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Journal articles on the topic 'Grillparzer Grillparzer, Franz'

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Published: 4 June 2021
Last updated: 1 February 2022

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1

Koppensteiner, Jurgen, and Bruce Thompson. "Franz Grillparzer." German Studies Review 8, no. 1 (1985): 148. http://dx.doi.org/10.2307/1429628.

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2

Mullan, Boyd, and Ian F. Roe. "Franz Grillparzer: A Century of Criticism." Modern Language Review 93, no. 1 (1998): 275. http://dx.doi.org/10.2307/3733735.

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3

Gaddy, Kerstin T., and Ian F. Roe. "Franz Grillparzer: A Century of Criticism." German Studies Review 21, no. 3 (1998): 603. http://dx.doi.org/10.2307/1431252.

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4

Philipson, Lotte. "Kronik." Magasin fra Det Kongelige Bibliotek 7, no. 2 (1992): 59–70. http://dx.doi.org/10.7146/mag.v7i2.122218.

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Indhold: Franz Grillparzer 1791 – 1872; Danske Bogbinder Signaturer; Danske breve i Universitetsbiblioteket i Oslo; Glæde over Danmark - Gave til Det kongelige Bibliotek; MAGNUS 1992; Fhv. rigsbibliotekar Palle Birkelund fyldte 80 år; Erhvervelser; Besøg; Udlån til udstillinger; Personalia;
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5

Heinrich, Tobias. "‘Er ist unser’: The Public Appropriation of Franz Grillparzer (1871/1891)." Forum for Modern Language Studies 54, no. 3 (2018): 335–53. http://dx.doi.org/10.1093/fmls/cqy024.

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6

베쎌스 플로리안. "Schreibendes “Lesen eines Meisters” - Adalbert Stifter und Der arme Spielmann von Franz Grillparzer." Koreanische Zeitschrift für Germanistik 49, no. 1 (2008): 87–105. http://dx.doi.org/10.31064/kogerm.2008.49.1.87.

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7

Pizer, John. ""Last Austrians" in "Turn of the Century" Works by Franz Grillparzer, Joseph Roth, and Alfred Kolleritsch." German Quarterly 74, no. 1 (2001): 8. http://dx.doi.org/10.2307/3072812.

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8

Hoffmann, Birthe. "Franz Grillparzer: Ein Klassiker für die Gegenwart Hrsg. by Bernhard Fetz, Michael Hansel und Hannes Schweiger." Journal of Austrian Studies 51, no. 4 (2018): 86–88. http://dx.doi.org/10.1353/oas.2018.0062.

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9

Pesnel, Stéphane. "Le matriarcat et l'État dans Libussa de Franz Grillparzer et Der Ring des Nibelungen de Richard Wagner." Études Germaniques 258, no. 2 (2010): 269. http://dx.doi.org/10.3917/eger.258.0269.

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10

Arens, Katherine. "Unglück und Zerstreuung. Autobiographisches Schreiben bei Franz Grillparzer. Von Brigitte Prutti. Bielefeld: Aisthesis, 2016. 99 Seiten. €14,50." Monatshefte 110, no. 1 (2018): 143–45. http://dx.doi.org/10.3368/m.110.1.143.

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11

Darras, Gilles. "« Der Tag hat einen Riß ». Désirs humains, raison d'État et désordre du monde dans Die Jüdin von Toledo de Franz Grillparzer." Études Germaniques 258, no. 2 (2010): 223. http://dx.doi.org/10.3917/eger.258.0223.

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12

Szabo, Franz A. J. "Cameralism, Josephinism, and Enlightenment: The Dynamic of Reform in the Habsburg Monarchy, 1740–92." Austrian History Yearbook 49 (April 2018): 1–14. http://dx.doi.org/10.1017/s0067237818000048.

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In his great 1848 historical drama,Ein Bruderzwist im Hause Habsburg, the Austrian playwright Franz Grillparzer has Emperor Matthias utter the words that have often been applied to understanding the whole history of the Habsburg monarchy:Das ist der Fluch von unserm edeln Haus:Auf halben Wegen und zu halber TatMit halben Mitteln zauderhaft zu streben.[That is the curse of our noble house:Striving hesitatingly on half waysto half action with half means.]True as those sentiments may be of many periods in the history of the monarchy, the one period of which it cannotbe said is the second half of eighteenth century. The age of Maria Theresa, Joseph II, and Leopold II was perhaps the greatest era of consistent and committed reform in the four-hundred-year history of the monarchy. What I want to address in this article are some aspects of the dynamic of this reform era, and this falls into two categories. On the one hand, there is the broad energizing or motive force behind the larger development, and on the other, there are the ideas or assumptions that lay behind the policies adopted. As might be evident from the subtitle of my article, I propose to look primarily at the second of these categories. I do so because I think while Habsburg historiography has reached considerable consensus on the first, it has not looked enough on the second as an explanatory hermeneutic.
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13

Wagniart, Anne. "Franz Grillparzer – un second Schiller ? : la visite du classique autrichien à Weimar (1826) et sa contribution au centenaire de la naissance de Schiller (1859)." Revue germanique internationale, no. 22 (July 15, 2004): 175–94. http://dx.doi.org/10.4000/rgi.1037.

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14

Darras, Gilles. "« Der Traum ist aus, allein die Nacht noch nicht ». Heinrich von Kleist et Franz Grillparzer ? le drame du monde moderne ou la tragédie de l'impossible unité." Études Germaniques 265, no. 1 (2012): 103. http://dx.doi.org/10.3917/eger.265.0103.

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15

Vansant, J. "Aneignungen, Entfremdungen: The Austrian Playwright Franz Grillparzer (1791-1872). Edited by Marianne Henn, Clemens Ruthner, and Raleigh Whitinger. New York: Peter Lang, 2007. 140 pages. $61.95." Monatshefte 100, no. 3 (2008): 434–35. http://dx.doi.org/10.1353/mon.0.0050.

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16

Hinrichsen, Hans-Joachim. "Johann Wolfgang Goethe / Friedrich Schiller / Ludwig van Beethoven / Friedrich Mosengeil / Franz Grillparzer, Egmont. Hg. von Bodo Plachta. (Stuttgarter Studienausgaben 3) Hiersemann, Stuttgart 2019. 287 S., € 69,–." Arbitrium 39, no. 1 (2021): 86–94. http://dx.doi.org/10.1515/arb-2020-0059.

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17

Ganczar, Maciej. "Franz Grillparzer’s dramatic works as a result of the search for pure Viennese courtly drama." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Studia Neofilologiczne 12 (2016): 19–32. http://dx.doi.org/10.16926/sn.2016.12.02.

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18

Hackl, Wolfgang. ",,Denkt sich sein Teil, und läßt die Andern reden“? Aktuelle Scheltreden österreichischer Autoren." Jahrbuch für Internationale Germanistik 50, no. 1 (2018): 73–84. http://dx.doi.org/10.3726/ja501_73.

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Abstract Die Lobrede des Ottokar von Horneck aus Franz Grillparzers Drama König Ottokars Glück und Ende, das 1825 am Hoftheater in Wien uraufgeführt wurde und quer durch die Geschichte als staatstragendes Drama galt1, gehört zu den nachhaltig wirksamen Texten in Österreichs Literaturgeschichte. Im dritten Aufzug empfängt Rudolf von Habsburg in seinem Lager an der Donau Bürger und Adelige aus dem Reich, darunter Ottokar von Horneck, der seiner Bitte um Freilassung seines Lehensherrn die Prunkrede auf Österreich folgen lässt, nach der es üblicherweise Szenenapplaus gibt:
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19

Yates, W. E., and Arno Dusini. "Die Ordnung des Lebens: Zu Franz Grillparzers 'Selbstbiographie'." Modern Language Review 89, no. 1 (1994): 252. http://dx.doi.org/10.2307/3733228.

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20

Paulsen, Wolfgang, and Arno Dusini. "Die Ordnung und das Leben: Zu Franz Grillparzers "Selbstbiographie"." South Atlantic Review 57, no. 4 (1992): 131. http://dx.doi.org/10.2307/3199849.

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21

Wodianka, Stephanie. "‚(Un-)Männliches‘ und ‚(Un-)Weibliches‘: Das Spiel der Geschlechter in den Dramen Franz Grillparzers." Jahrbuch der Raabe-Gesellschaft 44, no. 1 (2003): 117–46. http://dx.doi.org/10.1515/9783484339033.117.

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22

McCarthy‐Rechowicz, Matthew. "GENDER, POLITICS, AND VIOLENCE IN FRANZ GRILLPARZER'S DIE JÜDIN VON TOLEDO 1." German Life and Letters 69, no. 3 (2016): 321–35. http://dx.doi.org/10.1111/glal.12122.

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23

Urbanec, Miroslav. "Herrscherfiguren als Ausdruck des Idealen : Franz Grillparzers Rudolf von Habsburg und Stanislav Loms Karel IV." Brünner Beiträge zur Germanistik und Nordistik, no. 2 (2016): 105–24. http://dx.doi.org/10.5817/bbgn2016-2-7.

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24

Lorenz, D. C. G. "". . . der Zundstoff liegt, der diese Mine donnernd sprengt gen Himmel." Strategien der Ordnungsdestruktion in Franz Grillparzers dramatischem Werk." Monatshefte 101, no. 1 (2009): 119–20. http://dx.doi.org/10.1353/mon.0.0095.

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25

Hempen, D. "Grunender Wald, gebannter Ort und Palast der Fee: Zum Verhaltnis zwischen Mensch und Natur in Franz Grillparzers Melusina." Monatshefte 105, no. 1 (2013): 71–85. http://dx.doi.org/10.1353/mon.2013.0001.

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26

Urbanec, Miroslav. "Der Mantel des Königs. Zum symbolischen Gehalt von Ottokars Prunkmantel in Franz Grillparzers Trauerspiel ‚König Ottokars Glück und Ende‘." Acta Facultatis Philosophicae Universitatis Ostraviensis Studia Germanistica, no. 27 (January 2021): 123–32. http://dx.doi.org/10.15452/studiagermanistica.2020.27.0008.

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27

Meier, Albert. "Sibylle Blaimer: Tragische Scham und peinliche Prosa. Werk und Poetik Franz Grillparzers im Zeichen unsäglicher Affekte. Ein Beitrag zur (literarischen) Affektkultur des 19. Jahrhunderts (Epistemata: Würzburger wissenschaftliche Schriften. Reihe Literaturwissenschaft, Bd. 902), Verlag Königshausen & Neumann, Würzburg 2019, 693 S." Zeitschrift für Germanistik 29, no. 3 (2019): 645–46. http://dx.doi.org/10.3726/92165_645.

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28

Kabić, Slavija. "Franz Grillparzer između dnevnika i autobiografije." Radovi. Razdio filoloških znanosti 37, no. 27 (2018). http://dx.doi.org/10.15291/radovifilo.1671.

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Najznačajniji predstavnik austrijske predožujske književnosti, Franz Grillparzer (1791. - 1872.), vodio je gotovo čitava života dnevnike, bilježio doživljeno i viđeno na putovanjima, a na zamolbu Carske akademije znanosti napisao je i autobiografiju. U ovom radu daju se glavne značajke Grillparzerovih dnevnika, dnevnika s putovanja i autobiografije, koji dramatičara, pripovjedača i liričara biedermeiera prikazuju kao tipičnog i autentičnog čovjeka burnog vremena (Bečki kongres, Napoleonovi ratovi, uvođenje cenzure, 1848. godina). Jer, Grillparzer je istodobno rodoljub i domoljub i vjerni podanik krune, ali i čovjek koji teži oslobođenju od svih vrsta okova, on je tjeskoban čovjek, koji se povlači u sebe, jer su ga slomili vanjski društveno-politički odnosi, ali i prkosni "revolucionar" koji se od njih brani perom. Na usporednim primjerima iz dvije, gotovo oprečne, autobiografske vrste - dnevnika i autobiografije - povezujući Grillparzerovo autobiografsko stvaranje s ispovijestima Jeana-Jacquesa Rousseaua i dnevničko-autobiografskim pisanjem Johanna Wolfganga Goethea, analizira se Grillparzerov odnos prema vlasti i cenzuri, opis vlastitog stvaralačkog procesa kao i odnos prema kolegama-književnicima. Razlike u stilu pisanja i odabiru sadržaja između dnevnika, kao oblika analize, i autobiografije, kao oblika sinteze, proističu iz unutarnjih zakonitosti dviju vrsta autobiografskog pisma.
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29

von, Vorgelegt. "The Talking Mode of the Protagonists in Franz Grillparzer‟s “Der arme Spielmann”." International Journal of Social Sciences and Humanities Invention, May 26, 2016. http://dx.doi.org/10.18535/ijsshi/v3i5.12.

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30

Roe, Ian. "Arno Dusini, Die Ordnung des Lebens. Zu Franz Grillparzers „Selbstbiographie“." Arbitrium 11, no. 2 (1993). http://dx.doi.org/10.1515/arbi.1993.11.2.208.

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31

Yates, W. Edgar. "Helmut Hasenkox, Die Epigrammatik Franz Grillparzers als Ausdruck literarischer Reflexion im politischen und sozialen Umfeld des 19. Jahrhunderts." Arbitrium 9, no. 1 (1991). http://dx.doi.org/10.1515/arbi.1991.9.1.98.

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