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Journal articles on the topic 'Gregoriaans'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Gomes, Francisco José Silva. "A Cristandade medieval entre o mito e a utopia." Topoi (Rio de Janeiro) 3, no. 5 (2002): 221–31. http://dx.doi.org/10.1590/2237-101x003005009.

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Apresentaremos neste ensaio três temas para a reflexão: em primeiro lugar, discutiremos a hipótese sobre o caráter eminentemente religioso da ideologia na cristandade medieval. Em seguida, ressaltaremos o papel da "reforma gregoriana" no século XI para a reestruturação desta nova cristandade; por último analisaremos a reação particular que os "reformadores gregorianos" criaram com a temporalidade enquanto categoria antropológica. Cremos que entre o mito e a utopia, os "reformadores gregorianos" tentaram criar, por vezes sem muito êxito, uma fronteira entre uma escatologia oficial e uma escatol

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2

Teixeira, Thiago Plaça. "O Kyrie de Nepomuceno: estilo e intertextualidade." ORFEU 2, no. 1 (2017): 06–47. http://dx.doi.org/10.5965/2525530402012017001.

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O presente artigo apresenta uma análise do Kyrie da Missa em Ré menor (1915) de Alberto Nepomuceno (1864-1920), visando identificar características estilísticas e relações de intertextualidade musical. Quanto à forma, textura e timbre, o Kyrie de Nepomuceno apresenta grande semelhança com o Kyrie da Missa Te Deum laudamus (1899), de Lorenzo Perosi (1872-1956). Quanto à harmonia, a obra denota certo caráter modal, possivelmente por influência de técnicas de harmonização do canto gregoriano. Quanto à melodia e à prosódia, nota-se certa proximidade com as linhas melódicas gregorianas, considerada

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3

Teixeira, Thiago Plaça. "Sinos de Nepomuceno: intertextualidade em Cloches de Noël." OPUS 23, no. 3 (2017): 109. http://dx.doi.org/10.20504/opus2017c2306.

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O presente artigo propõe a realização de uma análise musical da peça para piano Cloches de Noël (Sinos de Natal, 1915), do compositor brasileiro Alberto Nepomuceno (1864-1920), procurando encontrar relações intertextuais. A análise demonstra uma aproximação estilística da peça com a obra religiosa de Franz Liszt (1811-1886), principalmente no que concerne a quatro aspectos: (1) a utilização explícita de melodias gregorianas; (2) a harmonização de tais melodias com emprego exclusivo de consonâncias; (3) a referência extramusical e idiomática ao som dos sinos das igrejas e (4) a estrutura formal

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4

Nascimento, Lídia Carla do, Cleide Sandra Tavares Araújo, Juan Bernardino Marques Barrio (in memoriam), Marcelo Duarte Porto, Mirley Luciene dos Santos, and Solange Xavier dos Santos. "TOP GREGORIAN: UM JOGO PARA O ENSINO DO CALENDÁRIO GREGORIANO." Revista Latino-Americana de Educação em Astronomia, no. 26 (December 17, 2018): 61–75. http://dx.doi.org/10.37156/relea/2018.26.061.

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O calendário civil utilizado hoje no Brasil, e em quase todo o mundo, é focado em informações de dias e meses do ano que têm como referência nossa cultura ocidental/cristã. Visando apresentar alguns dos aspectos científicos, sociais, políticos, históricos e até míticos que o permeiam, trazendo a Astronomia como uma área do conhecimento capaz de unir em torno de si outras áreas que compõem a Matriz Curricular do Ensino Fundamental foi idealizado e desenvolvido o jogo Top Gregorian como um potencial recurso didático para o ensino do Calendário Gregoriano, e conhecimentos afins, para alunos do 5º

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De Souza Neto, Cezar Cardoso. "Das sombas à luz: o medievo e o desenvolvimento cultural do ocidente / From shadow to light: the middle ages and the cultural development of the west." Brazilian Journal of Development 8, no. 7 (2022): 52201–18. http://dx.doi.org/10.34117/bjdv8n7-233.

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Este artigo tem como objetivo demonstrar a importância desempenhada pela Reforma Gregoriana e as respectivas transformações que não ficaram restritas somente à renovação espiritual, mas desempenharam uma mudança nas estruturas sócio-políticas do sistema feudal. O embate desencadeado por esta Revolução Papal pode ser compreendido como um elemento fundamental para o renascimento do direito romano no final do século XI, provocando o desenvolvimento dos estudos jurídicos nos séculos seguintes. Dessa forma, evidenciamos como o ideal reformista gregoriano contribuiu para a solidificação de princípio

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6

Robinson, I. S. "Pope Gregory VII (1073–1085)." Journal of Ecclesiastical History 36, no. 3 (1985): 439–83. http://dx.doi.org/10.1017/s0022046900041191.

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On 25 May 1085 Pope Gregory VII died in exile. The ninth centenary of the death of this great pope – ‘the greatest who has ever sat in St. Peter's chair’ Erich Caspar called him in 1924 – provides an obvious pretext for a bibliographical essay. What makes such. an essay a necessary exercise rather than a mere commemorative gesture is the fact that there is not available at present in any language a full-scale biography of Hildebrand–Gregory which reflects the current state of research. There is no doubt that Gregorian studies are flourishing: the colloquium in Salerno in May 1985 will offer an

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7

Ricardo, Sanmartín Arce. "La referencia invisible del canto." Música Oral del Sur, no. 7 (December 2, 2006): 17–34. https://doi.org/10.5281/zenodo.4632847.

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El artículo sobre “La referencia invisible del canto” se basa en un trabajo de campo realizado en varios monasterios benedictinos y zendos españoles, así como en el estudio bibliográfico en Roma (Gregoriana, Angelicum, Vaticano) y Silos de los textos en los que tanto los autores místicos, como otros creyentes confiesan sus experiencia religiosas y sus vivencias al interpretar el canto gregoriano. Se distingue el canto en directo del canto inserto en el proceso litúrgico que le es propio y se compara el ambiente creado en la vida comunitaria

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8

Zaramella, Enea. "El canto popular entre política y religión: la visión de Mário de Andrade." Brasiliana: Journal for Brazilian Studies 4, no. 1 (2015): 33–54. http://dx.doi.org/10.25160/bjbs.v4i1.20599.

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Mário de Andrade identifies rhythm as the common structural underpinning between poetry and song. Rhythm is also the apple of discord between them, since it is with rhythm that we are able to note the fundamental distinction between the sung and the spoken word. As well as differentiating language by means of its use, popular song also fluctuates rhythmically; that is, it has another ‘wave’ (or mood) which varies depending on a series of other factors, which Andrade calls to mind. By considering 'canto' (chant) in psycho-physical terms, this essay offers an interpretation of Andrade’s reading

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9

Iadanza, Mario. "Gregorio Magno e i Longobardi." Salesianum 75, no. 3 (2013): 441–74. https://doi.org/10.63343/lf6480az.

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Il rapporto tra Gregorio Magno e i Longobardi nelle molteplici problematiche che implica costituisce un tema classico della storiografia gregoriana, frequentato dagli studiosi in ogni tempo. Questo contributo analizza la questione dell’impegno gregoriano per la pace, perseguita anzitutto come tregua generale e poi quale leale e stabile “societas” o “amicitia” tra Longobardi (regno, ducato di Spoleto, ducato di Benevento) e la respublica christiana (impero romano). Nell’orizzonte di Gregorio altro obiettivo da perseguire insieme con la pace perpetua è la conversione dei Longobardi all’ortodossi

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10

De la Croix, David, and Soraya Karioun. "Scholars and Literati at the Gregorian University in Rome (1551–1773)." Repertorium eruditorum totius Europae 3 (March 23, 2021): 19–26. http://dx.doi.org/10.14428/rete.v3i0/gregorian.

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This note is a summary description of the set of scholars and literati who taught at the Jesuit University in Rome (Roman College - Gregorian University) from its inception in 1551 to the suppression of the Society of Jesus in 1773.

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Perine, Marcelo. "PLATÃO NO CAMINHO FILOSÓFICO DE LIMA VAZ." Síntese: Revista de Filosofia 39, no. 123 (2012): 9. http://dx.doi.org/10.20911/21769389v39n123p9-29/2012.

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Este artigo pretende mostrar que o itinerário filosófico de Henrique Claudio de Lima Vaz está marcado, do início ao fim, pela influência da obra de Platão. O caminho filosófico de Lima Vaz começou com a primeira reflexão sistemática sobre a obra de Platão, concretizada na sua tese de doutoramento, defendida na Universidade Gregoriana em 1953. A presença de Platão na obra de Lima Vaz, ao longo dos cinquenta anos de sua elaboração, se revela principalmente na sua particular compreensão da filosofia, como anámnesis e noésis, na sua compreensão do ato de filosofar, como procedimento dialético, e,

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12

Kurta, József Tibor. "A protestáns gregoriánum utóélete az erdélyi kortárs egyházzenei életben." Studia Universitatis Babeș-Bolyai Theologia Reformata Transylvanica 68, no. 1 (2023): 146–55. http://dx.doi.org/10.24193/subbtref.68.1.09.

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The Afterlife of Protestant Gregorian Chant in Contemporary Transylvanian Church Music. The loss of the genre of Protestant Gregorian chant did not mean the complete disappearance of Gregorian chant from the life of the Protestant churches in Transylvania

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13

Tronina, Antoni. "Kiedy milknie prorok." Verbum Vitae 5 (January 14, 2004): 207–16. http://dx.doi.org/10.31743/vv.1353.

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14

Antanavičius, Darius. "Grigaliaus kalendoriaus įvedimas Kaune 1582 m." Lietuvos istorijos metraštis 2022/1 (August 16, 2022): 55–66. http://dx.doi.org/10.33918/25386549-202201003.

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INTRODUCTION OF THE GREGORIAN CALENDAR IN KAUNAS IN 1582 The paper deals with a hitherto unexamined problem, namely, the introduction of the Gregorian calendar in Kaunas at the end of 1582. On a basis of scarce sources, the conclusion is drawn that the Gregorian Reform of the calendar was implemented at the chanceries of Kaunas municipality simultaneously, i. e., on 15 October 1582. The Julian calendar, however, was deeply implanted in the minds and memory of local scribes, therefore they discerned, to some extent, between the Gregorian calendar and the socalled old one (Calendarium vetus) in

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15

Parker, John, and Armando Silva Carvalho. "Donamorta: Pranto Gregoriano." World Literature Today 60, no. 1 (1986): 85. http://dx.doi.org/10.2307/40141179.

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16

Craghan, John F. "Book Reviews: William A. Van Roo, S.J. Telling About God. Volume I: Promise and Fulfillment. Analecta Gregoriana 242; Rome: Gregorian University, 1986. Pp. xii + 375. Paper, $33.00. William A. Van Roo, S.J. Telling About God. Volume II: Experience. Analecta Gregoriana 244; Rome: Gregorian University, 1987. Pp. xii + 345. Paper, $26.50." Biblical Theology Bulletin: Journal of Bible and Culture 18, no. 4 (1988): 153–54. http://dx.doi.org/10.1177/014610798801800412.

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17

Levy, Kenneth. "Charlemagne's Archetype of Gregorian Chant." Journal of the American Musicological Society 40, no. 1 (1987): 1–30. http://dx.doi.org/10.2307/831580.

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Argues that the "Gregorian" repertory of Mass propers was fully neumed under Charlemagne, a century sooner than is generally supposed. The chief witness is an "apocryphal" Offertory, Factus est repente for Pentecost. Affected are widely-held views concerning: (1) the origin of neumes; (2) the impact of oral-improvisational techniques on Gregorian chant; and (3) the origin and relationship of Gregorian and Old Roman chant styles.

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18

Bernagiewicz, Robert. "„Ne transgrediaris terminos antiques". Stałość i zmienność w tradycji chorału gregoriańskiego." Vox Patrum 44 (March 30, 2003): 419–31. http://dx.doi.org/10.31743/vp.8097.

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Negli ultimi anni sono apparse due concezioni della trasmissione del canto gregoriano: 1. „tradizionale" - il canto gregoriano e stato trasmesso attraverso la tradizione scritta dai tempi di Carlo Magno (D. Hughes, K. Levy); 2. „moderna" - il canto gregoriano e stato trasmesso attraverso la tradizione puramente orale invece i libri liturgici con la scrittura musicale comprendono solo „gli esempi" degli esecuzioni di brani musicali (L. Treitler, P. Cutter, H. Hucke). La concezione moderna e basata sull'instabilita della trasmissione del canto romano (ROM). Invece l'articolo ci fa vedere chiaram

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19

van der Merwe, M. "Discriminating betweenThryonomys swinderianusandThryonomys gregorianus." African Zoology 42, no. 2 (2007): 165–71. http://dx.doi.org/10.1080/15627020.2007.11407393.

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20

Blašković, Jelena, and Tihomir Prša. "Primary School Students and Teachers' Appreciation of Gregorian Singing." Revija za elementarno izobraževanje 15, no. 2 (2022): 241–60. http://dx.doi.org/10.18690/rei.15.2.241-260.2022.

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The aim of this study was to examine the attitudes of primary school students and teachers towards Gregorian singing. The research was conducted during the academic year 2019/2020 and included 381 students and thirty-five primary school teachers in Croatia. The results of the t-test showed a statistically significant high appreciation of Gregorian singing among students and teachers. Using the Kruskal Wallis test, we established that younger student showed greater appreciation compared to older students. Students and teachers expressed positive attitudes towards the examples of Gregorian singi

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21

Levy, Kenneth. "On Gregorian Orality." Journal of the American Musicological Society 43, no. 2 (1990): 185–227. http://dx.doi.org/10.2307/831614.

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The study considers various means of approach to the Gregorian melos during its oral transmission, before the conversion to neumes. Among these are intuitive analysis, based on the Carolingian received text; analogy with Balkan oral epic ("Homer and Gregory"); and "multiples" or parallel readings. An approach by way of a rare case of "close multiples" is explored in depth. The Gallo-Gregorian Offertory Elegerunt apostoli survives in parallel readings that are close in their musical substance but may be independent in their neumation. It suggests that during a later oral stage this particular c

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Levy, Kenneth. "On Gregorian Orality." Journal of the American Musicological Society 43, no. 2 (1990): 185–227. http://dx.doi.org/10.1525/jams.1990.43.2.03a00010.

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23

Reuter, Timothy. "Pre-Gregorian Mentalities." Journal of Ecclesiastical History 45, no. 3 (1994): 465–74. http://dx.doi.org/10.1017/s0022046900017103.

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Sessantini, Gilberto. "Educare alla musica sacra: 100 anni di esperienza nella Scuola Diocesana di Bergamo." Pro Musica Sacra 22 (October 25, 2024): 7–20. http://dx.doi.org/10.15633/pms.2201.

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La scuola diocesana di musica sacra, oggi Accademia Musicale S. Cecilia di Bergamo, compie cent’anni. Alla luce di questa esperienza secolare, la relazione, dopo un breve excursus storico, individua alcuni elementi portanti della formazione alla musica sacra che essa offre oggi alle parrocchie della Diocesi di Bergamo. Il primo e imprescindibile elemento è la formazione alla musica in generale, soprattutto delle nuove generazioni. L’accademia svolge questo compito attraverso i corsi di propedeutica musicale, rivolti ai più piccoli (0–6 anni), e il coro di voci bianche, rivolto agli allievi più

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Prabowo, Agung, Sukono, and Mustafa Mamat. "MODEL MATEMATIKA UNTUK MENENTUKAN NAMA HARI PADA SIKLUS TUJUH, LIMA DAN TIGAPULUH LIMA HARI PADA KALENDER GREGORIAN DI INDONESIA." Jurnal Matematika Sains dan Teknologi 22, no. 2 (2022): 26–39. http://dx.doi.org/10.33830/jmst.v22i2.1519.2021.

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Dalam Kalender Jawa (Anno Javanica) terdapat dua jenis nama hari yaitu hari saptawara dan pancawara. Pancawara merupakan siklus lima hari sekali (Legi, Paing, Pon, Wage dan Kliwon). Saptawara merupakan siklus tujuh hari sekali, seperti siklus mingguan pada Kalender Gregorian (Senin, Selasa, Rabu, Kamis, Jumat, Sabtu dan Minggu). Kalender Gregorian tidak mengenal siklus pancawara. Namun, penggunaan Kalender Gregorian di Indonesia menggabungkan siklus tujuh hari dengan siklus lima hari sehingga terdapat nama hari Senin-Legi, Selasa-Paing dan seterusnya. Hasilnya adalah kombinasi 35 hari yang dis

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26

Schimmelpfennig, Bernhard. "Studi Gregoriani XIII: La riforma gregoriana e l’Europa. Congresso Internazionale Salerno, 20-25 maggio 1985. I Relazioni, Rom: Libreria Ateneo Salesiano, 1989. XI+ 431 S." Annarium Historiae Conciliorum 26, no. 2 (1994): 406–8. http://dx.doi.org/10.30965/25890433-02602012.

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Pablo, Fernández Rojas. "Figuras de compás. Estudio del primer elemento de cualquier técnica de dirección musical Beat patterns. Study of the first element of any conducting technique." Música Oral del Sur, no. 14 (December 3, 2017): 69–101. https://doi.org/10.5281/zenodo.4638763.

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Resumen: El presente estudio tiene como propósito principal mostrar al lector qué son las figuras de compás en cinco apartados: i) la introducción de la figura de compás como una clase de gesto musical; ii) la conceptuación de la figura de compás y la exposición de una serie de ejemplos-tipo: los clásicos esquemas de solfeo y las figuras de compás de Swarowsky, Celibidache (según tres receptores), McElheran, Reizábal, Farberman, Navarro, Duchesne y Saitō; iii) una reflexión sobre el uso directorial de fi

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Hornby, Emma. "The Transmission of Western Chant in the 8th and 9th Centuries: Evaluating Kenneth Levy's Reading of the Evidence." Journal of Musicology 21, no. 3 (2004): 418–57. http://dx.doi.org/10.1525/jm.2004.21.3.418.

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Since the 19th century, scholars have been attempting to discover the origins of Gregorian chant and to establish when musical notation began to be widely used in its redaction. For almost 30 years, Kenneth Levy's scholarship on the subject has been hugely influential. He hypothesizes that Gregorian chant was notated in the time of Charlemagne (742-814), or even Pippin (714-768). There are alternative ways of reading the 8th- and 9th-century evidence, however, and largely oral transmission of the Gregorian melodies until the later 9th century cannot be ruled out.

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Almeida, Ana Paula, and Maria Júlia Paes da Silva. "Canto Gregoriano: redutor de ansiedade de mães com filhos hospitalizados." Acta Paulista de Enfermagem 25, no. 1 (2012): 36–42. http://dx.doi.org/10.1590/s0103-21002012000100007.

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OBJETIVO: Verificar a presença de alteração do estado de ansiedade das mães de crianças hospitalizadas com a audição de canto Gregoriano. MÉTODOS: Pesquisa descritiva, exploratória, correlacional com análise quantitativa, quase experimental. A coleta dos dados foi realizada no período de julho de 2009 a fevereiro de 2010. A amostra inicial foi de 71 mães e destas 28 concluíram todas as etapas da pesquisa. RESULTADOS: O uso do canto Gregoriano diminuiu o estado de ansiedade das mães de crianças hospitalizadas em um hospital pediátrico de atenção quaternária acomodadas em quartos individuais. CO

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HOWE, JOHN. "St Berardus of Marsica (d. 1130) ‘Model Gregorian Bishop’." Journal of Ecclesiastical History 58, no. 3 (2007): 400–416. http://dx.doi.org/10.1017/s002204690700156x.

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The ‘Gregorian Reform’ or ‘Gregorian Revolution’ is a model of top–down ecclesiastical change that assumes that local bishops suddenly became, to some extent, agents of Rome. One striking illustration of this is the portrayal of the ‘new Gregorian bishop’, based largely on Berardus of Marsica (d. 1130), presented by Pierre Toubert in his classic Structures du Latium médiéval (1973), and now reprised by Jacques Dalarun (2003). This article, employing an unedited collection of miracles, re-examines Toubert's treatment of Berardus and reveals a reforming saint who belongs less to Rome and more to

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Royo Mejía, Alberto. "James Jerome CONN, S. J., Catholic Universities in the United States and ecclesiastical authority, Analecta Gregoriana nº 259, cura Pontificiae Universitatis Gregorianae edita, vol. 259. Series Facultatis luris Canonici: sectio B, n. 51. Editrice Pontificia Università Gregoriana, Roma 1991, 346 pp." Ius Canonicum 35, no. 69 (2018): 315–17. http://dx.doi.org/10.15581/016.35.17686.

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Kulpinov, S. S. "Revisiting the Problem of the Relationship between the Renovationist and “Gregorian” Church Structures in Eastern Siberia in 1926–1934." Bulletin of Irkutsk State University. Series Political Science and Religion Studies 37 (2021): 100–111. http://dx.doi.org/10.26516/2073-3380.2021.37.100.

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The article analyzes the relationship between the renovationist and «Gregorian» church structures in Eastern Siberia in 1926-1934. The article examines the position of the central and local structures of the Provisional supreme church council in relation to renovationism, as well as the view of the renovationist Holy Synod on the «gregorian» schism in the Russian Orthodox Church. The article analyzes the information about the structures of the PSCC in the materials of the renovationist dioceses in Eastern Siberia, and also examines switching of the clergy and communities from the renovationism

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Sari, Indah Puspita. "Analisa Pergeseran Kalender Gregorian Menjadi Kalender Dunia." AL - AFAQ : Jurnal Ilmu Falak dan Astronomi 4, no. 1 (2022): 20–31. http://dx.doi.org/10.20414/afaq.v4i1.4172.

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The Julius calendar or also known as the Old Style calendar is a calendar pioneered by Julius Caesar as a reform of the Roman republican calendar. The Julian calendar was formed at the time of knowing a difference of about 3 months in the calendar that was in effect at that time, namely the Ancient Roman Calendar which had been replaced long ago. The Ancient Roman calendar set the length of a year at only 365 days, ignoring the remaining days of the actual solar year. This is known when the day of the harvest season coincided with a holiday among the Romans which actually fell in summer but oc

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Dyer, Joseph, and Jerome F. Weber. "A Gregorian Chant Discography." Notes 47, no. 4 (1991): 1174. http://dx.doi.org/10.2307/941663.

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Milanese, Guido, and Cyril J. Law. "Newman and Gregorian Chant." Antiphon: A Journal for Liturgical Renewal 20, no. 2 (2016): 123–50. http://dx.doi.org/10.1353/atp.2016.0037.

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Mohammed Fushoosh, Fadhl Mohammed. "The Hijri and Gregorian Calendars: Comparison and Conversion." ICR Journal 6, no. 3 (2015): 413–17. http://dx.doi.org/10.52282/icr.v6i3.320.

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Two calendars are in regular use in the Muslim world: the Gregorian and the Hijri. The Gregorian calendar is named after the Roman Catholic pope, Pope Gregory XIII, while the Hijri is named after the migration (hijrah) of Prophet Muhammad (peace be upon him) from his homeplace, Makkah to the town of Madinah in 622 CE. Islamic rituals are directly based on the hijrah as the greatest historical landmark marking the beginning of the era for the spread of Islam and establishment of the new Muslim polity. Thus, for a Muslim the Hijri calendar is not merely a calendar but a matter of identity of whi

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Darmawan, Gumgum, Gatot Riwi Setyanto, Defi Yusti Faidah, and Budhi Handoko. "Lunar Calendar Usage to Improve Forecasting Accuracy Rainfall via Machine Learning Methods." Applied Sciences 15, no. 2 (2025): 675. https://doi.org/10.3390/app15020675.

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The lunar calendar is often overlooked in time-series data modeling despite its importance in understanding seasonal patterns, as well as economics, natural phenomena, and consumer behavior. This study aimed to investigate the effectiveness of the lunar calendar in modeling and forecasting rainfall levels using various machine learning methods. The methods employed included long short-term memory (LSTM) and gated recurrent unit (GRU) models to test the accuracy of rainfall forecasts based on the lunar calendar compared to those based on the Gregorian calendar. The results indicated that machin

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Москва, Ю. В. "Gregorian Semiology as a Method of Modal Identification in Early and Renaissance Polyphony." Научный вестник Московской консерватории, no. 4(31) (December 21, 2017): 108–21. http://dx.doi.org/10.26176/mosconsv.2017.31.4.04.

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Определение лада в раннем и ренессансном многоголосии принадлежит к самым актуальным и сложным научным проблемам. Раннее многоголосие восходит к григорианскому пению, поэтому исследование модальности в полифонии отталкивает ся от григорианской модальности. Однако григорианские напевы подвержены модификациям (транспозиции, трансмодализации) как сами по себе, так и в условиях модального многоголосия. Поэтому модальность cantus firmus не может служить надежным критерием определения лада в многоголосии. Поскольку лад проявляет ся посредством ритма, автор статьи предлагает новый метод: исследование

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PLANCHART, ALEJANDRO ENRIQUE. "What the Beneventans heard and how they sang." Plainsong and Medieval Music 22, no. 2 (2013): 117–52. http://dx.doi.org/10.1017/s0961137113000028.

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ABSTRACTSingers from the area south of Rome kept the Gregorian repertory received in the ninth century, including a few early tropes and proses, and their traditional Old Beneventan repertory alive side by side with remarkable consistency in oral tradition for nearly two hundred years. This might explain why the received Gregorian repertory retained its archaic traits in Benevento rather than in northern Europe. For the ‘new music’ of the tenth and eleventh centuries, mostly locally composed tropes, proses, and Latin Kyrieleison, south Italian singers adopted the musical surface of Gregorian c

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Althaus, Rüdiger. "Grazian, Francesco, La nozione di amministrazione e di alienazione nel Codice di Diritto Canonico. Rom: Gregorian University Press 2002, 320 S. = Tesi Gregoriana, Serie Diritto Canonico 55." Archiv für katholisches Kirchenrecht 171, no. 1 (2002): 312–14. http://dx.doi.org/10.30965/2589045x-17101045.

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Palma Ramírez, Manuel. "E.-A. De MELO, Por uma sensibilidade além da essência. Lévinas interpela Platâo (Tesi Gregoriana – Serie Filosofia n. 35), Roma, Gregorian and Biblical Press, 2018, 353 pp." Isidorianum 27, no. 53 (2018): 197–99. http://dx.doi.org/10.46543/isid.1827.1012.

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Ángel, Medina. "La romería en el templo y otras licencias del canto gregoriano en el siglo XX Romería Pilgrimage in Church and other Forms of Gregorian Chant in 20th century Spanish Liturgical Music." Música Oral del Sur, no. 8 (December 1, 2009): 11–23. https://doi.org/10.5281/zenodo.4632924.

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El objetivo del presente artículo es el de presentar algunas prácticas singulares de la música litúrgica, habituales en España durante los primeros dos tercios del siglo XX, es decir, entre el motu proprio sobre la música sagrada del papa Pío X y los cambios litúrgicos derivados del Concilio vaticano II. Estas licencias tienen lugar básicamente coincidiendo con dos tipos de situaciones contrapuestas: por un lado cuando triunfa la alegría de determinadas fiestas (el Corpus, las celebraciones patronales, por ejemplo) y, por ot

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Guerra Rojas, Cristián. "Presencia del canto gregoriano en la obra musical del compositor chileno Alfonso Letelier Llona." Cuadernos de Música Iberoamericana 32 (September 10, 2019): 17–46. http://dx.doi.org/10.5209/cmib.65532.

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Este trabajo busca mostrar las distintas maneras en que el canto gregoriano es citado, elaborado o transformado en cuatro obras del compositor chileno Alfonso Letelier Llona (1912-1994) y los campos de significación que esto suscita en cada caso. Para ello, se toma en consideración a diversos referentes teóricos, como Hatten (1994), Nommick (2005) y López Cano (2018), y se aplica un marco analítico que abarca la poiesis y circulación de la obra, el discurso de recepción y el uso intertextual del canto gregoriano en ella.

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Munfaridah, Imroatul, Novi Fitia Maliha, Muh Arif Royyani, and Khalaf Mohamed Abdel Salam Bayumi. "Karl Popper's Falsification Theory of the Determination of the Gregorian Calendar Based on the Book of Risalatul Falakiyah K.H Misbachul Munir." International Journal Ihya' 'Ulum al-Din 25, no. 2 (2023): 154–67. http://dx.doi.org/10.21580/ihya.25.2.18178.

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The book of Risalatul Falakiyah is the work of KH. Misbachul Munir has a unique side compared to the Gregorian Calendar in general. This uniqueness is seen at the start of the calculation of the day and the market, namely Tuesday Pahing, while the count generally starts on Sunday Legi. This article aims to analyze the total of the Gregorian Calendar based on the book of Risalatul Falakiyah based on Karl Poper's falsification theory and analyze the accuracy of the comparison between the concept of calculating the Gregorian Calendar of the book of Risalatul Falakiyah using contemporary calculati

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Kasim, Andi Jusran, Dwi Utami Hudaya Nur, Rizqi An'nisah, and Ahmad Fadli Gazali. "Peran Musim, Ekonomi, Politik, dan Agama dalam Transformasi Kalender Masehi sebagai Sistem Penanggalan Global." JIS: Journal Islamic Studies 3, no. 2 (2025): 53–61. https://doi.org/10.71456/jis.v3i2.1251.

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Penelitian ini mengkaji transformasi sistem kalender Masehi dari akar historisnya pada era Romawi hingga adopsinya secara global sebagai Kalender Gregorian. Dengan pendekatan historis dan analitis melalui studi kepustakaan, tulisan ini menelusuri evolusi kalender dari sistem lunar Romawi kuno, reformasi oleh Julius Caesar melalui Kalender Julian, hingga penyempurnaan oleh Paus Gregorius XIII menjadi Kalender Gregorian. Temuan menunjukkan bahwa perubahan kalender tidak hanya didorong oleh kebutuhan astronomis untuk menyelaraskan tahun kalender dengan tahun tropis, tetapi juga oleh faktor politi

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Bornauw, Freija. "“Het is beter te trouwen dan van begeerte te branden”. Stemmen van voorstanders van het priesterhuwelijk in de elfde eeuw." Historica | tijdschrift voor gendergeschiedenis 47, no. 2 (2024): 28–32. http://dx.doi.org/10.21827/historica.47.2.28-32.

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De bestrijding van nicolaïsme (niet-celibatiaire geestelijken) is een belangrijke component van de gregoriaanse hervorming in heel West-Europa. Aan het einde van de elfde eeuw zien we in polemische literatuur dat de meningen over dit onderwerp verdeeld zijn. In dit artikel wordt gekeken naar de visie van kroniekschrijver Sigebert van Gembloers.

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Sojka, Stanisław. "Asceza w świetle pism św. Grzegorza Wielkiego." Vox Patrum 12 (August 23, 1987): 337–43. http://dx.doi.org/10.31743/vp.10555.

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Johnsen, Paul. "Integrative Devices in Gregorian Chant." American Journal of Semiotics 8, no. 3 (1991): 83–105. http://dx.doi.org/10.5840/ajs19918318.

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Brunner, Lance W., and Kenneth Levy. "Gregorian Chant and the Carolingians." Notes 56, no. 1 (1999): 98. http://dx.doi.org/10.2307/900473.

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Piscitelli, Felicia. "Gregorian Chant Collections in Print." Music Reference Services Quarterly 8, no. 1 (2001): 69–78. http://dx.doi.org/10.1300/j116v08n01_05.

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