Relevant bibliographies by topics / Greenberg, Clement

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  2. Dissertations / Theses
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Academic literature on the topic 'Greenberg, Clement'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Greenberg, Clement"

1

Butkus, Vitor. "Clement Greenberg pelo avesso." Revista Digital do LAV 4, no. 4 (2010): 084. http://dx.doi.org/10.5902/198373482203.

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Este artigo é o resultado de um esforço reflexivo tendo como tema o crítico de arte norte-americano Clement Greenberg, sua obra e sua atuação no campo das artes. Esse autor de posições teóricas polêmicas é, aqui, analisado pelo seu antes e pelo seu depois. O contexto cultural em que se produziu a sua escrita é visado, não como causa, mas como fornecedor de problemas teóricos aos quais a crítica greenberguiana responderá. Apontando esse rumor teórico, contemporâneo à atividade do autor, e atravessado por questões extra-artísticas, propomos um distanciamento crítico através do qual se busca a co
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Weaver, Mike. "Clement Greenberg and Walker Evans." History of Photography 15, no. 2 (1991): 128–30. http://dx.doi.org/10.1080/03087298.1991.10443146.

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Olitski, Jules. "Clement Greenberg in My Studio." American Art 8, no. 3/4 (1994): 125–29. http://dx.doi.org/10.1086/424227.

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Baigell, Matthew. "Clement Greenberg, Harold Rosenberg, and Their Jewish Issues." Prospects 30 (October 2005): 651–64. http://dx.doi.org/10.1017/s0361233300002210.

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Clement Greenberg (1909–94) and Harold Rosenberg (1906–78) were the two art critics most closely associated with abstract expressionism in the 1940s and 1950s. Neither began their careers as art critics, however. By the mid-1980s, Rosenberg had published literary essays and poems in left-wing magazines, and Greenberg's articles and reviews first appeared at the end of that decade. During the 1940s, Greenberg began to write art criticism, and Rosenberg's essays began to appear frequently in the 1950s. By that time, both had become part of the group known informally as the New York Intellectuals
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Jachec, N. "Modernism, Enlightenment Values, and Clement Greenberg." Oxford Art Journal 21, no. 2 (1998): 121–32. http://dx.doi.org/10.1093/oxartj/21.2.121.

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Clarke, David. "The All-Over Image: Meaning in Abstract Art." Journal of American Studies 27, no. 3 (1993): 355–75. http://dx.doi.org/10.1017/s0021875800032072.

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It is the contention of Clement Greenberg that the development of modern painting can be seen as a self-critical process whereby this art entrenches itself more firmly in its area of competence. The area of competence of each art, according to Greenberg, coincides with all that is unique to the nature of its medium. Each art form, then, has an essence (albeit one which is only revealed over time) and the constitutive limitations peculiar to painting are considered by Greenberg to be “the shape of the support, the properties of pigment” and above all “the flat surface.” At first sight such a fo
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Rauschenberg, Nicholas. "Variaciones Greenberg: apogeo y debacle de un crítico de arte." Trans/Form/Ação 42, no. 3 (2019): 119–42. http://dx.doi.org/10.1590/0101-3173.2019.v42n3.07.p119.

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Resumen: Partiendo del texto clásico Vanguardia y kitsch, nos proponemos analizar la obra del crítico norteamericano Clement Greenberg. Después de la intervención del Estado norteamericano en el arte entre 1935 y 1943 (los WTA), Clement Greenberg surge como uno de los principales críticos que buscaron unificar el “arte elevado” de ese país. Para tanto, el crítico norteamericano busca justificar el nivel artístico de esa vanguardia acercando esa producción a las vanguardias europeas, especialmente el cubismo. Veremos los problemas de Greenberg al forjar una “historicidad inmanente” a las obras
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Süssekind, Pedro. "Greenberg, Danto e O Fim da Arte." Kriterion: Revista de Filosofia 55, no. 129 (2014): 349–62. http://dx.doi.org/10.1590/s0100-512x2014000100019.

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Este estudo discute a questão do fim da arte com base nas reflexões críticas de Clement Greenberg e na posterior apropriação dessas reflexões por Arthur Danto. Em primeiro lugar, pretendo mostrar como a visão negativa de Greenberg acerca da arte produzida a partir dos anos 1960 implica o tema do fim da arte. Em segundo, pretendo expor a tarefa assumida por Danto a partir de sua avaliação dos diagnósticos e da teoria de Greenberg.
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Hill, Michael. "Leo Steinberg vs Clement Greenberg, 1952–72." Australian and New Zealand Journal of Art 14, no. 1 (2014): 21–29. http://dx.doi.org/10.1080/14434318.2014.930373.

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Hall, James. "Clement Greenberg on English Sculpture and Englishness." Sculpture Journal 4, no. 1 (2000): 172–77. http://dx.doi.org/10.3828/sj.2000.4.1.16.

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Dissertations / Theses on the topic "Greenberg, Clement"

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Passos, Úrsula. "A possibilidade de aprimoramento do gosto em Clement Greenberg." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-17042015-171258/.

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O crítico de arte americano Clement Greenberg dedica especial atençãoà teoria estética em seus textos dos anos 1970, sobretudo ao juízo de gosto. Esta pesquisa busca evidenciar um aspecto importante na discussão estética em Greenberg, qual seja, a possibilidade de aprimoramento do gosto. Para tal, também se faz necessária uma compreensão de seu sistema crítico, articulando os Seminários por ele ministrados nos anos 70 e seus textos críticos desde os anos 30. Dentro da teoria estética moderna formulada por Greenberg, os textos reunidos em Estética Domésticaservem de base para a investigação do
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Allen, Ruth Esther. "Clement Greenberg : pure art in an impure world /." Connect to resource, 1995. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1144433966.

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Thesis (M.A.)--Ohio State University, 1994.<br>Advisors: Mathew Herban and Stephan Melville, Dept. of Art History. Includes bibliographical references (leaves 79-84). Available online via OhioLINK's ETD Center
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Allen, Ruth Esther. "Clement Greenberg : pure art in an impure world." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1144433966.

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Moreno, del Valle Santiago Andrés. "Fronteras modernas de la historia del arte : sobre vanguardia y kitsch de Clement Greenberg." Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/116870.

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Licenciado en artes con mención en historia y teoría del arte<br>El presente texto tiene por finalidad poner en contexto un episodio en la relación entre arte y cultura popular, específicamente, entre arte de vanguardia y cultura popular industrial en el escenario estadounidense. El título de éste hace relación directa a ésta problemática convivencia, y propone que la diferenciación entre ambas tiene su fuente directa en la historia y la teoría del arte.
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Christofides, Sheila School of Art History &amp Theory UNSW. "The intransigent critic: reconsidering the reasons for Clement Greenberg???s formalist stance from the early 1930s to the early 1970s." Awarded by:University of New South Wales. School of Art History and Theory, 2004. http://handle.unsw.edu.au/1959.4/20562.

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This thesis investigates the reasons for Greenberg???s aesthetic intransigence ??? that is, his adherence to a formalist/purist stance, and his refusal to countenance non-purist twentiethcentury avant-garde trends evident in the art he ignored or denigrated, and in the art he promoted. The most substantial body of work challenged is Cold War revisionism (exemplified by the scholarship of Francis Frascina, Serge Guilbaut, and John O???Brian) which casts Greenberg as a politically expedient party to the imperialist agendas of various CIA-funded organisations. The major conclusions reached are th
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McColm, Donna. "Opticality and the Work of Morris Louis (1912-1962)." University of Sydney, 2007. http://hdl.handle.net/2123/2180.

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Master of Philosophy<br>This thesis investigates the work of Morris Louis (1912-1962) in relation to ‘opticality’, a theory developed by the prominent American art critic Clement Greenberg. Between the late 1930s and 1950s, Greenberg developed a comprehensive argument concerning the opticality, or the optical illusion, of abstract painting. This theory influenced common approaches towards Abstract Expressionist painting during the 1940s and 1950s, culminating in Greenberg’s writing on ‘Colourfield’ painting in major texts of the 1960s such as ‘Louis and Noland’ (1960). Through research into t
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Trespeuch, Hélène. "Fin de partie, nouvelle donne : l'historiographie de l'art abstrait en France et aux États-Unis, 1977-1990." Paris 1, 2010. http://www.theses.fr/2010PA010669.

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A la fin des années 1970, une profonde mutation historiographique est en jeu dans le monde de l'art occidental. La crise des avant-gardes apparaît comme le symptôme d'une crise idéologique générale. Une nouvelle ère est annoncée: elle serait postmoderne. Dans ce contexte de perte de repères, l'histoire de l'art du XXe siècle devient l'objet de multiples réévaluations. Critiques, historiens, commissaires d'expositions et artistes remettent en cause les récits qui avaient jusqu'alors prévalu. Au modèle linéaire et téléologique imposé par les avant-gardes veut être substitué un discours plus incl
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Weis, Kristin K. "Art as Negation: A Defense of Conceptual Art as Art." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461602608.

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Speight, Amanda Gaye. "Op writing : text ornamenting vision." Queensland University of Technology, 2008. http://eprints.qut.edu.au/16611/.

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The decorative and the textual have a complex and uneasy entanglement within the history and practice of modernist art. Sometimes celebrated as critical modernist strategies, sometimes denigrated or repressed as the opposite of Art, the decorative and the textual were understood as "foreign" forms that variously endangered, or, in turn, invigorated the power of art. My creative practice, which includes installation, painting, photography, text and an exhibition catalogue, exploits and explores this decorative and textual instability within modernist art practice. In my work, (visual) codes c
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Willis, Gary C. "Contemporary art: the key issues: art, philosophy and politics in the context of contemporary cultural production." Connect to thesis, 2007. http://repository.unimelb.edu.au/10187/2245.

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This submission comes in two parts; the written dissertation, Contemporary art: the key issues, and the exhibition Melbourne - Moderne. When taken together they present a discourse on the conditions facing contemporary art practice and one artist’s response to these conditions in the context of Melbourne 2003-2007. (For complete abstract open document)
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Books on the topic "Greenberg, Clement"

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Clement Greenberg, late writings. University of Minnesota Press, 2002.

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Rubenfeld, Florence. Clement Greenberg: A life. University of Minnesota Press, 2004.

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Rubenfeld, Florence. Clement Greenberg: A life. Scribner, 1997.

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Clement Greenberg between the lines: Including a debate with Clement Greenberg. The University of Chicago Press, 2010.

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1940-, Wilkin Karen, and Guenther Bruce, eds. Clement Greenberg: A critic's collection. Portland Art Museum, 2001.

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Duve, Thierry de. Clement Greenberg entre les lignes. Editions Dis voir, 1996.

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Art czar: The rise and fall of Clement Greenberg. Lund Humphries, 2006.

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Art czar: The rise and fall of Clement Greenberg : a biography. MFA Publications, 2006.

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1909-, Greenberg Clement, Fried Michael, and Clark T. J, eds. Writing back to modern art: After Greenberg, Fried and Clark. Routledge, 2005.

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The political origins of abstract-expressionist art criticism: The early theoretical and critical writings of Clement Greenberg and Harold Rosenberg. Humanities Honors Program, Stanford University, 1985.

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Book chapters on the topic "Greenberg, Clement"

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Kampmann, Elisabeth. "Greenberg, Clement." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1637-1.

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Kampmann, Elisabeth. "Greenberg, Clement: Avant-Garde and Kitsch." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1638-1.

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Rohn, Matthew. "Clement Greenberg and the Postwar Modernist Canon: Minimizing the Role of Germany and Northern Europe." In Legacies of Modernism. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230603189_13.

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"Clement Greenberg." In The Hydrogen Jukebox. University of California Press, 1991. http://dx.doi.org/10.1525/9780520913844-012.

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Hamilton, James W. "Clement Greenberg." In A Psychoanalytic Approach to Visual Artists. Routledge, 2018. http://dx.doi.org/10.4324/9780429471452-5.

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"Clement Greenberg." In A History of the Western Art Market. University of California Press, 2017. http://dx.doi.org/10.1525/9780520340770-099.

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Talon-Hugon, Carole. "GREENBERG, Clement." In Les théoriciens de l'art. Presses Universitaires de France, 2017. http://dx.doi.org/10.3917/puf.talon.2017.03.0279.

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"Clement Greenberg and the ‘Triumph’ of Western Art." In Art History as Social Praxis. BRILL, 2017. http://dx.doi.org/10.1163/9789004235861_015.

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Garreta, Virginia. "Clement Greenberg, Michael Fried : une histoire de l’art pour la forme ?" In Ce que modernité veut dire (II). Presses Universitaires de Bordeaux, 1994. http://dx.doi.org/10.4000/books.pub.22358.

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Reed, Christopher. "Sublimation and Eccentricity in the art of Mark Tobey." In Bachelor Japanists. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231175753.003.0004.

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Follows the career of artist Mark Tobey, whose long-standing interest in Japan exemplifies twentieth-century Western trends toward fascination with Zen Buddhism, rustic Japanese pottery, and calligraphy. Tobey’s career intersects in illuminating ways with very well known figures – the artist John Cage, the potter Bernard Leach, the critic Clement Greenberg – allowing this chapter to explore the impact of World War and Cold War on Japanism. The chapter concludes with an argument connecting initiatives to integrate Japanese-Americans into the cultural mainstream with the end of Japanism as a structure of dissent.
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