose particular cosmological convictions. In others this role
involves changing the perspective on the circumstances or attributes of a victor or his family
through a modification of cosmological principles. Different approaches to the same theme in
different poems show the author Pindar shaping the narrator-poet to represent varying viewpoints
in order to praise a specific victor in the manner most suitable to his wishes and circumstances.
The fact that the poet's task includes situating the victory in its cosmological context means that
the glorification of a victor includes presenting him as praiseworthy in terms of broader life
issues, such as the role of the divine in human achievement, a man's attitude to success and his
status in society. Pindar's use of cosmological themes in general speaks of pragmatism rather
than conformity to and the consistent defense of a rigid framework of values. However, the
prominence of cosmology in the odes and the sometimes very conspicuous role of the poet in
communicating it also reveal Pindar's abiding interest in man and his position in the world<br>AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die kosmologiese konteks van Pindaros se oorwinningsodes, en die
belangrikheid daarvan vir die gedigte as prysliedere. Die inleidende hoofstuk behandel
geselekteerde aspekte van Pindaros-navorsing om die nut van so 'n ondersoek te bepaal. Die
eerste deel van die studie fokus op gnomai as 'n bron van kosmologiese idees. In hoofstuk 2
word moderne navorsing oor spreekwoorde en wysheidspreuke, verskeie antieke tekste oor
gnomai en 'n aantal verwysings in Pindaros se werk ontleed ter ondersteuning van die stand punt
dat gnornai 'n redelike grondslag bied vir 'n oorsig van die kosmologie wat in Pindaros se
digkuns na vore kom. Die oorsig aangebied in hoofstuk 3 bespreek drie bree onderwerpe,
eerstens die fundamentele magte, die noodlot, god en die natuur, tweedens die menslike toestand
en derdens die mens in die samelewing uit die hoek van die huishouding en familieverhoudings
enersyds en verhoudings buite die OtKOs ; andersyds. Die oorsig dui aan dat Pindaros se werk
gebaseer is op 'n hoofsaaklik konvensionele uitkyk op die mens en sy verhoudings met beide
buite-menslike magte en sy medemens. Ter aanvulling van die oorsig word drie
oorwinningsodes, Olimpiese Ode 12, lsmiese Ode 4 en Olimpiese Ode 13 in hoofstuk 4 ontleed.
Die ontledings toon aan hoe die kompleksiteit van 'n gegewe situasie die digter verplig om
verskillende aspekte van die kosmologie te beklemtoon of selfs afwykings van aanvaarde
menings voor te stel. Die ontledings impliseer dat dit deel van die digter se taak is om die
kosmologiese konteks van 'n spesifieke viering op die gepaste wyse aan te bied. Hierdie aspek
word verder ondersoek in hoofstuk 5, waarin die rol van die digter as bemiddelaar van
kosmologie bekyk word. In sommige gevalle demonstreer die digter sekere voorkeurhoudings
wat op hulle beurt spesifieke kosmologiese oortuigings veronderstel. In ander gevalle behels
hierdie rol die verandering van die perspektief op die omstandighede of eienskappe van 'n
oorwinnaar of sy familie deur die modifisering van kosmologiese beginsels. Verskillende
benaderings tot dieselfde tema in verskillende gedigte wys hoe die outeur Pindaros die vertellerdigter
vorm om wisselende standpunte te verteenwoordig sodat 'n spesifieke wenner op die mees
geskikte manier in ooreenstemming met sy wense en omstandighede geprys kan word. Die feit
dat die digter se taak die plasing van die oorwinning in sy kosmologiese konteks insluit, beteken
dat die verheerliking van 'n wenner insluit dat hy voorgestel word as lofwaardig kragtens breer
lewenskwessies, soos byvoorbeeld die rol van die goddelike in menslike prestasie, 'n mens se
houding tot sukses en sy status in die gemeenskap. Oor die algemeen spreek Pindaros se gebruik
van kosmologiese temas van pragmatisme eerder as onderwerping aan en die volgehoue
verdediging van 'n rigiede stel waardes. Die belangrikheid van kosmologie in die odes en die
soms besonder opvallende rol van die digter in die kommunikasie daarvan openbaar egter ook
Pindaros se blywende belangstelling in die mens en sy plek in die wereld.
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Filho, Lauro InÃcio de Moura. "Transtextuality and hermeneutics in the comedy of Aristophanes: the poet as a master of the city." Universidade Federal do CearÃ, 2012. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=8594.
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FundaÃÃo Cearense de Apoio ao Desenvolvimento Cientifico e TecnolÃgico<br>AristÃfanes à o principal representante da comÃdia grega antiga. Algumas de suas obras foram as Ãnicas a sobreviver atà os nossos dias com textos integrais. Suas peÃas, seguindo a tradiÃÃo oral do poeta sÃbio desde Homero, demonstram possuir uma ampla cultura a respeito de vÃrias esferas do mundo de entÃo: polÃtica, mÃsica, histÃria, literatura etc. No entanto, de todo esse conhecimento presente na comÃdia de AristÃfanes, a cultura literÃria se destaca de uma forma especial. VÃrios poetas sÃo aludidos, citados, parodiados etc. no texto de AristÃfanes. Dentre eles, porÃm, EurÃpides ocupa um lugar de destaque. Esse tragediÃgrafo à eleito pelo poeta cÃmico como âsaco de pancadasâ literÃrio. Todo esse conhecimento revelado na comÃdia aristofÃnica, especialmente o literÃrio, pode simplificar ou dificultar o entendimento do leitor ulterior. Diante disso, apresentamos dois aportes teÃricos que ajudarÃo o leitor
hodierno a entender com menos dificuldade o teatro de AristÃfanes. O primeiro deles à a proposta exegÃtica de Schleiermacher, presente em sua "HermenÃutica: arte e tÃcnica da interpretaÃÃo". A hermenÃutica schleiermacheriana servirà de princÃpio norteador para a compreensÃo da comÃdia aristofÃnica de modo geral. O segundo à a proposta da transtextualidade de GÃrard Genette, tratada no livro "Palimpsestos: a literatura de segunda mÃo". A transtextualidade de Genette servirà de fundamento para o entendimento, especificamente, da cultura literÃria que encontramos na obra de AristÃfanes. Essas duas
propostas teÃricas tÃm se revelado como importantes ferramentas de interpretaÃÃo para a comÃdia de AristÃfanes. Sem elas, o leitor ulterior encontrarà dificuldades para entender, de forma satisfatÃria, o sentido textual proposto por aquele comediÃgrafo.<br>Aristophanes is the main representative of ancient Greek comedy. Some of his works were the only ones to survive to the present day with full texts. His pieces, following the oral tradition of the wise poet from Homer, shown to possess a wide culture about various world ball then: politics, music, history, literature etc. However, all this knowledge in this comedy of Aristophanes, the literary culture stands out in a special way. Several poets are alluded to, quoted and parodied etc. in the text of Aristophanes. Among them, however, Euripides occupies a prominent place. This tragedian is elected by the comic poet as "punching bag" literary. All this knowledge revealed in Aristophanic comedy, especially the literary, can simplify or complicate the understanding of the subsequent player. Therefore, we present two theoretical contributions that will help the reader
today's understand more easily the theater of Aristophanes. The first is the exegetical proposal for Schleiermacher, present in his "Hermeneutics: art and interpretation technique." The schleiermacheriana hermeneutics serve as the guiding principle for understanding the Aristophanic comedy in general. The second is the proposal of transtextuality of GÃrard Genette, treated in the book "Palimpsestos: literature secondhand." The transtextuality of Genette will serve as a foundation for understanding specifically of literary culture that we find in the work of Aristophanes. These two
theoretical proposals have been shown to be important tools of interpretation for the comedy by Aristophanes. Without them, the further reader will find difficult to understand, in a satisfactory manner, the textual sense proposed by that comedy writer.
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Dimirouli, Foteini. "Cavafy hero : literary appropriations and cultural projections of the poet in English and American literature." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:84ca6361-a26c-4269-82da-4deb4b0c4664.
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The present thesis examines the way E.M. Forster, Lawrence Durrell, W.H. Auden, Stephen Spender, Joseph Brodsky, and James Merrill appropriated C.P. Cavafy in writings that were disseminated and consumed amongst culturally dominant literary circles, and which eventually determined the Greek-Alexandrian poet’s international reputation. I aim to contribute a new perspective on Cavafy, by evading the text-based tradition of reception studies, and proposing an alternative method of discussing the production of Cavafy's canonical status. Inspired by Pierre Bourdieu's sociological theory, I view literary canonization as involving a variety of factors at play beyond creative achievement: in particular, relationships of 'authorial consecration' whereby writers create and circulate cultural capital through their power to legitimize other artists. The critical and fictional texts I analyse perform readings of Cavafy's poetry alongside imaginative portrayals of the poet's life and personality. I take this complementary relationship - between the image of the poet each author projects and their reading of his work - as a starting point to explore the broader ideas of aesthetics and authorial subjectivity that inform the renderings of Cavafy generated by prominent literary figures. Rather than passive recipients of influence, these figures are considered as active agents in the production of 'Cavafy narratives', appropriating the poet according to their own agendas, while also projecting onto him their own position within the cultural field. Eventually, Cavafy becomes a point of insight into the multiplicity of networks and practices involved in the production of cultural currency; in turn, the study of the construction of Cavafy's authorial identity sheds light on the cumulative processes that have defined the way the poet is read and perceived to the present day. This duality of perspective is essential to a study concerned with the cultural contexts framing the poet's steady rise to international fame throughout the 20th century.
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Anastasiadou, Anastasia. "T.S. Eliot and the first post-war generation of Greek poets." Thesis, University of Birmingham, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311784.
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Philokyprou, Elli. "Greek Post-Symbolist poetics." Thesis, University of Oxford, 2009. http://ora.ox.ac.uk/objects/uuid:e5a2e75a-c272-4f79-aafe-b2af905fb250.
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This thesis explores the poetics of the Greek Post-Symbolists, a group of early twentieth-century poets whose main period of activity falls in the years between the Generation of the 1880s and that of the 1930s. By focussing on Post-Symbolist concepts of the role of poetry and on the way in which Post-Symbolist poems are constructed, this thesis examines the poetic system of a group of poets who occupy a transitional period in the history of Modern Greek literature. The Post-Symbolists question both the nationalism of poets of the Generation of the 1880s and their own place in society. Post-Symbolist poetry focuses on themes related to the interior landscape of the individual. It promotes negation and absence, de-emphasizes external reality, foregrounding a poetic reality created through the acoustic links between words, and it undermines the importance previously attached to metre and rhythm in poetry. In this way Post-Symbolist poetic language constitutes a reaction against the dominant poetic discourse of the time, and a turning-point in twentieth-century Greek poetry. This thesis explores both the internal structure of Post-Symbolist poetry and the relationship between Post-Symbolism on the one hand and the discourses of the Generation of the 1880s and of the Generation of the 1930s on the other, placing this in the historical, socio-political and ideological context of time.
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Campbell, Charles. "Poets and Poetics in Greek Literary Epigram." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384333736.
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Rodriguez, Mia U. "Medea in Victorian Women's Poetry." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355934808.
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Bentley, Gillian Granville. "Post-classical performance culture and the Ancient Greek novel." Thesis, King's College London (University of London), 2014. http://kclpure.kcl.ac.uk/portal/en/theses/postclassical-performance-culture-and-the-ancient-greek-novel(a9f2b1a7-b48d-4686-9f99-62fadb0422bd).html.
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Scholars have focused mainly on the sophisticated and specifically literary elements of the novel, revealing a staggering amount of intertextual traffic between the novels and canonical authors from Homer to Herodotus to Plato to Menander. While this (very successful) endeavour has raised the value of the novels’ ‘cultural capital’, it has generally neglected another important aspect of the genre—the so-called ‘low’, ‘sub-literary’ influences on the novels. No work of art exists in a cultural vacuum—as work on intertextuality has shown, novelists like Achilles Tatius and Chariton were familiar with not only Homer and Plato but with contemporary intellectual culture. It seems more than possible that their knowledge would have extended beyond the textual and into the performance culture of the time. The principle concern of my thesis is the question of why the novel is so performative and theatrical. I explore the performance culture influences on three ancient Greek novels—the Callirhoe of Chariton of Aphrodisias, Leucippe and Clitophon of Achilles Tatius, and the Aethiopica of Heliodorus. Each novel makes use of ‘theatre’ metaphorically but also practically and narratologically. The impact of performance culture extends beyond the influence of scripted literary dramatic texts and engages with the broader forms of performance—from mime and pantomime to public speaking. I demonstrate that ‘sub-literary’ performance serves as vibrant, important dialogic partner for the novels, a voice to be heard among the medley of other ‘languages’ (Bahktin’s heteroglossia), if we but listen. By no means do I reveal any uncontaminated evidence for mime or pantomime within the novels, but multiply filtered reflections of popular performance traditions. I suggest that the novel authors composed with performance models in mind or with a sustained, explicit dialectic with performative intertexts.
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Kivilo, Maarit. "The formation of biographical traditions about the early Greek poets." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504060.
Full textBooks on the topic "Greek poet"
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Poet and audience in the Argonautica of Apollonius. Rowman & Littlefield Publishers, 1996.
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Solon of Athens: Poet, philosopher, soldier, statesman. Sussex Academic Press, 2010.
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Ferrari, Franco. Sappho's gift: The poet and her community. Michigan Classical Press, 2010.
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Ferrari, Franco. Sappho's gift: The poet and her community. Michigan Classical Press, 2010.
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Poetry as window and mirror: Positioning the poet in Hellenistic poetry. Brill, 2011.
Find full textBook chapters on the topic "Greek poet"
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Shmidman, Avi. "Hebrew Piyyuṭ and its Byzantine Greek Influences: The Case of the Inverted Construct Form." In The Poet and the World. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110599237-012.
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Steiner, Deborah. "Figures of the Poet in Greek Epic and Lyric." In A Companion to Ancient Aesthetics. John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781119009795.ch2.
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Horyna, Břetislav. "Prométheus například. Moc mýtu, distance a přihlížení podle Hanse Blumenberga." In Filosofie jako životní cesta. Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-8.
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The Study Prometheus, for example loosely follows up the central theme of Hans Blumenberg’s theory of myth and mythology, the character of Prometheus and Promethean conceptions in scientific as well as imaginative literature (poetry and drama). The aim is not an elaborate reflection of all the variations on Promethean themes that were summarized in Blumenberg’s epochal book Work on Myth (1979). The author rather selects some themes from the works on the myth about Prometheus in Classical Greek literature (Hesiod, Aeschylus) and, at the turn of modernism, in German movement Sturm und Drang (Goethe). Most attention is paid to a fictional figure known as actio per distans (action at distance, with keeping a distance) and its variations from the distance between people and gods through the distance between people to the distance of an ageing poet from spirit of the age (Zeitgeist), to which he no longer belongs.
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Moutselos, Michalis, and Georgia Mavrodi. "Diaspora Policies, Consular Services and Social Protection for Greek Citizens Abroad." In IMISCOE Research Series. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51245-3_13.
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Abstract The policies of the Greek state vis-à-vis Greek citizens residing abroad are better developed in some areas (pension, cultural/education policy), but very embryonic in others (social protection, family-related benefits). The institutions representing and aggregating the interests of the Greek diaspora, such as the General Secretariat for Greeks Abroad and the World Council of Hellenes abroad of the Ministry of Foreign Affairs, reflect earlier periods of Greek migration during the post-war period, but meet less adequately the needs of recent migrants, especially following the post-2010 Greek economic crisis. At the same time, political parties continue to play an active role in the relationship between diaspora and the homeland. The policies of the Greek state, especially when exercised informally or with regard to cultural and educational programs, are also characterized by an emphasis on blood, language and religious ties, and are offshoots of a long-standing history of migration to Western Europe, North America and Australia. Possible developments, such as the long-overdue implementation of the right to vote from abroad, an official registrar for Greek citizens residing abroad, new programs of social protection in Greece and new economic incentives for return might change the diaspora policies of the Greek state in the next decades.
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Gontika, Tatiana. "Greek Shipping." In The One Belt One Road (OBOR) Initiative and the Port of Piraeus. Routledge, 2021. http://dx.doi.org/10.4324/9781003196310-9.
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Radcliffe, James. "Eco-feminism and Post-modernism." In Green Politics. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780333981696_5.
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"Index of Greek Words." In Poet and Orator. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110629729-023.
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"Greek Tragedy and Attic Oratory." In Poet and Orator. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110629729-006.
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"The Orators and Greek Drama." In Poet and Orator. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110629729-014.
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Miles Foley, John. "Individual Poet And Epic Tradition: Homer As Legendary Singer." In Greek Literature. Routledge, 2019. http://dx.doi.org/10.4324/9780203055878-9.
Full textConference papers on the topic "Greek poet"
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Krili, Panayota S. "Poem about Kerastari (in English & Greek)." In Bursts, Pulses and Flickering: wide-field monitoring of the dynamic radio sky. Sissa Medialab, 2008. http://dx.doi.org/10.22323/1.056.0047.
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Tannous, Heba T., Mark David Major, and Raffaello Furlan. "Accessibilty of public urban green spaces within the spatial metropolitan network of Doha, Qatar." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/kuxq1422.
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Most people regard green spaces as a necessity to enhance the physical health and psychological well-being of residents in promoting the general health and welfare of citizens and the environment (Röbbel, 2016). In the Modern Era, the availability of green spaces has become an integral component of urban planning for sustaining the quality of life in city environments, especially since the dawn of the 20th century. Due to globalization in rapidly-developing cities around the world, studies about green spaces are becoming an increasingly important part of the urban planning process (Mitchell and Popham, 2007). Accessibility can play an essential role in determining the location of green public facilities to maximize their usability for large populations, or otherwise limit use to a smaller community (Ottensmann and Greg, 2008). However, some public green spaces are inefficiently located or distributed in urban environments (Beatley, 2000, Gehl, 2010, Gehl and Svarre, 2013). In this paper, the accessibility of urban green spaces means the ease of reaching such locations from many origins within the urban spatial network from the macro- to the micro-scale. The inaccessibility or absence of green spaces in some urban areas is a notable consequence of rapid urbanization in many cities around the world. It is especially noticeable in the capital city of Doha in the State of Qatar, where rapid urban expansion and globalization has had a significant impact on the quality and quantity of green spaces available (Salama and Wiedmann, 2013a). The paper utilizes the network analysis techniques of space syntax to objectively investigate the accessibility of urban green parks and promenades in the metropolitan region of Doha (Penn et al., 1998, Hillier et al., 1993, Hillier and Hanson, 1984). At the heart of the paper is the question, does the size and location of urban green spaces follow a discernible spatial logic in terms of accessibility, linked to the design intent of public planning policies? Some findings in the paper indicate there is distinctive spatial and social logic to the physical and spatial characteristics of urban green spaces above a certain size in terms of metric area. In contrast, these characteristics in smaller urban green spaces tend to be more random, primarily due to issues of land availability and amenity provision in private developments. We conclude by discussing the potential implications of the study for public planning policy about green urbanism in the State of Qatar and other rapidly urbanizing cities around the world
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Lucas, Franck, Jean Perouzel, Frantz Sinama, and Franc¸ois Garde. "Instrumentation and Simulation of the Hygro-Thermal Conditions of a Green Building: A Study of the Impact of the Post-Occupancy Usages on Thermal Comfort." In ASME 2010 4th International Conference on Energy Sustainability. ASMEDC, 2010. http://dx.doi.org/10.1115/es2010-90499.
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Post-occupancy evaluations (POEs) are useful for evaluating the success of any building design, but are particularly useful in evaluating green buildings. It is the only opportunity architects and engineers have to learn if their buildings actually work as planned. On the other hand, following the “guidebook” of a green building, i.e. having occupants aware of the particularity of the premise and taught about how it works and what the proper usages are (which are not automatically straightforward), is of prime importance since misuse of a green building can directly lead to discomfort and energy over consumption. In that framework, this paper stresses the link between occupants’ usages and their indoor thermal comfort by attempting a quantification of the impact of each usage on indoor temperature and hygrometry (and thus thermal comfort), showing by the way that, in order a POE to fully give exploitable results, a communication to occupants on proper usages has to be the first step after the delivery of a green building. To study that link, the real case of a green building located in the French tropical island of La Re´union has been used. The overall idea followed in this work lies in two steps: The first one is the creation of a “validated” digital building description obtained thanks to a process of comparison between simulations outputs (DesignBuilder) and field measurements (weather and comfort stations), and to a “block by block” approach that allows independent validations of the description of the fabrics and of the description of the usages. The second step is the utilization of the model obtained in the first step to perform simulations of new usages, as modifications in natural ventilation features (doors, windows open or closed) or in number of occupants, lighting schedule etc. These new simulations lead to the possibilities of comparing situations between each others, and therefore of quantifying the contribution, positive or negative, of each chosen usage to thermal comfort. Eventually, this paper will describe an example of combination of new usages that makes the conditions noticeably more comfortable within the building, stressing that following the good usages in a green building is a first requirement before realizing any POE.
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Halim, Deddy Kurniawan, and Ida Bagus Setiawan. "Bali: towards a green island." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/hebn1651.
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On the 28 October 2019, the Government of Bali issued a Governor Ordinance No. 45/2019 prioritising(?)clean energy as the solution to the energy crisis in Bali. This crisis has been further exaserbated by the covid 19 pandemic which has decimated the Islands economy in particular, tourism, its primary industry. This has forced Bali to change its tourism orientation from urban tourism to rural tourismpromoting homestay, a shift which will signifcantly influence renewable energy planning for the Island. There are only two solar power plants on the island; one in Bangli and one in Karangasem each with 1 MWp on-Grid capacity. In addition there is a small hydro power plant in Buleleng with 1,95 MWp capacity, with existing rooftop PV power plant in the community generates around 1.3 MWp and 0.07 MWp off-grid. This leaves the Island with a signficant shortfall and must, in acocrdance with the Ordinance, be met through the promotion of community uptake of solar panel for homes and buildings. This paper presents the of the strategic planning approach used by a special task force supervisory team of Bali Clean Energy to implement the Ordinance for the island
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Tripathi, Neha Goel, Mahavir Mahavir, and Prabh Bedi. "Contribution of planed urban green spaces for promoting human health. Case of Chandigarh, India." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/oyzf6988.
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Goal 11 of the Sustainable Development Goals has the seventh target of its Sustainable Cities and Communities focused on providing access to safe and inclusive green and public spaces. Principles of sustainable development necessitate that a balance is struck between environment and development to ensure healthy urban living. It has long been established that the presence of natural areas and planned open green spaces in and around urban settlements contributes to a quality of life by providing important ecological, social and psychological benefits to humans. In India, rapid urbanisation is resulting in significant land being used for developmental activities resulting in decline in open spaces across cities. It needs to be noted, the case in Chandigarh, India is different from rest of the country, where open spaces are considered as inviolable land use. Being a rare exception amongst the cities established immediately after India’s Independence, urban greens were visualized and planned as an integral component in the city’s Master Plan. Le Corbusier conceived the master plan of Chandigarh as analogous to human body, where green spaces symbolized the lungs. The greens in Chandigarh were created as functional, organized and natural spaces for integration and convergence of mind and body, that is the city as well as of its population. The research delves into the aspect of inclusivity of its various green spaces based on the social survey of the city’s residents. The intent is to determine the usability and accessibility of the greens by the residents for various recreational, cultural and ecosystem services. The measures of inclusivity of the green spaces are defined to address the key question being researched upon, that is if green spaces have contributed to Chandigarh being a healthy city. Built upon the social survey tools, the authors discern the typologies of green spaces as the measure for building a healthy city contextualized for Chandigarh.
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Guo, Rong, Yujing Bai, and Je Gao. "Suitability evaluation of land development based on the green infrastructure assesment." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/uqts2640.
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It is an important basis for optimizing land spatial patterns and guiding land spatial planning to clarify the ecological conditions of land space, arrange reasonably agricultural production and urban-rural construction space. The network formed by green infrastructures has important ecological significance in maintaining the migration of biological species and ensuring the continuity of the ecological process. Based on the concept of ecological priority and green development, this paper constructs a framework of the land space development suitability evaluation based on green infrastructure evaluation. From the perspective of ecosystem service value and ecological sensitivity, the evaluation factors are selected to make a comprehensive evaluation of green infrastructure. The evaluation results are the basis for the evaluation of the importance of ecological protection, the suitability of agricultural production, and the suitability of construction. At last, taking Harbin as an example, the evaluation framework is applied to preliminarily determine the red line of ecological protection and the scope of ecological space, agricultural space, and urban-rural construction space in 2015. It is expected to provide a reference basis for the compilation of land and space planning in Harbin.
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Araji, Bahaa, and Deniz Gurkan. "Embedding Switch Number, Port Number, and MAC Address (ESPM) within the IPv6 Address." In 2014 Third GENI Research and Educational Experiment Workshop (GREE). IEEE, 2014. http://dx.doi.org/10.1109/gree.2014.20.
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Gaillarde, Guilhem, and Xing Zheng. "MARIN Model Tests - Green Seas Hatch Loading on Bulk Carriers." In Design and operation of Bulk Carriers: Post MV Derbyshire. RINA, 2001. http://dx.doi.org/10.3940/rina.bc.2001.3.
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Gospodini, A. "Cultural clusters in the post-industrial city: the Greek experience." In SUSTAINABLE DEVELOPMENT 2007. WIT Press, 2007. http://dx.doi.org/10.2495/sdp070732.
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Christakoudy-Konstantinidou, F. "Semiotic aspects of the concept ‘Port' in Greek interwar poetry." In VI Международная научная конференция по эллинистике памяти И.И. Ковалевой. Московский государственный университет им. М.В. Ломоносова, 2021. http://dx.doi.org/10.52607/9785190116113_99.
Full textReports on the topic "Greek poet"
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Lowder, Travis, Nathan Lee, and James Elsworth. Powering Post-COVID-19 Resilient Recovery with Green Stimulus. Office of Scientific and Technical Information (OSTI), 2021. http://dx.doi.org/10.2172/1772991.
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Mehta, Anouj, Sean Crowley, Raghu Dharmapuri Tirumala, Karthik Iyer, and Marina Lopez Andrich, eds. Green Finance Strategies for Post-COVID-19 Economic Recovery in Southeast Asia:. Asian Development Bank, 2020. http://dx.doi.org/10.22617/tcs200267-2.
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Contreras, Jorge, Bronwyn Hall, and Christian Helmers. Green Technology Diffusion: A Post-Mortem Analysis of the Eco-Patent Commons. National Bureau of Economic Research, 2018. http://dx.doi.org/10.3386/w25271.
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Fowler, Kimberly M., Emily M. Rauch, Jordan W. Henderson, and Angela R. Kora. Re-Assessing Green Building Performance: A Post Occupancy Evaluation of 22 GSA Buildings. Office of Scientific and Technical Information (OSTI), 2010. http://dx.doi.org/10.2172/1029438.
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Olsen, Jonathan, and Richard Mitchell. SSR Environment and Spaces Group - COVID-19 Green and Open Space Use in Spring 2021 (Wave 3): Priorities for post-pandemic recovery. University of Glasgow, 2021. http://dx.doi.org/10.36399/gla.pubs.246702.
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Herbert, George. How Can Middle-income Countries Improve Their Skills Systems Post- COVID-19? Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.082.
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Vocational training systems in middle-income countries are going to face multiple challenges in the post-COVID era, notably, challenges related to (1) automation; (2) the transition to a green economy, and (3) demographic pressures. Of these, automation - linked to the burgeoning ‘fourth industrial revolution’ that is set to transform the global economy - represents the most serious challenge and is the only one of the three challenges discussed in any depth in this paper. Whilst estimates of the likely scale of automation in the coming years and decades vary widely, it appears likely that waves of automation will lead to a dramatic decline in many kinds of jobs that largely involve routine, repetitive tasks. These trends pre-date COVID-19, but the disruption caused by the pandemic provides an opportunity to prepare for these challenges by implementing vocational training system reforms as part of the Build Back Better agenda. Reforms to vocational training systems will be crucial to ensuring middle-income countries respond appropriately to accelerating labour market changes. However, they should only form a limited part of that response and need to be integrated with a wide range of other policy measures. Vocational training reform will need to occur in the context of major reforms to basic education in order to ensure that all workers are equipped with the cross-cutting cognitive and socio-emotional skills they will require to perform hard-to-automate tasks and to be able to learn and adapt rapidly in a changing economy. Middle-income countries will also likely need to progressively expand social protection schemes in order to provide a safety net for workers that struggle to adapt to changing labour market requirements.
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Döring, Thomas. Wachstum und ökologischer Fußabdruck – Zum Zielkonflikt zwischen wirtschaftlicher Prosperität und Umweltverbrauch einschließlich möglicher Lösungskonzepte. Sonderforschungsgruppe Institutionenanalyse, 2019. http://dx.doi.org/10.46850/sofia.9783941627741.
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Das weltweit vorherrschende Entwicklungsmodell in Form eines kontinuierlichen Wirtschaftswachstums steht in der Kritik – dies nicht allein, aber vor allem auch wegen seiner ökologisch negativen Auswirkungen.1 Die Kritik am Wachstumsparadigma ist jedoch keineswegs neu, vielmehr gibt es sie fast schon so lange wie das Wirtschaftswachstum selbst.2 Mit Blick auf die zurück-liegenden 50 Jahre führte vor allem der erste Bericht an den Club of Rome (Meadows et al. 1972) zu einer breiteren gesellschaftlichen Diskussion um die „Grenzen des Wachstums“ auf einem Planeten mit endlichen natürlichen Res-sourcen. Die wachstumskritischen Beiträge der jüngeren Vergangenheit knüpfen daran an, erweitern die frühe Diskussion unter Schlagworten wie „Post-wachstum“, „Green Growth“ oder „De-Growth“ jedoch zugleich um neue Perspektiven der Kritik, aber auch denkbare Lösungen des Konflikts zwischen Wachstum und Umweltschutz.3 Zwar sind Zielkonflikte und damit einhergehende Opportunitätskosten als solches aus ökonomischer Sicht keine Besonderheit. Die Brisanz des Konflikts zwischen Wirtschaftswachstum und Um-weltverbrauch kann jedoch in der mittlerweile erreichten Eingriffsintensität ökonomischen Handelns in die natürlichen Regelkreisläufe gesehen werden, die den Fortbestand der menschlichen Zivilisation selbst gefährden könnte. Vor dem Hintergrund dieses in den zurückliegenden Ausführungen sich aus-drückenden Konflikts zwischen Wirtschaftswachstum und Umwelt(-schutz) geht der vorliegende Beitrag zunächst der Frage nach, wie sich dieser Zielkonflikt aus ökonomischer Sicht sowohl inhaltlich als auch institutionell näher bestimmen lässt (Kapitel 2). Dies schließt auch eine Betrachtung mit ein, wie sich das Verhältnis von Wachstum und Umwelt im Verlauf des wirtschaftlichen Entwicklungsprozesses und damit in der zeitlichen Dimension gestaltet, wie dies den Überlegungen zur „Umwelt-Kuznets-Hypothese“ zugrunde liegt. Daran anschließend werden verschiedene Ansätze vorgestellt, die unterschiedliche Reformmaßnahmen zur „Entschärfung“ der Beziehung zwischen Wirtschaftswachstum und Umweltverbrauch zum Gegenstand haben (Kapitel 3). Diese lassen sich grob danach differenzieren, ob (1) der Zielkonflikt als nur einseitig zulasten des Wachstumsziels lösbar eingestuft wird (De-Growth- bzw. Postwachstums-Ansätze), (2) ein schonender Umgang mit natürlichen Ressourcen als nur durch eine grundlegende ethische Neuausrichtung der Marktwirtschaft realisierbar gilt (Ansatz der Gemeinwohlökonomie) oder (3) von der Möglichkeit einer weitgehenden Entkoppelung von Wirtschaftswachstum und Umweltverbrauch (Ansätze des „Green Growth“) ausgegangen wird. Der Beitrag endet mit der Ableitung ordnungspolitischer Schlussfolgerungen, die als wichtige Bausteine einer Lösung des Zielkonflikts zwischen Wachstum und Umwelt zu verstehen sind (Kapitel 4).