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Journal articles on the topic 'Grief in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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1

Josephsen, Jayne. "Examining Grief Through Art." Journal of Nursing Education 59, no. 9 (2020): 540. http://dx.doi.org/10.3928/01484834-20200817-14.

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2

Leeuwenburgh, Erika. "The art of grief." Arts in Psychotherapy 16, no. 4 (1989): 333. http://dx.doi.org/10.1016/0197-4556(89)90057-9.

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3

Davis, Amanda A., and Mellar P. Davis. "Art in medicine and the art of grief." Progress in Palliative Care 18, no. 5 (2010): 266–69. http://dx.doi.org/10.1179/096992610x12775428636908.

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4

Bauer, Sara. "Artist's Statement: Grief." Interdisciplinary Journal of Partnership Studies 10, no. 2 (2023): 8. http://dx.doi.org/10.24926/ijps.v10i2.5581.

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5

Brinkmann, Svend, Ignacio Brescó, Ester Holte Kofod, et al. "The Presence of Grief: Research-Based Art and Arts-Based Research on Grief." Qualitative Inquiry 25, no. 9-10 (2018): 915–24. http://dx.doi.org/10.1177/1077800418789443.

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The authors involved in the creation of this text collaborate on a research project called The Culture of Grief, which explores the current conditions and implications of grief. The authors mostly employ conventional forms of qualitative inquiry, but the present text represents an attempt to reach a level of understanding not easily obtained through conventional methods. The group of authors participated as members of the audience in an avant-garde theatrical performance about grief, created by a group called CoreAct. The artists of CoreAct create their art through systematic research, in this
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6

Buck, Harleah G., Diego F. Hernandez, Tina Mason, Cindy Tofthagen, and Kevin E. Kip. "A TALE OF TWO CASE STUDIES: ACCELERATED RESOLUTION THERAPY FOR COMPLICATED GRIEF IN OLDER ADULTS." Innovation in Aging 3, Supplement_1 (2019): S272. http://dx.doi.org/10.1093/geroni/igz038.1010.

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Abstract Complicated grief (CG) is characterized by lengthy, intense, and functionally impairing grief which disproportionately affects older adults. Accelerated Resolution Therapy (ART) is a brief, protocol driven, exposure/imagery rescripting therapy which uses lateral left-right eye movements. ART, unlike traditional psychotherapy, directs the person to perform two tasks simultaneously (e.g. re-experiencing the grief experience and performing eye movements), taxing limited working memory capacity. Importantly, this may force memory traces representing events, emotions, and sensations to com
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7

Lyon, J. M. "The Art of Grief: Douglas Dunn's Elegies." English 40, no. 166 (1991): 47–67. http://dx.doi.org/10.1093/english/40.166.47.

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8

Greeff, Sandra. "Creating a bereavement memorial protocol using art therapy: Reflecting on two case studies." South African Journal of Arts Therapies 1, no. 1 (2023): 28–49. http://dx.doi.org/10.36615/sajat.v1i1.2497.

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Art therapy in South Africa has focused on counselling and grief work but not on modelling a persistent complex bereavement memorial protocol as a viable alternative to traditional bereavement counselling. This article addresses this gap in practice and literature in the following ways: Investigating an organically modelled and observed bereavement process reflected in the form of interviews. Analysing the literature that will support this hypothesis, consider how this art-based therapeutic bereavement memorial protocol can provide a viable alternative to traditional bereavement counselling. I
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9

Roland, Meg. "'wepte and shryked:' Social Grief and the Conclusion of Malory's Le Morte Darthur." Arthuriana 33, no. 2 (2023): 154–61. http://dx.doi.org/10.1353/art.2023.a903763.

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Abstract: Through the person of King Arthur, Sir Thomas Malory articulates an emotional response not experienced by one, but as a form of 'social grief,' a grief formed outside the normative bounds and emotional regime of the Arthurian community. Similar to Malory's evocation of the despair of the Arthurian court, we also grieve the loss of civil society, replaced by the shadow side of the American ideals of individual freedom and constitutional rights.
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10

Ife, Fahima. "Grief Aesthetics." liquid blackness 6, no. 1 (2022): 86–95. http://dx.doi.org/10.1215/26923874-9546572.

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Abstract An excerpt from an experimental series, “Grief Aesthetics” is a lyrical essay on intimacy and writing. The essay participates in the double black study of eroding and composing a new sentence, a new sentence sounded in refusal (of the social pact of writing, of grammar), a new sentence forged in friendship (of thinking with, of writing with). On one level, “Grief Aesthetics” is concerned with inherited grief, the remains of stolen life, the residual desire for romance in contemporary black art. The essay considers the loss of romantic love in conversation with Terence Nance's feature
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11

Solakidi, Sylvia. "Connie Palmen’s and Jan Fabre’s Grief Staged as Landscape of Memory." KronoScope 19, no. 2 (2019): 188–211. http://dx.doi.org/10.1163/15685241-12341442.

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AbstractTwo works focusing on the corporeality of grief, The Logbook of a Merciless Year by Connie Palmen and the theatre text Requiem for a Metamorphosis by Jan Fabre, are explored alongside Merleau-Ponty’s ontology for their way to transform personal grief, characterized by identity crisis and spatiotemporal disorientation, into an act of remembering. The two works are approached as fictions of the body in pain, enacting grief like body art pieces in order to make pre-reflective sense of it. Pain becomes an agent, allowing the authors to open up by transforming their introvert portraits of g
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12

Bertman, Sandra L. "The Art of Grief: The Use of Expressive Arts in a Grief Support Group." Death Studies 34, no. 3 (2010): 274–78. http://dx.doi.org/10.1080/07481180903559352.

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13

Syaiffulhisham, Siti Farzana, Nik Syahida Sabri, Mursyidah Zainal Abidin, and Nurul Shafinaz Ibrahim. "Expressing the Prolonged Grief Disorder through Face Expression by using Silk Screen." Environment-Behaviour Proceedings Journal 7, SI9 (2022): 49–54. http://dx.doi.org/10.21834/ebpj.v7isi9.3937.

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The purpose of the project is to express prolonged grief through facial expressions. Grief is a natural response to loss because it is a universal and singular experience. Art students and academics frequently employed art-based study as a technique and research strategy. This study's methodology includes the processes of artwork analysis, visual data collection, and artwork making. According to the researcher, this study will significantly impact the art scene, especially among printmakers. The outcomes will be implemented in producing artworks incorporating silk screen printing techniques. K
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14

Chatterley, Marion. "Briana MacWilliam, ed. Complicated Grief, Attachment, & Art Therapy." Health and Social Care Chaplaincy 7, no. 1 (2019): 84–85. http://dx.doi.org/10.1558/hscc.37632.

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15

Strouse, Sharon. "Artful Grief: An Art Therapy Application of Appreciative Living." AI Practitioner 22, no. 2 (2020): 19–24. http://dx.doi.org/10.12781/978-1-907549-43-4-3.

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16

Logid, Janet. "The Healing Power of Art: Is It Just for Patients?" Creative Nursing 17, no. 3 (2011): 118–19. http://dx.doi.org/10.1891/1078-4535.17.3.118.

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17

Buck, Harleah, Paula Cairns, Nnadozie Emechebe, et al. "Lessons Learned in a Community-Based, Randomized Controlled Trial of a Complicated Grief Intervention." Innovation in Aging 4, Supplement_1 (2020): 699. http://dx.doi.org/10.1093/geroni/igaa057.2453.

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Abstract Complicated grief (CG), severe, prolonged (>12 months) grieving, disproportionately affects older adults. A prospective two-group, waitlisted RCT examined whether four sessions of Accelerated Resolution Therapy (ART) was effective in informal caregivers by comparing pre-to-post ART changes and investigating variation in treatment response by baseline CG levels. Inclusion: ≥60 years, Inventory of Complicated Grief >25. Paired t-tests of mean (SD) differences compared pre- to post-ART; pre-ART to 8-week follow-up, and post-ART to 8-week follow-up; then stratified by median
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18

Sawicki, Janusz. "Zaniechanie ukarania z art. 16a i 16b k.k.s. — szczególne rodzaje czynnego żalu czy niepotrzebna kazuistyka?" Przegląd Prawa i Administracji 116 (December 20, 2019): 87–101. http://dx.doi.org/10.19195/0137-1134.116.6.

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WAIVING THE PENALTY WITH ARTICLE 16A AND 16B — ARE THESE SPECIAL TYPES OF ACTIVE GRIEF OR UNNECESSARY CASUISTRY?The article is a theoretical study of waiving the penalty of a fiscal penal law violator or a fiscal offender. The issues addressed in the article present major problems that draw the attention of both theorists and practitioners in the field. The aim of the article is to evaluate the contemporary model of waiving the penalty that is formulated by the fiscal penal code within Articles 16, 16a and 16b. The author analyzes in detail the institutions described in the Fiscal Penal Code,
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19

Cherewatuk, Karen. "Anticipatory, Active, and Participatory Grief in Malory's Morte Darthur." Arthuriana 33, no. 2 (2023): 138–53. http://dx.doi.org/10.1353/art.2023.a903762.

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Abstract: Malory employs three types of emotional experience to engage his readers in the scenes of King Arthur's death: anticipatory, active, and participatory grief. Through tragic plot and literary art, Malory leads the audiences of Le Morte Darthur to grieve with, and then for, the king.
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20

Wyatt, Megan, and Susan Liggett. "The Potential of Painting: Unlocking Disenfranchised Grief for People Living With Dementia." Illness, Crisis & Loss 27, no. 1 (2018): 51–67. http://dx.doi.org/10.1177/1054137318780577.

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As part of the Creative Well program at a local health board, one of the authors qualitatively investigated how painting can access a means of communication for people living with dementia. In a workshop setting within a gallery environment, participants living with dementia were facilitated on a one-to-one basis the opportunity to paint alongside the researcher. During the workshops, a number of experiences were articulated. These included experiences of illness, crisis, and loss. They were captured through observations, interviews, visual art, and video to contribute to new understandings an
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21

Bakanova, Anastasia A. "OPPORTUNITIES FOR PSYCHOLOGICAL ASSISTANCE TO GRIEVING FAMILIES AND CHILDREN." Научное мнение, no. 12 (December 25, 2023): 194–98. http://dx.doi.org/10.25807/22224378_2023_12_194.

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The article is devoted to an overview of the main targets and methods of individual and group psychological assistance to families and children in a situation of grief. Among the targets, there are targets directly related to grief, as well as related targets aimed at strengthening the stability of the family and updating additional resources for the healing of grief. The format of assistance can be not only individual, but also group. Among the effective methods, the possibilities of cognitive behavioural therapy, art therapy and self-regulation training are described. The effectiveness of gr
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22

Buck, Harleah. "CAREGIVERS' EXPECTATIONS OF A MIND-BODY THERAPY FOR COMPLICATED GRIEF." Innovation in Aging 6, Supplement_1 (2022): 284. http://dx.doi.org/10.1093/geroni/igac059.1129.

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Abstract Accelerated Resolution Therapy (ART) is a psychotherapy for the treatment of complicated grief, defined as unusually prolonged, functionally impairing grief. The purpose of this study was to qualitatively examine caregiver’s expectations of ART. The sample included 29 primarily female, older (67.4 + 7.1 years) former informal caregivers; a little over half (n=18) had been married to their care recipient. Thematic analysis resulted in three themes and six sub-themes arising: The role of knowledge in expectations (sub-themes uncertainty, prior knowledge); The role of personality in expe
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23

Selfridge, Marion, Jennifer Claire Robinson, and Lisa M. Mitchell. "heART space: Curating community grief from overdose." Global Studies of Childhood 11, no. 1 (2021): 69–90. http://dx.doi.org/10.1177/2043610621995838.

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This article details the transformation of an empty store into a gallery honouring youth and others who have passed away from overdoses, and the creation of extensive harm reduction and grief support programming that accompanied the display of artwork. The outpouring of community interest, participation, and emotion that surfaced around heART space clearly shows how art, exhibitions and creative programming can help foster communities of care during times of crisis. Drawing from research into practices of care from harm reduction work, grief studies and participatory arts and curatorial studie
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24

Ruiz, Sandra. "A Light for a Light." Meridians 21, no. 2 (2022): 455–79. http://dx.doi.org/10.1215/15366936-9882141.

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Abstract How does loss tear a hole in the world and produce a collective remaking of a new social order in which grief-work is not contained singularly but is a process done in feminist, queer, and Black and Brown ensemble? Interested in how we deliberately incorporate loss into collective grief-work, this article pulls from feminist and queer theorists of color who move across social and psychical constructions of sorrow. Highlighting contemporary art by minoritarian artists such as Eva Margarita Reyes and Pedro Lopez, who embrace loss, the author argues that grief-work is a communal labor we
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25

Spry, Tami. "Canvasing the Body." Departures in Critical Qualitative Research 10, no. 1 (2021): 155–59. http://dx.doi.org/10.1525/dcqr.2021.10.1.155.

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Focusing on our interactions with visual art as posthuman performance, this piece explores how Jane Bennett’s “vibrant materiality” moves us into a radical relationality with art and processes of grief. Performance studies’ enduring plumb into the deep ecology of body-page-body-stage makes us particularly equipped to see what else we might know of being in semantic-somatic multimatter knowing.
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26

Ferro, Michele J. "Connecting within: Digital collage as art-based research to process a pandemic." Journal of Applied Arts & Health 13, no. 1 (2022): 11–26. http://dx.doi.org/10.1386/jaah_00087_1.

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This article focuses on the use of digital collage as art-based research (ABR) to process the COVID-19 pandemic by an employed art therapist. The researcher/artist created a series of digital collages over a four-month period that were explored symbolically and metaphorically to comprehend a period of collective grief. The investigation explores digital collage as an applicable ABR method and highlights the importance of expressive therapists creating their own art, especially during times of crises.
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27

Perepeliuk, Tetiana, Anastasiia Dzhulai, and Serhii Olkhovetskyi. "Features of the use of art therapy in working with members of military families." Psychological Journal, no. 12 (June 24, 2024): 146–54. http://dx.doi.org/10.31499/2617-2100.12.2024.306829.

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The article is devoted to the analysis of the peculiarities of the use of art therapy in working with members of military families. The concepts of art therapy, social adaptation, and coping resources are characterized. The concept of grief and its course during war, in particular when a loved one is lost in war, is defined. The results of an empirical study on the severity of anxiety, depression and post-traumatic growth of women who lost relatives in the war are presented. The art therapy technique "Painting grief" is characterized. The purpose of this article is to determine the possibiliti
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28

Jensen, Christopher. "Launcelot's Swoon: Mourning and Memorial in Malory and the Stanzaic Morte Arthur." Arthuriana 33, no. 2 (2023): 62–83. http://dx.doi.org/10.1353/art.2023.a903758.

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Abstract: Launcelot's embodied expression of grief at Gwenyvere's funeral is condemned by the Bishop in Malory's Morte , but the ideological basis for this condemnation is obscure. Linguistic, cultural, and doctrinal analysis provide useful interpretive context, but a close comparison to the Stanzaic Morte Arthur reveals more concrete evidence of Malory's amplification of the earlier poem and characteristic affinity for the secular.
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Whittle, Kristen. "A Requiem for Fanny: The Final Creative Efforts of Felix Mendelssohn." Nota Bene: Canadian Undergraduate Journal of Musicology 16, no. 1 (2023): 1–23. http://dx.doi.org/10.5206/notabene.v16i1.16608.

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Felix Mendelssohn entered a state of intense depression and mourning upon hearing that his sister, Fanny Mendelssohn-Hensel passed away in her Leipzig home on May 14, 1847, after suffering a stroke. Composition, a key element of the personal and collegial relationship between Hensel and her brother, served as a necessary outlet for his grief, from the time of Hensel’s death until his own passing only six months later. Communication of grief through music developed substantially throughout the nineteenth century, and this notion of suffering within art collocated with the modern labels for the
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30

Lev, Michal. "Artmaking Resilience: Reflections on Art-Based Research of Bereavement and Grief." Creative Arts in Education and Therapy 8, no. 1 (2022): 126–38. http://dx.doi.org/10.15212/caet/2022/8/1.

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This article presents some of the elements of artmaking as sources of resilience within the process of bereavement and grief. It builds upon findings from an art-based research project conducted during the period of coronavirus disease 2019 pandemic that explored properties of resilience in the face of sickness and death, which suggests three active elements to resilience: the capacity to observe pain, possession of faith, and the support circle. The article ties these findings, with other artistic projects in which artmaking responded to and alleviated sorrow and loss.
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Jung, Hyo-Yun, and Yoo-Jung Kim. "A Case Study of Grief-Focused Art Therapy on Pet Loss." Korean Journal of Arts Therapy 21, no. 1 (2021): 95–119. http://dx.doi.org/10.18253/kart.2021.21.1.05.

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32

Beaumont, Sherry L. "Art Therapy for Complicated Grief: A Focus on Meaning-Making Approaches." Canadian Art Therapy Association Journal 26, no. 2 (2013): 1–7. http://dx.doi.org/10.1080/08322473.2013.11415582.

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33

FOWLER, KATHLEEN. "“So new, So new”: Art and Heart in Women's Grief Memoirs1." Women's Studies 36, no. 7 (2007): 525–49. http://dx.doi.org/10.1080/00497870701593747.

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34

Buck, Harleah G., Paula Cairns, Nnadozie Emechebe, et al. "Accelerated Resolution Therapy: Randomized Controlled Trial of a Complicated Grief Intervention." American Journal of Hospice and Palliative Medicine® 37, no. 10 (2020): 791–99. http://dx.doi.org/10.1177/1049909119900641.

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Background and Objectives: Complicated grief (CG) is severe, prolonged (>12 months) grieving. Complicated grief disproportionately affects older adults and is associated with negative physical/psychological effects. Although treatment options exist, those which do are time-intensive. We report on a randomized clinical trial (RCT) which examined whether accelerated resolution therapy (ART), a novel mind-body therapy, is effective in treating CG, post-traumatic stress disorder (PTSD), and depression among hospice informal caregivers. Research Design and Methods: Prospective 2 group, wait-list
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35

Cox, Gerry R. "Using Humor, Art, and Music with Dying and Bereaved Children." Illness, Crisis & Loss 6, no. 4 (1998): 408–20. http://dx.doi.org/10.2190/il6.4.d.

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This article discusses using humor, art, and music with dying and bereaved children. All forms of artistic expression may be used to provide social support for children, to foster positive attitudes, and to allow for expression of emotions and grief. Children often lack verbal skills. Artistic expression allows the expression of thoughts and feelings in a safe environment. Many forms of artistic expression are available. Humor, art, and music are used as examples of what might be used to aid children.
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36

Moore, Kelli. "Techniques of Abstraction in Black Arts." Meridians 21, no. 2 (2022): 413–35. http://dx.doi.org/10.1215/15366936-9882119.

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Abstract This review essay discusses recent exhibitions and accompanying art books published at the threshold of Black philosophy and aesthetics in relation to feminist mourning practices: Nicole Fleetwood’s book and exhibition Marking Time: Art in the Age of Mass Incarceration (2020); Grief and Grievance, an exhibition (2021); a book (2020) conceived by the late Nigerian curator Okwui Enwezor; and Saturation: Race, Art, and the Circulation of Value (2020), edited by C. Riley Snorton and Hentyle Yapp. These books and several others elucidate how relationships between transnational feminism, mo
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Emilia, C. "Art therapy with children surviving cancer used to relieve symptoms associated with death, loss and pain." European Psychiatry 64, S1 (2021): S682—S683. http://dx.doi.org/10.1192/j.eurpsy.2021.1809.

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IntroductionSince dying is inevitable, it is part of life, children need to be able to deal with the feelings and emotions associated withs death, loss and pain. When the grieven child move among the art modalities, he or she is able to deepen understaning of his or her lived experiences.ObjectivesOur aim is to uncover these new perspectives and sources of inspiration in order to advance in defining the importance of resilience in personal development.MethodsWe made use of the following techniques: ceramic, drawing, modeling, painting, assemblage of unconventional materials, multimedia techniq
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Correia, Gabriel Acassio, Vinícius Carvalho Pereira, Daniele Trevisan, and Cristiano Maciel. "The Art of Dying in a Digital World: How Death is Represented in Digital Art." Journal on Interactive Systems 15, no. 1 (2024): 252–64. http://dx.doi.org/10.5753/jis.2024.3818.

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With the rise of computing, human rituals and cultural practices have increasingly interwoven with digital technologies. In this milieu, the cultural facets of death and art are particularly noteworthy. The realm of art has undergone a seismic shift due to computing, developing new artistic forms and enhancing the reach of older forms. Concurrently, aspects of death are now integrated into digital technologies, manifesting in unique ways such as the retention of data from the deceased, digital expressions of grief, online memorials, and the like. In light of this, our fundamental, qualitative,
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Rastogi, Akriti, Sujita Kumar Kar, and Shweta Singh. "Exploration of grief in an adolescent girl through art: a case review." Journal of Indian Association for Child and Adolescent Mental Health 11, no. 3 (2015): 233–45. http://dx.doi.org/10.1177/0973134220150304.

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Feen-Calligan, Holly, Barbara McIntyre, and Margaret Sands-Goldstein. "Art Therapy Applications of Dolls in Grief Recovery, Identity, and Community Service." Art Therapy 26, no. 4 (2009): 167–73. http://dx.doi.org/10.1080/07421656.2009.10129613.

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Walton, Saige. "Other Sides." Projections 13, no. 2 (2019): 38–57. http://dx.doi.org/10.3167/proj.2019.130203.

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Maurice Merleau-Ponty’s existential phenomenology has been crucial to contemporary film-phenomenology, yet his later thought has not received the same attention. Drawing on “Eye and Mind” and other writings, I apply the philosopher’s ontological concept of depth to the cinema. Using Laurie Anderson’s Heart of a Dog (2015), an intimate, experimental portrait of animal life, death, grief, and loss, I approach Anderson’s film as “depthful” cinema, bringing Heart of a Dog into a dialogue with Merleau-Ponty, the film essay, and the lyrical film. Through its diffractions of the subjective “eye/I,” i
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NABORS, LAURA, MARSHAE OHMS, NATASHA BUCHANAN, et al. "A pilot study of the impact of a grief camp for children." Palliative and Supportive Care 2, no. 4 (2004): 403–8. http://dx.doi.org/10.1017/s1478951504040532.

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Objective: Research indicates that children benefit from supportive interventions to help them cope with the loss of a loved one. The aim of this pilot study was to evaluate children's perceptions of the effectiveness of a grief camp.Methods: Semistructured interviews were performed with 18 children who attended a weekend-long grief camp. Children also responded to follow-up interviews via telephone. Their parents also completed surveys before camp began and either after camp ended or at a follow-up evaluation. Data were analyzed using descriptive statistics and content coding to uncover key t
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43

Gambs, Deborah. "The Aesthetics and Phenomenology of Grief: Two Meditations." Qualitative Inquiry 27, no. 1 (2020): 59–63. http://dx.doi.org/10.1177/1077800419898482.

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These two short personal essays were written in response to anticipating the death of my mother in 2004. Living Art is written from New York City while working on my dissertation and Clipping Hair is written from Iowa on a short visit in the year and a half before her death. Juxtaposed together, the differing sensations of anticipatory grief, looking at Francis Bacon’s artwork, paintings of distorted bodies, and the fragile sensing dying body, flow into and overlap one another. In retrospect, it is possible to see that each presents a different aesthetic—one of lush grieving and another of a m
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Marschall, Anja. "Hiobs Vaterschaft und die Trauer um seine Kinder." Avar: An Interdisciplinary Journal of Life and Society in the Ancient Near East 2, no. 1 (2023): 153–98. http://dx.doi.org/10.33182/aijls.v2i1.2028.

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Dieser Aufsatz überprüft die These, dass der Protagonist des Hiobbuches als klagender Vater charakterisiert ist. Prolog, Dialog und Epilog zeigen Hiob als trauernden und liebenden Vater, der sich mit Gesprächspartnern auseinandersetzt, die wiederum auf die Art seiner Trauer Bezug nehmen. Nach einer Untersuchung der Verwendung typischer Trauerverben und -riten wendet sich die Untersuchung Hiobs körperlicher, emotionaler und kognitiver Reaktion auf den Tod seiner Kinder zu. Durch den Abgleich mit anderen alttestamentlichen und altorientalischen Texten sowie mit der aktuellen exegetischen und kul
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Watson-Krasts, Dena. "Re-membering Beauty: Rape Culture, Femicide, and the Shadow." Journal of Jungian Scholarly Studies 15, no. 1 (2020): 100–119. http://dx.doi.org/10.29173/jjs128s.

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This paper reviews and summarizes the author’s inquiry into rape culture and femicide using an arts-based approach and narrative autoethnography. It is based on the author’s experience of losing a friend who was sexually assaulted and murdered in the fall of 2014. Using art, personal narrative, and community engagement, the author establishes a healing practice that not only helped her transform her grief into compassion but also raised her community’s consciousness about this important topic. The author proposes that such integration of art, narrative, community engagement, and healing practi
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Schindler-Lynch, Colleen. "Grief Becomes Her: Fashion Connections in Daemon & Saudade." Fashion Studies 2, no. 2 (2019): 1–19. http://dx.doi.org/10.38055/fs020201.

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This essay will present a portion of a body of artwork entitled Daemon & Saudade that was exhibited at the Art Gallery of Northumberland in Cobourg, Ontario from November 15th, 2018, through January 13th, 2019. Photography, fashion, textiles, and jewellery were used in the creation of this interdisciplinary work to explore stories of grief, loss, and the careful crafting of identity. Images and wearable sculptures document time, emotion, and circumstance as they convey personal narratives derived from journaling and sketching. Acrylic and ceramic mourning jewellery show the physical embodi
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Morcate, Montse. "Taxidermy as a Cultural Object: Notes on Preservation, Death and Art." Instinct, Vol. 4, no. 1 (2020): 59–65. http://dx.doi.org/10.47659/m6.059.art.

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This essay, based on academic research on the representation of death, grief and science, deals with the new resurgence of taxidermy in New York City, where a new generation of artists and artisans explore the aesthetic and ethical limits of this practice. As taxidermy deals with lifeless bodies of animals it becomes a delicate issue for many, in which the central element of debate would be around the legitimacy of using the corpse of an animal and the need for preserving or exhibiting it. Different perspectives of this practice are analysed by means of classical taxidermy, the anthropomorphic
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Bar-Yitzchak, Rachel. "Stillbirth Integration: Dramatherapy Applied to Unresolved Grief." Dramatherapy 24, no. 1 (2002): 8–15. http://dx.doi.org/10.1080/02630672.2002.9689601.

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This research is a case study of the effect of Dramatherapy with a client who was suffering from prolonged grief following stillbirth. The assumption was that an analysis of the Dramatherapy sessions could shed light on processes that may assist the client in relief of her unresolved grief and integration of her stillbirth, which were necessary in order to get on with her life. The Dramatherapy was based on Jennings’ (1992, 1993, 1998) EPR model. The analysis focused on the dramatherapeutic processes, specifically, dramatic reworking, retelling and projection, that accompanied the client's exp
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Leshem, Bar. "From Grief to Superbia: the Myth of Niobe in Greek and Roman Funerary Art." Acta Classica Universitatis Scientiarum Debreceniensis 56 (September 1, 2020): 281–96. http://dx.doi.org/10.22315/acd/2020/18.

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The Greek myth of Niobe was known in the ancient world both by literary sources and visual representations. Both in Ancient Greece and in Ancient Rome, the myth was represented, alongside a variety forms of art, in funerary art, but in a different manner during each period of time. In Ancient Greece, the myth was represented on Apulian and South Italian vases, portraying the finale scene of the myth: Niobe’s petrification. In Ancient Rome, a shift is visible: the portrayal of the scene of the killing of Niobe’s children on sarcophagi reliefs. The aim of this paper is to follow the iconography
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Austin, Hailey J., and Lydia R. Cooper. "Feeling the narrative control(ler): Casual art games as trauma therapy." Replay. The Polish Journal of Game Studies 8, no. 1 (2022): 119–33. http://dx.doi.org/10.18778/2391-8551.08.07.

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Through a combination of aesthetics and game mechanics, casual art games offer unique engagements with trauma, allowing players to practice grief or empathise with the traumatic experiences of others. Both “Spiritfarer” (Thunder Lotus Games 2020) and „Mutazione” (Die Gute Fabrik 2019) utilise similar aesthetics (2D art, pastel colours and calming music) alongside agency-driven gameplay mechanics (choosing when to let spirits go or how to react to a character’s trauma) that create a safe space. This is possible because neither game is competitive, nor does it allow the player to lose. Instead,
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