Academic literature on the topic 'Greek poetry'

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Journal articles on the topic "Greek poetry"

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Heath, Malcolm. "Greek Literature." Greece and Rome 69, no. 1 (2022): 135–39. http://dx.doi.org/10.1017/s0017383521000280.

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The influence of Greek poetry on Latin poetry is well known. Why, then, is the reciprocal influence of Latin poetry on Greek not so readily discernible? What does that reveal about Greek–Latin bilingualism and biculturalism? Perhaps not very much. The evidence that Daniel Jolowicz surveys in the densely written 34-page introduction to his 400-page Latin Poetry in the Ancient Greek Novel amply testifies to Greek engagement with Latin language and culture on a larger scale than is usually recognized. That this engagement is more readily discernible in Greek novels than in Greek poetry is no reas
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WILLETT, STEVEN J. "Anthologizing Greek Poetry." Arion: A Journal of the Humanities and the Classics 18, no. 3 (2010): 163–79. http://dx.doi.org/10.1353/arn.2010.0044.

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Knox, Bernard, Albin Lesky, and Matthew Dillon. "Greek Tragic Poetry." Classical World 78, no. 3 (1985): 229. http://dx.doi.org/10.2307/4349745.

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West, M. L. "EARLY GREEK POETRY." Classical Review 50, no. 2 (2000): 402–3. http://dx.doi.org/10.1093/cr/50.2.402.

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Heath, Malcolm. "Greek Literature." Greece and Rome 63, no. 2 (2016): 251–55. http://dx.doi.org/10.1017/s0017383516000127.

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Let us begin, as is proper, with the gods rich in praise – or, more precisely, with The Gods Rich in Praise, one of three strikingly good monographs based on doctoral theses that will appear in this set of reviews. Christopher Metcalf examines the relations between early Greek poetry and the ancient Near East, focusing primarily on hymnic poetry. This type of poetry has multiple advantages: there is ample primary material, it displays formal conservatism, and there are demonstrable lines of translation and adaptation linking Sumerian, Akkadian, and Hittite texts. The Near Eastern material is p
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Clayman, Dee L. "Sigmatism in Greek Poetry." Transactions of the American Philological Association (1974-) 117 (1987): 69. http://dx.doi.org/10.2307/283960.

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Thalmann, William G., and David Mulroy. "Early Greek Lyric Poetry." Classical World 87, no. 6 (1994): 522. http://dx.doi.org/10.2307/4351591.

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Giangrande, Giuseppe. "Written Composition and Early Greek Lyric Poetry." Emerita 82, no. 1 (2014): 149–51. http://dx.doi.org/10.3989/emerita.2014.07.1312.

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Ghosh, Ritwik. "Contemporary Greek Poetry as World Literature." International Journal of English and Comparative Literary Studies 2, no. 3 (2021): 71–78. http://dx.doi.org/10.47631/ijecls.v2i3.247.

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In this paper, I argue that Greek poetry is a living tradition characterized by a diversity of voices and styles and that Greek poetry is a vital part of contemporary World Literature. The diversity of voices in contemporary Greek poetry gives it both aesthetic value and political relevance. Greek poetry, as it survives translation into a number of languages, including English, gives us a model for the successful translation of texts in both World literature and Comparative literature. A thematic analysis of some poems is presented in this paper. The aim is not to chronicle the contemporary Gr
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Bashir, Burhan. "Insanity or Inspiration: A Study of Greek and Arab Thoughts on Poetry." Arab World English Journal For Translation and Literary Studies 5, no. 2 (2021): 115–25. http://dx.doi.org/10.24093/awejtls/vol5no2.9.

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The nexus between poetry, insanity, and inspiration is peculiar and can be traced back to earlier centuries. There are many examples in Greek and Arab literature where poetry is believed to have connections with divinity, possession, or even madness. The paper will try to show what Greeks and Arabs thought about the origin and the creation of poetry. It will attempt to show how early mythology and legends of both assign a supernatural or abnormal source to poetry. References from these two cultures will show the similarity in some theories like that of muses and supernatural beings, helping th
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Dissertations / Theses on the topic "Greek poetry"

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Ahern, Liam Thomas. "The Poet’s Eye: Autopsy and Authority in Early Greek Poetry." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/13510.

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Traditionally associated with the intellectual revolution of the 6th and 5th centuries B.C. and especially a hallmark of the historiographical authors Herodotus and Thucydides, earlier engagements with the concept of autopsy are often seen as self-explanatory and responding to a basic human sensibility, that is, “I have seen it for myself and therefore know it”. This thesis instead engages with poetic autopsy on its own terms. I examine the rhetorical function of autopsy, its role in the creation of authority and legitimacy. I enquire, in some ways, into the cultural contingency of autopsy, b
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Giannakopoulou, Aglaia. "Ancient Greek sculpture in modern Greek poetry, 1860-1960." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322258.

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Cazzato, Vanessa. "Imaginative worlds in Greek lyric poetry." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.559804.

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The thesis examines the imagery of Archaic Greek lyric poetry and its relation to the 'here and now' and to the implied context of performance. Chapter One sets out the conceptual programme and establishes a critical vocabulary. Various theoretical notions are discussed which are drawn from linguistics (deixis and deictic field), philosophy (reference, language games, and possible worlds), and modern literary theory (fictional worlds and text worlds); some new critical tools are established (,imaginative worlds', visual analogies and 'representational planes', the idea of 'degrees of reference
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Agócs, P. A. "Talking song in early Greek poetry." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1317722/.

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The thesis is a contribution to the study of early Greek poetics. It surveys general terms for speaking and singing in early Greek poetry from a foothold in performance theory, narratology and the ethnography of speaking, examining the pragmatics of these terms, the values and ideas about poetics, performance, literary tradition and textuality that they imply, and the contribution they make to the self-fashioning of poetic voice. The main focus is the interaction of early fifth-century choral melos’ with older hexameter traditions (Homer, Hesiod, and the Hymns), though Attic tragedy and comedy
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Metcalf, Christopher Michael Simon. "Aspects of early Greek and Babylonian hymnic poetry." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:70c45666-9768-41ac-bf42-5b5e1926d6d6.

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This thesis is a case study of early Greek poetry in comparison to the literature of the ancient Near East, especially Mesopotamia, based on a selection of hymns (or: songs in praise of gods) mainly in Sumerian, Akkadian, Hittite and Greek. Chapters 1–3 present the core groups of primary sources from the ancient Near East: Old Babylonian Sumerian, Old Babylonian Akkadian, Hittite. The aim of these chapters is to analyse the main features of style and content of Sumerian and Akkadian hymnic poetry, and to show how certain compositions were translated and adapted beyond Mesopotamia (such as in H
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Marks, James Richard. "Divine plan and narrative plan in archaic Greek epic /." Digital version:, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3026208.

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Dandoulakis, G. "The struggle for Greek liberation : The contributions of Greek and English poetry." Thesis, Loughborough University, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.354293.

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Holt, Timothy. "Fighting in the shadow of epic : the motivations of soldiers in early Greek lyric poetry." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:0e705e39-2ba1-4ac0-9833-f4f6afb04af2.

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This thesis explores the theme of the motivation of soldiers in Greek lyric poetry while holding it up against the backdrop of epic. The motivation of soldiers expressed in lyric poetry depicts a complex system that demanded cohesion across various spheres in life. This system was designed to create and maintain social, communal, and political cohesion as well as cohesion in the ranks. The lyric poems reveal a mutually beneficial relationship between citizen and polis whereby the citizens were willing to fight and potentially die on behalf of the state, and in return they received prominence a
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Dimopoulou, Ekaterina. "Human and divine responsibility in archaic Greek poetry." Thesis, University of Glasgow, 2001. http://theses.gla.ac.uk/3477/.

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The purpose of my thesis is to examine the relation between the human and the divine in the Homeric poems, and define thereupon the limits of human and divine responsibility. To this end I particularly focus on the Homeric concepts of fate and divine justice, as these are expressed mainly by the terms and . Nonetheless, since the Greek terms do not always coincide in their semantics with the respective terms of any modern language, it is regarded as necessary that the field of each term be defined prior to the examination of the concepts themselves. Similarly, issues such as morality and Homer
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Ladianou, Aikaterini. "Logos Gynaikos: Feminine Voice in Archaic Greek Poetry." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1236711421.

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Books on the topic "Greek poetry"

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G, Balme M., ed. Greek lyric poetry. Available from G. Lawall, 1994.

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Kimon, Friar, and Greece. Ypourgeion Politismou kai Episte mo n., eds. Contemporary Greek poetry. Greek Ministry of Culture, 1985.

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Dover, Kenneth James. Greek and the Greeks: Language, poetry, drama. B. Blackwell, 1987.

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1943-, Mulroy David D., ed. Early Greek lyric poetry. University of Michigan Press, 1992.

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Solomou, Kiriakoula. Byron and Greek poetry. National and Capodistrian University of Athens, School of Philosophy, 1990.

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Mackridge, Peter. Ancient Greek Myth in Modern Greek Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003400301.

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Francis, Cairns, ed. Greek and Roman poetry, Greek and Roman historiography. Francis Cairns, 2005.

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1968-, Natanblut Erez, ed. Greek lyric poetry and tragedy. Laodamia Press, 2005.

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Nanos, Valaōritēs, and Maskaleris Thanasis, eds. Modern Greek poetry: An anthology. Talisman House, 2003.

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Myth, Performance and Mimesis in Greek Archaic Poetry (Conference) (2009 : Barcelona, Spain), ed. Approaches to archaic Greek poetry. Dipartimento di scienze dell'antichità, 2012.

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Book chapters on the topic "Greek poetry"

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Cox, Alister. "Didactic Poetry." In Greek and Latin Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003482901-5.

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Gaunt, David. "Epic Poetry." In Greek and Latin Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003482901-6.

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Coleman, Robert. "Pastoral Poetry." In Greek and Latin Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003482901-4.

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Fancourt Bell, John. "Elegiac Poetry." In Greek and Latin Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003482901-3.

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Balme, Maurice. "Lyric Poetry." In Greek and Latin Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003482901-2.

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Hitch, Sarah. "Tastes of Greek poetry." In Taste and the Ancient Senses. Routledge, 2017. http://dx.doi.org/10.4324/9781315719245-2.

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Sinclair, T. A. "Epic Poetry." In A History of Classical Greek Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003530213-2.

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Jusdanis, Gregory. "3.4 Greek Romanticism: A Cosmopolitan Discourse." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.19jus.

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Race, William H. "Rhetoric and Lyric Poetry." In A Companion to Greek Rhetoric. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997161.ch33.

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Michael, Christina. "Setting Greek Modernist Poetry to Greek Popular Music." In The Routledge Companion to Music and Modern Literature. Routledge, 2022. http://dx.doi.org/10.4324/9780367237288-41.

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Conference papers on the topic "Greek poetry"

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Chatzikyriakidis, Stergios, and Anastasia Natsina. "Poetry in RAGs: Modern Greek interwar poetry generation using RAG and contrastive training." In Proceedings of the 5th International Conference on Natural Language Processing for Digital Humanities. Association for Computational Linguistics, 2025. https://doi.org/10.18653/v1/2025.nlp4dh-1.22.

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Linardaki, Christina, and Marie Lavrentiadou. "Representations of Refugees, Traffickers and Local People in Greek Literature during the European Migrant Crisis (2014-1018)." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.5-6.

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This paper investigates Greek literature (prose and poetry), written, in its bulk, during the years of the European migrant crisis (2014-2018) to uncover ways in which refugees, traffickers, and locals are presented. Following a literature review and the presentation of methodology, prose is observed, drawing on social representations theory, and a theoretical framework of social exclusion. We analyse poetry through a critical discourse analysis (CDA) (Gee 2011), while also considering social language, situated meaning, intertextuality, figured worlds, and Discourses. The approach employed ass
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Christakoudy-Konstantinidou, F. "Semiotic aspects of the concept ‘Port' in Greek interwar poetry." In VI Международная научная конференция по эллинистике памяти И.И. Ковалевой. Московский государственный университет им. М.В. Ломоносова, 2021. http://dx.doi.org/10.52607/9785190116113_99.

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Coin-Longeray, Sandrine. "The Lexicon of Wealth in Hellenistic Poetry: Between Continuity and Recomposition Τὸ Ἄφενος, and Ἀφνειός, η, ον". У GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.11-2.

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In my book Poésie de la richesse et de la pauvreté. Étude du vocabulaire de la richesse et de la pauvreté dans la poésie grecque antique, d'Homère à Aristophane : ἄφενος, ὄλβος, πλοῦτος, πενία, πτωχός (Publications de l’université de Saint-Étienne, 2014), the study in particular of the theme of wealth showed how closely its stylistic uses are connected to the socio-political contexts in which poetic practice is embedded. In the epic, wealth is glorifying for the hero and a marker of social status and quality: If the situation is comparable for the choral lyrics, in a context of sporting victor
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Nicolosi, Anika, Monica Monachini, and Beatrice Nova. "CLARIN-IT and the Definition of a Digital Critical Edition for Ancient Greek Poetry." In Introduction. Linköping University Electronic Press, 2020. http://dx.doi.org/10.3384/ecp2020172011.

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Lu, Yiyun. "Criticizing by Creating: Friedrich Schlegel’s Early Romantic Idea of “Criticism”." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8184.

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Friedrich Schlegel is the main representative of early German Romanticism. His romantic poetics are not only important for the development of German poetry, but also for the change from Classic to Modern in European intellectual life. And at the center of his theory is the term “criticism” (Kritik). There is already a lot of re-search on this term, including Walter Benjamin’s doctoral thesis The Concept of Art Criticism in German Romanticism. Most of them put this term in the Cartesian and Kantian tradition and see it as an artistic expression of philosophical “reflection”. This is indeed one
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Sun, Li. "Zhou Zuoren' Translation of Japanese and Ancient Greek Poetry and Forming of the Literary Thought of Chinese Vernacular Prose." In Proceedings of the 2017 5th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/ieesasm-17.2018.53.

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Crasnova-Severin, Ecaterina. "Five greek folk songs by M. Ravel: unity of the vocal cycle." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.03.

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This article examines Maurice Ravel's vocal cycle “Five Greek Folk Songs” (Cinq mélodies populaires grecques) focusing on the problem of the cycle's unity and the contrast between its parts. It analyzes the poetic content, the musical expressive means, the structure of the vocal part, and the role of the piano accompaniment in each song separately; the factors contributing to the unity of the cyclic composition are substantiated. The conclusion is drawn about the uniqueness of the content and form of each song, and the means of poetic and musical commonality of the numbers are revealed
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Kulish, Yuliia. "The 1960s as a Landmark of Ukrainian Literary Emancipation (American and French Comparative Aspects)." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8956.

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The term “global sixtieth” has persisted in historiography since the 2000s denoting the revolutionary movements united by common discontent with the political, socioeconomic, and cultural status quo. Although their national literary manifestations differed, they appear to be interconnected regarding the attempts to establish other political and aesthetical orders, hence counterculture. This comparative article explores the liberation effect of the counterculture of the 1960s manifested in Ukrainian literature contrasted to American and French. It is stated the former pursued double emancipatio
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Nunes, Rafael O., João G. Zandoná, Júlia V. Maia, Andre Spritzer, Dennis G. Balreira, and Carla M. D. S. Freitas. "Ancient Greek’s New Technological Muse: Extracting Topoi in the Anacreontea with LLMs." In Seminário Integrado de Software e Hardware. Sociedade Brasileira de Computação - SBC, 2024. http://dx.doi.org/10.5753/semish.2024.1803.

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Natural Language Processing, along with Large Language Models (LLMs), holds significant potential in the domain of literature, leveraging its computational capabilities to analyze and comprehend human language. These techniques prove to be particularly useful in a specific part of Greek literature called Anacreaontea, a collection of poems emulating the style of the 6thcentury BCE Greek poet Anacreon. This paper presents an LLM approach to automatically classify Anacreontea poems in their respective topoi. Our methodology explores two well-established autoregressive language models (LLama 2 an
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Reports on the topic "Greek poetry"

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Dairianathan, Eugene, Larry Francis Hilarian, Peter Stead, Chee Hoo Lum, and Hoon Hong Ng. Learning through popular music, lessons for the general music programme syllabus in Singapore. National Institute of Education, Nanyang Technological University, Singapore, 2024. https://doi.org/10.32658/10497/27422.

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This project sought to investigate the identity, role and function of popular music within classroom-based education in Singapore. Popular music is characterised by: (i) lnterdisclplinarity (music, dance, poetry, theatre, etc); (ii) It suffuses the lives of school-going youth in their out-of-school curriculum. (iii) Skill acquisition is frequently gained through more informal learning than is usual in institutional settings (Green, 2002). (iv) Participation in popular music by various communities seems to cut across ethnic, religious and age boundaries, which makes popular music participation
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