Journal articles: 'Grief in art'

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Josephsen, Jayne. "Examining Grief Through Art." Journal of Nursing Education 59, no. 9 (September 1, 2020): 540. http://dx.doi.org/10.3928/01484834-20200817-14.

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Leeuwenburgh, Erika. "The art of grief." Arts in Psychotherapy 16, no. 4 (December 1989): 333. http://dx.doi.org/10.1016/0197-4556(89)90057-9.

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Davis, Amanda A., and Mellar P. Davis. "Art in medicine and the art of grief." Progress in Palliative Care 18, no. 5 (October 2010): 266–69. http://dx.doi.org/10.1179/096992610x12775428636908.

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Bauer, Sara. "Artist's Statement: Grief." Interdisciplinary Journal of Partnership Studies 10, no. 2 (December 21, 2023): 8. http://dx.doi.org/10.24926/ijps.v10i2.5581.

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Brinkmann, Svend, Ignacio Brescó, Ester Holte Kofod, Allan Køster, Anna Therese Overvad, Anders Petersen, Anne Suhr, Luca Tateo, Brady Wagoner, and Ditte Winther-Lindqvist. "The Presence of Grief: Research-Based Art and Arts-Based Research on Grief." Qualitative Inquiry 25, no. 9-10 (July 23, 2018): 915–24. http://dx.doi.org/10.1177/1077800418789443.

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The authors involved in the creation of this text collaborate on a research project called The Culture of Grief, which explores the current conditions and implications of grief. The authors mostly employ conventional forms of qualitative inquiry, but the present text represents an attempt to reach a level of understanding not easily obtained through conventional methods. The group of authors participated as members of the audience in an avant-garde theatrical performance about grief, created by a group called CoreAct. The artists of CoreAct create their art through systematic research, in this case on grief, and we as researchers decided to study both the development of the play and its performance, and to report our impressions in fragments in a way that hopefully represents the nature of grief as an experienced phenomenon. We use Hans Ulrich Gumbrecht’s concept of presence to look for understanding beyond meaning in grief and its theatrical enactment.

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Buck, Harleah G., Diego F. Hernandez, Tina Mason, Cindy Tofthagen, and Kevin E. Kip. "A TALE OF TWO CASE STUDIES: ACCELERATED RESOLUTION THERAPY FOR COMPLICATED GRIEF IN OLDER ADULTS." Innovation in Aging 3, Supplement_1 (November 2019): S272. http://dx.doi.org/10.1093/geroni/igz038.1010.

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Abstract Complicated grief (CG) is characterized by lengthy, intense, and functionally impairing grief which disproportionately affects older adults. Accelerated Resolution Therapy (ART) is a brief, protocol driven, exposure/imagery rescripting therapy which uses lateral left-right eye movements. ART, unlike traditional psychotherapy, directs the person to perform two tasks simultaneously (e.g. re-experiencing the grief experience and performing eye movements), taxing limited working memory capacity. Importantly, this may force memory traces representing events, emotions, and sensations to compete for permanence, as well as reduce the vividness and emotional intensity of the original grief. Two CG case studies are presented (expected; unexpected death) with their response to ART. Stake’s instrumental case study methodology was used to identify and study cases which reflect a range of CG. Additionally, CG was measured by the Inventory of Complicated Grief (ICF). ICF’s range is 0-76 with scores > 24 indicating CG. Case 1 was a spousal caregiver with a single, expected death where helplessness, guilt, shame, and a life alone had resulted in CG (baseline ICF 33). Her ICF at 8 weeks post-ART was 10. Case 2 was an adult child caregiver with multiple (parent, sibling), unexpected deaths in quick succession where loss, guilt, anger, and helplessness had resulted in CG (baseline ICF 25). Her ICF at 8 weeks post-ART was 9. Both participants were able to process the distressing sensations that emerged during the imaginal exposure component facilitated with the use of eye movements. This suggests that ART may be a powerful new mind-body treatment for CG.

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Lyon, J. M. "The Art of Grief: Douglas Dunn's Elegies." English 40, no. 166 (March 1, 1991): 47–67. http://dx.doi.org/10.1093/english/40.166.47.

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Greeff, Sandra. "Creating a bereavement memorial protocol using art therapy: Reflecting on two case studies." South African Journal of Arts Therapies 1, no. 1 (July 13, 2023): 28–49. http://dx.doi.org/10.36615/sajat.v1i1.2497.

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Art therapy in South Africa has focused on counselling and grief work but not on modelling a persistent complex bereavement memorial protocol as a viable alternative to traditional bereavement counselling. This article addresses this gap in practice and literature in the following ways: Investigating an organically modelled and observed bereavement process reflected in the form of interviews. Analysing the literature that will support this hypothesis, consider how this art-based therapeutic bereavement memorial protocol can provide a viable alternative to traditional bereavement counselling. Investigating how the use of art materials in the form of clay-work in this research can support healing and a safe place to process persistent complex grief processing. The methodology of this article is a qualitative arts-based inquiry extracting the information of an organically modelled process observing two bereavement case studies of two mothers processing persistent complex grief through the action of using the clay processing to the attachment onto a surface, creating bereavement artworks as memory capsules to support their unique mourning processes. The time frame of two years of observing, recording and creating a thematic analysis and synthesis is likened to the mourning process of persistent complex grief. Using a supporting psychodynamic investigation from an extensive literature review enables a unique art therapy bereavement protocol that could be used as an alternative to traditional grief and bereavement counselling. Furthermore, through the action of clay-work with an extension to paper collage to ‘piece together’ memories integrating the loss of a loved one into a life without them.

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Roland, Meg. "'wepte and shryked:' Social Grief and the Conclusion of Malory's Le Morte Darthur." Arthuriana 33, no. 2 (June 2023): 154–61. http://dx.doi.org/10.1353/art.2023.a903763.

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Abstract: Through the person of King Arthur, Sir Thomas Malory articulates an emotional response not experienced by one, but as a form of 'social grief,' a grief formed outside the normative bounds and emotional regime of the Arthurian community. Similar to Malory's evocation of the despair of the Arthurian court, we also grieve the loss of civil society, replaced by the shadow side of the American ideals of individual freedom and constitutional rights.

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Ife, Fahima. "Grief Aesthetics." liquid blackness 6, no. 1 (April 1, 2022): 86–95. http://dx.doi.org/10.1215/26923874-9546572.

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Abstract An excerpt from an experimental series, “Grief Aesthetics” is a lyrical essay on intimacy and writing. The essay participates in the double black study of eroding and composing a new sentence, a new sentence sounded in refusal (of the social pact of writing, of grammar), a new sentence forged in friendship (of thinking with, of writing with). On one level, “Grief Aesthetics” is concerned with inherited grief, the remains of stolen life, the residual desire for romance in contemporary black art. The essay considers the loss of romantic love in conversation with Terence Nance's feature and short films An Oversimplification of Her Beauty and Swimming in Your Skin Again, in conversation with a single recurring line from a poem in Taylor Johnson's Inheritance. At another level, “Grief Aesthetics” is a sort of ars poetica on the process of writing and at this level is preoccupied with the poetic line, the sentence (thinking about sentences), the space in writing, the mundane moments in between the emergence of a line or series of lines and declension as it occurs in the gaps. At every turn “Grief Aesthetics” practices creating in “commonsense” (a shared feeling, a shared aesthetics) among contemporary artists whose works evoke a sense of grief, (dis)placement, loss, loneliness, homelessness, desire, tenderness, friendship, bliss.

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Solakidi, Sylvia. "Connie Palmen’s and Jan Fabre’s Grief Staged as Landscape of Memory." KronoScope 19, no. 2 (September 24, 2019): 188–211. http://dx.doi.org/10.1163/15685241-12341442.

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AbstractTwo works focusing on the corporeality of grief, The Logbook of a Merciless Year by Connie Palmen and the theatre text Requiem for a Metamorphosis by Jan Fabre, are explored alongside Merleau-Ponty’s ontology for their way to transform personal grief, characterized by identity crisis and spatiotemporal disorientation, into an act of remembering. The two works are approached as fictions of the body in pain, enacting grief like body art pieces in order to make pre-reflective sense of it. Pain becomes an agent, allowing the authors to open up by transforming their introvert portraits of grief into corporeal landscapes, characterized by a temporality of stillness/movement. Based on Merleau-Ponty’s notions of simultaneity and institution, this essay demonstrates how movement allows a spatiotemporal opening so that memory may be enacted from the point of view of the present upon all temporal moments. Therefore, grievers reinvent themselves in their works, as those who enact memory.

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Bertman, Sandra L. "The Art of Grief: The Use of Expressive Arts in a Grief Support Group." Death Studies 34, no. 3 (February 18, 2010): 274–78. http://dx.doi.org/10.1080/07481180903559352.

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Syaiffulhisham, Siti Farzana, Nik Syahida Sabri, Mursyidah Zainal Abidin, and Nurul Shafinaz Ibrahim. "Expressing the Prolonged Grief Disorder through Face Expression by using Silk Screen." Environment-Behaviour Proceedings Journal 7, SI9 (October 10, 2022): 49–54. http://dx.doi.org/10.21834/ebpj.v7isi9.3937.

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The purpose of the project is to express prolonged grief through facial expressions. Grief is a natural response to loss because it is a universal and singular experience. Art students and academics frequently employed art-based study as a technique and research strategy. This study's methodology includes the processes of artwork analysis, visual data collection, and artwork making. According to the researcher, this study will significantly impact the art scene, especially among printmakers. The outcomes will be implemented in producing artworks incorporating silk screen printing techniques. Keywords: Grief, Face expression, Silk Screen, Printmaking eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA CE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI9.3937

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Chatterley, Marion. "Briana MacWilliam, ed. Complicated Grief, Attachment, & Art Therapy." Health and Social Care Chaplaincy 7, no. 1 (January 2, 2019): 84–85. http://dx.doi.org/10.1558/hscc.37632.

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Strouse, Sharon. "Artful Grief: An Art Therapy Application of Appreciative Living." AI Practitioner 22, no. 2 (May 1, 2020): 19–24. http://dx.doi.org/10.12781/978-1-907549-43-4-3.

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Logid, Janet. "The Healing Power of Art: Is It Just for Patients?" Creative Nursing 17, no. 3 (2011): 118–19. http://dx.doi.org/10.1891/1078-4535.17.3.118.

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Buck, Harleah, Paula Cairns, Nnadozie Emechebe, Diego Hernandez, Tina Mason, Jesse Bell, Kevin Kip, and Cindy Tofthagen. "Lessons Learned in a Community-Based, Randomized Controlled Trial of a Complicated Grief Intervention." Innovation in Aging 4, Supplement_1 (December 1, 2020): 699. http://dx.doi.org/10.1093/geroni/igaa057.2453.

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Abstract Complicated grief (CG), severe, prolonged (>12 months) grieving, disproportionately affects older adults. A prospective two-group, waitlisted RCT examined whether four sessions of Accelerated Resolution Therapy (ART) was effective in informal caregivers by comparing pre-to-post ART changes and investigating variation in treatment response by baseline CG levels. Inclusion: ≥60 years, Inventory of Complicated Grief >25. Paired t-tests of mean (SD) differences compared pre- to post-ART; pre-ART to 8-week follow-up, and post-ART to 8-week follow-up; then stratified by median baseline level of CG. Mean (SD) age of 54 participants was 68.7 (7.2) years, 85% female, and 93% white. Significantly greater CG reduction (-22.8 (10.3)) vs. waitlist (-4.3 (6.0)) was found. Within-participant effect sizes from baseline to 8-weeks post treatment were 1.96 (95% CI: 1.45, 2.47; p<0.0001). Treatment effects did not substantially differ by baseline levels. Lesson learned was that it was possible to successfully recruit and treat CG in the community.

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Sawicki, Janusz. "Zaniechanie ukarania z art. 16a i 16b k.k.s. — szczególne rodzaje czynnego żalu czy niepotrzebna kazuistyka?" Przegląd Prawa i Administracji 116 (December 20, 2019): 87–101. http://dx.doi.org/10.19195/0137-1134.116.6.

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WAIVING THE PENALTY WITH ARTICLE 16A AND 16B — ARE THESE SPECIAL TYPES OF ACTIVE GRIEF OR UNNECESSARY CASUISTRY?The article is a theoretical study of waiving the penalty of a fiscal penal law violator or a fiscal offender. The issues addressed in the article present major problems that draw the attention of both theorists and practitioners in the field. The aim of the article is to evaluate the contemporary model of waiving the penalty that is formulated by the fiscal penal code within Articles 16, 16a and 16b. The author analyzes in detail the institutions described in the Fiscal Penal Code, Chapter 2: The basic type of active grief and its special types. The article ends with closing remarks, including general conclusions and assumptions that relate to the model of waiving the penalty of a fiscal penal law violator using the institution of active grief, which in turn can contribute to providing a proper solution to the issue.

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Cherewatuk, Karen. "Anticipatory, Active, and Participatory Grief in Malory's Morte Darthur." Arthuriana 33, no. 2 (June 2023): 138–53. http://dx.doi.org/10.1353/art.2023.a903762.

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Abstract: Malory employs three types of emotional experience to engage his readers in the scenes of King Arthur's death: anticipatory, active, and participatory grief. Through tragic plot and literary art, Malory leads the audiences of Le Morte Darthur to grieve with, and then for, the king.

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Wyatt, Megan, and Susan Liggett. "The Potential of Painting: Unlocking Disenfranchised Grief for People Living With Dementia." Illness, Crisis & Loss 27, no. 1 (June 20, 2018): 51–67. http://dx.doi.org/10.1177/1054137318780577.

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As part of the Creative Well program at a local health board, one of the authors qualitatively investigated how painting can access a means of communication for people living with dementia. In a workshop setting within a gallery environment, participants living with dementia were facilitated on a one-to-one basis the opportunity to paint alongside the researcher. During the workshops, a number of experiences were articulated. These included experiences of illness, crisis, and loss. They were captured through observations, interviews, visual art, and video to contribute to new understandings and models of engagement through art for people living with dementia and their carers. Focusing on theory and practice in arts-based research and the social sciences, this article investigates the potential of painting to unlock experiences such as disenfranchised grief for people living with dementia. The conclusions of this article do not measure how and if participants felt disenfranchised grief but rather provide an alternative to augment the body of knowledge surrounding how people living with dementia can communicate feelings of disenfranchised grief through painting.

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Bakanova, Anastasia A. "OPPORTUNITIES FOR PSYCHOLOGICAL ASSISTANCE TO GRIEVING FAMILIES AND CHILDREN." Научное мнение, no. 12 (December 25, 2023): 194–98. http://dx.doi.org/10.25807/22224378_2023_12_194.

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The article is devoted to an overview of the main targets and methods of individual and group psychological assistance to families and children in a situation of grief. Among the targets, there are targets directly related to grief, as well as related targets aimed at strengthening the stability of the family and updating additional resources for the healing of grief. The format of assistance can be not only individual, but also group. Among the effective methods, the possibilities of cognitive behavioural therapy, art therapy and self-regulation training are described. The effectiveness of group support programmes for children and adolescents is noted, which can become one of the promising areas of psychological assistance in modern conditions.

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Buck, Harleah. "CAREGIVERS' EXPECTATIONS OF A MIND-BODY THERAPY FOR COMPLICATED GRIEF." Innovation in Aging 6, Supplement_1 (November 1, 2022): 284. http://dx.doi.org/10.1093/geroni/igac059.1129.

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Abstract Accelerated Resolution Therapy (ART) is a psychotherapy for the treatment of complicated grief, defined as unusually prolonged, functionally impairing grief. The purpose of this study was to qualitatively examine caregiver’s expectations of ART. The sample included 29 primarily female, older (67.4 + 7.1 years) former informal caregivers; a little over half (n=18) had been married to their care recipient. Thematic analysis resulted in three themes and six sub-themes arising: The role of knowledge in expectations (sub-themes uncertainty, prior knowledge); The role of personality in expectations (sub-themes openness, positive affect); and Expecting a process (sub-themes cognitive processes, affective processes) which described the interaction of person and process in shaping expectations of our intervention. An across theme analysis of the specificity of the participants’ expectations uncovered that knowledge and personality inform expectations of ART and that individuals who verbalize a process for recovery tend to be very specific in their expectations.

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Selfridge, Marion, Jennifer Claire Robinson, and Lisa M. Mitchell. "heART space: Curating community grief from overdose." Global Studies of Childhood 11, no. 1 (March 2021): 69–90. http://dx.doi.org/10.1177/2043610621995838.

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This article details the transformation of an empty store into a gallery honouring youth and others who have passed away from overdoses, and the creation of extensive harm reduction and grief support programming that accompanied the display of artwork. The outpouring of community interest, participation, and emotion that surfaced around heART space clearly shows how art, exhibitions and creative programming can help foster communities of care during times of crisis. Drawing from research into practices of care from harm reduction work, grief studies and participatory arts and curatorial studies, the authors explore how heART space comforted youth and others with direct experiences with overdose and disenfranchised grief while creating dialogues with visitors about the stigma of drug use and homelessness. The authors argue curating heART space produced an opportunity for community healing while nuancing and humanizing the way we see people who use drugs. As such, this youth-driven community project created a safe space to share stories, collaborate, honour trauma and transform grief into action.

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Ruiz, Sandra. "A Light for a Light." Meridians 21, no. 2 (October 1, 2022): 455–79. http://dx.doi.org/10.1215/15366936-9882141.

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Abstract How does loss tear a hole in the world and produce a collective remaking of a new social order in which grief-work is not contained singularly but is a process done in feminist, queer, and Black and Brown ensemble? Interested in how we deliberately incorporate loss into collective grief-work, this article pulls from feminist and queer theorists of color who move across social and psychical constructions of sorrow. Highlighting contemporary art by minoritarian artists such as Eva Margarita Reyes and Pedro Lopez, who embrace loss, the author argues that grief-work is a communal labor we undergo together in acts of intimate meditation, suffering, spillage, and transformation. Happening in feminist and queer ensemble, grief-work is a deliberate decision to assemble in nonlinear feelings and attachments; it is an intention to work together to defend not only the dead but also the living, tending to immaterial energies that shift the fecund terrain of both life and death.

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Spry, Tami. "Canvasing the Body." Departures in Critical Qualitative Research 10, no. 1 (2021): 155–59. http://dx.doi.org/10.1525/dcqr.2021.10.1.155.

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Focusing on our interactions with visual art as posthuman performance, this piece explores how Jane Bennett’s “vibrant materiality” moves us into a radical relationality with art and processes of grief. Performance studies’ enduring plumb into the deep ecology of body-page-body-stage makes us particularly equipped to see what else we might know of being in semantic-somatic multimatter knowing.

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Ferro, Michele J. "Connecting within: Digital collage as art-based research to process a pandemic." Journal of Applied Arts & Health 13, no. 1 (March 1, 2022): 11–26. http://dx.doi.org/10.1386/jaah_00087_1.

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This article focuses on the use of digital collage as art-based research (ABR) to process the COVID-19 pandemic by an employed art therapist. The researcher/artist created a series of digital collages over a four-month period that were explored symbolically and metaphorically to comprehend a period of collective grief. The investigation explores digital collage as an applicable ABR method and highlights the importance of expressive therapists creating their own art, especially during times of crises.

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Perepeliuk, Tetiana, Anastasiia Dzhulai, and Serhii Olkhovetskyi. "Features of the use of art therapy in working with members of military families." Psychological Journal, no. 12 (June 24, 2024): 146–54. http://dx.doi.org/10.31499/2617-2100.12.2024.306829.

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The article is devoted to the analysis of the peculiarities of the use of art therapy in working with members of military families. The concepts of art therapy, social adaptation, and coping resources are characterized. The concept of grief and its course during war, in particular when a loved one is lost in war, is defined. The results of an empirical study on the severity of anxiety, depression and post-traumatic growth of women who lost relatives in the war are presented. The art therapy technique "Painting grief" is characterized. The purpose of this article is to determine the possibilities of using art therapy in working with military family members. The tasks of the article are to define the concept of grief and its course during war, in particular when a loved one is lost in war; analysis of the results of an empirical study on the severity of anxiety, depression and post-traumatic growth of women who lost relatives in the war, an outline of the possibilities of implementing the art therapy technique "Painting grief". To achieve the goals of the study, we used the following methods: Hospital anxiety and depression scale (HADS) Post-traumatic growth questionnaire (PGI). The hospital scale of anxiety and depression is designed to assess the severity of depression and anxiety in the conditions of general medical practice, contains 14 items, each of which corresponds to 4 options of answers that reflect the degree of increase in the corresponding symptomatology: normal, borderline state, moderately expressed anxiety/depression, severe form of anxiety /depression. Questionnaire of post-traumatic growth (R. Tadeshi and L. Calhoun) contains 21 statements with six possible answer options that form five scales: attitude to others, new opportunities, personal strength, spiritual changes, increased value life, as well as the general index of post-traumatic growth. According to the HADS method, subclinically expressed depression, the so-called borderline state, was detected, however, in the case of the death of a loved one in the war, relatives feel moderately expressed anxiety, while after death from diseases or simply death in civilian life, relatives note the absence of reliably expressed symptoms. Personal growth means the feeling that after a loss a person has become more merciful, tolerant towards himself and others, learned to forgive himself and the people around him, and look optimistically at the future. Although the loss of a loved one is a natural life event experienced by all people, it is also one of the most difficult experiences in a person's life. For many people, the loss of a loved one is accompanied by an intense emotional and devastating period. Experiencing the death of a loved one causes great stress both because of the loss and because of the encounter with mortality. Numerous stressors also occur when a bereaved person attends various events and services that are not normally included in the routine of daily life, including memorial services in a church. Many bereaved people find a path that leads to the restoration of a relatively normal life. However, some people do not cope effectively with loss. They experience grief very emotionally, often denying the fact of loss, trying to avoid reminders of death and helplessly focusing on the nagging waves of painful emotions. One of the effective methods of dealing with grief is art therapy.

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Jensen, Christopher. "Launcelot's Swoon: Mourning and Memorial in Malory and the Stanzaic Morte Arthur." Arthuriana 33, no. 2 (June 2023): 62–83. http://dx.doi.org/10.1353/art.2023.a903758.

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Abstract: Launcelot's embodied expression of grief at Gwenyvere's funeral is condemned by the Bishop in Malory's Morte , but the ideological basis for this condemnation is obscure. Linguistic, cultural, and doctrinal analysis provide useful interpretive context, but a close comparison to the Stanzaic Morte Arthur reveals more concrete evidence of Malory's amplification of the earlier poem and characteristic affinity for the secular.

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Whittle, Kristen. "A Requiem for Fanny: The Final Creative Efforts of Felix Mendelssohn." Nota Bene: Canadian Undergraduate Journal of Musicology 16, no. 1 (June 20, 2023): 1–23. http://dx.doi.org/10.5206/notabene.v16i1.16608.

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Felix Mendelssohn entered a state of intense depression and mourning upon hearing that his sister, Fanny Mendelssohn-Hensel passed away in her Leipzig home on May 14, 1847, after suffering a stroke. Composition, a key element of the personal and collegial relationship between Hensel and her brother, served as a necessary outlet for his grief, from the time of Hensel’s death until his own passing only six months later. Communication of grief through music developed substantially throughout the nineteenth century, and this notion of suffering within art collocated with the modern labels for the grieving process created by Elizabeth Kübler-Ross, show how Mendelssohn experienced the four initial stages of grief (denial, anger, bargaining, depression), but died before ever reaching the final (acceptance) stage. While acknowledging ambiguity around Mendelssohn’s intentions for the works, I argue that his final compositions– the String Quartet no 6. In F Minor, and the last two songs from his Sechs Lieder (no. 5, “Auf der Wanderschaft”, and no. 6, “Nachtlied”)–are “requiems for Fanny” that parallel these initial stages of grief.

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Lev, Michal. "Artmaking Resilience: Reflections on Art-Based Research of Bereavement and Grief." Creative Arts in Education and Therapy 8, no. 1 (August 23, 2022): 126–38. http://dx.doi.org/10.15212/caet/2022/8/1.

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This article presents some of the elements of artmaking as sources of resilience within the process of bereavement and grief. It builds upon findings from an art-based research project conducted during the period of coronavirus disease 2019 pandemic that explored properties of resilience in the face of sickness and death, which suggests three active elements to resilience: the capacity to observe pain, possession of faith, and the support circle. The article ties these findings, with other artistic projects in which artmaking responded to and alleviated sorrow and loss.

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Jung, Hyo-Yun, and Yoo-Jung Kim. "A Case Study of Grief-Focused Art Therapy on Pet Loss." Korean Journal of Arts Therapy 21, no. 1 (May 31, 2021): 95–119. http://dx.doi.org/10.18253/kart.2021.21.1.05.

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Beaumont, Sherry L. "Art Therapy for Complicated Grief: A Focus on Meaning-Making Approaches." Canadian Art Therapy Association Journal 26, no. 2 (September 2013): 1–7. http://dx.doi.org/10.1080/08322473.2013.11415582.

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FOWLER, KATHLEEN. "“So new, So new”: Art and Heart in Women's Grief Memoirs1." Women's Studies 36, no. 7 (October 12, 2007): 525–49. http://dx.doi.org/10.1080/00497870701593747.

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Buck, Harleah G., Paula Cairns, Nnadozie Emechebe, Diego F. Hernandez, Tina M. Mason, Jesse Bell, Kevin E. Kip, Philip Barrison, and Cindy Tofthagen. "Accelerated Resolution Therapy: Randomized Controlled Trial of a Complicated Grief Intervention." American Journal of Hospice and Palliative Medicine® 37, no. 10 (January 21, 2020): 791–99. http://dx.doi.org/10.1177/1049909119900641.

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Background and Objectives: Complicated grief (CG) is severe, prolonged (>12 months) grieving. Complicated grief disproportionately affects older adults and is associated with negative physical/psychological effects. Although treatment options exist, those which do are time-intensive. We report on a randomized clinical trial (RCT) which examined whether accelerated resolution therapy (ART), a novel mind-body therapy, is effective in treating CG, post-traumatic stress disorder (PTSD), and depression among hospice informal caregivers. Research Design and Methods: Prospective 2 group, wait-listed RCT. All participants were scheduled to receive 4 ART sessions. Inclusion: ≥60 years, inventory of CG >25, and PTSD checklist for Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition >33 or Psychiatric Diagnostic Screen Questionnaire PTSD subscale >5. Exclusion: Major psychiatric disorder, other current psychotherapy treatment. Depression was measured by the Center for Epidemiologic Studies Depression. Results: Mean (standard deviation [SD]) age of 54 participants was 68.7 (7.2) years, 85% female, and 93% white. Participants assigned to ART reported significantly greater mean (SD) CG reduction (−22.8 [10.3]) versus Wait-list participants (−4.3 [6.0]). Within-participant effect sizes (ESs) for change from baseline to 8-week post-treatment were CG (ES = 1.96 (95% confidence interval [CI]: 1.45-2.47; P < .0001), PTSD (ES = 2.40 [95% CI: 1.79-3.00]; P < .0001), depression (ES = 1.63 [95% CI: 1.18-2.08; P < .0001). Treatment effects did not substantially differ by baseline symptom levels. Discussion and Implications: Results suggests that ART presents an effective and less time-intensive intervention for CG in older adults. However, it should undergo further effectiveness testing in a larger, more diverse clinical trial with a focus on determining physiological or behavioral mechanisms of action.

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Cox, Gerry R. "Using Humor, Art, and Music with Dying and Bereaved Children." Illness, Crisis & Loss 6, no. 4 (October 1998): 408–20. http://dx.doi.org/10.2190/il6.4.d.

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This article discusses using humor, art, and music with dying and bereaved children. All forms of artistic expression may be used to provide social support for children, to foster positive attitudes, and to allow for expression of emotions and grief. Children often lack verbal skills. Artistic expression allows the expression of thoughts and feelings in a safe environment. Many forms of artistic expression are available. Humor, art, and music are used as examples of what might be used to aid children.

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Moore, Kelli. "Techniques of Abstraction in Black Arts." Meridians 21, no. 2 (October 1, 2022): 413–35. http://dx.doi.org/10.1215/15366936-9882119.

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Abstract This review essay discusses recent exhibitions and accompanying art books published at the threshold of Black philosophy and aesthetics in relation to feminist mourning practices: Nicole Fleetwood’s book and exhibition Marking Time: Art in the Age of Mass Incarceration (2020); Grief and Grievance, an exhibition (2021); a book (2020) conceived by the late Nigerian curator Okwui Enwezor; and Saturation: Race, Art, and the Circulation of Value (2020), edited by C. Riley Snorton and Hentyle Yapp. These books and several others elucidate how relationships between transnational feminism, mourning, and Black works of art speak to Frantz Fanon’s idea of “the leap into existence,” Hortense Spillers’s “dialectics of a global new woman,” and David Marriott’s psycho-political analysis of invention.

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Emilia, C. "Art therapy with children surviving cancer used to relieve symptoms associated with death, loss and pain." European Psychiatry 64, S1 (April 2021): S682—S683. http://dx.doi.org/10.1192/j.eurpsy.2021.1809.

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IntroductionSince dying is inevitable, it is part of life, children need to be able to deal with the feelings and emotions associated withs death, loss and pain. When the grieven child move among the art modalities, he or she is able to deepen understaning of his or her lived experiences.ObjectivesOur aim is to uncover these new perspectives and sources of inspiration in order to advance in defining the importance of resilience in personal development.MethodsWe made use of the following techniques: ceramic, drawing, modeling, painting, assemblage of unconventional materials, multimedia techniques, animation. Performing artworks, artefacts, or using craft arts are test activities for art therapy and occupational therapy. „…Contemporary visual arts bring together, in different degrees of relationship and fusion, fields of art that until now were understood and practiced more individually. The most suitable territory for this partnership is that of the physical and metaphysical environment, provided by the installationist and shareholder arts.” [2] A medical project was transformed into an artistic project [4]ResultsGiven the diversity of non-verbal communication of the child, art therapy is not a simple accessory method in the therapeutic process of emotional disorders caused by grief of children, but a mandatory condition of it.ConclusionsGiven the diversity of non-verbal communication of the child, art therapy is not a simple accessory method in the therapeutic process of emotional disorders caused by grief of children, but a mandatory condition of it.DisclosureREFERENCES [1] Drăgan-Chirilă, Diana.(24-26.05 2018), Associate Professor Ph.D., University of Art and Design Cluj-Napoca, Romania, visual artist, Coordinator of the multimedia installation “Diagnostique” new media and multimedia performance instal

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Correia, Gabriel Acassio, Vinícius Carvalho Pereira, Daniele Trevisan, and Cristiano Maciel. "The Art of Dying in a Digital World: How Death is Represented in Digital Art." Journal on Interactive Systems 15, no. 1 (March 18, 2024): 252–64. http://dx.doi.org/10.5753/jis.2024.3818.

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With the rise of computing, human rituals and cultural practices have increasingly interwoven with digital technologies. In this milieu, the cultural facets of death and art are particularly noteworthy. The realm of art has undergone a seismic shift due to computing, developing new artistic forms and enhancing the reach of older forms. Concurrently, aspects of death are now integrated into digital technologies, manifesting in unique ways such as the retention of data from the deceased, digital expressions of grief, online memorials, and the like. In light of this, our fundamental, qualitative, and exploratory study endeavors to map out and discuss digital art pieces that delve into themes of death, mourning, and digital afterlife. In doing so, we probe the intersection of art, death, and technology. Our findings delineate the primary methodologies and technologies employed in digital art centered around death, and the nuanced modalities through which this subject is portrayed in digital media.

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Rastogi, Akriti, Sujita Kumar Kar, and Shweta Singh. "Exploration of grief in an adolescent girl through art: a case review." Journal of Indian Association for Child and Adolescent Mental Health 11, no. 3 (July 2015): 233–45. http://dx.doi.org/10.1177/0973134220150304.

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Feen-Calligan, Holly, Barbara McIntyre, and Margaret Sands-Goldstein. "Art Therapy Applications of Dolls in Grief Recovery, Identity, and Community Service." Art Therapy 26, no. 4 (January 2009): 167–73. http://dx.doi.org/10.1080/07421656.2009.10129613.

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Walton, Saige. "Other Sides." Projections 13, no. 2 (June 1, 2019): 38–57. http://dx.doi.org/10.3167/proj.2019.130203.

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Maurice Merleau-Ponty’s existential phenomenology has been crucial to contemporary film-phenomenology, yet his later thought has not received the same attention. Drawing on “Eye and Mind” and other writings, I apply the philosopher’s ontological concept of depth to the cinema. Using Laurie Anderson’s Heart of a Dog (2015), an intimate, experimental portrait of animal life, death, grief, and loss, I approach Anderson’s film as “depthful” cinema, bringing Heart of a Dog into a dialogue with Merleau-Ponty, the film essay, and the lyrical film. Through its diffractions of the subjective “eye/I,” its poetic approach to grief, and its openness to nonhuman ways of being, I argue that Anderson’s film is in accord with Merleau-Ponty’s later thinking on depth in art and in the world.

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NABORS, LAURA, MARSHAE OHMS, NATASHA BUCHANAN, KENNETH L. KIRSH, TIFFANY NASH, STEVEN D. PASSIK, JONI L. JOHNSON, JANET SNAPP, and GRETCHEN BROWN. "A pilot study of the impact of a grief camp for children." Palliative and Supportive Care 2, no. 4 (December 2004): 403–8. http://dx.doi.org/10.1017/s1478951504040532.

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Objective: Research indicates that children benefit from supportive interventions to help them cope with the loss of a loved one. The aim of this pilot study was to evaluate children's perceptions of the effectiveness of a grief camp.Methods: Semistructured interviews were performed with 18 children who attended a weekend-long grief camp. Children also responded to follow-up interviews via telephone. Their parents also completed surveys before camp began and either after camp ended or at a follow-up evaluation. Data were analyzed using descriptive statistics and content coding to uncover key themes in the interviews.Results: Children reported that art activities helped them to express feelings about their grief and release feelings of sadness and worry related to the death. Parents and children felt that the camp was a positive experience and that the children benefited from being in groups with peers who had also lost family members.Significance of results: Evaluating the impact of grief camps, using practical methods such as the ones for this study, is important, as these camps are becoming more popular interventions. Children and parents may benefit from contact at specified follow-up periods after camp to determine if they would benefit from further therapy. Results also provide evidence of the success of this program, which supports the need for funding these types of interventions.

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Gambs, Deborah. "The Aesthetics and Phenomenology of Grief: Two Meditations." Qualitative Inquiry 27, no. 1 (February 7, 2020): 59–63. http://dx.doi.org/10.1177/1077800419898482.

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These two short personal essays were written in response to anticipating the death of my mother in 2004. Living Art is written from New York City while working on my dissertation and Clipping Hair is written from Iowa on a short visit in the year and a half before her death. Juxtaposed together, the differing sensations of anticipatory grief, looking at Francis Bacon’s artwork, paintings of distorted bodies, and the fragile sensing dying body, flow into and overlap one another. In retrospect, it is possible to see that each presents a different aesthetic—one of lush grieving and another of a more stark, contained angst. Yet, both meditations center on bodies and the sensations and emotions that figure in grief and illness. They may be read vertically, one at a time, in fragments horizontally, or simultaneously.

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Marschall, Anja. "Hiobs Vaterschaft und die Trauer um seine Kinder." Avar: An Interdisciplinary Journal of Life and Society in the Ancient Near East 2, no. 1 (January 31, 2023): 153–98. http://dx.doi.org/10.33182/aijls.v2i1.2028.

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Dieser Aufsatz überprüft die These, dass der Protagonist des Hiobbuches als klagender Vater charakterisiert ist. Prolog, Dialog und Epilog zeigen Hiob als trauernden und liebenden Vater, der sich mit Gesprächspartnern auseinandersetzt, die wiederum auf die Art seiner Trauer Bezug nehmen. Nach einer Untersuchung der Verwendung typischer Trauerverben und -riten wendet sich die Untersuchung Hiobs körperlicher, emotionaler und kognitiver Reaktion auf den Tod seiner Kinder zu. Durch den Abgleich mit anderen alttestamentlichen und altorientalischen Texten sowie mit der aktuellen exegetischen und kulturanthropologischen Forschung zeigt sich, dass Hiobs Morbidität und Todeswunsch Teil einer kulturtypischen, aber besonders verstärkten Trauerreaktion sind. Hiobs kognitive Verarbeitung bildet hingegen eine im Alten Israel unübliche Art der Trauerbewältigung ab. Gleichwohl zeigt sie große Übereinstimmungen mit bekannten Trauermustern wie der komplizierten Trauer und Disenfranchised grief. Die Parallelen zu Ergebnissen der zeitgenössischen Psychologie ermöglichen es, Hiobs Trauer als treibende Kraft der Klage und als Anstoß des Streits unter Freunden wahrzunehmen. Die negative Reaktion der Freunde auf Hiobs Trauer bestätigt, dass Hiob als trauernder Vater klagt und protestiert und als solcher Gottes Weltordnung in Frage stellt. Im Epilog des Hiobbuches erweist sich schließlich die Vaterschaft Hiobs als das überdauernde und stabilisierende Element im Narrativ des Lebens Hiobs. This paper verifies the thesis that the protagonist of the Book of Job is delineated as a grieving father. The prologue, dialogue and epilogue show Job as a mourning and loving father engaging in dialogue with friends and God who themselves relate to Job’s grief. After examining the use of typical mourning verbs and rites, the study turns to Job’s physical, emotional, and cognitive reaction to the death of his children. By comparing Job’s expressions with other Old Testament and Ancient Near Eastern texts as well as with current exegetical and cultural anthropological scholarship, Job’s morbidity and death wish can be seen as a culturally typical but particularly intensified grief response. In contrast, Job’s cognitive processing represents a coping mechanism unusual in Ancient Israel. However, there are parallels to typical patterns of mourning known to contemporary psychology, such as complicated and disenfranchised grief. These allow to identify Job’s grief as the driving force of the lament and as the impetus of a dispute among friends. Their negative reaction to Job’s mourning confirms that Job laments and protests as a grieving father. Finally, in the epilogue of the book, Job’s fatherhood emerges as the enduring and stabilizing feature of the story.

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Watson-Krasts, Dena. "Re-membering Beauty: Rape Culture, Femicide, and the Shadow." Journal of Jungian Scholarly Studies 15, no. 1 (March 23, 2020): 100–119. http://dx.doi.org/10.29173/jjs128s.

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This paper reviews and summarizes the author’s inquiry into rape culture and femicide using an arts-based approach and narrative autoethnography. It is based on the author’s experience of losing a friend who was sexually assaulted and murdered in the fall of 2014. Using art, personal narrative, and community engagement, the author establishes a healing practice that not only helped her transform her grief into compassion but also raised her community’s consciousness about this important topic. The author proposes that such integration of art, narrative, community engagement, and healing practice is capable of impacting individual and collective consciousness.

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Schindler-Lynch, Colleen. "Grief Becomes Her: Fashion Connections in Daemon & Saudade." Fashion Studies 2, no. 2 (2019): 1–19. http://dx.doi.org/10.38055/fs020201.

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This essay will present a portion of a body of artwork entitled Daemon & Saudade that was exhibited at the Art Gallery of Northumberland in Cobourg, Ontario from November 15th, 2018, through January 13th, 2019. Photography, fashion, textiles, and jewellery were used in the creation of this interdisciplinary work to explore stories of grief, loss, and the careful crafting of identity. Images and wearable sculptures document time, emotion, and circumstance as they convey personal narratives derived from journaling and sketching. Acrylic and ceramic mourning jewellery show the physical embodiment and beautification of emotion through embellished personal tokens that forever link fashion and grief. The work in Daemon & Saudade demonstrates a role that fashion plays in articulating identity, allowing us to choose what we reveal or conceal and even to mask the experiences and emotions of our daily lives to those closest to us. Collectively, it captures and preserves the marks left on us by the experiences we live. Whether it is the loss of a loved one or a relationship, grief is a condition, a state, an emotion, and a process we all share.

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Morcate, Montse. "Taxidermy as a Cultural Object: Notes on Preservation, Death and Art." Instinct, Vol. 4, no. 1 (2020): 59–65. http://dx.doi.org/10.47659/m6.059.art.

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This essay, based on academic research on the representation of death, grief and science, deals with the new resurgence of taxidermy in New York City, where a new generation of artists and artisans explore the aesthetic and ethical limits of this practice. As taxidermy deals with lifeless bodies of animals it becomes a delicate issue for many, in which the central element of debate would be around the legitimacy of using the corpse of an animal and the need for preserving or exhibiting it. Different perspectives of this practice are analysed by means of classical taxidermy, the anthropomorphic style or contemporary art based on taxidermy practises, in order to address questions such as: Is ethical taxidermy possible? Is commemorative taxidermy of a beloved pet acceptable? Why does taxidermy appeal or disgust? Is taxidermy controversial just because it questions the limits of life, death and decay? What is the contribution of the new generation of taxidermists? Keywords: art, death, New York City, preservation, taxidermy

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Bar-Yitzchak, Rachel. "Stillbirth Integration: Dramatherapy Applied to Unresolved Grief." Dramatherapy 24, no. 1 (June 2002): 8–15. http://dx.doi.org/10.1080/02630672.2002.9689601.

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This research is a case study of the effect of Dramatherapy with a client who was suffering from prolonged grief following stillbirth. The assumption was that an analysis of the Dramatherapy sessions could shed light on processes that may assist the client in relief of her unresolved grief and integration of her stillbirth, which were necessary in order to get on with her life. The Dramatherapy was based on Jennings’ (1992, 1993, 1998) EPR model. The analysis focused on the dramatherapeutic processes, specifically, dramatic reworking, retelling and projection, that accompanied the client's experience of relief and integration of her loss. The client, ‘Iris’ (a fictional name), is a career woman, who sought dramatherapeutic treatment in the hope that it might help her overcome her overwhelming feelings of distress and sorrow, which made it difficult for her to function, both physically and emotionally. The research examined the first six sessions of a longer-term therapy, during which the client's prolonged grief emerged as a major issue for her. The records kept by a participant observer (the researcher), the products of the client's art work, and audio recordings of the sessions served as the research data. The presentation of the data focused on changes in the client's appearance, body language, vocal presence, emotionality, and issues raised in the sessions.

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Leshem, Bar. "From Grief to Superbia: the Myth of Niobe in Greek and Roman Funerary Art." Acta Classica Universitatis Scientiarum Debreceniensis 56 (September 1, 2020): 281–96. http://dx.doi.org/10.22315/acd/2020/18.

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The Greek myth of Niobe was known in the ancient world both by literary sources and visual representations. Both in Ancient Greece and in Ancient Rome, the myth was represented, alongside a variety forms of art, in funerary art, but in a different manner during each period of time. In Ancient Greece, the myth was represented on Apulian and South Italian vases, portraying the finale scene of the myth: Niobe’s petrification. In Ancient Rome, a shift is visible: the portrayal of the scene of the killing of Niobe’s children on sarcophagi reliefs. The aim of this paper is to follow the iconography of each culture and to understand the reason for the shift in representation, while comparing the two main media forms.

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Austin, Hailey J., and Lydia R. Cooper. "Feeling the narrative control(ler): Casual art games as trauma therapy." Replay. The Polish Journal of Game Studies 8, no. 1 (November 21, 2022): 119–33. http://dx.doi.org/10.18778/2391-8551.08.07.

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Through a combination of aesthetics and game mechanics, casual art games offer unique engagements with trauma, allowing players to practice grief or empathise with the traumatic experiences of others. Both “Spiritfarer” (Thunder Lotus Games 2020) and „Mutazione” (Die Gute Fabrik 2019) utilise similar aesthetics (2D art, pastel colours and calming music) alongside agency-driven gameplay mechanics (choosing when to let spirits go or how to react to a character’s trauma) that create a safe space. This is possible because neither game is competitive, nor does it allow the player to lose. Instead, agency is given to the player through narrative choice and exploration of the beautiful storyworld. We argue that games like “Spiritfarer” and “Mutazione” can be used as models for the further development of casual art games that can be used as art therapy through their emotional connections embedded in both the aesthetics and gameplay.

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Journal articles on the topic 'Grief in art'

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