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Journal articles on the topic 'Greta Gerwig'

Author: Grafiati

Published: 29 June 2021

Last updated: 29 July 2025

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1

Guo, Nan. "A Study of Female Growth Narrative of Greta Gerwigs Coming-of-age Film." Communications in Humanities Research 21, no. 1 (2023): 60–65. http://dx.doi.org/10.54254/2753-7064/21/20231416.

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This article introduces the development of feminist films, explores the combination of coming-of-age films and feminism, and introduces Greta Gerwigs film history and her film works in the past six years. First, the article introduces the famous women director-Greta Gerwig and her career as an actress and director. Second, it introduces the background of the three films. Through the introduction of three films in the past six years, the paper believes that Greta Gerwig has formed her own unique style of female coming-of-age films. Third, this paper treats of the three ways that Greta Gerwig de

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2

Tisseron, Serge. "Barbie , de Greta Gerwig." L'école des parents N° 649, no. 4 (2023): 22–24. http://dx.doi.org/10.3917/epar.649.0010.

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Pramaisela Lubis, Adilla. "Exploring masculinities in Barbie (2023) directed by Greta Gerwig." Lililacs Journal : English Literature, Language, and Cultural Studies Journal 4, no. 1 (2024): 26–39. http://dx.doi.org/10.21009/lililacs.041.04.

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"Barbie" (2023), directed by Greta Gerwig and co-written with Noah Baumbach, offers a satirical exploration of masculinity in the Barbie universe. This research paper employs Raewyn Connell's "Types of Masculinity" framework to analyze the male characters, particularly Ken, and their representation of different forms of masculinity within the fantastical world of Barbieland. Critical Discourse Analysis (CDA) is used to uncover hidden beliefs and social commentary about masculinity expressed through language. The film presents a multifaceted exploration of masculinity, including hegemonic, comp

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Nafila, Rinda Asfarina. "ANALISIS WACANA KRITIS FILM LITTLE WOMEN KARYA GRETA GERWIG BERDASARKAN PERSPEKTIF MICHEL FOUCAULT." Basastra: Jurnal Bahasa, Sastra, dan Pengajarannya 9, no. 2 (2021): 333. http://dx.doi.org/10.20961/basastra.v9i2.54570.

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Relasi kekuasaan dan pengetahuan telah tersebar luas di setiap bidang, baik pada bidang sosial, bidang ekonomi, bidang hukum, dan bidang-bidang lainnya. Artikel ini bertujuan untuk: (1) menjabarkan ciri <em>episteme </em>terhadap praktik relasi kekuasaan dan pengetahuan yang terdapat dalam film <em>Little Women </em>karya Greta Gerwig berdasarkan perspektif Michel Foucault; dan (2) menginterpretasikan bentuk-bentuk dan dampak-dampak dari relasi kekuasaan dan pengetahuan yang terdapat dalam film <em>Little Women </em>karya Greta Gerwig berdasarkan perspektif

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Trichet, Geneviève. "Barbie . À propos du film de Greta Gerwig ( USA , 2023)." Savoirs et clinique 31, no. 2 (2024): 143–46. http://dx.doi.org/10.3917/sc.031.0143.

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Sánchez-Cuervo, Margarita-Esther. "Margarita-Esther Sánchez-Cuervo, Barbie (Greta Gerwig US/UK 2023)." Science Fiction Film & Television 17, no. 2 (2024): 306–9. http://dx.doi.org/10.3828/sfftv.2024.15.

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TASTRID NUR AL-FATH and MUHAMAD JEJEN NURANI. "PRESUPPOSITION USED BY THEODORE LAWRENCE IN LITTLE WOMEN MOVIE BY GRETA GERWIG." JETA (Journal of English Teaching and Applied Linguistic) 4, no. 2 (2023): 50–60. https://doi.org/10.52217/jeta.v4i2.1393.

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Movies serve as a reflection of real-life interactions, and the characters’ utterances that convey background knowledge, emotions, and intentions. Therefore, Pragmatics field is often used to study their expressions’ meaning, especially with the theory of Presupposition. Therefore, this study aims to identify and classify the types of presuppositions found in Theodore Lawrence’s utterances by reviewing the related study before handing down to the self-investigation. This study utilizes qualitative analysis of the movie dialogues to understand the intentional meaning of the character's utteranc

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Satriani, Rida, Nuraida Nuraida, and Emi Puspita Dewi. "Resepsi Penonton Terhadap Makna Stereotip Gender Perempuan dalam Film Barbie Karya Greta Gerwig." Social Science and Contemporary Issues Journal 2, no. 2 (2024): 238–46. http://dx.doi.org/10.59388/sscij.v2i2.380.

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Greta Gerwig's Barbie is one of the films that highlights women's gender issues, features various scenes with certain stereotypes, and gets a variety of responses from the audience. This phenomenon is interesting to study about how the audience's reception analysis of the meaning of female gender stereotypes in Greta Gerwig's Barbie Movie. Based on these problems, this study aims to determine the audience's interpretation process of gender messages contained in the film. This research method uses Stuart Hall's reception analysis with data collection through interviews, documentation, and liter

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Arfani, Sri, and Agung Ayu Kameswari. "PERSONALITY MOVEMENT OF MAIN CHARACTER IN LADY BIRD MOVIE DIRECTED BY GRETA GERWIG." JELL (Journal of English Language and Literature) STIBA-IEC Jakarta 8, no. 02 (2023): 229–38. http://dx.doi.org/10.37110/jell.v8i02.188.

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Movie has been developing since the 18th century, from just a moving picture until a very big production that includes many things such as camera, microphone, even a computer for adding the effects or additional sounds to the movie. Lady Bird (2017) is one of the greatest movies according to the writer, it has a unique aspect from the main character, Christine McPherson, a teenager who lives in Sacramento, U.S. Christine does not want people to call her by her name, but Lady Bird instead. The fact that Christine eventually gives up on making her life up and trying to live her life normally as

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Aulia, Muhammad Farhan, and Novia Kharina Pakpahan. ""LITTLE WOMAN" BY GRETA GERWIG. SEEN AS A STRATEGY FOR STRENGTHENING STUDENTS' CHARACTER BUILDING." JEELL (Journal of English Education, Linguistics and Literature) English Department of STKIP PGRI Jombang 8, no. 2 (2022): 22. http://dx.doi.org/10.32682/jeell.v8i2.2155.

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Moral values are universal principles that man views to be good and significant, this research teaches fundamental facts about an ideology that teens can begin to acquire at particular school levels, which can be taught to students through the film Little Women. We found 16 essential moral values from the film and also 12 characters that we can learn from. The data collection technique that is being used is qualitative data collection, The subject in this research is the film itself, "Little Women," which has been adapted from the classic novel by Jane Austen. The subject of this research is t

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Tasya Rahmadona. "Moral Values Of The Main Character In Little Women Movie Directed By Greta Gerwig." EDUJ : English Education Journal 1, no. 2 (2023): 99–101. http://dx.doi.org/10.59966/eduj.v1i2.546.

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This study aims to determine the meaning of the main character's moral values in the film Little Women by Greta Gerwig. Jo as the main character in this film has an optimistic personality and is a hard worker. The March sisters only live with their mother, while their father goes off to war. Circumstances demand that Jo be someone who is independent and full of responsibility. The love story that didn't go well with Laurie made Jo start honing her skills in writing in New York until she finally found her true love, Friedrich. The method of this research is descriptive qualitative research to d

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Fitriyah, Fitriyah, and Farah Diva Anindya. "THE ARCHETYPAL AND STEREOTYPICAL DEPICTION OF BARBIE IN THE BARBIE'S FILM (2023) BY GRETA GERWIG." Elite : English and Literature Journal 11, no. 2 (2024): 158–73. https://doi.org/10.24252/elite.v11i2.50999.

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The Barbie (2023) film has succeeded in presenting more than just a light spectacle about the iconic doll. Behind the bright colors and seemingly perfect atmosphere of Barbie Land, this film explores profound themes, including identity, gender roles, feminism, and social criticism of society's expectations of women. The archetypal character of Stereotypical Barbie, as the main character, plays a vital role in this film as a representation of the perfect woman in Barbie Land. This study aims to analyze the psychological factors in Barbie's journey that may interfere with or support her. This is

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Kusumawardhani, Paramita, and Resti Permata Arifin. "The Language Power: A Sociolinguistic Study of Socil Status in Little Women by Greta Gerwig." International Journal of English and Applied Linguistics (IJEAL) 5, no. 1 (2025): 21–33. https://doi.org/10.47709/ijeal.v5i1.5626.

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The purpose of this sociolinguistic research is to provide an in-depth analysis of language use as a reflection of power dynamics and social status in Greta Gerwig's Little Women (2019). This research uses a combination of film analysis and sociolinguistic theory to examine how language is used to communicate and influence power dynamics and social differences among the characters. Data was collected by closely observing the film, focusing on the language choices and communication strategies used by the characters. The analysis explores the complex nuances of language use in the context of soc

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Yuan, Chenxi. "A Comparative Study on Subtitle Translation of Feminist Film Barbie from the Perspective of Translator’s Subjectivity —Take the Official Translation and the Translation by Tupaoguai as Examples." Advances in Education, Humanities and Social Science Research 13, no. 1 (2025): 687. https://doi.org/10.56028/aehssr.13.1.687.2025.

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The film Barbie is one of the masterpieces of Greta Gerwig, a famous American female director. From the perspective of women, the film uses comedy techniques to explore gender issues, which not only satirizes the widespread gender bias in society, but also inspires women to discover themselves and realize personal values. By comparing and analyzing the differences between various translators in understanding the original text, translation strategies and translation styles, this paper reveals the role of the translator’s subjectivity in the subtitle translation of Barbie. In addition, the films

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Arifin, Resti Permata Arifin. "The Language of Power: A Sociolinguistic Study of Social Status in little women by Greta Gerwig." EDUJ : English Education Journal 1, no. 1 (2023): 1–7. http://dx.doi.org/10.59966/eduj.v1i1.462.

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The purpose of this sociolinguistic research is to provide an in-depth analysis of language use as a reflection of power dynamics and social status in Greta Gerwig little Women (2019). This research uses a combination of film analysis and sociolinguistic theory to examine how language is used to communicate and influence power dynamics and social differences among the characters. Data was collected by closely observing the film, focusing on the language choices and communication strategies used by the characters. The analysis explores the complex nuances of language use in the context of socia

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Blanquer-Adam, Paula. "Autofiction in Contemporary Film as a Constructing Medium for the Woman Autor-Character-Narrator." Asparkía. Investigació feminista, no. 45 (July 24, 2024): 1–20. http://dx.doi.org/10.6035/asparkia.7849.

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Un total de 59 producciones desde el año 2000 refleja el auge de la autoficción contemporánea dirigida por mujeres y constata el vasto volumen de producción y coproducción francesa. Este trabajo revisa la relevancia de la autoficción en el contexto de subordinación de las cineastas en la industria y en su condición de sujetos de la enunciación. En una contribución a la valoración de la subjetividad femenina ficcionada, se estudia la construcción del yo a través de lo real, los personajes, el tiempo y el espacio en las películas de mayor recaudación: National Theatre Live: Fleabag (2019), de Ph

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Corrigan, John Michael, and Justin Prystash. "Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood." Film-Philosophy 29, no. 1 (2025): 1–22. https://doi.org/10.3366/film.2025.0290.

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This article argues that the immediate critical responses to the blockbuster film Barbie (Greta Gerwig, 2023), which diverged along ideological lines, fail to account for the extent to which the film undercuts the very ideological divisions that sustain them. Rather than or in addition to presenting a left-wing or right-wing critique of contemporary gender roles, the film positions this contest within the vexed relationship between the ideal and the real. This metaphysical quandary is what propels the protagonists on a Buddhist-inspired quest for authentic selfhood, a selfhood characterized by

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Arcoverde, Luiza Campedelli. "MODA E CINEMA: O FIGURINO DO FILME ADORÁVEIS MULHERES (2019)." Revista Livre de Cinema 11, no. 4 (2024): 60–78. https://doi.org/10.5281/zenodo.14567215.

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O presente artigo tem por objetivo fazer uma análise do figurino do filme <em>Adoráveis Mulheres</em> (2019, Greta Gerwig). Utilizando uma pesquisa documental e descritiva com abordagem qualitativa, a análise fílmica baseou-se em critérios como gênero, nacionalidade e mudanças de coloração para conectar os figurinos ao desenvolvimento dos personagens e à narrativa. Os resultados destacam a complexidade estética do figurino, especialmente da personagem Jo March, que simboliza suas tensões internas e independ&ecir

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Silva, Vanessa da, and Rafael Ferreira da Silva. "Entre a literatura e o cinema." Travessias Interativas, no. 30 (July 11, 2024): 243–57. http://dx.doi.org/10.51951/ti.v14i30.p243-257.

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São recorrentes na história do audiovisual obras cinematográficas que são inspiradas em obras da literatura. Dentro desse tema, a presente pesquisa tem como objetivo analisar a relação entre as obras Little Women (1868) [Adoráveis Mulheres] e Good Wives [Boas Esposas] (1869), de Louisa May Alcott, e a adaptação fílmica de título homônimo, da diretora Greta Gerwig. O elo entre as obras está na maneira como ambas bordam uma leitura feminista das personagens protagonistas e as reflexões sócio-culturais associadas às narrativas. O embasamento teórico parte da categorização de Jakobson (1959), pass

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Amoret, Zuvika, and Cipto Wardoyo. "Analysis of Polysemy in Little Women (2019) Movie." LITERA : Jurnal Bahasa Dan Sastra 11, no. 1 (2025): 27–32. https://doi.org/10.36002/litera.v11i1.3725.

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Polysemy is a linguistic term that describes when a word or phrase has multiple related meanings. Polysemy is part of the field of semantics, which studies the relationship between meanings in language. This research examined the presence of polysemy in the movie adaptation Little Women (2019) that directed by Greta Gerwig. The research method is descriptive qualitative, with analytical techniques applied to the source material, specifically the movie script. The theoretical framework for analyzing polysemy was based on Apresjan’s concept, which provides a comprehensive understanding of polyse

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Cheng, Xianjing. "The Impact of the Barbie Movie on Adolescent Self-Identity and Mental Health." Lecture Notes in Education Psychology and Public Media 99, no. 1 (2025): 34–39. https://doi.org/10.54254/2753-7048/2025.25214.

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The Barbie movie, directed by Greta Gerwig, sparked global discussions on gender roles and self-identity, offering a unique lens to examine media's impact on adolescent mental health. With rising mental health concerns among teenagers, 1 in 7 experience disorders, and media's documented role in body dissatisfaction, this paper explores how the film influences self-identity formation. Through a literature review of 15 peer-reviewed studies, the paper analyzes four key scenes (Barbies perfection, self-doubt, Kens crisis, and diversity themes) and critiques conflicting research on idealized versu

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Wiryana, Febiola, and Suzy Azeharie. "Konstruksi Realitas Feminisme dalam Film Barbie (Analisis Semiotika Charles Sanders Peirce)." Koneksi 8, no. 2 (2024): 463–71. http://dx.doi.org/10.24912/kn.v8i2.27664.

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This study aims to determine the process of communication accommodation by students in establishing friendship relationships. This research is motivated by the difficulty that Barbie is the first live-action film resulting from the adaptation of the legendary doll character of the Mattel company produced by Warner Bros and directed by Greta Gerwig. The movie tells the life story of Barbie and her adventures in the real world. Barbie is more than just a doll. It represents fashion trends and female beauty. Barbie symbolizes strength, diversity, and breaking stereotypes. The Barbie movie inserts

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Schliemann, Ana Laura, Gabriela Martins de Jesus, and Rayssa Barbosa de Siqueira. "A EVOLUÇÃO DA ABORDAGEM DA FEMINILIDADE E GÊNERO NAS CRIAÇÕES DA MATTEL." Diversidade e Educação 12, no. 2 (2025): 1159–79. https://doi.org/10.63595/de.v12i2.16619.

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Compreendendo o caráter disseminador de cultura, a partir de filmes, noções e valores são propositalmente transmitidos, carregando sentidos para fenômenos sociais, como a perspectiva de gênero e sexualidade do público majoritário que consume seus produtos, crianças e adolescentes. O presente artigo abre o diálogo qualitativo entre algumas produções audiovisuais do universo Barbie, analisando a autenticidade com a qual os propósitos morais da empresa Mattel Inc evoluíram ao longo das últimas três décadas. O filme de referência para a realização da pesquisa se trata do longa-metragem “Barbie” de

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Nityasa, Sekar Arum, and Qanitah Masykuroh. "EXPRESSIVE SPEECH ACTS IN LITTLE WOMEN MOVIE." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 8, no. 1 (2024): 222–29. http://dx.doi.org/10.30743/ll.v8i1.8755.

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This research investigates the types and strategies of expressive speech acts uttered by the female main character in the 2019 movie Little Women. Employing a qualitative content analysis design, the study focuses on the female protagonist's utterances that contain expressive speech acts. The data for this research are drawn from the movie transcript of Little Women, directed by Greta Gerwig. Documentation is used to collect the data, which are then analyzed using Searle’s (1979) theory for types of expressive speech acts and Yule’s (1996) theory for strategies of expressive speech acts. The a

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Herdayanti, Kicki, and Robby Satria. "PSYCHOLOGICAL CONFLICT OF THE MAIN CHARACTER REFLECTED IN LADY BIRD MOVIE." JURNAL BASIS 8, no. 2 (2021): 231–38. http://dx.doi.org/10.33884/basisupb.v8i2.3766.

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This research was useful for knowing the personality of the main character in the film. The researchers used the film Lady Bird as the object of research because this film was very interesting and told the story of a teenager who had very strong ambitions. This film was written by Greta Gerwig in 2017. The researcher used the psychoanalytic theory by Sigmund Freud. The study aimed to analyze the psychological conflict between ego, id and super ego trough the attitude and utterances of the main character. The method was qualitative descriptive. In result, researchers found 6 aspects of the id t

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Salsabila, Virgiena, Lili Awaludin, and Hasbi Assiddiqi. "REFUTATION OF LAURA MULVEY'S 'MALE GAZE' THEORY IN FILM LITTLE WOMEN (2019)." Saksama 1, no. 2 (2022): 100–118. http://dx.doi.org/10.15575/sksm.v1i2.23899.

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Film, along with other literary works such as books, poetry and theater, is one of the mediums used in the contemporary day to communicate messages to society. Greta Gerwig adapted the film Little Women (2019) from the novel Little Women (1868) by Louisa May Alcott. This film shows a breakthrough over the prejudice and discrimination towards women in 19th-century cinema. The subject of female gaze has received attention since, up to this point, women have frequently only been shown as passive narrative objects, or even as the principal sexual objects in movies. Analyzing by comparing Laura Mul

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Nada Sa’addiyah and Binti Qani’ah. "Josephine March’s Conflicts and Personalities Analysis in the Movie “Little Women (2019)”." International Journal of Sustainable Applied Sciences 2, no. 5 (2024): 375–90. http://dx.doi.org/10.59890/ijsas.v2i5.1798.

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In this article, the focus was on the analysis of the conflict and personality of Josephine March the main character in the movie "Little Women (2019)" by Greta Gerwig. This research data was in the form of scenes supported by the movie script. These data were determined based on the type of conflict according to Kenney's theory (1966), then the personality type faced by the main character was analyzed based on Freud's theory (1923). The results show that there were 98 conflict data. The actions of Josephine March in both internal and external conflict demonstrated the presence of the id, ego,

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Trysińska, Magdalena. "Jak mówią Barbie i Ken? Analiza wypowiedzi filmowych postaci (w polskiej wersji językowej)." Poradnik Językowy, no. 7/2024(816) (October 30, 2024): 55–75. http://dx.doi.org/10.33896/porj.2024.7.4.

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The article investigates the language used by the movie characters Barbie and Ken in the film Barbie, directed by Greta Gerwig. The Polish dubbing version is the subject of analysis. The author posits that the language of film characters is a contributing factor in the formation of their respective stereotypes. In the case of Barbie and Ken, this is significant, since both characters are cultural icons, and their stereotypical image is well-known in many cultures. Consequently, they can be regarded as exemplifying a specific gender and social group, and the utterances in question can be viewed

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Rafa Saabira Pribadi and Askurifa'i Baksin. "Analisis Ekranisasi dari Novel ke Film “Little Women”." Bandung Conference Series: Communication Management 3, no. 2 (2023): 704–10. http://dx.doi.org/10.29313/bcscm.v3i2.8073.

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Abstract. Film stories based on novels are nothing new nowadays. This adaptation process is a transfer of media, or specifically ecranisation, which can become works that can captivate audiences, both readers and viewer. This research examines the ecranisation analysis of the story “Little Women”, a novel by Louisa May Alcott (1868), which was later adapted into a film by director Greta Gerwig (2019). This study has a focus on examining the Little Women story through the theory of ecranisation in the form of shrinking plots, adding plots, or changing plot variations in the story. Data were ana

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Sadewi, Nurfadillah, and Syamsurrijal Syamsurrijal. "Exploring Motivational Message and Literary Themes in Little Women (2019): A Masovian Perspective." Jurnal Ilmu Sosial dan Humaniora 3, no. 3 (2025): 375–84. https://doi.org/10.57248/jishum.v3i3.518.

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This study examines the motivational themes and themes in Greta Gerwig's film, Little Women (2019), based on Louisa May Alcott's work, from a Maslowian perspective, focusing on how the adaptation of the novel relates to the interplay between power, desire, and masculinity, using Louisa May Alcott's experiences. Gerwig's adaptation also serves as a general example of using Maslow's hierarchy of needs in feminist novels. According to Maslow's theory, everyone has five needs: physiological, safety, social, esteem, and self-actualization. (Maslow, 2017). This provides a basis for analyzing motivat

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Pohan, Syafruddin, Febiola Aditya Yusuf, and Febriani Amalina. "Kesetaraan Gender Egalitarianisme dalam Narasi Film Barbie melalui Perspektif Konstruktivisme." Da'watuna: Journal of Communication and Islamic Broadcasting 4, no. 2 (2023): 869–79. http://dx.doi.org/10.47467/dawatuna.v4i2.5553.

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The issue of gender equality is not something new today. This issue has been widely discussed in a series of interesting stories full of meaning, one of which is in the form of a film. This research explores the representation of gender equality in the Barbie film released in 2023 and directed by Greta Gerwig from a constructivist perspective. The Barbie film is mass media that influences people's perceptions of gender bias. In the context of constructivism, films are considered the result of construction by media professionals, which can strengthen or change gender stereotypes that already ex

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Zacipa-Infante, Ingrid, and Victoria Tur-Viñes. "Barbie (2023): el icono cultural que redefine el empoderamiento femenino." Revista de Comunicación 24, no. 1 (2025): 539–57. https://doi.org/10.26441/rc24.1-2025-3752.

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El artículo examina la película Barbie (Greta Gerwig, 2023), la más taquillera del año, y su relación con las estrategias de marketing y los estereotipos de género. El objetivo es analizar la perpetuación de estereotipos y la adaptación de Mattel a las demandas de igualdad de género mediante rebranding y campañas como "You Can Be Anything". El estudio utiliza un diseño metodológico mixto, con análisis cualitativo y cuantitativo de la película mediante coocurrencias y datos estadísticos de ventas. El principal hallazgo es que, aunque la película se presenta como un fenómeno de empoderamiento fe

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Kania Maharani, Ni Putu, and Ida Bagus Gde Nova Winarta. "Analysis of Three Dimensional Aspects Reflected in the Movie Entitled “Barbie”." ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies 5, no. 2 (2025): 181–94. https://doi.org/10.36733/elysian.v5i2.9809.

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The study focused ot find out three dimensional aspects in the movie entiled Barbie (2023). The movie produced by Greta Gerwig and written by Noah Baumbach. The story is about the stereotypical Barbie as a fellow dolls resident in Barbieland. She lives with Ken and other differents barbie dolls. Then, while kens spend their playing at the beach, considering it their profession, the Barbie hold prestigious job such as doctor. Beach Ken ("Ken") is only happy when he has deep relationship with her, but she rebuffs him in favor of other activities. the method of this research is descriptive qualit

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Pratama, Yoga, and Roro Meifi Pitaloka. "GENDER REPRESENTATION AND FEMINIST DISCOURSE IN THE FILMS BARBIE (2023) AND WONDER WOMAN (2017): A STUART HALL REPRESENTATION ANALYSIS." CALL 7, no. 1 (2025): 93–108. https://doi.org/10.15575/call.v7i1.44225.

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ABSTRACT Media is not just a mirror reflecting the society butâ€‚it also acts as an agent in producing the meanings. This studyâ€™s primary objective is to analyze how gender representation and feminist discourse are constructed in Barbie and Wonder Woman using Stuart Hallâ€™s representation theory. This study aims is to illuminate nuanced interplay between media, culture, and ideology. This study employs a qualitative research approach to analyze the representation of gender and feminist discourse in Barbie and Wonder Woman. The subjects of this study are the films Barbie, directed by Greta G

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Rosalinah, Yanti, Ibnu Subroto, and Rina Lestari. "FEMINISM REFLECTION THROUGH FAMILY COMMUNICATION IN THE MAIN CHARACTER OF LITTLE WOMEN MOVIE." J-IKA 9, no. 1 (2022): 14–20. http://dx.doi.org/10.31294/kom.v9i1.12663.

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This paper is meant to understand how Jo march, who is the female lead character, is portrayed and how the film reflects feminist values through the character of Jo march. The analysis in this text uses a feminist approach because the purpose of this writing is to find the feminism of the main character and how communication in the family affects all the decisions taken by the main character in this film. This analysis is based on the sources of Little Women movie by Greta Gerwig. The method of analysis used is a qualitative descriptive method. To find the feminism values of the Jo March chara

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Dewayani, Ardya, and Azwar. "Representation of Gender Equality in the “Barbie” Film: Semiotic Analysis of Roland Barthes." JURNAL LENSA MUTIARA KOMUNIKASI 8, no. 1 (2024): 125–36. https://doi.org/10.51544/jlmk.v8i1.4952.

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This research focuses on the representation of gender equality in the live-action film "Barbie" produced by Warner Bros. which was released in 2023 and directed by Greta Gerwig. This film illustrates how the characters Barbie and Ken face differences in the social construction of gender between the utopian world they live in and the real world. Gender equality itself is the assumption that men and women have the same position. Through nurture theory, we can assume that gender is a characteristic inherent in men and women through social construction, not due to biological factors. This research

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Puteri Andanie, Salma, and Misyi Gusthini. "Representasi Analisis Kebebasan dan Penjara Sosial dalam Tayangan Film Barbie." Alinea: Jurnal Bahasa, Sastra dan Pengajaran 4, no. 3 (2024): 535–48. https://doi.org/10.58218/alinea.v4i3.1077.

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This study analyzes how the film Barbie depicts freedom and social constraints, focusing on how these themes emerge through the characters and story. The aim of this analysis is to provide an understanding of how Barbie reflects modern issues related to identity, empowerment, and the challenges of achieving true freedom in a society filled with rules. As Greta Gerwig (2023) stated, "I thought I was living in a perfect world, with no problems, but I started to see there were many things blocking me from truly being free." The film depicts Barbie’s journey of self-discovery as she challenges tra

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Rosa, Maria, and Josenilde Souza. "BARBIECORE: UM ESTUDO DO APELO NOSTÁLGICO PÓS COVID-19 E O PODER DO FÃ COMO INFLUENCIADOR DA CULTURA POP INTERNACIONAL." Brazilian Creative Industries Journal 4, no. 1 (2024): 46–66. http://dx.doi.org/10.25112/bcij.v4i1.3727.

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O presente artigo tem como objetivo entender as causas da migração do sucesso do filme Barbie (2023, Greta Gerwig) para a indústria da moda, resultando na tendência Barbiecore. Para isso, foi realizado um estudo Interdisciplinar relacionando história da moda, cultura popular, marketing, sociologia e psicologia de consumo. Assim, ao longo de seis meses foram analisados: a ligação da boneca Barbie com a moda e sua consequente influência nesse mercado, o figurino do longa e suas inspirações, o papel da nostalgia no mundo pós-pandêmico, as estratégias publicitárias usadas para promover o filme, o

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Odyn, Dayra Afraa Zahira, Kismiyati El Karimah, and Frila Nurfadila. "Analisis semiotika Roland Barthes terhadap representasi emerging adulthood dalam film Barbie (2023)." Comdent: Communication Student Journal 1, no. 2 (2024): 421–35. https://doi.org/10.24198/comdent.v1i2.53202.

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Latar Belakang: Film Barbie (2023) adalah film adaptasi dari boneka mainan anak terlaris sepanjang masa asal Amerika Serikat. Film yang diproduksi Warner Bros. Pictures dan disutradarai oleh Greta Gerwig ini menceritakan perjalanan hidup Barbie bersama Ken yang berfokus pada penyelesaian masalah hidup Barbie, tetapi dalam prosesnya kedua tokoh tersebut mempelajari banyak hal dan mengalami perkembagan diri. Meskipun film ini merupakan adaptasi dari boneka mainan anak-anak, audiens dari film ini berusia remaja ke atas karena banyak pesan-pesan terkait isu sosial seperti feminisme, tuntutan masya

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Salsabila, Karina, and Muhammad Zaki Pahrul Hadi. "Analisis Feminis terhadap Variasi Pandangan Emansipasi Perempuan oleh Tokoh March Bersaudara dalam Little Women (2019)." Jurnal Ilmu Sosial dan Humaniora 3, no. 4 (2025): 615–24. https://doi.org/10.57248/jishum.v3i4.588.

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The 2019 film Little Women, a recent adaptation of Louisa May Alcott’s classic novel, presents a compelling narrative centered on women, life choices, and the struggle against social constraints. Directed by Greta Gerwig, the film not only portrays a warm family story but also explores gender dynamics that resonate with contemporary feminist discourse. Through the experiences of the four March sisters Meg, Jo, Beth, and Amy the film becomes a reflection of the diverse and complex forms of female emancipation. This study analyzes Little Women through a feminist lens, employing feminist theory t

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RIBEIRO, Vannini de Medeiros Mendes, Ana Tereza Ramos de Jesus FERREIRA, Otávio Augusto Castro RISIERI, and Fabrícia Teixeira BORGES. "AN ANALYSIS OF THE MOVIE BARBIE (2023), DOLL AND ITS IMPLICATIONS ON CHILD DEVELOPMENT." Boletim de Conjuntura (BOCA) 15, no. 45 (2023): 284–309. https://doi.org/10.5281/zenodo.8342825.

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Barbie, the best-selling doll since 1959, is back in the spotlight in 2023 with the film directed by Greta Gerwig. However, in the film, the doll's glamorous, pink universe is crossed by social dilemmas and problems that permeate contemporary society. In this sense, this article is intended to carry out a film analysis of the feature film Barbie (2023) and discuss the role of the Barbie doll in children's development. The methodology of film analysis will be used to analyze the data after breaking down the film and comparing it with the theoretical framework obtained by searching datab

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Putri, Rosalinda Mardiana, Mayasari Mayasari, and Nurkinan Nurkinan. "Analisis Wacana Kritis Norman Fairclough Pada Film Barbie 2023 Sebagai Representasi Budaya Patriarki." JKOMDIS : Jurnal Ilmu Komunikasi Dan Media Sosial 4, no. 2 (2024): 566–74. http://dx.doi.org/10.47233/jkomdis.v4i2.1884.

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Film is part of audio-visual mass media communication and aims to convey social messages to the audience in accordance with the reality that is growing and developing in society. One of the films that has this purpose is the film Barbie Live Action 2023. The purpose of this research is to dissect the discourse in three dimensions, namely textual, discourse practice, and sociocultural practice. In this research, the type of research used is qualitative-descriptive research. The paradigm used in this research is the critical paradigm. The appropriate research method used for this research is Nor

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Kazarin, V. N., M. G. Chertovskikh, and D. V. Chertovskikh. "Modus of Nostalgia of Modern English-Speaking Culture as a Phenomenon of Weird-Liminal Aesthetics: Literature, Cinematography and Music." Concept: philosophy, religion, culture 8, no. 2 (2024): 136–52. http://dx.doi.org/10.24833/2541-8831-2024-2-30-136-152.

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This essay attempts to demonstrate the mechanism of the process called by Franco Berardi the slow cancellation of the future. The relevance of the research stems from the need to face the crisis situation in which contemporary English-speaking culture has lost the ability to create artistic works that present a clear image of the future. The crisis can be dealt with if understood as the cancellation of the future. This study aims to reveal the aesthetics of anachronisms, viewed narrowly and understood in a specific sense as means of dealing with the projects of a cancelled future which renders

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Barrenetxea Marañón, Igor. "La rebelión contra los estereotipos en Barbie (Greta Gerwing, USA, 2023)." FILMHISTORIA Online 33, no. 2 (2023): 605–8. http://dx.doi.org/10.1344/fh.2023.33.2.605-608.

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Crim, Brian E. "A Deadly Legacy: German Jews and the Great War." German History 36, no. 2 (2018): 295–97. http://dx.doi.org/10.1093/gerhis/ghx133.

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Storer, Colin. "Oil and the Great Powers: Britain and Germany, 1914-1945." German History 37, no. 4 (2019): 587–89. http://dx.doi.org/10.1093/gerhis/ghz084.

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Mintzker, Y. "Rebellious Prussians: Urban Culture under Frederick the Great and his Successors." German History 32, no. 1 (2013): 137–38. http://dx.doi.org/10.1093/gerhis/ght066.

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Sperber, J. "Landownership in Eastern Germany before the Great War: A Quantitative Analysis." German History 26, no. 4 (2008): 583–85. http://dx.doi.org/10.1093/gerhis/ghn059.

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Rede, Marcelo. "Iconografia, história e antigüidade grega I: tendências gerais." Anais do Museu Paulista: História e Cultura Material 1, no. 1 (1993): 263–85. http://dx.doi.org/10.1590/s0101-47141993000100016.

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Closmann, C. "The Business of Waste: Great Britain and Germany, 1945 to the Present." German History 32, no. 4 (2014): 675–77. http://dx.doi.org/10.1093/gerhis/ghu051.

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