Log in

Relevant bibliographies by topics / Greek popular music

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Academic literature on the topic 'Greek popular music'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Greek popular music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Greek popular music"

1

Dawe, Kevin. "Minotaurs or musonauts? ‘World Music’ and Cretan Music." Popular Music 18, no. 2 (1999): 209–25. http://dx.doi.org/10.1017/s0261143000009053.

Full text

Abstract:

In a recent issue of Popular Music devoted to the music of the Middle East, Martin Stokes and Ruth Davis note that ‘the movement of Middle Eastern sounds into Western cultural spaces … has largely been ignored’ (1996, p. 255) and that ‘Middle Eastern popular musics will probably continue to mark an unassimilable and unwelcome “otherness” for most Europeans and Americans’ (ibid, p. 257). In this paper, written partly in response to these remarks, I examine the movement of contemporary Middle Eastern sounds into Greek cultural space and Greek musical culture, a musical culture that has an affini

APA, Harvard, Vancouver, ISO, and other styles

2

Drakonakis, George E., and Demosthenes Bouros. "References to tuberculosis in Greek popular music (Rebetico)." European Journal of Internal Medicine 18, no. 5 (2007): 357–58. http://dx.doi.org/10.1016/j.ejim.2007.02.008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Powell, Bryan. "Community music interventions, popular music education and eudaimonia." International Journal of Community Music 00, no. 00 (2021): 1–23. http://dx.doi.org/10.1386/ijcm_00031_1.

Full text

Abstract:

The fields of community music and popular music education have expanded rapidly over the past few decades. While there are many similarities between these two fields, there are aspects that set these two areas of practice apart. This article seeks to explore the intersections of community music interventions and popular music education to explain how they are similar and in which ways they are unique. This discussion centres on examinations of facilitation, ownership of music, training and certification, inclusivity, life-long music making, amateur engagement, informal learning and non-formal

APA, Harvard, Vancouver, ISO, and other styles

4

Beaton, Roderick, John Bennet, Eleni Kallimopoulou, Panagiotis Poulos, and Chris Williams. "POPULAR MUSIC OF THE GREEK WORLD: A NOTE FROM THE ORGANISERS." Annual of the British School at Athens 115 (October 26, 2020): 401–2. http://dx.doi.org/10.1017/s0068245420000143.

Full text

Abstract:

In May 2019 the British School at Athens hosted an international conference on popular music of the Greek world. The conference aimed to explore and evaluate the diversity of Greek music apparent in the rich variety of local traditions and in the richness of urban popular music both established and emerging, and to examine its causes from broader musical, sociological and artistic perspectives. Rather than focus on particular forms, such as traditional folk music, rebetika, or the ‘new wave’ of the 1960s exemplified by the international success of composers such as Hadjidakis and Theodorakis,

APA, Harvard, Vancouver, ISO, and other styles

5

Kardamis, Kostas. "From Popular to Esoteric: Nikolaos Mantzaros and the Development of his Career as a Composer." Nineteenth-Century Music Review 8, no. 1 (2011): 101–26. http://dx.doi.org/10.1017/s1479409811000085.

Full text

Abstract:

Nikolaos Halikiopoulos Mantzaros (1795–1872) was a noble from Corfu and is better known today as the composer of the Greek national anthem. However, recent research has proved his importance as a teacher and as one of the most learned composers of his generation, renowned, in Italy and France as well as Greece.The aim of this article is to present Mantzaros’ developing relationship as dilettante composer to the emerging European nineteenth-century music and aesthetics, as featured through his existing works and writings. In his early works (1815–27) Mantzaros demonstrates a remarkable creative

APA, Harvard, Vancouver, ISO, and other styles

6

Pulakis, Nik. "Post in the 'modern': Greek film music and the work of Nikos Mamangakis." Muzikologija, no. 8 (2008): 77–89. http://dx.doi.org/10.2298/muz0808077p.

Full text

Abstract:

This article is focused on Nikos Mamangakis, one of the most ambiguous art-popular composers in Greece. His compositions for cinema are also quite provocative. Mamangakis' cooperation with Finos Film (the major Greek film production company in post-war era) and, on the contrary, his collaboration with Nikos Perakis (one of the most well-known contemporary film directors) vividly illustrate the transformation of film music from the so-called Old to the New Greek Cinema. Through an overall analysis of two of Mamangakis' most important film scores, I hope to reveal the transition process from a r

APA, Harvard, Vancouver, ISO, and other styles

7

Franzon, Johan. "Şebnem Susam-Saraeva, Translation and popular music: transcultural intimacy in Turkish–Greek relations." Translator 23, no. 1 (2017): 113–17. http://dx.doi.org/10.1080/13556509.2017.1264116.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Dalianoudi, Renata. "Popular Dance as the Embodied Expression of Musical Patterns and of Costume Design: The Case of Rallou Manou's Choreography on Hadjidakis’ Music and Yiannis Moralis’ Costumes." Congress on Research in Dance Conference Proceedings 2016 (2016): 106–15. http://dx.doi.org/10.1017/cor.2016.16.

Full text

Abstract:

Does music “embody” the dancing movement? Or does (and if yes, how does) popular dance embody musical patterns and costume designs? On the one hand, dance and music curricula in universities and schools of dance in Greece consider music and dance mostly as coexisting and—in a superficial way—collaborating arts. They rarely refer to the “corporalization” of music, nor do they examine the relation between dance and other involving arts of a performance, such as painting and costume design. It should also be noticed that interdisciplinary creative collaboration between music and dance (and also o

APA, Harvard, Vancouver, ISO, and other styles

9

Minas, Adamantios Dionysios. "The Suppression of the Music of Ionian Islands by the Modern Greek State: Culture that did not Fit the Political Agenda." Public Voices 9, no. 1 (2017): 125. http://dx.doi.org/10.22140/pv.207.

Full text

Abstract:

Music plays an important role in social integration, often providing the vehicle for how one culture reinterprets itself in another. However, as in the case of the Ionian Islands, a peoples’ ability to incorporate outside influences and produce local culture may find itself at odds with the more nationalistic purposes of the state. The Ionian Islands came to be part of the Greek state without enduring the yoke of occupation by the Ottoman Empire or suffering in the wars that preceded the Greek free state. Therefore, the Ionian culture, in particular its popular music, has been made obscure by

APA, Harvard, Vancouver, ISO, and other styles

10

Romanou, Ekaterini. "Italian musicians in Greece during the nineteenth century." Muzikologija, no. 3 (2003): 43–55. http://dx.doi.org/10.2298/muz0303043r.

Full text

Abstract:

In Greece, the monophonic chant of the Orthodox church and its neumatic notation have been transmitted as a popular tradition up to the first decades of the 20th century. The transformation of Greek musical tradition to a Western type of urban culture and the introduction of harmony, staff notation and western instruments and performance practices in the country began in the 19th century. Italian musicians played a central role in that process. A large number of them lived and worked on the Ionian Islands. Those Italian musicians have left a considerable number of transcriptions and original c

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Greek popular music"

1

Polychronakis, Ioannis. "Song odyssey : negotiating identities in Greek popular music." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669839.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Michael, C. "Contemplating identity and genre in Greek popular song : the theatrical compositions of Manos Hadjidakis between 1944 and 1966." Thesis, City, University of London, 2017. http://openaccess.city.ac.uk/17629/.

Full text

Abstract:

This thesis is a study of selected compositions for contemporary theatre and ancient Greek drama of the Greek composer Manos Hadjidakis from 1944 to 1966. It is a study of their social resonances, their cultural contexts and their role in the formation of Greek cultural identity in general as well as Greek popular music of the mid-twentieth century in particular. My examination of the role of such works in the construction of Greek national and cultural identity focuses on the relationship of Hadjidakis with Greek literary modernism and its distinctive Greekness as well as with the literati as

APA, Harvard, Vancouver, ISO, and other styles

3

Ordoulidis, Nikolaos. "The recording career of Vasílis Tsitsánis (1936-1983) : an analysis of his music and the problems of research into Greek popular music." Thesis, University of Leeds, 2012. http://etheses.whiterose.ac.uk/3230/.

Full text

Abstract:

There is a clear and abundant evidence to suggest that Vasílis Tsitsánis (1915-1984) was a well known songwriter, bouzouki virtuoso, lyricist and singer both in Greece and abroad. The evaluation of his work reveals that he remains a key figure in the history of Greek popular music. Vasílis Tsitsánis as musician and composer was an innovator, his musical roots in rembétiko being transformed through his creative effort is said to have led to the development and establishment of the modern laikó style. An analysis of Vasílis Tsitsánis's commercial recordings does indeed reveal aspects of his uniq

APA, Harvard, Vancouver, ISO, and other styles

4

Papanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /." London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Anagnostou, Panagiota. "Les représentations de la société grecque dans le rebetiko." Phd thesis, Université Montesquieu - Bordeaux IV, 2011. http://tel.archives-ouvertes.fr/tel-00881019.

Full text

Abstract:

Cette recherche relève de la sociologie politique et aborde la musique, objet peu commun en politologie. Elleexamine le rebetiko, une musique populaire urbaine grecque, en postulant que l'analyse de musiques populairesoffre un accès privilégié aux représentations ambivalentes du pouvoir, à la participation au politique et à salégitimation. La construction d'un cadre théorique dynamique, capable de prendre en compte le changementincessant, tant musical que social, et de faire fusionner forme et contenu, approches extérieures et intérieures,conduit à adopter une méthode plurielle : historique, m

APA, Harvard, Vancouver, ISO, and other styles

6

Jonsäll, Hans. "Välsignad förbannelse : En retorisk analys av bibliskt material i Black Metallyrik." Thesis, Uppsala universitet, Gamla testamentets exegetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-266925.

Full text

Abstract:

This bachelor thesis offers a rhetorical analysis of the album Maranatha by Swedish Black Metal artist Funeral Mist. Its main focus is on the intertextuality between the song "Blessed Curse" and the biblical book Deuteronomy, especially Deut 28 from which it has sampled a large portion of text. In the analysis I uncover the similarities and differences between the two texts in order to explain how the biblical fragments constitute new meanings when rearranged and taken out of their original context. The analysis concludes with relating the material to its new context i.e. the album Maranatha a

APA, Harvard, Vancouver, ISO, and other styles

7

Michael, Despina. "Blind rhapsodists: the image of the modern Greek popular musician." 1998. http://repository.unimelb.edu.au/10187/3288.

Full text

Abstract:

This thesis sets out to explore, define and analyse the image of the Modern Greek Popular Musician between approximately 1945 and 1990 as expressed in a variety of written texts. The main argument is that there is a mythic approach in the presentation of the aforesaid image within the context 'of prevailing ideological and political concerns in modern Greek culture since the end of the War, and the ongoing influences of Western philhellenic ideals and Greek nationalism. Secondly, it is argued that the recurrence of common images points to an overall image for the popular musician which is comp

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Greek popular music"

1

Pennanen, Risto Pekka. Westernisation and modernisation in Greek popular music. University of Tampere, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Ed, Emery, ed. Songs of the Greek underworld: The Rebetika tradition. Saqi, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Singing poets: Literature and popular music in France and Greece. Legenda, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Ta logia kai ta chronia: 1963-2013 : ta tragoudia. Ekdoseis Metaichmio, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Christianopoulos, D̲inos. Ta tragoudia tou Vasilē Tsitsanē pou graphtēkan stē Thessalonikē epi Germanikēs katochēs: Meletē. Ekdoseis Bilieto, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Markos Vamvakarēs, 1905-1972: Ego mankas gennēthēka kai mankas tha pethanō : hola ta tragoudia tou apo tis 78 strophes, mia prosengisē sto ergo tou. Katarti, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Das Rebetiko: Eine Studie zur städtischen Musik Griechenlands. Verlag der Musikalienhandlung K.D. Wagner, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Angelikopoulos, Vasilēs. Pes to m' hena tragoudi: Graphes kai katagraphes melōdikōn katastaseōn. Ekdoseis Kastaniōtē, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Karagiannis-Moser, Emmanuelle. Le bestiaire de la chanson populaire grecque moderne. Presses de l'Université Paris-Sorbonne, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Holst-Warhaft, Gail. Road to Rembetika: Music of a Greek subculture : songs of love, sorrowand hashish. 4th ed. D.Harvey, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Greek popular music"

1

Stefanou, Danae. "The underground, dispossession and positionality in Greek experimental music." In Contemporary Popular Music Studies. Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_24.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Tragaki, Dafni. "Bollywood Trajectories and Audibilities of Race in Greek Popular Song." In Music and Encounter at the Mediterranean Crossroads. Routledge, 2021. http://dx.doi.org/10.4324/9781003008514-6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Parham, John. "Popular Music: Reconnecting with the Environment." In Green Media and Popular Culture. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

"Urban music." In Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781501369476.0023.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Frangos, Stavros K. "Steve Zembillas (1923–2002) and the Grecophon Record Company." In Greek Music in America. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.003.0028.

Full text

Abstract:

From 1946 through 1954, Grecophon Record Company of Gary, Indiana issued the seldom recorded traditional Greek island music, or nisiotika, that had its American roots in Tarpon Springs Florida. Founded by Skevofylax (Steve) Zembillas, originally from Kalymnos, Greece, this small independent label eventually released a wide range of Greek music by popular Greek musicians and vocalists of the period.

APA, Harvard, Vancouver, ISO, and other styles

6

Bucuvalas, Tina. "Trio Bel Canto and Takis Elenis (b. 1948)." In Greek Music in America. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.003.0037.

Full text

Abstract:

Performing Greek music for Greek and American audiences with polished vocal harmonies and strong musicianship, the Trio Bel Canto became arguably the most popular Greek American band of all-time.They were founded in 1948, in Greece, but relocated to the U.S. in 1966. Exceptional bouzouki player TakisElenis joined the band in 1971, further enhancing the Trio Bel Canto’s standing. Elenis left the group in 1986 to pursue solo interests.

APA, Harvard, Vancouver, ISO, and other styles

7

Bucuvalas, Tina. "George E. Soffos (1953–2013)." In Greek Music in America. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.003.0038.

Full text

Abstract:

George Soffos was born in Ohio into a family with roots in southern Rhodes. He learned to play guitar as a child, studied with master bouzouki player Giannis Tatasopoulos, and by 17 was an independent headliner in Greek clubs throughout the country.Playing a mix of traditional and popular Greek music infused with some aspects of American rock, Soffos was considered one of the best bouzouki musicians of his generation. He performed with most of the great Greek musicians and vocalists of his era in the U.S. and Greece and appeared on several albums.

APA, Harvard, Vancouver, ISO, and other styles

8

Frangos, Stavros K. "Madame Koula (circa 1880–1954) 1." In Greek Music in America. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.003.0019.

Full text

Abstract:

Kyriaki Yiortzi Antonopoulos was the first internationally successful Greek female vocalist who made North America her permanent home. Known simply as Madame Koula or Coula, this woman proved to be so popular that between 1916 to 1917 and 1927, she recorded at least 199 individual songs. No other female vocalist of Greek heritage in North America made or sold as many records during this same period.She sang in every genre, but was especially known for her songs in the café aman style, and she was the first Greek American vocalist to record in Turkish.She and her husband founded the Panhellenion Record Company in New York.

APA, Harvard, Vancouver, ISO, and other styles

9

"The Greek nation state and ecclesiastical music." In Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781501369476.0020.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Pouliopoulos, Meletios. "Greek Music Piano Rolls in the United States." In Greek Music in America. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.003.0015.

Full text

Abstract:

In “Greek Piano Rolls in the U.S.,” collector Meletios Pouliopoulos presents ground-breaking research on Greek piano roll recordings of the 1920s and 1930s. Player pianos were popular in the late nineteenth and early twentieth centuries, and piano roll companies, like record distributers, issued significant quantities of Greek piano rolls to target the ethnic market. Pouliopoulos conducted interviews and explored existing catalogs to unearth the forgotten history of ethnic, and particularly Greek, music produced on piano rolls by the QRS Company of Buffalo, NY and Alector. He also correlates the production of rolls to both sheet music publications and phonograph recordings of the time, as well as to the production of music by particular artists or in some genres rarely heard today.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!