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1

Lopes, Manoel Roberto Batista. "Temas gregorianos em quatro obras orquestrais entre os seculos XIX e XX." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284723.

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Orientador: Eduardo Augusto Ostergren<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-07T19:33:59Z (GMT). No. of bitstreams: 1 Lopes_ManoelRobertoBatista_M.pdf: 5112355 bytes, checksum: 00f561e34792e533e5269656cb164fdb (MD5) Previous issue date: 2006<br>Resumo: Esta pesquisa teve por finalidade desenvolver considerações sobre a presença de temas do Canto Gregoriano em quatro importantes obras orquestrais de compositores da música ocidental. Dentro de um rico universo de composições polifônicas inspiradas no antigo estil
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2

Ferreira, Maria de Fátima Fonte. "Apropriação de conceitos musicais em A.T.C. : modos gregorianos." Master's thesis, Universidade de Aveiro, 2017. http://hdl.handle.net/10773/21798.

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Mestrado em Ensino de Música<br>O presente trabalho propõe uma abordagem complementar ao ensino dos modos gregorianos, que faz parte do programa do primeiro ano de Análise e Técnicas de Composição (A.T.C.). Ao invés da utilização dos modos estar circunscrita à música medieval e renascentista, pretende-se que os alunos adquiram uma visão mais global da utilização dos modos, incluindo a música Hindustani e a música tradicional portuguesa. Do ponto de vista da composição, enquanto que em A.T.C os modos servem de base à escrita de contraponto de espécies, neste estudo servem de base à improvisação
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3

Melo, Cleilton Bezerra de. "A matemÃtica dos restos e o calendÃrio gregoriano." Universidade Federal do CearÃ, 2014. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=12437.

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nÃo hÃ<br>Esta obra tem como objetivo principal, mostrar que sempre à possÃvel buscar uma nova forma de abordar determinados conteÃdos matemÃticos, de maneira mais simples, clara e interessante contribuindo para uma melhoria na educaÃÃo dos discentes. Mostraremos a existÃncia de formas inovadoras de se trabalhar com a matemÃtica, em particular foi desenvolvido um estudo sobre a matemÃtica envolvida no calendÃrio Gregoriano, veremos quais as relaÃÃes entre os dias da semana e dos meses e/ou anos. A nossa principal ferramenta matemÃtica utilizada neste trabalho à a divisÃo Euclidiana. Estudaremo
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Melo, Cleiton Bezerra de. "A matemática dos restos e o calendário gregoriano." reponame:Repositório Institucional da UFC, 2014. http://www.repositorio.ufc.br/handle/riufc/8989.

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MELO, Cleiton Bezerra de. A matemática dos restos e o calendário gregoriano. 2014. 55 f. Dissertação (Mestrado em Matemática em Rede Nacional) - Centro de Ciências, Universidade Federal do Ceará, Juazeiro do Norte, 2014.<br>Submitted by Erivan Almeida (eneiro@bol.com.br) on 2014-09-01T20:13:55Z No. of bitstreams: 1 2014_dis_cbmelo.pdf: 1388897 bytes, checksum: 603ec7cc69d172024d5071e946f4cf65 (MD5)<br>Approved for entry into archive by Rocilda Sales(rocilda@ufc.br) on 2014-09-02T15:57:11Z (GMT) No. of bitstreams: 1 2014_dis_cbmelo.pdf: 1388897 bytes, checksum: 603ec7cc69d172024d5071e946f4cf
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Gellnick, Franklyn M. "The disposition of the tritone in Gregorian Chant." Thesis, University of Kent, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242906.

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This thesis sets out to examine the disposition of the tritone in Gregorian Chant, both as a 'filled-in' and as a disjunct interval, or 'leap'. By comparison with other periods of music history, the tritone's place in early medieval music has hitherto received scant attention; one noteworthy text even claims that it was shunned altogether. But, in general, it has been assumed that the tritone was considered undesirable only as a harmonic device. Intervallic perception is partially determined by the prevailing culture and context. (In respect of the tritone, this is no more demonstrable than in
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6

Jõks, Eerik. "Contemporary understanding of Gregorian chant : conceptualisation and practice." Thesis, University of York, 2009. http://etheses.whiterose.ac.uk/949/.

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This dissertation seeks to address the question of how contemporary performers and experts understand the medieval repertoire known to us as Gregorian chant. This medieval repertoire (also known as Franco-Roman) is understood here to be abstract musical and non-musical information in medieval manuscripts. It differs from classical western music repertoires by a lack of adequate original performance instructions. It becomes audible through performer’s realisation of his or her personal conceptualisation. This study observes both conceptualisation and practice of the repertoire through the ans
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7

Wilczkowski, Gabriel. "Gregorianik hos Maurice Duruflé : En analys av Duruflés Quatre motets." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-173672.

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Gabriel Wilczkowski: Gregorianik hos Maurice Duruflé. En analys av Duruflés Quatre motets.Uppsala: Musikvetenskap, 60 p., 2002 Under flera hundra år har tonsättare infogat urgamla gregorianska melodier i sina kompositioner, och traditionen lever kvar än i dag, även i populärmusiken. Denna uppsats syftar att undersöka hur Maurice Duruflé (1902-86) behandlat de gregorianska melodier som han infogat i sina körkompositioner Quatre motets. Undersökningen är gjord med avseende på melodik, text och rytmik. En kort biografi om Duruflë presenteras, jämte ett avsnitt om gregoriansk sång och den rytmteor
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8

Almeida, Philippe Oliveira de. "Raízes medievais do Estado moderno: a contribuição da Reforma Gregoriana." Universidade Federal de Minas Gerais, 2013. http://hdl.handle.net/1843/BUOS-9CKJTT.

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Between XI and XIII centuries, the Gregorian Reform, initiated by Pope Gregory VII, changed the political system of the Christedom. Against the ideological universe of Carolingian Empire, the reform made a Papal Monarchy from the Church. In this process, the Church developed the doctrine of Papal Supremacy and turned the Bishop of Rome into the most powerful figure of Europe. The Gregoriam Reforms success influenced the rise of renaissance city-state, the first Western modern state. The plenitudo potestatis thesis was the ancestor of modern idea of Sovereignty.<br>Entre os séculos XI e XIII, a
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Brink, Danette. "Plainchant and liturgy in the diocese of Münster in Westphalia : the fifteenth-century Freckenhorst antiphoner (D-MÜd PfA 53)." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/7777.

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Includes abstract.|Includes bibliographical references (p. 213-222).<br>The manuscript Münster (in WestphalialWestfalia), Bistumsarchiv, Freckenhorst, StBonifatius Hs. 53 (D-MÜd PfA 53) is an antiphoner (antiphonary/antiphonal) that theFraterherren of Münster wrote in the middle of the fifteenth century. The plainchantmelodies are in German neumatic notation (Hufnagelschrift) and the texts are in Gothictextualis textura, textualis rotunda, textualis quadrata and textualis semi-quadrata. The studyproceeds from the work of Hans Ossing, Untersuchungen zum Antiphonale Monasteriense(Alopecius-Druck
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10

Höglund, Mikael. "Analysis of relation between mechanical and electrical performance on Gregorian offset antennas." Thesis, KTH, Maskinkonstruktion (Inst.), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-100076.

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SWE-DISH Satellite Systems AB utvecklar små mobila satellitterminaler av olika slag, med hela världen som marknad. Deras mest avancerade produkt IPT Suitcase är den minsta bredbandsterminalen på marknaden. Det är ett fullt integrerat, IP-baserat, satellitsystem med formfaktorn av en mindre resväska. IPT Suitcase är typgodkänd hos bland annat Eutelsat och Intelsat. För att få typgodkännande på en satellitterminal måste tillverkaren kunna påvisa att produktionen är så pass kontrollerad att man kan förvänta sig samma prestanda på samtliga system som levereras ut på marknaden. Den viktigaste param
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Farmer, Stephen James. "The texts and melodies of the Gregorian graduals and the Milanese psalmelli." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239698.

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Oliveira, Vinicius Morais de. "Entre o Mosteiro de São Bento e a cidade: o canto gregoriano e o acústico contemporâneo da Cidade de São Paulo." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/12853.

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Made available in DSpace on 2016-04-27T19:31:01Z (GMT). No. of bitstreams: 1 Vinicius Morais de Oliveira.pdf: 1799650 bytes, checksum: 8556a940efc757e20f44d0e7fe762463 (MD5) Previous issue date: 2014-09-24<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The central theme of this dissertation is to historicize the present time, the domestic soundscape of the Monastery of São Bento, the medieval remnants contained in its architecture and in its musical production, beside all dichotomous, accelerated and noisy loudness of its surroundings&#8223; urban sounds. Both spaces have
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DiCenso, Daniel Joseph. "Sacramentary-antiphoners as sources of Gregorian chant in the eighth and ninth centuries." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283887.

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14

Hornby, Emma. "A study of the eighth-mode tracts in the Gregorian and Old Roman traditions." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297437.

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Cozic, Michel. "Le liber ad gregoriam d'arnobe le jeune : édition, traduction, étude historique, doctorinale et littéraire." Paris 10, 1997. http://www.theses.fr/1997PA100149.

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Le liber ad gregoriam attribue a arnobe le jeune pose plusieurs enigmes sur l'auteur, peut-etre africain, sur ses idees pelagianisantes,et sur cette oeuvre. En 25 chapitres, arnobe repond aux questions existentielles d'une riche matrone chretienne demandant aide et conseils pour ses deboires conjugaux et son espoir de bonheur celeste. Face en effet a un mari presente comme violent, l'auteur la rappelle a ses devoirs d'epouse et de maitresse de grande maison, notamment envers ses esclaves. Il lui montre aussi qu'une sainte vie de couple est possible. Notre recherche a consiste d'abord a precise
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Almeida, Ana Paula. "Canto Gregoriano como redutor de ansiedade das mães de crianças hospitalizadas: estratégia para a enfermagem." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/7/7139/tde-06102010-130624/.

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A música exerce efeitos diversos no nosso organismo como terapêutica complementar. Quando uma mãe tem um filho hospitalizado, sente-se insegura e com medo do futuro, gerando ansiedade. Este estudo objetivou verificar se o canto Gregoriano altera o estado de ansiedade de mães com filhos internados. Pesquisa do tipo descritiva, exploratória, correlacional com análise quantitativa, quase-experimental em uma unidade de internação de especialidades de hospital governamental de grande porte, pediátrico de atenção quaternária. A unidade é para atendimento a convenios empresariais, com 15 leitos ativo
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Claflin, Ray III. "Calendars and Current Calendar Issues: Year 2000 and GPS 1999 Week Number Roll Over." International Foundation for Telemetering, 1998. http://hdl.handle.net/10150/609224.

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International Telemetering Conference Proceedings / October 26-29, 1998 / Town & Country Resort Hotel and Convention Center, San Diego, California<br>This paper will present a selected overview of calendars and calendar development from antiquity to the current Gregorian calendar. The current hot topics of the GPS 1999 Rollover and the Year 2000 Millennium Rollover will be explained.
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Clerici, Giancarlo. "Geometrical optics design of a compact range Gregorian subreflector system by the principle of the central ray /." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487588249825016.

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19

Curry, Robert Michael 1952. "Fragments of ars antiqua music at Stary Sącz and the evolution of the Clarist order in central Europe in the thirteenth century." Monash University, School of Historical Studies, 2003. http://arrow.monash.edu.au/hdl/1959.1/5720.

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Maloy, Rebecca Ann. "THE OFFERTORY CHANT: ASPECTS OF CHRONOLOGY AND TRANSMISSION." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin992358039.

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21

Terada, Marco A. B. "Synthesis of dual offset Gregorian reflector antennas with very low cross polarization under practical constraints for mass production." Diss., This resource online, 1995. http://scholar.lib.vt.edu/theses/available/etd-06062008-162127/.

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22

Masnou, Pratdesaba Josep. "La vida canonical a la catedral de Vic (886-1230). L’aplicació de la reforma gregoriana a partir de l’estudi prosopogràfic." Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/673577.

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Estudi prosopogràfic de tots els canonges de la catedral de Vic documentats des de l’any 886, moment de restauració del bisbat, fins l’any 1230 al final de l’episcopat del bisbe Guillem de Tavertet quan ja es disposen de fons notarials. S’analitza l’origen social dels canonges i els llinatges als quals van pertànyer i les formes com van entrar a formar-ne part. L’estudi dels testaments i altre documentació ha permès establir l’evolució de la vida dels canonges i els canvis que es van produir amb l’aplicació de la reforma gregoriana. Destaca la relació que va existir entre la cate
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Halari, Anwar. "An analysis of monthly calendar anomalies in the Pakistani stock market : a study of the Gregorian and Islamic calendars." Thesis, University of Dundee, 2013. https://discovery.dundee.ac.uk/en/studentTheses/ef1d3ef3-4cda-4a39-83eb-aa3ba3d46689.

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Most of the prior research in the area of monthly regularities has been based on the Gregorian calendar; by contrast, little attention has been given to other calendars based on different religions or cultures. This thesis examines monthly calendar anomalies in the Pakistani stock market for both the Gregorian calendar and its Islamic counterpart. This is one of the first studies to investigate both calendars for monthly seasonality in one investigation on the same dataset. Empirical studies of the Pakistani stock market that have examined monthly calendar anomalies are relatively sparse when
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Ferreira, Manuel Pedro Ramalho. "Music at Cluny : the tradition of Gregorian chant for the proper of the mass : melodic variants and microtonal nuances /." Ann Arbor (Mich.) : UMI, 1997. http://catalogue.bnf.fr/ark:/12148/cb369820702.

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Esperandio, Thiago José. "A música sob o interdito: a ambiguidade da relação entre a Igreja e a polifonia musical no século XIV." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/2138.

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Made available in DSpace on 2016-04-25T19:21:04Z (GMT). No. of bitstreams: 1 Thiago Jose Esperandio.pdf: 788790 bytes, checksum: 7e097f3e9790dedcab101ae3aaf8850f (MD5) Previous issue date: 2010-05-19<br>It intends to analyze the social history of the music, which, around XI e XII centuries, is aesthetically innovated at the same time that several social changes happen. This new music (polyphonic) is a technical variation of the Gregorian Chant (monophonic). Its evolution happens mainly in the church environment, but its relation with the clerics was not always peaceful. Because it was develo
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Cucci, Giovanni. "L'agire etico nell'orizzonte narrativo di Paul Ricoeur : estratto della dissertazione per il dottorato nelle Facoltà di filosofia della Pontificia Università Gregoriana /." Roma : Pontificia università gregoriana, 2006. http://catalogue.bnf.fr/ark:/12148/cb41131102m.

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MARTELLO, FABRIZIO. "Paterio, notarius ecclesiae Romanae, e il Liber testimoniorum: la redazione, il contesto di produzione e la trasmissione del primo florilegio esegetico gregoriano." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2009. http://hdl.handle.net/2108/1158.

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Il Liber testimoniorum del discipulus Gregorii Paterio è una raccolta di estratti esegetici dalle opere di papa Gregorio Magno (590-604), ordinati secondo loro originaria successione all'interno della Scrittura. Per le sue caratteristiche può essere considerato il primo florilegio esegetico monoautoriale noto nell'ambito della letteratura cristiana di lingua latina. La tesi dottorale di F. Martello prende in esame i precedenti letterari dell'opera; le attestazioni antiche relative alla sua diffusione entro il IX secolo e il problema dell'identificazione dell'autore con il notarius ecclesiae R
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RICCIONI, Stefano. "Scrittura e immagine nella Roma gregoriana : dottorato di ricerca in storia dell'arte, 14. ciclo, Università di Roma “La Sapienza”, A.A. 2002-2003." Doctoral thesis, Università degli Studi La Sapienza - Dipartimento di Storia dell'arte, 2004. http://hdl.handle.net/10278/36264.

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La tesi di dottorato propone una ricerca interdisciplinare su documenti figurativi ed epigrafici prodotti a Roma (e nel territorio adiacente), durante il periodo della cosiddetta “Riforma Gregoriana” (metà secolo XI - metà del secolo XII). Si tratta di un lavoro che è insieme di storia dell’arte figurativa, di storia delle ideologie e delle culture (e perciò di autori e testi), nonché di paleografia epigrafica. La ricerca è stata organizzata in tre parti. La prima è un’introduzione alla storia e al contesto sociale di Roma nonché all’organizzazione ecclesiastica durante la Riforma gregoriana.
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Zagnitko, Kateryna. "Zur Geschichte der Erforschung der gregorianischen Gesangsquellen in der Handschriftensammlung in L’vìv." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2016. https://ul.qucosa.de/id/qucosa%3A16182.

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Im 10. Jahrhundert befand sich die Gregorianik unter starkem Einfluss des byzantinischen Gesangs, was anhand von musikalischen Formen und Gattungen,exekutiven Techniken, musiktheoretischen Vorstellungen oder aus der Erlernung des byzantinischen Gesangs z. B. durch Notker Balbulus erschlossen werden kann. Andererseits sind in der Kirchenmusik der Kiever Rus auch lateinische, westliche Einwirkungen vorhanden, was sich beispielsweise im Oktoechos (dem Tonartensystem der byzantinischen Musik), im Übergang zum westlichen Notensystem im 16. Jahrhundert oder in der Fixierung westlicher Sequenzen (Die
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Frasch, Cheryl Crawford. "Notation as a guide to modality in the Offertories of Paris, B.N., Lat. 903 /." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487265143145199.

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Soeiro, Vasco Alexandre Domingues. "Symphonie-passion de Dupré: da música litúrgica à sinfónica para órgão." Master's thesis, Universidade de Aveiro, 2011. http://hdl.handle.net/10773/7353.

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Mestrado em Música<br>Marcel Dupré (1886-1971) foi considerado um dos mais importantes organistas, particularmente pela sua excepcional capacidade de improvisação. A obra Symphonie-Passion (1924), fruto de uma improvisação realizada por este organista e compositor num concerto efectuado em Wanamaker Department, Philadelphia a 8 de Dezembro de 1921, baseou-se em quatro temas gregorianos atribuídos para o seu acto criativo: Jesu Redemptor Omnium, Adeste Fideles, Stabat Mater Dolorosa, Adorote Devote. O objectivo deste Documento de Apoio ao Projecto (DAP) visa, por um lado, identificar o
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Abe, Toshihiro. "Las relaciones entre el Estado y la Iglesia en la Corona de Aragón desde la Reforma Gregoriana hasta la cruzada albigense (siglos XI-XIII)." Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/78008.

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Hasta ahora se ha analizado poco el cambio de la relación entre el poder condal y la Iglesia en la Plena Edad Media. Aunque el cambio sea drástico, los especialistas han acostumbrado a resumir que la reforma eclesiástica avanzó mucho en Cataluña en su conjunto y no llevan a cabo más análisis. Igual que en otros campos, se ha considerado que la debilitación del poder condal en la Iglesia fue una cosa natural, y han tenido más interés en estudiar el desarrollo de iglesias o de los señoríos eclesiásticos, que en la influencia del poder condal sobre la Iglesia. En realidad, ¿cómo cambió la p
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Jeffreys, Catherine Mary. "Melodia et rhetorica : the devotional-song repertory of Hildegard of Bingen /." Connect to thesis, 2000. http://eprints.unimelb.edu.au/archive/00000422.

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Alphonse, Stephanie. "Fast analysis of a compound large reflector antenna." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20196.

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Thesis (MScEng)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: The o set Gregorian dual re ector antenna is eminently well suited to a radio telescope antenna application as it o ers a narrow beam width pattern (i.e high gain) and good e ciency. The focus of this work is on the analysis of characteristics of such a Gregorian antenna. The design of the class of re ector antennas is normally based on the use of ray-optics, with this simpli ed approach being able to predict antenna performance based on approximate formulas for example the beam width against aperture size. However fo
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Vilimas, Jonas. "The Features of Tradition of the Gregorian Chant in the Grand Duchy of Lithuania. Exposure of the 15th-18th Centuries and Attempt of Reconstruction." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120710_120548-40097.

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The present dissertation in its essence is an interdisciplinary (i.e. historical, musicological and liturgical) research. The primary aim of this work is to settle the explicit, historically and methodologically correct general view of the plainchant within the concrete historical, cultural and geographical location in a defined period of time. The object of the dissertation is the expression and development of the Gregorian chant in the Grand Duchy of Lithuania as represented in a variety of sources. The time period examined is from 1387 to 1795 (i.e. from the Latin Baptism of the state until
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Caldwell, Rodney Hildred. "Rhythmic and metrical groupings of chant notation as an influence upon the conducting for the "Quatre motets sur des themes gregoriens", Op. 10, of Maurice Durufle." Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187189.

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This project focuses on the relationship between plainchant notation and the conducting gesture in the Quatre Motets Sur Des Themes Gregoriens, Op. 10 of Maurice Durufle. Durufle's intimate knowledge of the chant practices of the Solesmes school of chant interpretation is a major influence in the compositional style of the four motets. This project explores the relevance of the Solesmes interpretational practices and their influence on Durufle's compositional technique. The conducting gesture employed in the realization of the motets must demonstrate an active knowledge of the compositional te
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Gutekunst, Jason Alexander. "Wabanaki Catholics ritual song, hybridity, and colonial exchange in seventeenth-century New England and New France /." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1229626549.

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Mazzocchi, Eleonora. "Territori della Riforma : pittura a Roma nella prima metà del XII secolo." Doctoral thesis, Scuola Normale Superiore, 2006. http://hdl.handle.net/11384/85761.

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From the introduction: Il cuore della tesi [...] è il tentativo di offrire una rilettura della cosiddetta seconda età della Riforma Gregoriana, attraverso il riesame di alcune testimonianze pittoriche meno indagate. Fra queste si collocano in primo piano le pitture del sacella della basilica dei Ss. Bonifacio ed Alessio [...]. Partendo da un'analisi storica della città di Roma nel XII secolo, attraversata dai continui conflitti tra il Papato e l'Impero approdati ad una prima soluzione con il Concordato di Worms del 1122, ho indagato, alla luce dei nuovi contributi storici, il ruolo dei monaste
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Le, Coq Aurélien. "Hugues de Châteauneuf, évêque de Grenoble (1080-1132). Réforme grégorienne et pouvoir épiscopal entre Rhône et Alpes." Thesis, Paris Est, 2015. http://www.theses.fr/2015PESC0020/document.

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La réforme grégorienne, du nom du pape Grégoire VII (1073-1085), est un évènement majeur de l’histoire de l’Occident médiéval. L’Eglise, en s’appuyant notamment sur un épiscopat renouvelé, inaugure une entreprise de distinction profonde entre clercs et laïcs, profane et sacré, pouvoir temporel et pouvoir spirituel. L’objectif est de réformer en profondeur l’institution ecclésiale en s’appuyant sur une idéologie valorisant la pureté morale, mais aussi sur des structures et un fonctionnement nouveaux - c’est à cette époque que se développent la paroisse, la dîme, la fonction de légat, de nouveau
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Giulietti, Marika. "Telescopi ottici, radio, X: principi e differenze." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/12353/.

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Lo scopo di questo elaborato è la descrizione dei principi su cui si basano i telescopi ottici, radio e x nell'osservazione dei corpi celesti, la loro meccanica di funzionamento e le relative differenze. Un telescopio è uno strumento fisico volto a raccogliere radiazione proveniente da oggetti molto distanti in una grande regione di cielo facendola convogliare su un'area ristretta. Questo avviene tramite l'utilizzo ad esempio di specchi, lenti o antenne, in modo da ottenere la massima risoluzione possibile. I fotoni raccolti vengono poi fatti convogliare in dei rilevatori come un obietti
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Tacconi, Marica. "Liturgy and chant at the Cathedral of Florence a survey of the pre-Tridentine sources (tenth-sixteenth centuries) /." Full text available online (restricted access), 1999. http://images.lib.monash.edu.au/ts/theses/tacconi.pdf.

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HESS, NATHAN ANDREW. "ECLECTICISM IN THE PIANO WORKS OF OTTORINO RESPIGHI." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115722168.

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Henry, Cyprien. "Cujus diocesis, ejus diplomatica ? Pouvoirs diocésains et diversité des pratiques d’écrit diplomatique en Bretagne (990-1215)." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEP004.

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Fondée sur une approche comparatiste des neuf diocèses constitutifs du duché de Bretagne, cette étude se donne pour but d’explorer les rapports qu’entretiennent les différents pouvoirs diocésains (évêques, chapitres, archidiacres, doyens) avec l’écrit diplomatique entre le relèvement de l’église bretonne à la fin du Xe siècle et le concile de Latran IV. Une première séquence chronologique voit le développement de l’écrit accompagner aussi bien l’affermissement du pouvoir épiscopal dans le contexte de la réforme pontificale que l’expansion monastique ligérienne en Bretagne ; les solutions envis
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Šiaudvytytė, Diana. "Grigališkojo choralo giedojimas kaip jaunimo dvasinių vertybių sistemos veiksnys." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2005. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2005~D_20050603_132718-65951.

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With advances of modern technologies our post- modern society increasingle has to deal with lack of aesthetics and culture. The analysis of spirituality phenomennon enables us that, above all. spirituality is very significant because it has to do with the human essence and his divine origine. Secondly, spirituality os of grate importance from the pedagogical point of view when we wish to develop an all- rounded personality. Spirituality involves everything asociated with human vitality, his povers, energy, strength and will the system of spiritual values is comprised of main values such as kin
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Mateiro, Eunice de Jesus. "A matemática dos calendários." Master's thesis, Universidade de Aveiro, 2016. http://hdl.handle.net/10773/22519.

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Mestrado em Matemática para Professores<br>Ao longo da historia da humanidade, os diferentes povos sempre demonstraram uma preocupação em definir datas e eventos. Neste sentido, pretende-se com este trabalho compreender as relações entre certos fenómenos da natureza, nomeadamente o ciclo da lua e o ciclo do sol na implementação dos calendários. Repara-se que os calendários são baseados nas observações astronómicas, e que a duração destes ciclos não corresponde a um número inteiro de dias, levando por isso a diferentes problemas, quando se tenta organizar os dias em períodos de tempo fixos. Na
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Gutekunst, Jason Alexander. "Wabanaki Catholics: Ritual Song, Hybridity, and Colonial Exchange in Seventeenth-Century New England and New France." Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1229626549.

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Guitton, Laurent. "Pouvoir et société au miroir des vices : représentations des péchés, normes et identités dans la Bretagne médiévale (XIIe-début XVIe siècles)." Thesis, Rennes 2, 2014. http://www.theses.fr/2014REN20023.

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Cette recherche se propose de mettre en exergue la place du péché dans les discours déclinés dans le duché de Bretagne du XIIe au début du XVIe siècle. Elle se fonde aussi bien sur les sources écrites (productions pastorales,textes normatifs de l’Église et l’État breton, oeuvres littéraires et moralisantes de la cour ducale) que sur l’iconographie, à travers les sculptures de l’époque romane et de la fin du Moyen Âge.Le péché y apparaît comme une clef de compréhension du monde et de son évolution : présenté comme une causalité historique majeure depuis le début de l’humanité, son instrumentali
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Matsuo, Kayoko. "Pratiques de l'écrit et gestion patrimoniale monastique aux XIe et XIIe siècles, d'après le cartulaire de l'abbaye de Saint-Cyprien de Poitiers." Phd thesis, Université Michel de Montaigne - Bordeaux III, 2012. http://tel.archives-ouvertes.fr/tel-00812610.

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En Francie occidentale, le nombre de cartulaires, recueils de copies d'actes originaux, augmente à compter du milieu du XIe siècle. Les protagonistes du grand essor de leur production sont les monastères vers lesquels les donations ont alors afflué. Il est admis qu'aider à la gestion et à la protection de propriétés sont les préoccupations principales qui les ont conduits à la compilation des cartulaires. En même temps, les cartulaires monastiques apparus aux XIe et XIIe siècles sont caractérisés par la reconstruction orientée du passé ou la projection de l'image de ce que les monastères enten
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Buvron, Jean-Marcel. "Le renouveau musical dans les cathédrales en France de 1801 à 1860 - Le Mans -." Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2003.

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En 1857, Joseph d'Ortigue constatait que les maîtrises des cathédrales en France, en activité au cours de la première moitié du XIXe siècle, ne pourraient jamais prétendre au rôle qu'elles avaient rempli pendant des siècles avant leur fermeture en 1791. Malgré le soutien dans un premier temps des pouvoirs publics, la tentative de refondation souhaitée pour chaque cathédrale, s'est en effet soldée par un échec : l'Église catholique n'a pas réussi à redonner au culte l'éclat musical et cantoral qu'il revêtait avant la Révolution. À travers l'étude de la maîtrise du Mans de 1801 à 1860, « une des
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Scarcez, Alicia. "La réforme musicale de saint Bernard: ses sources et ses enjeux." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209590.

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La thèse exploite, pour la première fois, d’exceptionnels manuscrits de l’office cistercien. Comprenant la liturgie cistercienne d’origine messine copiée vers 1136/1140, ces documents ont servi, quelques années plus tard, de brouillons à la réforme liturgique et musicale de Bernard de Clairvaux. Ils ont été partiellement biffés et grattés de façon à correspondre aux nouvelles normes cisterciennes.<p>La principale liasse d’épreuves bernardines, constituée des quelque 185 folios de l’antiphonaire 12A-B de Westmalle, constitue le socle de la thèse et la matière du tableau liturgique général prése
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