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Journal articles on the topic 'Greenwich House'

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1

Simon, Barbara Levy. "Sense and sensibility: Dual knowledge bases of Greenwich House, NYC, 1902–1920." Qualitative Social Work 17, no. 6 (2017): 814–31. http://dx.doi.org/10.1177/1473325017694082.

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Both interpretive and positivist research were a daily part of early work by social workers in settlement houses of the US Social Workers from 1902 to 1922 at Greenwich House, a settlement house (neighborhood center) founded on the west side of Greenwich Village, New York City in 1902, involved themselves in diverse investigative methods. As this analysis reveals, Greenwich House workers pursued case studies of families, residential blocks, neighborhoods, and workplaces; ethnographic depictions of an alley and a garment workers’ strike; participant-observation of tenement households, small bus
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Johnston, Scott Alan. "Managing the observatory: discipline, order and disorder at Greenwich, 1835–1933." British Journal for the History of Science 54, no. 2 (2021): 155–75. http://dx.doi.org/10.1017/s0007087421000030.

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AbstractThis article presents a case study of life and work at the Royal Observatory at Greenwich (1835–1933) which reveals tensions between the lived reality of the observatory as a social space, and the attempts to create order, maintain discipline and project an image of authority in order to ensure the observatory's long-term stability. Domestic, social and scientific activities all intermingled within the observatory walls in ways which were occasionally disorderly. But life at Greenwich was carefully managed to stave off such disorder and to maintain an appearance of respectability which
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SIFF, PAUL. "Making Greenwich Home: African Americans of Greenwich, The Bush-Holley House Museum." Connecticut History Review 40, no. 1 (2001): 113–17. http://dx.doi.org/10.2307/44364200.

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Withers, Simon. "Canaletto: Synthetic Compositions of Maritime Greenwich." Architectural Design 93, no. 5 (2023): 104–11. http://dx.doi.org/10.1002/ad.2980.

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AbstractSoutheast London benefits from some of the finest historical buildings the city has to offer, and Greenwich is particularly notable for the Queen's House, the Old Royal Naval College and other magnificent edifices of maritime history. Using all the relevant technology available to them (drones, LiDAR scanners and ground‐penetrating radar), Captivate – a small research group of academic architects, landscapers and computer whizzes at the University of Greenwich – are revealing much about this area that has previously been unknown. Founder member Simon Withers shows us some of its recent
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England, Clive, Sheila M. Brock, and J. V. G. Mallet. "World of museums: Restoration of the queen's house, Greenwich." Museum Management and Curatorship 9, no. 4 (1990): 410–18. http://dx.doi.org/10.1080/09647778009515233.

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Archer, Sarah. "Craft, Class, and Acculturation at the Greenwich House Settlement." Journal of Modern Craft 4, no. 3 (2011): 231–49. http://dx.doi.org/10.2752/174967811x13179748904166.

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7

Knight, Frances. "The Bishops and the Jews, 1828-1858." Studies in Church History 29 (1992): 387–98. http://dx.doi.org/10.1017/s0424208400011426.

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Between 1830 and 1858 fourteen separate attempts were made to remove the legal disabilities which prevented Jews from sitting in Parliament. The first bill was dismissed by the unreformed House of Commons, and the next twelve, from 1833 onwards, were rejected by the Lords after being passed by the Commons. It was only the fourteenth attempt, a carefully constructed compromise between leading members of both Houses, which finally was to prove acceptable. The struggle for parliamentary representation became the longest and most bitter battle which the Anglo-Jewish community had to wage with the
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8

Boote, Scott. "Stone as a structural material. Part 2: Traditional and reinforced stone stairs." Structural Engineer 98, no. 6 (2020): 18–23. http://dx.doi.org/10.56330/igyh5338.

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Since the construction of the first British example of a cantilever stone staircase (Inigo Jones’ ‘tulip’ staircase in Queen’s House in Greenwich, 1629–35), this technique has served as both grand statement and modest utility. The structural principles are now widely understood, but by adopting a creative approach to structural analysis, design and detailing, they can be combined and extrapolated to design and construct more refined structures in myriad applications.
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Cohen, Brigid. "Enigmas of the Third Space: Mingus and Varèse at Greenwich House, 1957." Journal of the American Musicological Society 71, no. 1 (2018): 155–211. http://dx.doi.org/10.1525/jams.2018.71.1.155.

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In 1957 Edgard Varèse led a series of improvisation sessions in Greenwich Village with jazz musicians who included Charles Mingus, Art Farmer, Don Butterfield, Teo Macero, and Ed Shaughnessy. Few scholars have explored this episode, a lacuna that speaks to a wider, racially inflected rift in historiographies of jazz and non-jazz musical avant-gardes. Against this tendency I bring new light to the sessions as a messy and fleeting exchange characterized by mutual curiosity and crossed signals, drawing on analysis of session recordings, original interviews, and archival research. Within the large
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Guthu, Sarah. "Defending the Dissidents in Paris, Munich, and New York: Ceremony in Bohemia and the 1979 Show Trial of Charter 77." Theatre Survey 54, no. 3 (2013): 367–87. http://dx.doi.org/10.1017/s0040557413000264.

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In late 1982, a documentary drama entitled Ceremony in Bohemia was produced Off-Off Broadway at the Greenwich House Theatre in New York. The play offered U.S. audiences a glimpse behind the closed doors of a tiny courtroom on Spálená Street in Prague in Czechoslovakia. The production presented an account of the recent trial of six Czechoslovak activists who had been found guilty of “subversion of the Republic” and been sentenced, collectively, to nineteen-and-a-half years in top-level prisons. Their only crime was that they had protested unjust trials like their own. The press and all foreigne
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Delman, Rachel Marie. "The Royal Studies Journal Article Prize Winner 2021: The Queen's House before Queen's House: Margaret of Anjou and Greenwich Palace, 1447-1453." Royal Studies Journal 8, no. 2 (2021): 6. http://dx.doi.org/10.21039/rsj.326.

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12

Temos, Janet. "Review: Greenwich: An Architectural History of the Royal Hospital for Seamen and the Queen's House by John Bold." Journal of the Society of Architectural Historians 60, no. 4 (2001): 510–12. http://dx.doi.org/10.2307/991741.

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13

Martanovschi, Ludmila. "New York City on Stage: (De)Constructing Urban Space in John Guare’s Plays: 1." East-West Cultural Passage 21, no. 2 (2021): 7–25. http://dx.doi.org/10.2478/ewcp-2021-0011.

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Abstract John Guare distinguishes himself as a playwright who has represented New York City’s various neighborhoods and has fought realist conventions throughout his work. By relying on considerations advanced by Robert Bennett in his study of the literature, art, jazz and architecture of New York City after World War II, the current analysis shows that Guare approaches the discourse of the global capital of the world deconstructively, just like the post-war avant-garde he is probably familiar with. Moreover, Guare’s own search for experimental strategies reflects that of his predecessors and
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14

Clear, Nic, and Hyun Jun Park. "The WavEs: A Project." Architecture Image Studies 6, no. 2 (2025): 130–43. https://doi.org/10.62754/ais.v6i2.140.

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The text is created from 3D scans of Virginia Woolf’s writing hut and garden located in the house where she lived from 1918 until her death in 1941: Monk’s House in Rodmell, East Sussex. The scans capture the garden in ways that appear both substantial and yet ethereal, tracing contours that explore the physical textures of the site while using movement to allude to the cadences and syntax of the text. The film has been developed using Woolf’s 1931 experimental novel ‘The Waves’ as a narrative armature. The ‘camera’ moves through the garden, mapping out different perspectives with a steady pac
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Lovegrove, Deryck. "Idealism and Association in Early Nineteenth Century Dissent." Studies in Church History 23 (1986): 303–17. http://dx.doi.org/10.1017/s0424208400010664.

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In April 1799 Francis Wollaston, rector of Chislehurst, published a pamphlet warning his parishioners and the public at large of the activities of certain seditious societies whose purpose was that of disseminating Jacobin principles; ideas already responsible for plunging France into chaos. His enquiries, he announced, had confirmed his worst suspicions: The parties who so kindly, and out of pretended benevolence undertake to instruct my people for me, are members of a society, calling itself the Union Society of Greenwich: the same, as I am informed, which under the name of an Itinerant Soci
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Schmidt, Jennifer. "Liz Kingsman’s One Woman Show as Embodied Meta Comedy." Theatre Topics 34, no. 2 (2024): 151–57. http://dx.doi.org/10.1353/tt.2024.a932207.

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Abstract: This article presents a performance analysis of One Woman Show by Liz Kingsman, based on a viewing of the show’s 2023 run in New York at the Greenwich House Theater. Written and performed by Kingsman, One Woman Show parodies the titular genre, satirizing the hypocrisies and paradoxes that women performing solo comedic material must navigate. In doing so, it offers a rich case study to examine in concert with scholarship on women and comedy, which often focuses on the binaries that circumscribe women’s ability to function as joke-tellers in a patriarchal society. Whereas theorists suc
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Ripley, Debbie. "39 Improving coordination of care – marie curie nursing service london and cmc." BMJ Supportive & Palliative Care 8, no. 3 (2018): 374.2–374. http://dx.doi.org/10.1136/bmjspcare-2018-mariecurie.39.

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BackgroundMarie Curie community nurses and health care assistants provide care to terminally ill patients and their families in people’s homes. Due to different computer systems used by NHS trusts it is a challenge to access up to date patient information.In 2016 Marie Curie as a national provider of end of life care applied for a grant and was awarded £1 million from NHS digital to improve nursing care and productivity within the community. This money was used to purchase a tablet for all community staff.Coordinate My Care (CMC) is an NHS database set up in 2012 for urgent care plans to be cr
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Pollock, D. S. G., and Michael Chui. "A Review of SORITEC: An Integrated Econometric and Statistical Analysis System, Marketed in the U.K. by FORVUS Forecasting Ltd, Stone House, 277 Greenwich High Road, London SE10 8NB." Economic Journal 103, no. 418 (1993): 775. http://dx.doi.org/10.2307/2234565.

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19

Pike, David L. "“THE GREATEST WONDER OF THE WORLD”: BRUNEL'S TUNNEL AND THE MEANINGS OF UNDERGROUND LONDON." Victorian Literature and Culture 33, no. 2 (2005): 341–67. http://dx.doi.org/10.1017/s1060150305050886.

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THE EAST END OF LONDONwas not a common destination for the upper- or middle-class sightseer in the early nineteenth century. The requisite steamer ride down the Thames from London Bridge for the excursion out of the city to Greenwich would show, along the way, in the words of one tourist, “The Custom House and the Tower, the only prominent objects rising out of the dreary range of shabbiness which stretches along close to the water's edge” (Hawthorne 232–33). There was one exception to the habit of overlooking the East End: a significant proportion of the twenty-four million persons who passed
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20

Van Den Donk, Hesther. "Een Middelburgs tapijt aan de vergetelheid ontrukt: The last fight of the Revenge, 1598." Oud Holland - Quarterly for Dutch Art History 108, no. 2 (1994): 87–97. http://dx.doi.org/10.1163/187501794x00378.

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AbstractSix tapestries depict the resistance of Zeeland's Sea Beggars to the Spaniards during the Eighty Years' War. Between 1572 and 1576 the fight for freedom was waged in the Scheldt delta. In 1591 the Estates of Zeeland ordered the first tapestry, a representation of the battle of Bergen op Zoom, from Francois Spierinx, a weaver in Delft. When it arrived in 1595, the Estates decided to have a series of tapestries made for the Prinsenlogement, or royal apartments, in Middelburg Abbey. The five tapestries were woven in the De Maecht workshop in less than ten years. Four of them, representing
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21

ROONEY, DAVID, and JAMES NYE. "‘Greenwich Observatory Time for the public benefit’: standard time and Victorian networks of regulation." British Journal for the History of Science 42, no. 1 (2008): 5–30. http://dx.doi.org/10.1017/s0007087408001180.

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AbstractThe widespread adoption of standard time in Britain took more than fifty years and simple public access to a representation of it took longer still. Whilst the railways and telegraph networks were crucial in the development of standardized time and time-distribution networks, very different contexts existed, from the Victorian period onwards, where time was significant in both its definition and its distribution. The moral drive to regulate and standardize aspects of daily life, from factory work to the sale of liquor, led to time being used as a tool for control. Yet, as a tool, it wa
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22

Wilson, Christopher P. "Broadway Nights: John Reed and the City." Prospects 13 (October 1988): 273–94. http://dx.doi.org/10.1017/s0361233300005305.

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Not so very long after John Butler Yeats prophesied that “fiddles” would be “tuning up” throughout American intellectual life in the years before World War I, the private musings of John Reed strike another, less hopeful set of notes. The lament emerges in an unpublished tale Reed wrote in 1913 entitled “Success,” about a poet named Alan Meredith, age twenty-two, who, like Reed, has just come from the country to New York to answer his vocation. “The whirling star of Literature revolves in the Big City,” Reed explains. “By force of gravitation the minor bards sooner or later fall within its orb
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Wilson, Christopher P. "Broadway Nights: John Reed and the City." Prospects 13 (October 1988): 273–94. http://dx.doi.org/10.1017/s036123330000675x.

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Not so very long after John Butler Yeats prophesied that “fiddles” would be “tuning up” throughout American intellectual life in the years before World War I, the private musings of John Reed strike another, less hopeful set of notes. The lament emerges in an unpublished tale Reed wrote in 1913 entitled “Success,” about a poet named Alan Meredith, age twenty-two, who, like Reed, has just come from the country to New York to answer his vocation. “The whirling star of Literature revolves in the Big City,” Reed explains. “By force of gravitation the minor bards sooner or later fall within its orb
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24

"23rd BARNA Conference, AGM and Exhibition, Devonport House, Greenwich." British Journal of Anaesthetic and Recovery Nursing 10, no. 03 (2009): 57. http://dx.doi.org/10.1017/s1742645609990155.

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25

"Greenwich: an architectural history of the Royal Hospital for Seamen and the Queen's House." Choice Reviews Online 39, no. 01 (2001): 39–0098. http://dx.doi.org/10.5860/choice.39-0098.

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26

Simon, Barbara Levy. "A Microhistory of Cross-Class Feminism in New York City, 1907–1911: The Activism of Carola Woerishoffer." Affilia, November 10, 2022, 088610992211333. http://dx.doi.org/10.1177/08861099221133378.

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This microhistory is a study of one woman's efforts in New York City between 1907 and 1911 to join the efforts of three local feminist organizations—Greenwich House, the National Consumers League, and the Women's Trade Union League (WTUL)—that were combining the energies of women from the industrial working class, middle class, and upper class in sustained drives to improve the working conditions and wages of women factory and steam laundry workers. One woman who devoted herself to these three organizational cross-class initiatives was Carola Woerishoffer (1885–1911). Microhistory is a method
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27

"Book reviews: Nevil Maskelyne: the seaman's astronomer." Notes and Records of the Royal Society of London 45, no. 1 (1991): 118–20. http://dx.doi.org/10.1098/rsnr.1991.0008.

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Derek Howse, Nevil Maskelyne: the seaman's astronomer . Cambridge: Cambridge University Press, 1989. Pp. xiv + 280, £40.00. ISBN 0-521-36261-X. In King Charles II the Royal Society and the Royal (Greenwich) Observatory share the same royal founder. For just short of three centuries they were intimately associated; between 1710 and 1965 the association was established by Royal Warrants that appointed the Society’s President and certain Fellows to serve as Visitors of the Observatory. This arrangement operated admirably, particularly during the time with which this book is concerned. The Observa
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Tambasco, Tony. "Review of Hamlet , by William Shakespeare (Directed by Selina Cadell for Westbeth Entertainment, Mick Perrin Worldwide and John Gore) at the Greenwich House Theater in New York City, 20 February 2024." Shakespeare, April 22, 2024, 1–4. http://dx.doi.org/10.1080/17450918.2024.2339394.

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Richardson-Self, Louise Victoria. "Coming Out and Fitting In: Same-Sex Marriage and the Politics of Difference." M/C Journal 15, no. 6 (2012). http://dx.doi.org/10.5204/mcj.572.

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Introduction This article argues in favour of same-sex marriage, but only under certain conditions. Same-sex marriage ought to be introduced in the Australian context in order to remedy the formal inequalities between lesbian, gay, bisexual and transgender (LGBT) citizens and their heterosexual/cisgendered counterparts. One common method of justifying the introduction of formal same-sex relationship recognition has been via the promotion of LGBT “normalcy.” This article explores such a trend by analysing popular media and advertising, since media representations and coverage have been shown to
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Heurich, Angelika. "Women in Australian Politics: Maintaining the Rage against the Political Machine." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1498.

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Women in federal politics are under-represented today and always have been. At no time in the history of the federal parliament have women achieved equal representation with men. There have never been an equal number of women in any federal cabinet. Women have never held an equitable number of executive positions of the Australian Labor Party (ALP) or the Liberal Party. Australia has had only one female Prime Minister, Julia Gillard, and she was the recipient of sexist treatment in the parliament and the media. A 2019 report by Plan International found that girls and women, were “reluctant to
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31

Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li
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Deer, Patrick, and Toby Miller. "A Day That Will Live In … ?" M/C Journal 5, no. 1 (2002). http://dx.doi.org/10.5204/mcj.1938.

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By the time you read this, it will be wrong. Things seemed to be moving so fast in these first days after airplanes crashed into the World Trade Center, the Pentagon, and the Pennsylvania earth. Each certainty is as carelessly dropped as it was once carelessly assumed. The sounds of lower Manhattan that used to serve as white noise for residents—sirens, screeches, screams—are no longer signs without a referent. Instead, they make folks stare and stop, hurry and hustle, wondering whether the noises we know so well are in fact, this time, coefficients of a new reality. At the time of writing
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Brien, Donna Lee. "“Porky Times”: A Brief Gastrobiography of New York’s The Spotted Pig." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.290.

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Introduction With a deluge of mouthwatering pre-publicity, the opening of The Spotted Pig, the USA’s first self-identified British-styled gastropub, in Manhattan in February 2004 was much anticipated. The late Australian chef, food writer and restauranteur Mietta O’Donnell has noted how “taking over a building or business which has a long established reputation can be a mixed blessing” because of the way that memories “can enrich the experience of being in a place or they can just make people nostalgic”. Bistro Le Zoo, the previous eatery on the site, had been very popular when it opened almos
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Lee, Tom McInnes. "The Lists of W. G. Sebald." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.552.

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Since the late 1990s, W. G. Sebald’s innovative contribution to the genre of prose fiction has been the source of much academic scrutiny. His books Vertigo, The Rings of Saturn, The Emigrants and Austerlitz have provoked interest from diverse fields of inquiry: visual communication (Kilbourn; Patt; Zadokerski), trauma studies (Denham and McCulloh; Schmitz), and travel writing (Blackler; Zisselsberger). His work is also claimed to be a bastion for both modernist and postmodernist approaches to literature and history writing (Bere; Fuchs and Long; Long). This is in addition to numerous “guide to
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35

Huang, Angela Lin. "Leaving the City: Artist Villages in Beijing." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.366.

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Introduction: Artist Villages in Beijing Many of the most renowned sites of Beijing are found in the inner-city districts of Dongcheng and Xicheng: for instance, the Forbidden City, Tiananmen Square, the Lama Temple, the National Theatre, the Central Opera Academy, the Bell Tower, the Drum Tower, the Imperial College, and the Confucius Temple. However, in the past decade a new attraction has been added to the visitor “must-see” list in Beijing. The 798 Art District originated as an artist village within abandoned factory buildings at Dashanzi, right between the city’s Central Business District
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Boesenberg, Eva. "Saving the Planet with Barbie?" M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3069.

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In 2019, Mattel introduced a series of Barbie dolls in connection with National Geographic which included a Polar Marine Biologist, an Entomologist, a Wildlife Photojournalist, and a mostly "made from recycled ocean-bound plastic" Barbie ("Mattel Launches Barbie Loves the Ocean") followed in 2021. One year later, the company issued an "Eco-Leadership Team" composed of a Conservation Scientist, a Renewable Energy Engineer, Chief Sustainability Officer, and Environmental Advocate. This can be understood as an attempt to introduce children to the urgency of ecological issues and communicating to
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Brennan, Claire. "Land and Sea." M/C Journal 27, no. 5 (2024). http://dx.doi.org/10.5204/mcj.3100.

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Introduction The late eighteenth and early nineteenth centuries saw a burst of interest by European powers in the scientific exploration of the Pacific. Well-equipped expeditions were sent to the far side of the world, although the technology of the time limited navigators’ ability to record their routes accurately. The journals and other publications produced by European expeditions to the Pacific are storehouses of observations of places and people, and the self-consciously scientific expeditions of this period provide particularly rich descriptions of the physical world they had set out to
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Glasson, Ben. "Gentrifying Climate Change: Ecological Modernisation and the Cultural Politics of Definition." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.501.

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Obscured in contemporary climate change discourse is the fact that under even the most serious mitigation scenarios being envisaged it will be virtually impossible to avoid runaway ecosystem collapse; so great is the momentum of global greenhouse build-up (Anderson and Bows). And under even the best-case scenario, two-degree warming, the ecological, social, and economic costs are proving to be much deeper than first thought. The greenhouse genie is out of the bottle, but the best that appears to be on offer is a gradual transition to the pro-growth, pro-consumption discourse of “ecological mod
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Wesch, Michael. "Creating "Kantri" in Central New Guinea: Relational Ontology and the Categorical Logic of Statecraft." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.67.

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Since their first encounter with colonial administrators in 1963, approximately 2,000 indigenous people living in the Nimakot region of central New Guinea have been struggling with a tension between their indigenous way of life and the imperatives of the state. It is not just that they are on the international border between Papua New Guinea and Indonesia and therefore difficult to categorise into this or that country. It is that they do not habitually conceptualise themselves and others in categorical terms. They value and focus on relationships rather than categories. In their struggle to ad
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