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Journal articles on the topic 'Griotte'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Pernia, Marjorie Evasco. "Griotte." Iowa Review 33, no. 2 (2003): 118. http://dx.doi.org/10.17077/0021-065x.5648.

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2

Bulnes, M., J. Poblet, Á. De Ana, and M. Masini. "Comportamiento de las calizas «griotte» carboníferas frente a deformaciones compresivas en dos localidades de la Zona Cantábrica (NO de la Península Ibérica): resultados preliminares Behaviour of the Carboniferous «griotte» limestones under compressive deformation in two localities of the Cantabrian Zone (NW Iberian Peninsula): preliminary results." Trabajos de Geología 36, no. 36 (2018): 61. http://dx.doi.org/10.17811/tdg.36.2016.61-80.

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Resumen: Se han analizado y comparado las características y posible evolución de las estructuras desarrolladas en la Fm. Alba, o caliza «griotte» carbonífera, en dos afloramientos ubicados en unidades estructurales distintas de la Zona Cantábrica, uno situado en los alrededores de San Emiliano y el otro en las playas de La Ballota y de Andrín. En ambos, la Fm. Alba acomoda deformación en distintos grados mediante el desarrollo de varios tipos de mesoestructuras. Se ha encontrado una serie de similitudes y diferencias entre los afloramientos tanto desde el punto de vista estratigráfico, como es

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3

Sangaré, Fatou. "Mah Damba, djelimusso nyuma, la sublime griotte." Africultures 61, no. 4 (2004): 69. http://dx.doi.org/10.3917/afcul.061.0069.

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4

Korn, D., and R. Feist. "Early Carboniferous ammonoid faunas and stratigraphy of the Montagne Noire (France)." Fossil Record 10, no. 2 (2007): 99–124. http://dx.doi.org/10.1002/mmng.200700002.

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Abstract. The early Carboniferous (Mississippian) sedimentary succession of the Montagne Noire is subdivided into three major lithostratigraphic units, in ascending order the Montagne Noire Griotte Group (Devonian to Early Tournaisian), the Tournaisian to Viséan Saint-Nazaire Group (with the Lydiennes, Faugères, Colonnes, and Puech Capel Formations, the latter new), and the Laurens Flysch Group (late Viséan). The ammonoid assemblages in these rock units are reviewed. A total of 29 Early Carboniferous ammonoid taxa at species level are determined. The new genus Nigrocyclus n. gen., and the new

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5

Onyemelukwe, Ifeoma Mabel, Abubakar Dauda Adamu, and Chukwunonso Hyacinth Muotoo. "Le Griot Dans La Litterature Postcoloniale: Une Etude De Guelwaar De Sembene Ousmane." UJAH: Unizik Journal of Arts and Humanities 22, no. 1 (2021): 55–77. http://dx.doi.org/10.4314/ujah.v22i1.3.

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Le griot dans la société traditionnelle africaine de l’ère précoloniale est un personnage complexe chargé d’une myriade de fonctions. Il est bien respecté et honoré. La présente étude se donne l’objectif d’examiner profondément la peinture du griot dans la littérature africaine postcoloniale utilisant Guelwaar de Sembène Ousmane comme texte de base tout en établissant ses fonctions et ses portraits. L’étude privilégie quelques théories critiques comme le postcolonialisme, les théories marxiste et féministe. De plus, l’examen s’effectue à la lumière de l’image du griot d’antan et des sept catég

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6

Mouflard, Claire. "The Digital Griotte: Bessora’s Para/Textual Discourses on Identity Politics and Neocolonialism in Contemporary France." Humanities 8, no. 1 (2019): 2. http://dx.doi.org/10.3390/h8010002.

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This article examines Bessora’s literary and digital criticism of postcolonial France, particularly in her first novel, 53 cm, and on her website, Tendre peau de vache. Bessora’s use of digital media in particular allows her to chronicle unofficial discourses on immigration, migration, and identity politics in France as alternative textual productions to her printed novels. Since there is a gap in academic studies regarding author websites and their contents, this study aims to start a conversation on the discursive function of an author’s digital textual productions. Following Jean Baudrillar

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7

Coudray, J., P. F. Edinger, D. Michel, and A. E. M. Nairn. "Tectonic interpretation of paleomagnetic results from the Upper Devonian griotte of the Montagne Noire, southern France." Tectonophysics 126, no. 2-4 (1986): 137–51. http://dx.doi.org/10.1016/0040-1951(86)90224-6.

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8

Sangaré, Fatou. "Griots et griottes : de Bamako à Paris." Africultures 61, no. 4 (2004): 62. http://dx.doi.org/10.3917/afcul.061.0062.

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9

Brand, Uwe, Marie Legrand-Blain, and Maurice Streel. "Biochemostratigraphy of the Devonian−Carboniferous boundary global stratotype section and point, Griotte Formation, La Serre, Montagne Noire, France." Palaeogeography, Palaeoclimatology, Palaeoecology 205, no. 3-4 (2004): 337–57. http://dx.doi.org/10.1016/j.palaeo.2003.12.015.

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10

Jansen, Jan, and Thomas A. Hale. "Griots and Griottes: Masters of Words and Music." International Journal of African Historical Studies 31, no. 3 (1998): 631. http://dx.doi.org/10.2307/221481.

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11

Hoffman, Barbara G., and Thomas A. Hale. "Griots and Griottes: Masters of Words and Music." African Arts 33, no. 3 (2000): 16. http://dx.doi.org/10.2307/3337686.

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12

Westley, David, and Thomas A. Hale. "Griots and Griottes: Masters of Words and Music." Canadian Journal of African Studies 34, no. 2 (2000): 463. http://dx.doi.org/10.2307/486433.

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13

Rasmussen, Susan J. "Griots and Griottes: Masters of Words and Music (review)." Comparative Literature Studies 38, no. 4 (2001): 361–66. http://dx.doi.org/10.1353/cls.2001.0038.

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14

GIRARD, CATHERINE, JEAN-JACQUES CORNÉE, CARLO CORRADINI, AURÉLIEN FRAVALO, and RAIMUND FEIST. "Palaeoenvironmental changes at Col des Tribes (Montagne Noire, France), a reference section for the Famennian of north Gondwana-related areas." Geological Magazine 151, no. 5 (2013): 864–84. http://dx.doi.org/10.1017/s0016756813000927.

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AbstractWe present detailed biostratigraphy based on conodonts and palaeoenvironmental trends deduced from microfacies and conodont abundance through the Famennian (Late Devonian) at Col des Tribes (Montagne Noire, France). The succession is characterized by micritic limestones deposited in settings oscillating between mid to outer ramp. Facies contain poor fauna, widely dominated by nektonic organisms. This section is complete and one of the most conodont-rich for the Famennian of the north Gondwana-related area. The Upper Kellwasser event (Frasnian–Famennian boundary) and the Hangenberg (Dev

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15

McLaughlin, Fiona. "Islam and popular music in Senegal: the emergence of a ‘new tradition’." Africa 67, no. 4 (1997): 560–81. http://dx.doi.org/10.2307/1161108.

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AbstractThis article explores the influence of Islam on Senegalese popular music and describes the emergence of a ‘new tradition’ that adapts the griot's praise song to Sufism. The emerging tradition is discussed against the backdrop of social relations between griots and the people they praise, and between marabouts or Sufi religious leaders and their disciples. Elements derived from both relationships can be found in the ‘new tradition’, making for a hybrid musical genre that reflects the social and religious reality of modern Senegal.

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16

Smith, Robert P., and Kama Kamanda. "La nuit des griots (Le contes de griot 2)." World Literature Today 71, no. 4 (1997): 845. http://dx.doi.org/10.2307/40153457.

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17

Idé Oumarou, Adamou. "Identity Declamation in Nigerien Oral Epic." Journal of Critical Studies in Language and Literature 2, no. 2 (2021): 42–46. http://dx.doi.org/10.46809/jcsll.v2i2.58.

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This paper examines identity through the declamation of zamu or praise poetry in the oral epic narration of Moumouni Sékou, one of the Zarma (an ethnic group from Niger) bards or griots better known as Kulba Baaba Seebeeri. Right at the opening episode of the epic song, the bard proceeds to exhibit the identity of one of his heroic figures Haamali Seyni Gakoy by announcing some of his qualities or values such as: fearlessness, truthfulness, friendliness, gorgeousness and self-control to name but a few. In the eyes of the griot, these traits are key values that characterize the identity of the

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18

Frère, Marie-Soleil. "Le Journaliste et le Griot. Les Traces de L’oralite dans la Presse Ecrite Africaine." Afrika Focus 15, no. 1-2 (1999): 13–47. http://dx.doi.org/10.1163/2031356x-0150102003.

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The Journalist and the Griot. Tracing the Oral Tradition in the African Press This paper will show the similarities between the journalist's role and narrative style and those of the griot1, a key player the traditional exercise of power. The new private press appeared in French-speaking Africa as a part of the democratic process at the beginning of the 1990’s, in the context of politic liberalization (multipartism, institutional renewal) and in the flow of a new type of political speech that allows contradictions, critiques and debates. The journalist, that had mostly been the mouthpiece of t

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19

Bussoletti, Denise Marcos, Vagner De Souza Vargas, and Cristiano Guedes Pinheiro. "NARRATIVAS POPULARES: o griô e a arte de contar histórias." Cadernos de Pesquisa 21, no. 1 (2014): 67. http://dx.doi.org/10.18764/2178-2229.v21.n1.p.67-80.

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O Núcleo de Artes, Linguagem e Subjetividade, da UFPEL, desenvolve atividades acadêmicas e ações culturais na cidade de Pelotas/RS. Uma dessas ações é desenvolvida por uma griô do movimento negro local, que trabalha contando histórias sobre seus ancestrais africanos e as suas vivências pelo carnaval pelotense, cenário do qual emergem a maior parte de suas memórias. O objetivo deste trabalho é relacionar as atividades da griô junto aos nossos projetos nos marcos conceituais de uma Pedagogia da Fronteira e através daquilo que pactuamos como sendo uma Estética da Ginga. Ao contar suas histórias e

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20

Coulon, Virginie. "HALE, Thomas A., Griots and Griottes: Masters of Words and Music, Bloomington, Indianapolis: Indiana University Press, 1998 (publié en 1999), 410 p." Études littéraires africaines, no. 10 (2000): 22. http://dx.doi.org/10.7202/1041930ar.

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21

Conrad, David C. "Islam in the Oral Traditions of Mali: Bilali and Surakata." Journal of African History 26, no. 1 (1985): 33–49. http://dx.doi.org/10.1017/s0021853700023070.

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As a study of some Islamic factors involved in the construction of oral narrative by Manding bards, this article is chiefly concerned with two distinct cases in which griots have borrowed important legendary figures from the literature of Arabia. It is found that Bilali, described by traditional genealogists as progenitor of the ancient ruling branch of the Keita lineage, originated as Bilāl ibn Rabāḥ, a companion of Muhammad and the first mu'adhdhin. Genealogies or descent lists of early Malian rulers still contain names that have apparently survived from pre-Islamic times, but in most instan

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22

Charry, Eric, Pierre Bois, Francis Comini, and Dominique Vander-Heym. "Mauritanian Griote: Aicha Mint Chighaly." Yearbook for Traditional Music 30 (1998): 182. http://dx.doi.org/10.2307/768582.

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23

Mamet, Bernard, and Marie-France Perret. "Bioconstructions hématitiques de Griottes dévoniennes (Pyrénées Centrales)." Geobios 28, no. 6 (1995): 655–61. http://dx.doi.org/10.1016/s0016-6995(95)80055-7.

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24

Hopkins, Nicholas S. "Memories of Griots." Alif: Journal of Comparative Poetics, no. 17 (1997): 43. http://dx.doi.org/10.2307/521607.

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25

Barou, Jacques. "Griots et messagers." L'école des parents N° 603, no. 4 (2013): 35. http://dx.doi.org/10.3917/epar.603.0035.

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26

Pang, Cecilia J. "The Griot Voice (La Voix du Griot)." Theatre Journal 51, no. 1 (1999): 88–89. http://dx.doi.org/10.1353/tj.1999.0017.

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27

Skinner, Ryan T. "Griots and Griottes: Master of Words and Music, by Thomas A. Hale. Bloomington: Indiana University Press, 2007. 432 pp., 20 b/w illustrations, 7 maps, appendices, bibliography, index. $24.95 paper." African Arts 43, no. 2 (2010): 92–93. http://dx.doi.org/10.1162/afar.2010.43.2.92.

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28

Swindell, Warren, and Hildred Roach. "Griots: Past and Present." African American Review 28, no. 3 (1994): 485. http://dx.doi.org/10.2307/3041984.

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29

Barlet, Olivier. "Griots des temps modernes ?" Africultures 61, no. 4 (2004): 3. http://dx.doi.org/10.3917/afcul.061.0003.

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30

Kendall, Martha B., and Tom Hale. "Griottes of the Sahel: Female Keepers of the Songhay Oral Tradition." African Arts 26, no. 2 (1993): 84. http://dx.doi.org/10.2307/3337139.

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31

Thiers-Thiam, Valérie. "Le griot-totem." Africultures 61, no. 4 (2004): 48. http://dx.doi.org/10.3917/afcul.061.0048.

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32

Sangaré, Fatou, and Siré Camara. "Griot par choix." Africultures 61, no. 4 (2004): 72. http://dx.doi.org/10.3917/afcul.061.0072.

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33

Famin, Victoria. "Les Griots, entre indigénisme et négritude." Revue de littérature comparée 364, no. 4 (2017): 422. http://dx.doi.org/10.3917/rlc.364.0422.

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34

Johnson, John, Peter Bryant, Mihaela Bacou, and Brunhilde Biebuyck. "Griots mandingues : caractéristiques et rôles sociaux." Africultures 61, no. 4 (2004): 13. http://dx.doi.org/10.3917/afcul.061.0013.

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35

STOLLER, PAUL. "ethnographies as texts/ethnographers as griots." American Ethnologist 21, no. 2 (1994): 353–66. http://dx.doi.org/10.1525/ae.1994.21.2.02a00070.

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36

Harrow, Kenneth, and Kama Kamanda. "Les contes du griot." World Literature Today 63, no. 3 (1989): 528. http://dx.doi.org/10.2307/40145503.

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37

Servin, Micheline B. "Du griot au rasta." Les Temps Modernes 620-621, no. 4 (2002): 504. http://dx.doi.org/10.3917/ltm.620.0504.

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38

Igalens, Jacques. "Le talent du griot." Revue internationale de psychosociologie XVII, no. 41 (2011): 131. http://dx.doi.org/10.3917/rips.041.0131.

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39

Paré, Joseph. "Keïta! L’héritage du griot : l’esthétique de la parole au service de l'image." Cinémas 11, no. 1 (2007): 45–59. http://dx.doi.org/10.7202/024833ar.

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RÉSUMÉ Le film de Dani Kouyaté Keïta! L'héritage du griot (1995) participe d'une esthétique de la réutilisation, c'est-à-dire qu'il réutilise l'esthétique africaine traditionnelle. C'est que le personnage du griot permet au réalisateur de rendre complémentaires les possibles narratifs. Notre propos est de mettre en relief la manière dont l'oralité prend en charge la narration, de dégager les codes narratifs et l'archéologie du discours qui en sont le modulateur. Cette oralité n'étant pas simplement un élément d'apparat, il s'opère une médiation entre la parole et l'image, une médiation qui per

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40

Belcher, Stephen. "Studying Griots: Recent Work in Mande Studies." African Studies Review 47, no. 3 (2004): 172–86. http://dx.doi.org/10.1017/s000202060003050x.

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41

Kempadoo, R. "Amendments: Digital Griots as Traces of Resistance." Small Axe: A Caribbean Journal of Criticism 13, no. 1 (2009): 181–91. http://dx.doi.org/10.1215/07990537-2008-014.

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42

Hitchcock, Peter. "Risking the Griot's eye: Decolonisation and Contemporary African Cinema." Social Identities 6, no. 3 (2000): 263–84. http://dx.doi.org/10.1080/13504630050137624.

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43

Pénel, Jean-Dominique. "Jean Rouch : le « griot français »." Hermès 48, no. 2 (2007): 68. http://dx.doi.org/10.4267/2042/24100.

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44

Searle, Chris. "Basil Davidson: an English griot." Race & Class 36, no. 2 (1994): 45–57. http://dx.doi.org/10.1177/030639689403600204.

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45

Diawara, Manthia. "The Song of the Griot." Transition, no. 74 (1997): 16. http://dx.doi.org/10.2307/2935371.

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46

Smith, Pamela Olubunmi, and Chinweizu. "Voices from Twentieth-Century Africa: Griots and Towncriers." World Literature Today 64, no. 1 (1990): 179. http://dx.doi.org/10.2307/40146052.

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47

Tomaselli, Keyan, and Phebbie Sakarombe. "Griots, satirical columns, and the micro-public sphere." Journal of African Media Studies 7, no. 3 (2015): 315–27. http://dx.doi.org/10.1386/jams.7.3.315_1.

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48

Panzacchi, Cornelia. "The livelihoods of traditional griots in modern Senegal." Africa 64, no. 2 (1994): 190–210. http://dx.doi.org/10.2307/1160979.

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The article represents an overview of the activities of members of the géwél caste, or Wolof griots, in present-day Senegal. While seemingly little has changed in areas where traditional ways of life are still dominant, in the westernised urban culture many traditional artists have learned to cope with the use of mass media. Far from being threatened by extinction, traditional artists and historians have managed to adapt their art to the requirements of modern life and to make it accessible to a wider audience.

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49

Keim, Curtis A., and Jan Jansen. "The Griot's Craft: An Essay on Oral Tradition and Diplomacy." International Journal of African Historical Studies 34, no. 2 (2001): 417. http://dx.doi.org/10.2307/3097494.

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50

Gray, Christopher, Claude Gilaizeau, S. Pierre Yameogu, et al. "Keita: The Heritage of the Griot." American Historical Review 101, no. 4 (1996): 1144. http://dx.doi.org/10.2307/2169640.

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