Academic literature on the topic 'Greenland in fiction'

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Journal articles on the topic "Greenland in fiction"

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Hofmann, Hanna Maria. "Crisis of the Mythological? The Melting of the Polar Ice in Greenland in Alfred Döblin’s Berge Meere und Giganten." Nordlit 12, no. 1 (2008): 161. http://dx.doi.org/10.7557/13.1230.

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The novel Berge Meere und Giganten was written in 1924. I would like to focus my attention on the 7th book in the novel, whose title is Die Enteisung Grönlands (The Melting of the Polar Ice in Greenland). To begin with, I will give a short summary of what the novel is about. The project to melt Greenland's polar ice forms the culmination of a history of the whole of humanity running from the 20th century all the way until the 27th century. Using all their military and technological might, the heat of the Icelandic volcanoes is captured in solid form and transported by ship to the Arctic. With
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Viljoen, Jeanne-Marie. "Being (in)formed by indigenous voices: First steps to using graphic narratives to decolonise speculative fiction." Image & Text, no. 37 (November 1, 2023): 1–22. http://dx.doi.org/10.17159/2617-3255/2023/n37a37.

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The Greenlandic visual artist Nuka K. Godtfredsen and his literary and scientific collaborators have produced a series of four graphic narratives to represent distinct moments in Greenland's history, spanning the pre-colonised and colonial period. These narratives employ aspects of magic realism and adopt an approach to narrative that focuses on the supernatural and presents modes of being that contrast with their audiences' understanding of realities that are ordinarily (only) visible. I argue that these graphic narratives use strategies from speculative fiction that frame the modern European
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Langgård, Karen. "Greenlanders Seen Through the Eyes of Signe Rink." Nordlit 11, no. 2 (2007): 113. http://dx.doi.org/10.7557/13.1574.

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Signe Rink (1836-1909) published four volumes of fiction in Danish, all of them stories from Greenland of the 19th century: Grønlændere. 1886 (155 pages); Grønlændere og Danske i Grønland. 1887 (204 pages); Koloni-idyler. 1888 (262 pages) and Fra det Grønland som gik. Et par Tidsbilleder fra Trediverne. 1902 (264 pages). Some of the stories are short, some are not short at all, actually, e.g. Rink 1902 consists only of two parts, the first one 205 pages long. The focus here will be on this fiction written by Signe Rink: a case study in how genres of fiction might open up for the possibility of
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Haarder, Jon Helt. "Grønlande og det moderne gennembruds mand." K&K - Kultur og Klasse 34, no. 102 (2006): 32–55. http://dx.doi.org/10.7146/kok.v34i102.22315.

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Georg Brandes’ betydninger i Henrik Pontoppidans Lykke-Per, Grønlands i IsbjørnenGreenlands and man of the modern break-throughLykke-Per and Isbjørnen by Henrik Pontoppidan both seem to contain the author’s opinions on Georg Brandes and Greenland wrapped in fiction. By way of author theory and postcolonial criticism this article argues, however, that the two novels have no narratological or ideological central perspective. They are perhaps best understood as montages of discourses on Brandes and Greenland.
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Moorbath, S., M. J. Whitehouse, and B. S. Kamber. "Extreme Nd-isotope heterogeneity in the early Archaean — fact or fiction? Case histories from northern Canada and West Greenland." Chemical Geology 135, no. 3-4 (1997): 213–31. http://dx.doi.org/10.1016/s0009-2541(96)00117-9.

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Bennett, V. C., and A. P. Nutman. "Extreme Nd isotope heterogeneity in the early Archean—fact or fiction? Case histories from northern Canada and West Greenland—Comment." Chemical Geology 148, no. 3-4 (1998): 213–17. http://dx.doi.org/10.1016/s0009-2541(98)00031-x.

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Kamber, B. S., S. Moorbath, and M. J. Whitehouse. "Extreme Nd-isotope heterogeneity in the early Archaean—fact or fiction? Case histories from northern Canada and West Greenland—Reply." Chemical Geology 148, no. 3-4 (1998): 219–24. http://dx.doi.org/10.1016/s0009-2541(98)00032-1.

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Essefi, Elhoucine. "Homo Sapiens Sapiens Progressive Defaunation During The Great Acceleration: The Cli-Fi Apocalypse Hypothesis." International Journal of Toxicology and Toxicity Assessment 1, no. 1 (2021): 18–23. http://dx.doi.org/10.55124/ijt.v1i1.114.

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This paper is meant to study the apocalyptic scenario of the at the perspectives of the Great Acceleration. the apocalyptic scenario is not a pure imagination of the literature works. Instead, scientific evidences are in favour of dramatic change in the climatic conditions related to the climax of Man actions. the modelling of the future climate leads to horrible situations including intolerable temperatures, dryness, tornadoes, and noticeable sear level rise evading coastal regions. Going far from these scientific claims, Homo Sapiens Sapiens extended his imagination through the Climate-Ficti
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Hansen, Christiane. "Ecothriller heroics: Affect and spectatorship in fictions of climate change." Journal of European Popular Culture 11, no. 2 (2020): 145–56. http://dx.doi.org/10.1386/jepc_00023_1.

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This article examines the representation of climate change and heroic agency in recent European and North American ecothrillers. Through the use of four literary case studies, it shows how heroic figurations support an idea of climate change as a distinct disastrous event. Moreover, the heroic is shown to bring out images of a threatening other, usually in the shape of a distinct villain, who gives shape to forms of diffuse, indirect agencies as they are associated with anthropogenic climate change. In addition, the ideal positions of hero and perpetrator are articulated to larger normative an
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Ackrén, Maria. "Independence for Greenland: fiction or reality?" Politica 51, no. 4 (2019). http://dx.doi.org/10.7146/politica.v51i4.131179.

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Greenland has a political will to become independent, and most of the political parties are in favor of independence. The issue of independence is not a new idea, but it has become more topical in recent decades. The nationalistic movements started already in the 1960s as well-educated Greenlanders in Denmark established protest movements against the Danish state and the way Denmark was treating its former colony. The article sheds light on the political dimension from the start of the first nationalistic movements up to the present. How has the political dimension changed over time? What are
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Books on the topic "Greenland in fiction"

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Rosenberger, Joseph R. The Greenland mystery. Dell, 1988.

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Griesemer, John. No one thinks of Greenland. Black Swan, 2002.

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Riel, Jørn. The raid. Barefoot Books, 2012.

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Riel, Jørn. The shipwreck. Barefoot Books, 2011.

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Conrad, Pam. Call me Ahnighito. HarperCollins, 1995.

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HIGGINS, Jack. East of desolation. HarperCollins, 2006.

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Smiley, Jane. The Greenlanders. Knopf, 1988.

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Smiley, Jane. The Greenlanders. Fontana, 1989.

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Smiley, Jane. The Greenlanders. Flamingo, 1993.

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Vollmann, William T. The ice-shirt. Viking, 1990.

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Book chapters on the topic "Greenland in fiction"

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Thisted, Kirsten. "Cosmopolitan Inuit: New Perspectives on Greenlandic Film." In Films on Ice. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0007.

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This chapter considers contemporary acts of appropriation undertaken by Greenlandic filmmakers, as a local feature film industry has only recently emerged in the capital of Nuuk. While there is evidence of postcolonial protest against Denmark’s long dominance over Greenland, Thisted argues that in twenty-first century fiction feature films made in and about Nuuk, Greenland is situated as part of a global network of multicultural practices and representational techniques. Thisted examines Otto Rosing’s and Torben Bech’s Sundance-screened Nuummioq (2009), which is considered the first feature film produced in Greenland, and Angajo Lennert Sandgreen’s Hinnarik Sinnattunilu (2009). The chapter discusses these films as indications of an emerging cinematic autonomy, while Nuummioq’s international release was hampered by the fact that it had not been financed by the Danish Film Institute.
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Volquardsen, Ebbe. "From Objects to Actors: Knud Rasmussen’s Ethnographic Feature Film The Wedding of Palo." In Films on Ice. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748694174.003.0016.

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This chapter examines one of Denmark’s best-known ethnographic fiction feature films, Knud Rasmussen’s The Wedding of Palo (1934), directed by Friedrich Dalsheim, and shot in Western Greenland. While in many ways a documentary in the salvage ethnography tradition of the first part of the twentieth century, and sharing many similarities with Robert Flaherty’s Nanook of the North (1922), Volquardsen examines the significance of this film for the contested geopolitical status of Greenland in the early 1930s. Foregrounding the venerable status of Knud Rasmussen as an explorer and ethnographer in Danish history, this chapter shows how the film continues to be both cherished and mocked as a thwarted historical document for the Greenlandic population. The legacy of this film, showcasing seal-hunts, kayaking tricks, and domestic and cultural traditions (including drum-dancing), has remained significant and occupies a complex position in Denmark-Greenland cultural relations.
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