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Relevant bibliographies by topics / Grillparzer, Franz, Grillparzer, Franz / Dissertations / Theses

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Dissertations / Theses on the topic 'Grillparzer, Franz, Grillparzer, Franz'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Anders, Caroline. ""... der Zündstoff liegt, der diese Mine donnernd sprengt gen Himmel" Strategien der Ordnungsdestruktion in Franz Grillparzers dramatischem Werk." Würzburg Königshausen & Neumann, 2004. http://d-nb.info/986493457/04.

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2

Ashley, Keith Allen. "Intersubjectivity in Narration: The Peripheral-Subject Situation in Jean Paul, Franz Grillparzer, Christa Wolf /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487933245539103.

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3

Grösch, Lene. "Die Stille hat einen Körper – mit Grillparzer in der Karaoke-Bar." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-23543.

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4

Hüttner, Johann. "Zur Aufführungspraxis im Wien des frühen 19. Jahrhunderts am Beispiel von Franz Grillparzer und Ferdinand Raimund." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-23553.

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5

McCarthy-Rechowicz, Matthew. "Franz Grillparzer's dramatic heroines and women's emancipation in nineteenth-century Austria." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:0bdefd2f-b09f-4653-9abb-236681262622.

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Recent decades have seen an increase in feminist critiques of the works of Franz Grillparzer (1791–1872), and a growing awareness that these deal with contemporary issues around the social roles of women. This study builds on exsiting feminist-themed examinations of Grillparzer's works to show more fully how they fit into the context of calls for women's rights in nineteenth-century Austria. New interpretations of Grillparzer's heroines are made possible by considering the full spectrum of the author's intellectual interests and examining his dramas through the lenses suggested by his reading.

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6

Ranger, Jean-Claude. "Nature et tragique des Grecs à Grillparzer : analyse des références à la nature dans des tragédies d'Eschyle, Sophocle, Euripide, Racine et Grillparzer." Paris 4, 1992. http://www.theses.fr/1991PA040231.

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Je me suis proposé dans ce travail de découvrir et établir, grâce a un examen minutieux - et, dans le cas de quinze de ces pièces, exhaustif - des références à la mer, au feu, à la lumière et à l'ombre, aux animaux. Bref, à tout ce qu'il est convenu d'appeler la nature, dans les tragédies d’Eschyle, Sophocle, Euripide, Racine et Grillparzer, de découvrir les relations qu'elles entretiennent avec le tragique - et plus précisément de montrer qu'elles ne sont pas un pur ornement poétique. Au terme de cette recherche, il s'est avéré que les tragiques ne retiennent de la nature que ce qui est grand

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7

Gmaj, Michael. "Warum es Medea nicht mehr braucht." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-23524.

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8

Merzenich, Jan [Verfasser]. "System, Zeichen, Person und Geschichte - eine Strukturuntersuchung der Dramen Franz Grillparzers / Jan Merzenich." Kiel : Universitätsbibliothek Kiel, 2015. http://d-nb.info/1069290041/34.

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9

Bartlett, Keith Alan. "Space and symbolism in the Restauration Novelle : with particular reference to Jeremias Gotthelf's 'Die Schwarze Spinne', Adalbert Stifter's 'Der Hochwald' and Franz Grillparzer's 'Der Arme Spielmann'." Thesis, University of Leicester, 1992. http://hdl.handle.net/2381/35089.

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The study looks at symbolism, especially the symbolism of space and visuality, in three Restauration Novellen. Gotthelf's Die Schwarze Spinne presents a religious dilemma in spatial form. Specific motifs such as changing shape and absence of position become consistent correlates of evil. If the godless characters are foreigners who have abandoned their former homes, the Christian ones affirm and restore existing space, remaining where they were born. This contrast relates to the over-riding concept of "Neu-gier" in the Novelle. Gotthelf's ultimate rejection of anything new is given spatial for

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10

Albrecht, Tim. "Confidence Sans Bound: Staging Trust and Its Vulnerabilities in Tieck, Kleist, Grillparzer, and Nietzsche." Thesis, 2014. https://doi.org/10.7916/D8SN074D.

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This dissertation draws on contemporary philosophical and sociological approaches to trust and engages them in a dialog with literary, poetological, and philosophical texts from the nineteenth century. In doing so it seeks to explore both what other disciplines have to offer to literary studies with regard to the interpretation of trust as a literary motif, as well as to show how literary texts evoke compelling scenarios in which the conceptual and semantic complexities of the phenomenon of trust take on theatrical, rhetorical, and narrative forms that can both illustrate and challenge sociolo

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11

MAŠLOVÁ, Tereza. "Rudolf II. v obraze německy psané krásné literatury a dramatu 19. a 20. století." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-180718.

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The capture of image of the Emperor Rudolf II., his social surroundings and settlement in a historical science was the aim of the thesis called "Rudolf II. in the image of German-language belles-lettres and drama of 19th and 20th Century". Afterwards this image was compared by historical drama Ein Brudezwist in Habsburg by Franz Grillparzer and by two pieces of belles-lettres literature Der Engel vom westlichen Fenster by Gustav Meyrink and Nachts unter der steinernen Brücke by Leo Perutz. The all above mentioned pieces were used as the basic source of this Thesis, their interpretation is base

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12

KŘÍŽOVÁ, Petra. "Antike Dramen Franz Grillparzers." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-50194.

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The central theme of this dissertation is the leitmotif of split personalities in Franz Grillparzer´s dramas. Because of the strict censorship are they set in ancient times. These dramas are Sappho, Das goldene Vlie? and Des Meeres und der Liebe Wellen. The first chapter gives the reader basic information about social-historical background in the first half of 19 century in Austria - the time of these dramas genesis. The next chapter describes how social fragmentation in Austria reflects the acting of ancient characters that represent only allegorically contemporary citizens of Austrian Monarc

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13

Wang, Mei-Wen, and 王玫勻. "The artist’s existential nihility in Franz Grillparzer’s "Der arme Spielmann"." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/15845022601863398879.

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碩士<br>輔仁大學<br>德國語文學系<br>93<br>Since Goethe’s "Tasso", the topic "artist" has become a popular theme in the German literary works. The protagonists in Grillparzer’s "Der arme Spielmann" and "Sappho" are two kinds of artists. The protagonist in "Der arme Spielmann" is Jakob, who is an absurd, laughable and strange begging musician. Sappho, the protagonist in "Sappho", is a talented poetess, who won the laurel wreath in a poetic competition. They both experience the existential nihility and have to face the problem of the artist’s existential crisis as well as the conflict between art and life. I

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14

Sojková, Hana. "Problematika recepce děl Franze Grillparzera s tematikou z českých dějin a mytologie." Master's thesis, 2009. http://www.nusl.cz/ntk/nusl-273151.

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The thesis discusses problems of the reception of the work of the prominent Austrian dramatist Franz Grillparzer by Czech audiences. An emphasis is placed upon the plays König Ottokars Glück und Ende, Libussa and Ein Bruderzwist in Habsburg, which are inspired by stories from Czech history and mythology. Up to these days, these plays have never been staged in Czech theatres nor translated into Czech. Czech audiences did not accept them because of the way the dramatist depicted Czech history and harsh criticism of Czech people which mostly appears in the tragedy König Ottokars Glück und Ende. T

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15

Lanz, Friederike Raphaela [Verfasser]. ""Weil eine Fremd' ich bin, aus fernem Land ..." : Fremdheit und Fremde im dramatischen Werk Franz Grillparzers und Friedrich Hebbels / von Friederike Raphaela Lanz." 2009. http://d-nb.info/995303045/34.

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