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Journal articles on the topic 'Gregorianum'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Toniolo, Alessandro. "Il Sacramentarium Gregorianum tra cartaceo e digitale." Salesianum 75, no. 3 (2013): 501–11. https://doi.org/10.63343/ly5517gq.

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L’ A. partendo dalla discussione attuale riguardante la contrapposizione tra testo cartaceo e testo virtuale, evidenzia la sostanziale differenza tra le due forme di trasmissione di sapere anche alla luce dell’ipertesto, che tende a disorganizzare un libro. Propone di affrontare senza timore le nuove risorse tecnologiche nel settore umanistico attraverso l’istituzione di percorsi accademici, oggi inseriti nell’alveo dell’informatica umanistica, nella consapevolezza che i frutti in prospettiva sono molteplici e forieri di nuove implicazioni per la ricerca, soprattutto se la cura per i protocoll

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2

Turcescu, Lucian. "Lexicon Gregorianum, Worterbuch zu den Schriften Gregors von Nyssa (review)." Journal of Early Christian Studies 10, no. 4 (2002): 531–33. http://dx.doi.org/10.1353/earl.2002.0075.

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3

TORKAR, ROLAND. "TWO LATIN EXCERPTS [SACRAMENTARIUM GREGORIANUM, AND ISIDORE, SENTENTIAE) WITH OLD ENGLISH TRANSLATION." Notes and Queries 43, no. 4 (1996): 389–94. http://dx.doi.org/10.1093/nq/43.4.389.

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4

TORKAR, ROLAND. "TWO LATIN EXCERPTS [SACRAMENTARIUM GREGORIANUM, AND ISIDORE, SENTENTIAE) WITH OLD ENGLISH TRANSLATION 1." Notes and Queries 43, no. 4 (1996): 389–94. http://dx.doi.org/10.1093/nq/43-4-389.

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5

Wickham, L. R. "Lexicon Gregorianum: Worterbuch zu den Schriften Gregors von Nyssa. Volumes 1-8. Compiled by FRIEDHELM MANN." Journal of Theological Studies 64, no. 1 (2013): 269. http://dx.doi.org/10.1093/jts/fls172.

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6

Weber, Jerome F. "Recent releases of plainchant." Plainsong and Medieval Music 11, no. 1 (2002): 65–72. http://dx.doi.org/10.1017/s096113710200205x.

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This year has brought new issues from several long-time contributors to the chant discography. Ranking with the abbey of Solesmes in sheer quantity of chant recordings is Schola Hungarica, whose new disc is titled ‘The Holy Lady of Chartres’ (no. 1 in the list below). Although this is not billed ‘Magyar Gregorianum’ as the last entry was (2001, no. 10), it does in fact include an Office originating in Chartres that is preserved only in Hungary. Matins responsories for the common of the Blessed Virgin include three responsories attributed to Fulbert of Chartres (two of which were recorded by En

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7

Keskiaho, Jesse. ":Théodulf d’Orléans, compilateur du Supplementum au Sacramentarium Gregorianum Hadrianum: Le témoignage du corpus des prefaces eucharistiques." Speculum 99, no. 4 (2024): 1352–53. http://dx.doi.org/10.1086/732232.

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8

Palazzo, Éric. "Franck Ruffiot, Théodulf d’Orléans, compilateur du Supplementum au Sacramentarium Gregorianum Hadrianum. Le témoignage du corpus des préfaces eucharistiques." Cahiers de civilisation médiévale 269 (2025): 90–91. https://doi.org/10.4000/13luj.

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9

Palazzo, Éric. "Franck Ruffiot, Théodulf d’Orléans, compilateur du Supplementum au Sacramentarium Gregorianum Hadrianum . Le témoignage du corpus des préfaces eucharistiques." Cahiers de civilisation médiévale 269, no. 1 (2025): 90–91. https://doi.org/10.3917/ccm.269.0090.

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10

Gomes, Francisco José Silva. "A Cristandade medieval entre o mito e a utopia." Topoi (Rio de Janeiro) 3, no. 5 (2002): 221–31. http://dx.doi.org/10.1590/2237-101x003005009.

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Apresentaremos neste ensaio três temas para a reflexão: em primeiro lugar, discutiremos a hipótese sobre o caráter eminentemente religioso da ideologia na cristandade medieval. Em seguida, ressaltaremos o papel da "reforma gregoriana" no século XI para a reestruturação desta nova cristandade; por último analisaremos a reação particular que os "reformadores gregorianos" criaram com a temporalidade enquanto categoria antropológica. Cremos que entre o mito e a utopia, os "reformadores gregorianos" tentaram criar, por vezes sem muito êxito, uma fronteira entre uma escatologia oficial e uma escatol

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11

Hartogh, Theo. "Pop goes Gregorian - Okkupation einer fremden Musik." Musik-, Tanz- und Kunsttherapie 13, no. 4 (2002): 159–62. http://dx.doi.org/10.1026//0933-6885.13.4.159.

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Zusammenfassung. Der gregorianische Choral ist in der Musikgeschichte vielfach bearbeitet worden. Dieser Beitrag geht am Beispiel der Popgruppe “Gregorian” der Frage nach, inwieweit eine Verbindung von Gregorianik und Popmusik ästhetischen Ansprüchen genügt. Für den Musikunterricht ergeben sich ästhetische und wertpädagogische Fragestellungen, die mit Hilfe von unterrichtspraktischen Aufgabestellungen und Arbeitstexten behandelt werden können.

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12

Studer, Basil. "Lexicon Gregorianum. Wörterbuch zu den Schriften Gregors von Nyssa - Band I abares - aoros, und Band II babai - dorophoria, Friedhelm Mann (ed.),." Augustinianum 40, no. 2 (2000): 577–80. http://dx.doi.org/10.5840/agstm200040231.

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13

Nascimento, Lídia Carla do, Cleide Sandra Tavares Araújo, Juan Bernardino Marques Barrio (in memoriam), Marcelo Duarte Porto, Mirley Luciene dos Santos, and Solange Xavier dos Santos. "TOP GREGORIAN: UM JOGO PARA O ENSINO DO CALENDÁRIO GREGORIANO." Revista Latino-Americana de Educação em Astronomia, no. 26 (December 17, 2018): 61–75. http://dx.doi.org/10.37156/relea/2018.26.061.

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O calendário civil utilizado hoje no Brasil, e em quase todo o mundo, é focado em informações de dias e meses do ano que têm como referência nossa cultura ocidental/cristã. Visando apresentar alguns dos aspectos científicos, sociais, políticos, históricos e até míticos que o permeiam, trazendo a Astronomia como uma área do conhecimento capaz de unir em torno de si outras áreas que compõem a Matriz Curricular do Ensino Fundamental foi idealizado e desenvolvido o jogo Top Gregorian como um potencial recurso didático para o ensino do Calendário Gregoriano, e conhecimentos afins, para alunos do 5º

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14

Teixeira, Thiago Plaça. "O Kyrie de Nepomuceno: estilo e intertextualidade." ORFEU 2, no. 1 (2017): 06–47. http://dx.doi.org/10.5965/2525530402012017001.

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O presente artigo apresenta uma análise do Kyrie da Missa em Ré menor (1915) de Alberto Nepomuceno (1864-1920), visando identificar características estilísticas e relações de intertextualidade musical. Quanto à forma, textura e timbre, o Kyrie de Nepomuceno apresenta grande semelhança com o Kyrie da Missa Te Deum laudamus (1899), de Lorenzo Perosi (1872-1956). Quanto à harmonia, a obra denota certo caráter modal, possivelmente por influência de técnicas de harmonização do canto gregoriano. Quanto à melodia e à prosódia, nota-se certa proximidade com as linhas melódicas gregorianas, considerada

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15

Teixeira, Thiago Plaça. "Sinos de Nepomuceno: intertextualidade em Cloches de Noël." OPUS 23, no. 3 (2017): 109. http://dx.doi.org/10.20504/opus2017c2306.

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O presente artigo propõe a realização de uma análise musical da peça para piano Cloches de Noël (Sinos de Natal, 1915), do compositor brasileiro Alberto Nepomuceno (1864-1920), procurando encontrar relações intertextuais. A análise demonstra uma aproximação estilística da peça com a obra religiosa de Franz Liszt (1811-1886), principalmente no que concerne a quatro aspectos: (1) a utilização explícita de melodias gregorianas; (2) a harmonização de tais melodias com emprego exclusivo de consonâncias; (3) a referência extramusical e idiomática ao som dos sinos das igrejas e (4) a estrutura formal

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16

De Souza Neto, Cezar Cardoso. "Das sombas à luz: o medievo e o desenvolvimento cultural do ocidente / From shadow to light: the middle ages and the cultural development of the west." Brazilian Journal of Development 8, no. 7 (2022): 52201–18. http://dx.doi.org/10.34117/bjdv8n7-233.

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Este artigo tem como objetivo demonstrar a importância desempenhada pela Reforma Gregoriana e as respectivas transformações que não ficaram restritas somente à renovação espiritual, mas desempenharam uma mudança nas estruturas sócio-políticas do sistema feudal. O embate desencadeado por esta Revolução Papal pode ser compreendido como um elemento fundamental para o renascimento do direito romano no final do século XI, provocando o desenvolvimento dos estudos jurídicos nos séculos seguintes. Dessa forma, evidenciamos como o ideal reformista gregoriano contribuiu para a solidificação de princípio

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17

Robinson, I. S. "Pope Gregory VII (1073–1085)." Journal of Ecclesiastical History 36, no. 3 (1985): 439–83. http://dx.doi.org/10.1017/s0022046900041191.

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On 25 May 1085 Pope Gregory VII died in exile. The ninth centenary of the death of this great pope – ‘the greatest who has ever sat in St. Peter's chair’ Erich Caspar called him in 1924 – provides an obvious pretext for a bibliographical essay. What makes such. an essay a necessary exercise rather than a mere commemorative gesture is the fact that there is not available at present in any language a full-scale biography of Hildebrand–Gregory which reflects the current state of research. There is no doubt that Gregorian studies are flourishing: the colloquium in Salerno in May 1985 will offer an

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18

Ricardo, Sanmartín Arce. "La referencia invisible del canto." Música Oral del Sur, no. 7 (December 2, 2006): 17–34. https://doi.org/10.5281/zenodo.4632847.

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El artículo sobre “La referencia invisible del canto” se basa en un trabajo de campo realizado en varios monasterios benedictinos y zendos españoles, así como en el estudio bibliográfico en Roma (Gregoriana, Angelicum, Vaticano) y Silos de los textos en los que tanto los autores místicos, como otros creyentes confiesan sus experiencia religiosas y sus vivencias al interpretar el canto gregoriano. Se distingue el canto en directo del canto inserto en el proceso litúrgico que le es propio y se compara el ambiente creado en la vida comunitaria

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19

Zaramella, Enea. "El canto popular entre política y religión: la visión de Mário de Andrade." Brasiliana: Journal for Brazilian Studies 4, no. 1 (2015): 33–54. http://dx.doi.org/10.25160/bjbs.v4i1.20599.

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Mário de Andrade identifies rhythm as the common structural underpinning between poetry and song. Rhythm is also the apple of discord between them, since it is with rhythm that we are able to note the fundamental distinction between the sung and the spoken word. As well as differentiating language by means of its use, popular song also fluctuates rhythmically; that is, it has another ‘wave’ (or mood) which varies depending on a series of other factors, which Andrade calls to mind. By considering 'canto' (chant) in psycho-physical terms, this essay offers an interpretation of Andrade’s reading

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20

Iadanza, Mario. "Gregorio Magno e i Longobardi." Salesianum 75, no. 3 (2013): 441–74. https://doi.org/10.63343/lf6480az.

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Il rapporto tra Gregorio Magno e i Longobardi nelle molteplici problematiche che implica costituisce un tema classico della storiografia gregoriana, frequentato dagli studiosi in ogni tempo. Questo contributo analizza la questione dell’impegno gregoriano per la pace, perseguita anzitutto come tregua generale e poi quale leale e stabile “societas” o “amicitia” tra Longobardi (regno, ducato di Spoleto, ducato di Benevento) e la respublica christiana (impero romano). Nell’orizzonte di Gregorio altro obiettivo da perseguire insieme con la pace perpetua è la conversione dei Longobardi all’ortodossi

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21

Curzel, Chiara. "Lexicon Gregorianum. Wörterbuch zu den Schriften Gregors von Nyssa – Nomina Propria. Dictionary of the Works of Gregory of Nyssa – Nomina Propria, Band X, edd. Kyriakos Savvidis - Martin Dorn - Kay-Ole Eberhardt - Andreas Bedke." Augustinianum 56, no. 1 (2016): 269–72. http://dx.doi.org/10.5840/agstm201656114.

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22

van der Merwe, M. "Discriminating betweenThryonomys swinderianusandThryonomys gregorianus." African Zoology 42, no. 2 (2007): 165–71. http://dx.doi.org/10.1080/15627020.2007.11407393.

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23

Gabrielian, E. Tz, and M. V. Sargsyan. "Crataegus gregorianii (Rosaceae), a new species from Armenia." Novitates Systematicae Plantarum Vascularium, no. 51 (2020): 22–25. http://dx.doi.org/10.31111/novitates/2020.51.22.

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A new peculiar species Crataegus gregorianii is described from the Dalar (Arzakan) River gorge, from Aparan floristic district of Armenia. The species clearly differs from the other hawthorns by complete absence of thorns as well as by 3-lobed, shiny dark green leaves, broadly falcate-denticulate stipules, as well as barrel-shaped fruits with narrow, pear-like base.

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24

De la Croix, David, and Soraya Karioun. "Scholars and Literati at the Gregorian University in Rome (1551–1773)." Repertorium eruditorum totius Europae 3 (March 23, 2021): 19–26. http://dx.doi.org/10.14428/rete.v3i0/gregorian.

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This note is a summary description of the set of scholars and literati who taught at the Jesuit University in Rome (Roman College - Gregorian University) from its inception in 1551 to the suppression of the Society of Jesus in 1773.

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25

Perine, Marcelo. "PLATÃO NO CAMINHO FILOSÓFICO DE LIMA VAZ." Síntese: Revista de Filosofia 39, no. 123 (2012): 9. http://dx.doi.org/10.20911/21769389v39n123p9-29/2012.

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Este artigo pretende mostrar que o itinerário filosófico de Henrique Claudio de Lima Vaz está marcado, do início ao fim, pela influência da obra de Platão. O caminho filosófico de Lima Vaz começou com a primeira reflexão sistemática sobre a obra de Platão, concretizada na sua tese de doutoramento, defendida na Universidade Gregoriana em 1953. A presença de Platão na obra de Lima Vaz, ao longo dos cinquenta anos de sua elaboração, se revela principalmente na sua particular compreensão da filosofia, como anámnesis e noésis, na sua compreensão do ato de filosofar, como procedimento dialético, e,

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26

Kurta, József Tibor. "A protestáns gregoriánum utóélete az erdélyi kortárs egyházzenei életben." Studia Universitatis Babeș-Bolyai Theologia Reformata Transylvanica 68, no. 1 (2023): 146–55. http://dx.doi.org/10.24193/subbtref.68.1.09.

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The Afterlife of Protestant Gregorian Chant in Contemporary Transylvanian Church Music. The loss of the genre of Protestant Gregorian chant did not mean the complete disappearance of Gregorian chant from the life of the Protestant churches in Transylvania

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27

Tronina, Antoni. "Kiedy milknie prorok." Verbum Vitae 5 (January 14, 2004): 207–16. http://dx.doi.org/10.31743/vv.1353.

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28

Antanavičius, Darius. "Grigaliaus kalendoriaus įvedimas Kaune 1582 m." Lietuvos istorijos metraštis 2022/1 (August 16, 2022): 55–66. http://dx.doi.org/10.33918/25386549-202201003.

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INTRODUCTION OF THE GREGORIAN CALENDAR IN KAUNAS IN 1582 The paper deals with a hitherto unexamined problem, namely, the introduction of the Gregorian calendar in Kaunas at the end of 1582. On a basis of scarce sources, the conclusion is drawn that the Gregorian Reform of the calendar was implemented at the chanceries of Kaunas municipality simultaneously, i. e., on 15 October 1582. The Julian calendar, however, was deeply implanted in the minds and memory of local scribes, therefore they discerned, to some extent, between the Gregorian calendar and the socalled old one (Calendarium vetus) in

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29

Parker, John, and Armando Silva Carvalho. "Donamorta: Pranto Gregoriano." World Literature Today 60, no. 1 (1986): 85. http://dx.doi.org/10.2307/40141179.

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30

Craghan, John F. "Book Reviews: William A. Van Roo, S.J. Telling About God. Volume I: Promise and Fulfillment. Analecta Gregoriana 242; Rome: Gregorian University, 1986. Pp. xii + 375. Paper, $33.00. William A. Van Roo, S.J. Telling About God. Volume II: Experience. Analecta Gregoriana 244; Rome: Gregorian University, 1987. Pp. xii + 345. Paper, $26.50." Biblical Theology Bulletin: Journal of Bible and Culture 18, no. 4 (1988): 153–54. http://dx.doi.org/10.1177/014610798801800412.

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31

Levy, Kenneth. "Charlemagne's Archetype of Gregorian Chant." Journal of the American Musicological Society 40, no. 1 (1987): 1–30. http://dx.doi.org/10.2307/831580.

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Argues that the "Gregorian" repertory of Mass propers was fully neumed under Charlemagne, a century sooner than is generally supposed. The chief witness is an "apocryphal" Offertory, Factus est repente for Pentecost. Affected are widely-held views concerning: (1) the origin of neumes; (2) the impact of oral-improvisational techniques on Gregorian chant; and (3) the origin and relationship of Gregorian and Old Roman chant styles.

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32

Bernagiewicz, Robert. "„Ne transgrediaris terminos antiques". Stałość i zmienność w tradycji chorału gregoriańskiego." Vox Patrum 44 (March 30, 2003): 419–31. http://dx.doi.org/10.31743/vp.8097.

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Negli ultimi anni sono apparse due concezioni della trasmissione del canto gregoriano: 1. „tradizionale" - il canto gregoriano e stato trasmesso attraverso la tradizione scritta dai tempi di Carlo Magno (D. Hughes, K. Levy); 2. „moderna" - il canto gregoriano e stato trasmesso attraverso la tradizione puramente orale invece i libri liturgici con la scrittura musicale comprendono solo „gli esempi" degli esecuzioni di brani musicali (L. Treitler, P. Cutter, H. Hucke). La concezione moderna e basata sull'instabilita della trasmissione del canto romano (ROM). Invece l'articolo ci fa vedere chiaram

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33

Blašković, Jelena, and Tihomir Prša. "Primary School Students and Teachers' Appreciation of Gregorian Singing." Revija za elementarno izobraževanje 15, no. 2 (2022): 241–60. http://dx.doi.org/10.18690/rei.15.2.241-260.2022.

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The aim of this study was to examine the attitudes of primary school students and teachers towards Gregorian singing. The research was conducted during the academic year 2019/2020 and included 381 students and thirty-five primary school teachers in Croatia. The results of the t-test showed a statistically significant high appreciation of Gregorian singing among students and teachers. Using the Kruskal Wallis test, we established that younger student showed greater appreciation compared to older students. Students and teachers expressed positive attitudes towards the examples of Gregorian singi

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34

Levy, Kenneth. "On Gregorian Orality." Journal of the American Musicological Society 43, no. 2 (1990): 185–227. http://dx.doi.org/10.2307/831614.

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The study considers various means of approach to the Gregorian melos during its oral transmission, before the conversion to neumes. Among these are intuitive analysis, based on the Carolingian received text; analogy with Balkan oral epic ("Homer and Gregory"); and "multiples" or parallel readings. An approach by way of a rare case of "close multiples" is explored in depth. The Gallo-Gregorian Offertory Elegerunt apostoli survives in parallel readings that are close in their musical substance but may be independent in their neumation. It suggests that during a later oral stage this particular c

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35

Levy, Kenneth. "On Gregorian Orality." Journal of the American Musicological Society 43, no. 2 (1990): 185–227. http://dx.doi.org/10.1525/jams.1990.43.2.03a00010.

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36

Reuter, Timothy. "Pre-Gregorian Mentalities." Journal of Ecclesiastical History 45, no. 3 (1994): 465–74. http://dx.doi.org/10.1017/s0022046900017103.

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37

Sessantini, Gilberto. "Educare alla musica sacra: 100 anni di esperienza nella Scuola Diocesana di Bergamo." Pro Musica Sacra 22 (October 25, 2024): 7–20. http://dx.doi.org/10.15633/pms.2201.

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La scuola diocesana di musica sacra, oggi Accademia Musicale S. Cecilia di Bergamo, compie cent’anni. Alla luce di questa esperienza secolare, la relazione, dopo un breve excursus storico, individua alcuni elementi portanti della formazione alla musica sacra che essa offre oggi alle parrocchie della Diocesi di Bergamo. Il primo e imprescindibile elemento è la formazione alla musica in generale, soprattutto delle nuove generazioni. L’accademia svolge questo compito attraverso i corsi di propedeutica musicale, rivolti ai più piccoli (0–6 anni), e il coro di voci bianche, rivolto agli allievi più

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38

De Reina, Víctor. "JOHN RUSSELL, The «sanatio in radice» before the Council of Trent, 1 vol. de VIII + 152 págs., Analecta Gregoriana, Gregoriam University Press, Roma, 1964." Ius Canonicum 4, no. 8 (2018): 606–7. http://dx.doi.org/10.15581/016.4.23346.

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39

Prabowo, Agung, Sukono, and Mustafa Mamat. "MODEL MATEMATIKA UNTUK MENENTUKAN NAMA HARI PADA SIKLUS TUJUH, LIMA DAN TIGAPULUH LIMA HARI PADA KALENDER GREGORIAN DI INDONESIA." Jurnal Matematika Sains dan Teknologi 22, no. 2 (2022): 26–39. http://dx.doi.org/10.33830/jmst.v22i2.1519.2021.

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Dalam Kalender Jawa (Anno Javanica) terdapat dua jenis nama hari yaitu hari saptawara dan pancawara. Pancawara merupakan siklus lima hari sekali (Legi, Paing, Pon, Wage dan Kliwon). Saptawara merupakan siklus tujuh hari sekali, seperti siklus mingguan pada Kalender Gregorian (Senin, Selasa, Rabu, Kamis, Jumat, Sabtu dan Minggu). Kalender Gregorian tidak mengenal siklus pancawara. Namun, penggunaan Kalender Gregorian di Indonesia menggabungkan siklus tujuh hari dengan siklus lima hari sehingga terdapat nama hari Senin-Legi, Selasa-Paing dan seterusnya. Hasilnya adalah kombinasi 35 hari yang dis

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40

Schimmelpfennig, Bernhard. "Studi Gregoriani XIII: La riforma gregoriana e l’Europa. Congresso Internazionale Salerno, 20-25 maggio 1985. I Relazioni, Rom: Libreria Ateneo Salesiano, 1989. XI+ 431 S." Annarium Historiae Conciliorum 26, no. 2 (1994): 406–8. http://dx.doi.org/10.30965/25890433-02602012.

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41

Pablo, Fernández Rojas. "Figuras de compás. Estudio del primer elemento de cualquier técnica de dirección musical Beat patterns. Study of the first element of any conducting technique." Música Oral del Sur, no. 14 (December 3, 2017): 69–101. https://doi.org/10.5281/zenodo.4638763.

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Resumen: El presente estudio tiene como propósito principal mostrar al lector qué son las figuras de compás en cinco apartados: i) la introducción de la figura de compás como una clase de gesto musical; ii) la conceptuación de la figura de compás y la exposición de una serie de ejemplos-tipo: los clásicos esquemas de solfeo y las figuras de compás de Swarowsky, Celibidache (según tres receptores), McElheran, Reizábal, Farberman, Navarro, Duchesne y Saitō; iii) una reflexión sobre el uso directorial de fi

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van der Merwe, M. "Discriminating between Thryonomys swinderianus and Thryonomys gregorianus." African Zoology 42, no. 2 (2007): 165–71. http://dx.doi.org/10.3377/1562-7020(2007)42[165:dbtsat]2.0.co;2.

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Hornby, Emma. "The Transmission of Western Chant in the 8th and 9th Centuries: Evaluating Kenneth Levy's Reading of the Evidence." Journal of Musicology 21, no. 3 (2004): 418–57. http://dx.doi.org/10.1525/jm.2004.21.3.418.

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Since the 19th century, scholars have been attempting to discover the origins of Gregorian chant and to establish when musical notation began to be widely used in its redaction. For almost 30 years, Kenneth Levy's scholarship on the subject has been hugely influential. He hypothesizes that Gregorian chant was notated in the time of Charlemagne (742-814), or even Pippin (714-768). There are alternative ways of reading the 8th- and 9th-century evidence, however, and largely oral transmission of the Gregorian melodies until the later 9th century cannot be ruled out.

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Almeida, Ana Paula, and Maria Júlia Paes da Silva. "Canto Gregoriano: redutor de ansiedade de mães com filhos hospitalizados." Acta Paulista de Enfermagem 25, no. 1 (2012): 36–42. http://dx.doi.org/10.1590/s0103-21002012000100007.

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OBJETIVO: Verificar a presença de alteração do estado de ansiedade das mães de crianças hospitalizadas com a audição de canto Gregoriano. MÉTODOS: Pesquisa descritiva, exploratória, correlacional com análise quantitativa, quase experimental. A coleta dos dados foi realizada no período de julho de 2009 a fevereiro de 2010. A amostra inicial foi de 71 mães e destas 28 concluíram todas as etapas da pesquisa. RESULTADOS: O uso do canto Gregoriano diminuiu o estado de ansiedade das mães de crianças hospitalizadas em um hospital pediátrico de atenção quaternária acomodadas em quartos individuais. CO

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HOWE, JOHN. "St Berardus of Marsica (d. 1130) ‘Model Gregorian Bishop’." Journal of Ecclesiastical History 58, no. 3 (2007): 400–416. http://dx.doi.org/10.1017/s002204690700156x.

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The ‘Gregorian Reform’ or ‘Gregorian Revolution’ is a model of top–down ecclesiastical change that assumes that local bishops suddenly became, to some extent, agents of Rome. One striking illustration of this is the portrayal of the ‘new Gregorian bishop’, based largely on Berardus of Marsica (d. 1130), presented by Pierre Toubert in his classic Structures du Latium médiéval (1973), and now reprised by Jacques Dalarun (2003). This article, employing an unedited collection of miracles, re-examines Toubert's treatment of Berardus and reveals a reforming saint who belongs less to Rome and more to

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Royo Mejía, Alberto. "James Jerome CONN, S. J., Catholic Universities in the United States and ecclesiastical authority, Analecta Gregoriana nº 259, cura Pontificiae Universitatis Gregorianae edita, vol. 259. Series Facultatis luris Canonici: sectio B, n. 51. Editrice Pontificia Università Gregoriana, Roma 1991, 346 pp." Ius Canonicum 35, no. 69 (2018): 315–17. http://dx.doi.org/10.15581/016.35.17686.

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Kulpinov, S. S. "Revisiting the Problem of the Relationship between the Renovationist and “Gregorian” Church Structures in Eastern Siberia in 1926–1934." Bulletin of Irkutsk State University. Series Political Science and Religion Studies 37 (2021): 100–111. http://dx.doi.org/10.26516/2073-3380.2021.37.100.

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The article analyzes the relationship between the renovationist and «Gregorian» church structures in Eastern Siberia in 1926-1934. The article examines the position of the central and local structures of the Provisional supreme church council in relation to renovationism, as well as the view of the renovationist Holy Synod on the «gregorian» schism in the Russian Orthodox Church. The article analyzes the information about the structures of the PSCC in the materials of the renovationist dioceses in Eastern Siberia, and also examines switching of the clergy and communities from the renovationism

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Sari, Indah Puspita. "Analisa Pergeseran Kalender Gregorian Menjadi Kalender Dunia." AL - AFAQ : Jurnal Ilmu Falak dan Astronomi 4, no. 1 (2022): 20–31. http://dx.doi.org/10.20414/afaq.v4i1.4172.

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The Julius calendar or also known as the Old Style calendar is a calendar pioneered by Julius Caesar as a reform of the Roman republican calendar. The Julian calendar was formed at the time of knowing a difference of about 3 months in the calendar that was in effect at that time, namely the Ancient Roman Calendar which had been replaced long ago. The Ancient Roman calendar set the length of a year at only 365 days, ignoring the remaining days of the actual solar year. This is known when the day of the harvest season coincided with a holiday among the Romans which actually fell in summer but oc

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Dyer, Joseph, and Jerome F. Weber. "A Gregorian Chant Discography." Notes 47, no. 4 (1991): 1174. http://dx.doi.org/10.2307/941663.

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Milanese, Guido, and Cyril J. Law. "Newman and Gregorian Chant." Antiphon: A Journal for Liturgical Renewal 20, no. 2 (2016): 123–50. http://dx.doi.org/10.1353/atp.2016.0037.

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