Academic literature on the topic 'Grevenbrück'

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Journal articles on the topic "Grevenbrück"

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Maas, Tycho. "The Classics at World’s End." Journal of Latin Cosmopolitanism and European Literatures, no. 5 (April 2, 2021). http://dx.doi.org/10.21825/jolcel.v5i0.16569.

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The Dutchman Johannes Willem van Grevenbroek (1644-circa 1726) was secretary of the Dutch East India Company’s Council of Policy at the Cape from 1684 to 1694. In the years that had passed since Jan van Riebeeck’s landing at the Cape in 1652, marking the first permanent European settlement in modern-day South Africa, regular expeditions had been launched into its hinterland. A year after his retirement from VOC service, Grevenbroek wrote a letter in Latin about the Cape’s native inhabitants: Elegans et accurata gentis Africanae circa Promontorium Capitis Bonae Spei vulgo Hottentotten Nuncupata
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Books on the topic "Grevenbrück"

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Dassie, Fabrizio. I Grevenbroeck. Cierre grafica, 2019.

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Kalitzki, Jürgen Tröps Dieter /. Menschen Züge Bahnstationen - Eisenbahnen im Sauerland. Band 1: Die Ruhr-Sieg-Strecke mit den Eisenbahnorten Altenhundem, Grevenbrück, Meggen, Kirchhundem und Finnentrop. Eine Bilddokumentation. Siegen, 1995.

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Hôtel Drouot. Dessins, gravures et importants tableaux anciens, par ou à attribuésà: Guiliam Dandoy, Giovanni Crivelli, Cornelius Jacobsz Delff, Frans Francken, Jan Gillemans, Jan van Goyen, Alessandro Grevenbroeck, Horatius deHoogh, Adriaen Thomas Key, L.M. van Loo, Jan Martszen de Jonge, le maǐtre du fils prodigue, Karel de Moor, Adriaen Pieterz van de Venne, Philips Wouverman, et des écoles allemande, anglaise, espagnole, flamande, du XVIème au XIXème siècle. 1999.

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Book chapters on the topic "Grevenbrück"

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Glenn, Ian. "Classical imagery and policing the African body 1695–1877." In (u)Mzantsi Classics: Dialogues in Decolonisation from Southern Africa. African Minds, 2022. http://dx.doi.org/10.47622/9781928502302_2.

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This chapter examines the role of classical learning and classical images in how Europeans in South Africa tried to understand and think through difference. It starts with two early writers, Johannes Gulielmus de Grevenbroek, who wrote in Latin, and Peter Kolb (also written Kolbe and Kolben), who wrote in German, and then considers early traditions of illustration and how classical models affected many early portrayals of native Africans.
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